The Jazz Scene series (10 inch LP)
Lester Young (tenor saxophone) Nat King Cole (piano) Buddy Rich (drums)
Radio Recorders, Hollywood, CA, March-April, 1946
| 354-1 | 62VK226 | I Want To Be Happy
|
Sonny Berman, Conrad Gozzo (trumpet) Bill Harris, Ollie Wilson (trombone) Vincent DeRosa (French horn) Harry Klee, Hal McKusick (alto saxophone, clarinet, flute) Herbie Steward, Lucky Thompson (tenor saxophone) Chuck Gentry (baritone saxophone) Dodo Marmarosa (piano) Arvin Garrison (guitar) Red Callender (bass) Don Lamond (drums) Ralph Burns (arranger, director)
Los Angeles, CA, October, 1946
Sonny Berman, Pete Candoli, Conrad Gozzo, Al Killian, Dale Pearce (trumpet) Bill Harris, Ed Kusby, Ollie Wilson (trombone) Vincent DeRosa, Evan Hall (French horn) Harry Klee (flute, clarinet, alto saxophone) Julius Jacobs (oboe) Robert Swanson (bassoon) Arthur Fleming (contrabassoon) Hal McKusick (alto saxophone) Herbie Steward, Lucky Thompson (tenor saxophone) Chuck Gentry (baritone saxophone, bass clarinet) Harry Bluestone, Robert Jamison, Carl Walker (violin) Arthur Krafton (cello) Dodo Marmarosa (piano) Arvin Garrison (guitar) Red Callender (bass) Don Lamond (drums) Jackie Mills, Jimmy Pratt (percussion) George Handy (arranger, director)
Willie Smith (alto saxophone) Dodo Marmarosa (piano) Barney Kessel (guitar) Red Callender (bass) Jo Jones (drums)
Los Angeles, CA, circa November, 1947
| 1508 | 233 | 1900 | Sophisticated Lady
|
Doug Mettome, Al Porcino, Ray Wetzel (trumpet) Bill Harris (trombone) Bart Varsalona (bass trombone) Vincent Jacobs (French horn) John LaPorta (clarinet) Sonny Salad, Murray Williams (alto saxophone) Charlie Parker (alto saxophone -1) Pete Mondello, Flip Phillips (tenor saxophone) Manny Albam (baritone saxophone) Manny Fidler, Sid Harris, Sam Kaplan, Harry Katzman, Gene Orloff, Ziggy Smirnoff (violin) Nat Nathanson, Fred Ruzilla (viola) Joe Benaventi (cello) Tony Aless (piano) Curly Russell (bass) Shelly Manne (drums) Diego Ibarra (congas, bongos) Neal Hefti (arranger, conductor)
NYC, December, 1947, fall 1948
| 1. 2071-5 | 62VK205 | Repetition
|
| 2. 2072 | Rhumbacito
|
Coleman Hawkins (tenor saxophone)
circa 1948 or January, 1945
Mario Bauza, Frank "Paquito" Davilla, Bob Woodlen (trumpet) Gene Johnson, Fred Skerritt (alto saxophone) Jose Madera, Flip Phillips (tenor saxophone) Leslie Johnakins (baritone saxophone) Rene Hernandez (piano) Roberto Rodriguez (bass) Luis Miranda (congas) Jose Mangual (bongos) Ubaldo Nieto (timbales) Machito (arranger, conductor)
NYC, January, 1949
Charlie Parker (alto saxophone) Hank Jones (piano) Ray Brown (bass) Shelly Manne (drums)
NYC, February 10, 1949
Bud Powell (piano) Ray Brown (bass) Max Roach (drums)
NYC, circa February, 1949
| 2199-1 | 244-1 | 62VK234 | Cherokee
|
Harry Carney (baritone saxophone) Billy Strayhorn (piano) Fred Guy (guitar) Oscar Pettiford (bass) Sonny Greer (drums) Duke Ellington (arranger) unidentified strings
NYC, 1949
** reissue of Mercury Jazz Scene.
Clef JATP series (10 inch LP)
Al Killan, Howard McGhee (trumpet) Charlie Parker, Willie Smith (alto saxophone) Lester Young (tenor saxophone) Arnold Ross (piano) Billy Hadnott (bass) Lee Young (drums)
"Philharmonic Auditorium", Los Angeles, CA, January 28, 1946
| 241 | 260 | Blues For Norman, Pt. 1
|
| 242 | 261 | Blues For Norman, Pt. 2
|
| 243 | 262 | I Can't Get Started, Pt. 1
|
| 244 | 263 | I Can't Get Started, Pt. 2
|
** reissue of Mercury MG 35003.
Dizzy Gillespie (trumpet) Al Killian (trumpet -3,4) Willie Smith (alto saxophone) Charlie Parker (alto saxophone -3,4) Charlie Ventura, Lester Young (tenor saxophone) Mel Powell (piano) Billy Hadnott (bass) Lee Young (drums)
"Philharmonic Auditorium", Los Angeles, CA, January 28, 1946
| 1. 411 | 266 | Crazy Rhythm, Pt. 1
|
| 2. 412 | 267 | Crazy Rhythm, Pt. 2
|
| 3. 413 | 268 | Sweet Georgia Brown, Pt. 1
|
| 4. 414 | 269 | Sweet Georgia Brown, Pt. 2
|
** reissue of Mercury MG 35004.
J.J. Johnson (trombone) Illinois Jacquet, Jac McVea (tenor saxophone) Nat King Cole (piano) Les Paul (guitar) Johnny Miller (bass) Lee Young (drums)
"Philharmonic Auditorium", Los Angeles, CA, July 2, 1944
| 458V22 | 248 | Lester Leaps In, Pt. 1
|
| 459V23 | 249 | Lester Leaps In, Pt. 2
|
| 460V24 | 250 | Lester Leaps In, Pt. 3
|
| 455V17 | 251 | Blues, Pt. 1
|
| 456V18 | 252 | Blues, Pt. 2
|
| 457V19 | 253 | Blues, Pt. 3
|
** reissue of Mercury MG 35005.
J.J. Johnson (trombone) Illinois Jacquet, Jac McVea (tenor saxophone) Nat King Cole (piano) Les Paul (guitar) Johnny Miller (bass) Lee Young (drums): same session
"Philharmonic Auditorium", Los Angeles, CA, July 2, 1944
| D725 | 254 | Body And Soul, Pt. 1
|
| D726 | 255 | Body And Soul, Pt. 2
|
| D727 | 256 | Body And Soul, Pt. 3
|
| D728 | 257 | Body And Soul, Pt. 4
|
Shorty Sherock (trumpet) Illinois Jacquet, Jac McVea (tenor saxophone) Nat King Cole (piano) Les Paul (guitar) Red Callender, Johnny Miller (bass) Lee Young (drums)
| D720B | 258 | Rosetta, Pt. 1
|
| D721B | 259 | Rosetta, Pt. 2
|
J.J. Johnson (trombone) replaces Sherock
** reissue of Mercury MG 35006.
Buck Clayton (trumpet) Charlie Parker (alto saxophone) Coleman Hawkins, Lester Young (tenor saxophone) Kenny Kersey (piano) Billy Hadnott (bass) Buddy Rich (drums)
"Embassy Auditorium", Los Angeles, CA, April 22, 1946
| 1929 | 101 | JATP Blues, Pt. 1
|
| 1930 | 102 | JATP Blues, Pt. 2
|
| 1931 | 103 | JATP Blues, Pt. 3
|
| 1932 | 104 | JATP Blues, Pt. 4
|
| 1933 | 133 | Slow Drag, Pt. 1
|
| 1934 | 134 | Slow Drag, Pt. 2
|
** reissue of Mercury MG 35007.
J.J. Johnson (trombone) Illinois Jacquet, Jac McVea (tenor saxophone) Nat King Cole (piano) Les Paul (guitar) Johnny Miller (bass) Lee Young (drums)
"Philharmonic Auditorium", Los Angeles, CA, July 2, 1944
| JP1 | 1935 | 123 | Tea For Two, Pt. 1
|
| JP2 | 1936 | 124 | Tea For Two, Pt. 2
|
| JP3 | 1937 | 125 | Tea For Two, Pt. 3
|
| JP4 | 1938 | 126 | Tea For Two, Pt. 4
|
Shorty Sherock (trumpet) Illinois Jacquet, Jac McVea (tenor saxophone) Nat King Cole (piano) Les Paul (guitar) Red Callender, Johnny Miller (bass) Lee Young (drums)
| JP6 | 1939 | 120 | I've Found A New Baby, Pt. 1
|
| JP7 | 1940 | 121 | I've Found A New Baby, Pt. 2
|
| JP8 | 122 | I've Found A New Baby, Pt. 3
|
** reissue of Mercury MG 35008.
Howard McGhee (trumpet) Bill Harris (trombone) Illinois Jacquet, Flip Phillips (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Jo Jones (drums)
"Carnegie Hall", NYC, September 27, 1947
| 1884/1886 | 186/188 | Perdido, Pt. 1
|
| 1887/1889 | 189/191 | Perdido, Pt. 2
|
** reissue of Mercury MG 35000.
Howard McGhee (trumpet) Bill Harris (trombone) Illinois Jacquet, Flip Phillips (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Jo Jones (drums): same session
"Carnegie Hall", NYC, September 27, 1947
| 2447/2449 | 192/194 | Mordido, Pt. 1
|
| 2450/2452 | 195/197 | Mordido, Pt. 2
|
** reissue of Mercury MG 35009.
Howard McGhee (trumpet) Bill Harris (trombone) Illinois Jacquet, Flip Phillips (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Jo Jones (drums): same session
"Carnegie Hall", NYC, September 27, 1947
| 2453/2456 | 200/203 | Endido
|
| 198/199 | I Surrender, Dear
|
** reissue of Mercury MG 35002.
Dizzy Gillespie (trumpet) Willie Smith (alto saxophone) Charlie Ventura, Lester Young (tenor saxophone) Mel Powell (piano) Billy Hadnott (bass) Lee Young (drums)
"Philharmonic Auditorium", Los Angeles, CA, January 28, 1946
| 309 | The Man I Love, Pt. 1
|
| 310 | The Man I Love, Pt. 2
|
| 311 | The Man I Love, Pt. 3
|
| 312 | The Man I Love, Pt. 4
|
| 313 | The Man I Love, Pt. 5
|
| 314 | The Man I Love, Pt. 6
|
** reissue of Mercury MG 35011.
Roy Eldridge (trumpet) Tommy Turk (trombone) Charlie Parker (alto saxophone) Flip Phillips, Lester Young (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Buddy Rich (drums)
"Carnegie Hall", NYC, September 18, 1949
| 382 | The Opener, Pt. 1
|
| 383 | The Opener, Pt. 2
|
| 384 | The Opener, Pt. 3
|
| 385 | 62VK228 | Lester Leaps In, Pt. 1
|
| 386 | 62VK229 | Lester Leaps In, Pt. 2
|
| 387 | Lester Leaps In, Pt. 3
|
** reissue of Mercury MG VOL.12.
Roy Eldridge (trumpet) Tommy Turk (trombone) Charlie Parker (alto saxophone) Flip Phillips, Lester Young (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Buddy Rich (drums): same session
"Carnegie Hall", NYC, September 18, 1949
| 388 | Embraceable You, Pt. 1
|
| 389 | Embraceable You, Pt. 2
|
| 390 | Embraceable You, Pt. 3
|
| 391 | The Closer, Pt. 1
|
| 392 | The Closer, Pt. 2
|
| 393 | The Closer, Pt. 3
|
** reissue of Mercury MG VOL.13.
Buck Clayton (trumpet) Charlie Parker (alto saxophone) Willie Smith (alto saxophone -1/3) Coleman Hawkins, Lester Young (tenor saxophone) Kenny Kersey (piano) Irving Ashby (guitar -1/3) Billy Hadnott (bass) Buddy Rich (drums)
"Embassy Auditorium", Los Angeles, CA, April 22, 1946
| 1. 625 | I Got Rhythm, Pt. 1
|
| 2. 626 | I Got Rhythm, Pt. 2
|
| 3. 627 | I Got Rhythm, Pt. 3
|
| 4. 628 | I Surrender, Dear, Pt. 1
|
| 5. 629 | I Surrender, Dear, Pt. 2
|
| 6. 630 | I Surrender, Dear, Pt. 3
|
** reissue of Mercury MG VOL.14.
Clef 100 series (10 inch LP)
Hank Jones (piano)
probably NYC, September-October, 1947
| 601 | 236 | 1965-1 | The Night We Called It A Day
|
| 602 | 237 | 1964-1 | Yesterdays
|
| 603 | 238 | 1966-1 | You're Blase
|
| 604 | 239 | 1963-1 | Tea For Two
|
| 605 | 240 | 1967-1 | Blues For Lady Day
|
| 606 | 241 | 1968-1 | Blue Room
|
** reissue of Mercury MG 25022.
Mitch Miller (oboe, English horn) Charlie Parker (alto saxophone) Bronislaw Gimpel, Max Hollander, Milton Lomask (violin) Frank Brieff (viola) Frank Miller (cello) Meyer Rosen (harp) Stan Freeman (piano) Ray Brown (bass) Buddy Rich (drums) Jimmy Carroll (arranger, conductor)
Reeves Sound Studios, NYC, November 30, 1949
| 319-5 | 62VK204 | Just Friends
|
| 320-3 | Everything Happens To Me
|
| 321-3 | April In Paris
|
| 322-2 | Summertime
|
| 323-2 | I Didn't Know What Time It Was
|
| 324-3 | If I Should Lose You
|
** reissue of Mercury MG 35010.
Bud Powell (piano) Ray Brown (bass) Max Roach (drums)
NYC, January-February, 1949
| 2174-5 | 242-5 | Tempus Fugit
|
| 2175-3 | 243-3 | Celia
|
Bud Powell (piano) Ray Brown (bass -2,3) Max Roach (drums -2,3)
NYC, February-May, 1949
| 1. 2406-1 | 245-1 | I'll Keep Loving You
|
| 2. 2407-4 | 246-4 | Strictly Confidential
|
| 3. 2408-3 | 247-3 | All God's Chillun Got Rhythm
|
Bud Powell (piano)
NYC, February, 1950
** reissue of Mercury MG 35012.
Lu Watters (trumpet) Don Noakes (trombone) Bob Helm (clarinet) Wally Rose (piano) Pat Patton (banjo) Clancy Hayes (banjo, vocals) Dick Lammi (bass, tuba) Bill Dart (drums)
"Hambone Kelly's", El Cerrito, CA, January 15, 1950
| 330-2 | Sage Hen Strut
|
| 331-1 | Skid-Da-De-Dat
|
| 333-1 | Antigua Blues
|
| 336-1 | When The Saints Go Marching In
|
| 337 | Emperor Norton's Hunch
|
| 340 | Copenhagen
|
** reissue of Mercury MG 35013.
Lester Young (tenor saxophone) Nat King Cole (piano) Buddy Rich (drums)
Radio Recorders, Hollywood, CA, March-April, 1946
| 348-1 | Back To The Land (edited version)
|
| 349-2 | I Cover The Waterfront
|
| 350-2 | Somebody Loves Me
|
| 351-1 | I've Found A New Baby
|
** reissue of Mercury MGC 104 (alt.).
Flip Phillips (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Buddy Rich (drums)
NYC, March, 1950
| 360-5 | Lover
|
| 361-1 | Don't Take Your Love From Me
|
| 362-2 | Flip's Boogie
|
| 363-1 | Feelin' The Blues
|
| 364-1 | Lover Come Back To Me
|
| 365-3 | Blue Room
|
** reissue of Mercury MG 25023.
Oscar Peterson (piano) Ray Brown (bass)
NYC, March, 1950
| 375-1 | They Didn't Believe Me
|
| 376-3 | Lover Come Back To Me
|
| 377-1 | Where Or When
|
| 378-3 | Three O'Clock In The Morning
|
| 379-1 | All The Things You Are
|
| 380-1 | Oscar's Blues
|
** reissue of Mercury MGC 106.
Oscar Peterson (piano) Ray Brown (bass) Buddy Rich (drums)
"Carnegie Hall", NYC, September 18, 1949
| I Only Have Eyes For You
|
| Fine And Dandy
|
| Carnegie Blues
|
** reissue of Mercury MGC 107.
Lester Young (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Buddy Rich (drums)
NYC, March, 1950
| 366-2 | Too Marvelous For Words
|
| 368-4 | Encore
|
| 369-2 | Polka Dots And Moonbeams
|
| 370-2 | 62VK227 | Up 'N' Adam
|
Lester Young (tenor saxophone) John Lewis (piano) Joe Shulman (bass) Bill Clark (drums)
NYC, July, 1950
| 430-1 | Three Little Words
|
| 433-4 | Neenah
|
Lester Young (tenor saxophone) John Lewis (piano) Gene Ramey (bass) Jo Jones (drums)
NYC, January 16, 1951
| 485-1 | Undercover Girl Blues
|
| 486-3 | Frenesi
|
** reissue of Mercury MGC 108.
Howard McGhee (trumpet) Flip Phillips (tenor saxophone) Hank Jones (piano) Ray Brown (bass) J.C. Heard (drums)
NYC, circa September-October, 1947
| 607D | 229 | Cake
|
| 608E | 230 | 1895 | Znarg Blues
|
| 609B | 231 | 1896 | My Old Flame
|
| 610D | 232 | Cool
|
John D'Agostino, Buddy Morrow, Tommy Turk, Kai Winding (trombone) Sonny Criss (alto saxophone) Flip Phillips (tenor saxophone) Mickey Crane (piano) Ray Brown (bass) Shelly Manne (drums)
NYC or Los Angeles, CA, February 11 or September 26, 1949
| 2540 | 290-4 | By The Lazy River
|
Billy Butterfield (trumpet) Bennie Green (trombone) Pete Mondello (alto saxophone) Flip Phillips (tenor saxophone) Mickey Crane (piano) Sam Bruno (bass) Max Roach (drums)
NYC, August 29, 1949
| 280-6 | This Can't Be Love
|
| 281-2 | Cookie
|
Bill Harris (trombone) Flip Phillips (tenor saxophone) Dick Hyman (piano) Gene Ramey (bass) Jo Jones (drums)
NYC, March 8, 1951
** reissue of Mercury MGC 109 (alt.).
Oscar Peterson (piano) Ray Brown (bass)
NYC, March, 1950
Oscar Peterson (piano) Major Holley (bass)
NYC, May 8, 1950
| 394-1 | Little White Lies
|
| 400-1 | Get Happy
|
| 401-2 | Jumpin' With Symphony Sid
|
| 404-1 | Robbin's Nest
|
| 406-5 | Lover
|
| 407-3 | Exactly Like You
|
** reissue of Mercury MGC 110.
Nelson Williams (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Al Sears (tenor saxophone) Leroy Lovett (piano) Al McKibbon (bass) Sonny Greer (drums)
NYC, January 15, 1951
| 477-2 | You Blew Out The Flame In My Heart (Rabbit's Blues)
|
| 479-1 | Blue Fantasia
|
Emmett Berry (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Al Sears (tenor saxophone) Leroy Lovett (piano -1) Billy Strayhorn (piano -2) Lloyd Trotman (bass) Sonny Greer (drums)
NYC, March 3, 1951
| 1. 515-3 | 62VK240 | Castle Rock
|
| 2. 517-3 | Globetrotter
|
Emmett Berry (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Al Sears (tenor saxophone) Leroy Lovett (piano) Lloyd Trotman (bass) Joe Marshall (drums)
NYC, January 13, 1952
| 656-3 | Sideways
|
| 657-7 | A Pound Of Blues
|
| 659-2 | Who's Excited
|
same personnel
NYC, January 17, 1952
| 660-2 | Sweeping The Blues Away
|
** reissue of Mercury MGC 111.
Russell Jacquet, Joe Newman (trumpet) Ernie Henry (alto saxophone) Illinois Jacquet (tenor saxophone) Rudy Williams (baritone saxophone) Johnny Acea (piano) Leonard Gaskin (bass) Lee Abrams (drums)
Los Angeles, CA, January 18, 1951
| 494-4 | Later For The Happenin'
|
Illinois Jacquet (tenor saxophone) Carl Perkins (piano) Oscar Moore (guitar) Red Callender (bass) J.C. Heard (drums)
| 497-1 | Speedliner
|
| 499-5 | Pastel
|
| 500-2 | All Of Me
|
Illinois Jacquet (tenor saxophone) Hank Jones (piano) John Collins (guitar) Gene Ramey (bass) Art Blakey (drums)
NYC, May 24, 1951
| 548-2 | Wrap Your Troubles In Dreams
|
| 549-2 | Cotton Tail
|
| 550-3 | Weary Blues
|
| 551-4 | Groovin'
|
** reissue of Mercury MGC 112.
Roy Eldridge (trumpet) Buddy Tate (tenor saxophone) Teddy Brannon (piano) Clyde Lombardi (bass) Charlie Smith (drums)
NYC, August, 1951
| 579-6 | Baby, What's The Matter With You
|
| 580-6 | Yard Dog
|
| 581-3 | Sweet Lorraine
|
| 582-5 | Jumbo The Elephant
|
Roy Eldridge (trumpet) George Williams (director) unidentified orchestra
NYC, December, 1951
| 644-6 | Basin Street Blues
|
| 645-2 | I Remember Harlem
|
| 646-4 | Easter Parade
|
| 647-3 | I See Everybody's Baby
|
** reissue of Mercury MGC 113.
Al Killian, Irving Lewis, Everett McDonald, Shorty Rogers (trumpet) Art Robey (trumpet, vocals) Frank Bradley, Burt Johnson, Tommy Pederson, Phil Washburne (trombone) Gus McReynolds, Frank Papalardo (alto saxophone) Kurt Bloom, Don Raeffel (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Billy Miller (piano) Barney Kessel (guitar) Ed Mihelich (bass) George Jenkins (drums)
Los Angeles, CA, February 3, 1947
James Campbell, Joe Graves, Dave Nichols, Jimmy Nottingham, Clark Terry (trumpet) Walt Benson, Porky Cohen, Fred Zito (trombone) Frank Papalardo, Walt Weidler (alto saxophone) Kurt Bloom, Jack Henderson (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Bill Miller (piano) Bob Bain (guitar) Frank Siravo (bass) Dick Shanahan (drums) Bunny Briggs, Jean Louise (vocals)
NYC, August 25, 1947
| AP3133 | 741-1 | Jubilee Jump
|
omit Briggs, Louise
Los Angeles, CA, September 2, 1947
| AP3157 | 744-2 | Deep Purple
|
James Campbell, Joe Graves, Jimmy Nottingham, Doc Severinsen, Clark Terry (trumpet) Walt Benson, Porky Cohen, Fred Zito (trombone) Walter Weidler, Wolfgang Weidler (alto saxophone) Kurt Bloom, Bud Shank (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Claude Williamson (piano) unknown (guitar) Don Totsi (bass) Dick Shanahan (drums) Bunny Briggs (vocals) Billy May (arranger)
NYC, November 30, 1947
| AP3194 | 746-2 | Southern Fried
|
| AP3196 | 742-1 | Charleston Alley
|
| AP3197 | 743-3 | Gal From Joe's
|
Johnny Cappola, Dick Collins, Carlton McBeath, Al Del Simone (trumpet) Ziggy Elmer, Lewis McCreary, Dave Wells (trombone) Rene Bloch, Dick Meldonian (alto saxophone) Bill Holman, Eddie Wasserman (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Claude Williamson (piano) Ed Mihelich (bass) John Markham (drums)
Los Angeles, CA, March 5, 1951
| 747-2 | Cherokee
|
| 748-1 | Skyliner
|
** reissue of Mercury MGC 114.
possibly Tony Miranda (French horn) possibly Danny Bank (flute) Lee Konitz (alto saxophone) Ralph Burns (piano, arranger) Ray Brown (bass) Jo Jones (drums) unidentified strings
NYC, August 7, 1951
| 601 | Places Please
|
| 602 | Tantallon
|
| 603 | Terrisita
|
| 604 | Cameo
|
| 605 | Someday Somewhere
|
| 606 | Spring Is
|
| 607 | Lileth
|
| 608 | Vignette At Verney's
|
** reissue of Mercury MGC 115.
Oscar Peterson (piano, vocals) Barney Kessel (guitar) Ray Brown (bass) Alvin Stoller (drums)
Los Angeles, CA, February 26, 1952
| 701-1 | The Astaire Blues
|
| 706-1 | Stompin' At The Savoy
|
** reissue of Mercury MGC 116.
Conte Candoli (trumpet) Charlie Ventura (tenor, baritone, bass saxophone) Jimmy Wisner (piano) Ace Tesone (bass) Louis "Chick" Kenny (drums)
NYC, March 7, 1951
| 523-6 | Avalon
|
| 524-1 | I'm Confessin'
|
| 525-9 | Bugle Call Rag
|
| 527-6 | That Old Feeling
|
Charlie Ventura (tenor saxophone) Marty Napoleon (piano) Chubby Jackson (bass) Buddy Rich (drums)
NYC, August 8, 1951
| 597-11 | After You've Gone
|
| 598-1 | Love Is Just Around The Corner
|
| 599-3 | Old Man River
|
| 600-6 | O.H. Blues
|
** reissue of Mercury MGC 117.
Charlie Shavers (trumpet) Flip Phillips (tenor saxophone) Oscar Peterson (piano) Barney Kessel (guitar) Ray Brown (bass) Alvin Stoller (drums) Billie Holiday (vocals)
Radio Recorders, Hollywood, CA, March 26, 1952
| 764-3 | East Of The Sun
|
| 765-1 | Blue Moon
|
| 766-1 | You Go To My Head
|
| 767-2 | You Turned The Tables On Me
|
| 768-1 | Easy To Love
|
| 769-3 | These Foolish Things
|
| 770-3 | I Only Have Eyes For You
|
| 771-1 | Solitude
|
** reissue of Mercury MGC 118.
Oscar Peterson (piano) Irving Ashby (guitar) Ray Brown (bass)
Los Angeles, CA, January 26, 1952
| 692-2 | You Go To My Head
|
| 693-3 | They Can't Take That Away From Me
|
| 694-3 | There's A Small Hotel
|
| 695-2 | You Turned The Tables On Me
|
| 696-1 | These Foolish Things
|
| 697-2 | I Can't Get Started
|
| 698-1 | Blue Moon
|
| 699-2 | East Of The Sun
|
** reissue of Mercury MGC 119.
Paul Campbell, Wendell Culley, Joe Newman, Charlie Shavers (trumpet) Henry Coker, Benny Powell, Jimmy Wilkins (trombone) Marshall Royal (alto saxophone, clarinet) Ernie Wilkins (alto, tenor saxophone) Floyd Johnson, Paul Quinichette (tenor saxophone) Charlie Fowlkes (baritone saxophone) Count Basie (piano) Freddie Green (guitar) Jimmy Lewis (bass) Gus Johnson (drums) Neal Hefti (arranger)
NYC, January 17, 1952
| 665-4 | New Basie Blues
|
| 666-4 | Sure Thing
|
| 667-2 | Why Not
|
| 668-4 | Fawncy Meeting You
|
add Sy Oliver (arranger)
NYC, January 25, 1952
| 688-6 | Jive At Five
|
| 691-5 | Every Tub
|
Paul Campbell, Wendell Culley, Reunald Jones, Joe Newman (trumpet) Henry Coker, Benny Powell, Jimmy Wilkins (trombone) Marshall Royal (alto saxophone, clarinet) Ernie Wilkins (alto, tenor saxophone, arranger) Eddie "Lockjaw" Davis, Paul Quinichette (tenor saxophone) Charlie Fowlkes (baritone saxophone) Count Basie (piano, organ) Freddie Green (guitar) Jimmy Lewis (bass) Gus Johnson (drums) Bixie Crawford (vocals -2) Buck Clayton, Andy Gibson, Buster Harding, Nat Pierce, Don Redman, A.K. Salim (arranger)
NYC, July 22 & 23, 1952
| 1. 825-2 | Hob Nail Boogie
|
| 2. 827-3 | Paradise Squat
|
** reissue of Mercury MGC 120.
Charlie Ventura (tenor, baritone saxophone) Teddy Napoleon (piano) Gene Krupa (drums)
NYC, March 19, 1952
| 725-1 | St. Louis Blues
|
| 727-1 | Please Don't Talk About Me When I'm Gone
|
| 728-1 | Stardust
|
| 729-1 | Perdido
|
| 731-3 | Fine's Idea
|
| 732-5 | 62VK231 | 63VK629 | Drum Boogie
|
** reissue of Mercury MGC 121.
Sonny Criss (alto saxophone) Hampton Hawes (piano) Iggy Shevack (bass) Chuck Thompson (drums)
Los Angeles, CA, September 22, 1949
| 272-6 | Colidad
|
| 273-4 | Tornade
|
| 274-1 | The First One
|
| 275-3 | Blues For The Boppers
|
Leonard Hawkins (trumpet) Frank Rosolino, Tommy Turk (trombone) Flip Phillips (tenor saxophone) Cecil Payne (baritone saxophone) Mickey Crane (piano) Ray Brown (bass) Buddy Rich (drums)
NYC, December 1, 1949
| 315-4 | Two By Four
|
| 316-3 | Bye Bye Blues
|
| 317-2 | Encore
|
| 318-2 | The Beat
|
** reissue of Mercury MGC 122.
George Girard (trumpet) Santo Pecora (trombone) Pete Fountain (clarinet) Armand Hug (piano) John Sinac (bass) Santo Pecora (drums)
New Orleans, LA, June, 1950
| 416-2 | Listen
|
| 417-4 | March Of The Mardi Gras
|
| 418-2 | My Lou'siana
|
| 419-2 | Mahogany Hall Stomp
|
George Girard (trumpet) Santo Pecora (trombone) Pete Fountain (clarinet) Fred Laudeman (piano) Lou Massenter (bass) Eddie Grady (drums)
New Orleans, LA, 1950
| 356-1 | Canal Street Romp
|
| 357-2 | Basin Street Blues
|
| 358-2 | 12th Street Rag
|
| 359-3 | Rose Of The Rio Grande
|
** reissue of Mercury MGC 123.
Lester Young (tenor saxophone) Hank Jones (piano) Ray Brown (bass) Buddy Rich (drums)
NYC, March, 1950
Lester Young (tenor saxophone) John Lewis (piano) Joe Shulman (bass) Bill Clark (drums)
NYC, July, 1950
Lester Young (tenor saxophone) John Lewis (piano) Gene Ramey (bass) Jo Jones (drums)
NYC, January 16, 1951
| 483-2 | Thou Swell
|
| 488-2 | Little Pee Blues
|
same personnel
NYC, March 8, 1951
| 529-3 | A Foggy Day
|
| 530-1 | In A Little Spanish Town
|
| 531-1 | Let's Fall In Love
|
| 532-2 | Down 'N Adam
|
** reissue of Mercury MGC 124.
Eddie Bert, Bill Harris, Ollie Wilson (trombone) Bart Varsalona (bass trombone) Jack Greenberg, Sam Marowitz, Pete Mondello, Murray Williams (saxophones) Ralph Burns (piano) Chubby Jackson (bass) Don Lamond (drums)
NYC, January 15, 1952
| 648-2 | You're Blase
|
| 649-1 | Bill Not Phil
|
| 650-3 | D'Anjou
|
| 651-4 | Imagination
|
Chuck Frankenhouser, Bernie Glow, Neal Hefti, Al Porcino, Nick Travis (trumpet) Eddie Bert, Vernon Friley, Bill Harris (trombone) Bart Varsalona (bass trombone) George Berg, Sam Marowitz, Hal McKusick, Pete Mondello, Murray Williams (saxophones) Ralph Burns (piano) Sam Herman (guitar) Clyde Lombardi (bass) Tiny Kahn (drums)
NYC, March 19, 1952
| 733-6 | Blackstrap
|
| 734-1 | Gloomy Sunday
|
| 735-4 | Bijou
|
| 736-2 | Poogerini
|
** reissue of Mercury MGC 125.
Dick Hyman (piano) Slim Gaillard (guitar, vocals) Ernie Shepard (bass, vocals) Herbie Lovelle (drums) Pepe Benque (bongos)
NYC, March 5, 1951
| 519-2 | Laughing In Rhythm
|
| 520-2 | Soony Roony
|
Buddy Tate (tenor saxophone) Maceo Williams (piano) Slim Gaillard (guitar, vocals) Clyde Lombardi (bass) Charlie Smith (drums)
NYC, May 25, 1951
Harry Carney or Cecil Payne (baritone saxophone) Slim Gaillard as Bulee Gaillard (guitar, vocals) unidentified strings, and others
NYC, January 24, 1952
| 684-2 | St. Louis Blues
|
| 685-1 | I Know What To Do
|
| 686-3 | Tax Payer's Blues
|
| 687-2 | Eatin' With The Boogie
|
** reissue of Mercury MGC 126.
Oscar Peterson (piano) Ray Brown (bass)
NYC, August, 1950
| 454-1 | Squatty Roo
|
| 458-1 | Salute To Garner
|
| 459-2 | I Get A Kick Out Of You
|
| 460-2 | What's New
|
| 461-1 | Dark Eyes
|
same personnel
NYC, January 19, 1951
Oscar Peterson (piano, vocals) Barney Kessel (guitar) Ray Brown (bass)
Los Angeles, CA, November 25, 1951
| 635-5 | Until The Real Thing Comes Along
|
Oscar Peterson (piano, vocals) Barney Kessel (guitar) Ray Brown (bass) Alvin Stoller (drums -1)
Los Angeles, CA, February 26, 1952
| 1. 707-2 | Rough Ridin'
|
| 2. 710-1 | But Not For Me
|
** reissue of Mercury MGC 127.
Emmett Berry (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Al Sears (tenor saxophone) Leroy Lovett (piano) Lloyd Trotman (bass) Sonny Greer (drums)
NYC, February 28, 1951
| 512-3 | 62VK241 | Jeep's Blues
|
Joe Marshall (drums) replaces Greer
NYC, January 17, 1952
Barney Richmond (bass) replaces Trotman
San Francisco, CA, March 25, 1952
| 760-4 | Tenderly
|
| 762-3 | Duke's Blues, Pt. 1&2
|
| 763-6 | Tea For Two
|
Emmett Berry (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Flip Phillips (tenor saxophone) Leroy Lovett or Teddy Brannon (piano) Red Callender (bass) J.C. Heard (drums) Al Hibbler (vocals)
San Francisco, CA, July 17, 1952
Ben Webster (tenor saxophone) Leroy Lovett (piano) replaces Phillips, Lovett or Brannon
Los Angeles, CA, July 22, 1952
** reissue of Mercury MGC 128.
Joe Newman (trumpet) Russell Jacquet (trumpet, vocals) Ernie Henry (alto saxophone) Illinois Jacquet (tenor saxophone) Rudy Williams (baritone saxophone) Johnny Acea (piano) Leonard Gaskin (bass) Lee Abrams (drums)
Los Angeles, CA, January 18, 1951
| 496-1 | On The Sunny Side Of The Street
|
Illinois Jacquet (tenor saxophone) Hank Jones (piano) John Collins (guitar) Gene Ramey (bass) Art Blakey (drums)
NYC, May 24, 1951
Russell Jacquet, Joe Newman, Elmon Wright, Lammar Wright (trumpet) Henry Coker, Matthew Gee (trombone) Ernie Henry, Earl Warren (alto saxophone) Lowell Hastings, Illinois Jacquet (tenor saxophone) Cecil Payne (baritone saxophone) John Acea (piano) Freddie Green (guitar) Al Lucas (bass) Shadow Wilson (drums) A.K. Salim (arranger)
NYC, March 21, 1952
| 754-7 | Bluesitis
|
| 755-3 | Swinging Home
|
Illinois Jacquet (tenor saxophone) Hank Jones (piano) Count Basie (organ) Freddie Green (guitar) Ray Brown (bass) Jimmy Crawford (drums)
NYC, July 22, 1952
| 818-4 | 62VK217 | Lean Baby
|
| 819-6 | Somewhere Along The Way
|
| 820-8 | The Cool Rage
|
| 821-3 | 62VK216 | Port Of Rico
|
** reissue of Mercury MGC 129.
Roy Eldridge (trumpet) Bill Harris (trombone) Budd Johnson (tenor saxophone) Cecil Payne (baritone saxophone) Ralph Burns (piano, arranger) Al McKibbon (bass) Don Lamond (drums) Anita O'Day (vocals)
NYC, January 22, 1952
| 671-2 | Lover Come Back To Me
|
| 672-3 | Lullaby Of The Leaves
|
| 673-1 | Rock And Roll Blues
|
| 674-2 | Love For Sale
|
Roy Kral (piano) Earl Backus (guitar) Johnny Frigo (bass) Red Lionberg (drums) Jimmy Wilson (bongos) Anita O'Day (vocals)
Chicago, IL, July, 1952
| 814-4 | No Soap, No Hope Blues
|
| 815-3 | Speak Low
|
| 816-5 | The Lady Is A Tramp
|
| 817-2 | Strawberry Moon
|
** also issued on Universal (J) UCCV 9120.
Mario Bauza, Doug Mettome, Jimmy Nottingham, Al Stewart, Nick Travis (trumpet) Eddie Bert, Vern Friley, Fred Zito (trombone) George Berg, Lenny Hambro, Ben Harrod (alto saxophone) Flip Phillips, Eddie Wasserman (tenor saxophone) Danny Bank (baritone saxophone) Rene Hernandez (piano) Roberto Rodriguez (bass) Don Lamond (drums) Luis Miranda (congas) Candido, Jose Mangual (bongos) Ubaldo Nieto (timbales) Chico O'Farrill (arranger, conductor)
NYC, 1951
| 563-3 | Avocadoes
|
| 564-2 | Taboo
|
| 565-3 | JATP Mambo
|
| 566-3 | Duerme
|
| 567-2 | Alemendra
|
| 568-1 | The Disappearance
|
| 569-2 | Cuban Blues
|
| 570-2 | Sin Titulo
|
Roy Eldridge, Al Porcino (trumpet) Eddie Bert, Bill Harris, Ollie Wilson (trombone) Bart Varsalona (bass trombone) Lenny Hambro, Charlie Kennedy (alto saxophone) Flip Phillips (tenor saxophone) Pete Mondello (baritone, tenor saxophone) Ralph Burns (piano) Billy Bauer (guitar) Ray Brown (bass) Jo Jones (drums) Chico O'Farrill (arranger, conductor)
NYC, August 7, 1951
| 593-3 | Dance One
|
| 594-3 | Bright One
|
| 595-3 | Flamingo
|
| 596-3 | Last One
|
Bernie Glow, Al Porcino, Dick Sherman, Al Stewart, Nick Travis (trumpet) Eddie Bert, Carl Elmer, Fred Zito (trombone) Lennie Hambro, Charlie Kennedy (alto saxophone) Flip Phillips, Eddie Wasserman (tenor saxophone) Danny Bank (baritone saxophone) Gene DiNovi (piano) Clyde Lombardi (bass) Don Lamond (drums) Chico O'Farrill (arranger, conductor)
NYC, March 24, 1952
| 737-3 | Heat Wave
|
| 738-2 | It Ain't Necessarily So
|
| 739-3 | Guess What
|
| 740-2 | Cry Baby Blues
|
Flip Phillips (tenor saxophone) Mickey Crane (piano) Ray Brown (bass) Jo Jones (drums)
NYC, December 5, 1949
| 325-3 | Drowsy
|
| 326-12 | Vortex
|
| 328-1 | But Beautiful
|
Harry Edison (trumpet) Bill Harris (trombone) Flip Phillips (tenor saxophone) Hank Jones (piano) Billy Bauer (guitar) Ray Brown (bass) Buddy Rich (drums)
NYC, July 1, 1950
| 439-4 | Be Be
|
| 440-4 | Dream A Little Dream Of Me
|
Bill Harris (trombone) Flip Phillips (tenor saxophone) Dick Hyman (piano) Gene Ramey (bass) Jo Jones (drums)
NYC, March 8, 1951
| 537-5 | I've Got My Love To Keep Me Warm
|
Bill Harris (trombone) Flip Phillips (tenor saxophone) Lou Levy (piano) Jimmy Woode (bass, vocals) Joe McDonald (drums)
Los Angeles, CA, August 9, 1951
| 614-3 | Broadway
|
| 617-2 | Apple Honey
|
** reissue of Mercury MGC 133.
Arnold Ross (piano) Ed Mihelich (bass)
Los Angeles, CA, March 14, 1946
| 3001-3 | 221 | Bouncy
|
| 3002-2 | 222 | Moonglow
|
| 3003-3 | 223 | I Only Have Eyes For You
|
| 3004-1 | 224 | Laura
|
| 3005-1 | 225 | Whispering
|
| 3006-2 | 226 | Stompin' At The Savoy
|
| 3007-4 | 227 | No Enough Blues
|
| 3008-2 | 228 | Don't Blame Me
|
Lester Young (tenor saxophone) Nat King Cole (piano) Buddy Rich (drums)
Radio Recorders, Hollywood, CA, March-April, 1946
| 352-1 | The Man I Love
|
| 353-1 | Peg O' My Heart
|
| 354-1 | 62VK226 | I Want To Be Happy
|
| 355-1 | 62VK471 | Mean To Me
|
Dizzy Gillespie (trumpet) Guy Destanges, Andre Gosset, Rene "Benny" Vasseur (trombone) Rene Bigerille (flute) Robert Jeannoutot (oboe) Jean Louchez (bassoon) Albert Gillot (clarinet) Yvan Allouche, Maurice Elhan, Lionel Galt, Leon Locatelli, Octave Marchesini, Georges Mignot, Albert Mousseux, Roger Sanard, Jean Sauvage (violin) Gabriel Beauvais, Andre Saulnier (viola) Pierre Coddee, Georges Schwartz (cello) Bernard Galais (harp) Arnold Ross (piano) Jean-Jacques Tilche (guitar) Joe Benjamin (bass) Bill Clark (drums) Jo Boyer, Daniel White (arranger)
"Theatre Des Champs-Elysees", Paris, France, April 5, 1952
| 14789 | The Man I Love
|
| 14790 | Night And Day
|
| 14791 | Sweet And Lovely
|
| 14792 | My Old Flame
|
| 14793 | I Waited For You
|
| 14794 | Ghost Of A Chance
|
Stan Getz (tenor saxophone) Duke Jordan (piano) Jimmy Raney (guitar) Bill Crow (bass) Frank Isola (drums)
NYC, December 12, 1952
| 956-3 | Stella By Starlight
|
| 957-3 | Time On My Hands
|
| 958-9 | 'Tis Autumn
|
| 959-1 | The Way You Look Tonight
|
| 960-3 | Lover Come Back To Me
|
| 961-2 | Body And Soul
|
| 962-6 | Stars Fell On Alabama
|
| 963-6 | You Turned The Tables On Me
|
** also issued on Universal (J) UCCV 9048.
Buddy Tate (tenor saxophone) Maceo Williams (piano) Slim Gaillard (guitar, vocals) Clyde Lombardi (bass) Charlie Smith (drums)
NYC, May 25, 1951
add unknown (trumpet) Bennie Green (trombone) unknown (alto saxophone)
NYC, August, 1951
| 583-2 | For You
|
| 585-3 | Yip Roc Heresy
|
| 586-1 | The Hip Cowboy
|
Slim Gaillard (guitar, vocals) and others
NYC, January, 1952
| 669-2 | I Only Have Eyes For You
|
| 670-3 | As You Are
|
Ben Webster (tenor saxophone) Cyril Hayes (piano) Slim Gaillard (guitar, vocals) Ray Brown (bass) Milt Jackson (drums)
NYC, December, 1952
| 1126-13 | Gomen Nasai (Forgive Me)
|
| 1127-3 | Potato Chips
|
Wayne Nichols, Al Porcino, Doc Severinsen, Charlie Shavers, Dick Sherman (trumpet) Dick Kenney, Obie Massingill, John Soltaine (trombone) Dick Paladino, Stan Seckler (alto saxophone) Kurt Bloom, Ray Norman (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Don Davidson (baritone saxophone) Hank Jones (piano) Mundell Lowe (guitar) Bob Peterson (bass) Don Lamond (drums) Al Cohn, Andy Gibson, Gene Roland (arranger)
NYC, July 9, 1952
| 853-5 | Durango
|
| 854-7 | St. Louis Blues
|
| 855-3 | Swingin' Down The Lane
|
| 856-5 | Who's Sorry Now
|
| 857-9 | Let's Blow The Blues
|
| 858-1 | Fur Trapper's Boogie
|
same personnel
NYC, July 10, 1952
| 859-3 | Rhubarb
|
| 862-8 | Wosey Posey
|
Teddy Wilson (piano) John Simmons (bass) Buddy Rich (drums)
NYC, December 16, 1952
| 985-1 | The One I Love
|
| 986-1 | Darn That Dream
|
| 987-4 | Tea For Two
|
| 988-3 | Lady Be Good
|
Teddy Wilson (piano) Aaron Bell (bass) Denzil Best (drums)
NYC, April 13, 1953
| 1200-4 | Emaline
|
| 1201-2 | Tenderly
|
| 1202-5 | Everything Happens To Me
|
| 1203-1 | Liza
|
Benny Carter (alto saxophone) Oscar Peterson (piano) Barney Kessel (guitar) Ray Brown (bass) Buddy Rich (drums)
Reeves Sound Studios, NYC, September 18, 1952
| 874-5 | Gone With The Wind
|
| 875-2 | I Got It Bad And That Ain't Good
|
| 876-9 | Long Ago And Far Away
|
| 877-3 | I've Got The World On A String
|
J.C. Heard (drums) replaces Rich
Radio Recorders, Hollywood, CA, December 4, 1952
| 938-2 | Street Scene
|
| 939-2 | Imagination
|
| 940-12 | Pick Yourself Up
|
| 941-3 | I Get A Kick Out Of You
|
Lionel Hampton (vibraphone) Oscar Peterson (piano) Ray Brown (bass) Buddy Rich (drums)
NYC, September 2, 1953
| 1289-2 | The Nearness Of You
|
| 1291-1 | Stompin' At The Savoy
|
Stan Getz (tenor saxophone) Duke Jordan (piano) Jimmy Raney (guitar) Bill Crow (bass) Frank Isola (drums)
NYC, December 29, 1952
| 1110-7 | Thanks For The Memory
|
| 1111-3 | How Deep Is The Ocean
|
| 1112-6 | Hymn Of The Orient
|
| 1113-1 | These Foolish Things
|
Bob Brookmeyer (valve trombone) Stan Getz (tenor saxophone) John Williams (piano) Bill Crow (bass) Al Levitt (drums)
NYC, April 16, 1953
| 1214-1 | Cool Mix
|
| 1215-5 | Rustic Hop
|
| 1216-1 | Have You Met Miss Jones
|
| 1217-2 | Erudition
|
Charlie Shavers (trumpet) Flip Phillips (tenor saxophone) Oscar Peterson (piano) Barney Kessel (guitar) Ray Brown (bass) J.C. Heard (drums) Billie Holiday (vocals)
Los Angeles, CA, April, 1952
| 787-3 | Tenderly
|
| 789-3 | (You Forgot To) Remember
|
Joe Newman (trumpet) Paul Quinichette (tenor saxophone) Oscar Peterson (piano, organ) Freddie Green (guitar) Ray Brown (bass) Gus Johnson (drums) Billie Holiday (vocals)
NYC, July 27, 1952
| 839-6 | My Man
|
| 840-4 | Lover Come Back To Me
|
| 841-3 | Stormy Weather
|
| 842-2 | Yesterdays
|
| 843-2 | He's Funny That Way
|
| 844-3 | I Can't Face The Music
|
** also issued on Universal (J) UCCV 9119.
Oscar Peterson (piano, vocals) Barney Kessel (guitar) Ray Brown (bass)
NYC, May 21, 1953
| 1230-1 | I'm Glad There Is You
|
| 1231-1 | Polka Dots And Moonbeams
|
| 1232-1 | One For My Baby
|
| 1233-3 | I Hear Music
|
| 1234-2 | Autumn In New York
|
| 1235-4 | I Can't Give You Anything But Love
|
| 1236-3 | Spring Is Here
|
| 1237-2 | The Things We Did Last Summer
|
Joe Newman (trumpet) Paul Quinichette (tenor saxophone) Count Basie (piano, organ) Freddie Green (guitar) Gene Ramey (bass) Buddy Rich (drums)
NYC, December 15, 1952
| 977-3 | Basie Beat
|
| 978-4 | She's Funny That Way
|
| 979-1 | Count's Organ Blues
|
| 980-1 | K.C. Organ Blues
|
| 981-7 | Blue And Sentimental
|
| 982-1 | Stan Shorthair
|
| 983-2 | As Long As I Live
|
| 984-4 | Royal Garden Blues
|
Charlie Shavers (trumpet) Bill Harris (trombone) Ben Webster (tenor saxophone) Teddy Wilson (piano) Herb Ellis (guitar) Ray Brown (bass) Gene Krupa (drums)
NYC, September 10, 1953
| 1310-5 | Midget
|
| 1311-3 | I'm Coming, Virginia
|
| 1312-3 | Payin' Them Dues Blues
|
| 1313-3 | Jungle Drums
|
| 1314-2 | Showcase
|
| 1315-5 | Swedish Schnapps (Swedish Pastry)
|
Paul Campbell, Wendell Culley, Joe Newman, Charlie Shavers (trumpet) Henry Coker, Benny Powell, Jimmy Wilkins (trombone) Marshall Royal (alto saxophone, clarinet) Ernie Wilkins (alto, tenor saxophone) Floyd Johnson, Paul Quinichette (tenor saxophone) Charlie Fowlkes (baritone saxophone) Count Basie (piano) Freddie Green (guitar) Jimmy Lewis (bass) Gus Johnson (drums) Neal Hefti, Sy Oliver (arranger)
NYC, January 25, 1952
| 689-5 | No Name
|
| 690-5 | Redhead
|
Paul Campbell, Wendell Culley, Reunald Jones, Joe Newman (trumpet) Henry Coker, Benny Powell, Jimmy Wilkins (trombone) Marshall Royal (alto saxophone, clarinet) Ernie Wilkins (alto, tenor saxophone, arranger) Eddie "Lockjaw" Davis, Paul Quinichette (tenor saxophone) Charlie Fowlkes (baritone saxophone) Count Basie (piano, organ) Freddie Green (guitar) Jimmy Lewis (bass) Gus Johnson (drums) Buck Clayton, Andy Gibson, Buster Harding, Nat Pierce, Don Redman, A.K. Salim (arranger)
NYC, July 22 & 23, 1952
| 822-6 | Jack And Jill
|
| 826-4 | Basie Talks
|
| 829-3 | Bunny
|
| 830-5 | Tippin' On The Q.T.
|
| 832-5 | Cash Box
|
| 833-4 | Bootsie
|
| 834-2 | Tom Whaley
|
Buddy DeFranco (clarinet) Kenny Drew (piano) Milt Hinton (bass) Art Blakey (drums)
NYC, April 15, 1953
same personnel
NYC, April 20, 1953
| 1218-6 | But Not For Me
|
| 1219-4 | When Your Lover Has Gone
|
| 1220-3 | The Things We Did Last Summer
|
** also issued on Norgran MGN 3.
Roy Eldridge (trumpet, vocals) Oscar Peterson (organ) Barney Kessel (guitar) Ray Brown (bass) J.C. Heard (drums)
NYC, December 13, 1952
| 1081-2 | Roy's Riff
|
| 1082-1 | Wrap Your Troubles In Dreams
|
| 1083-7 | 62VK207 | Rockin' Chair
|
| 1084-4 | Little Jazz
|
Roy Eldridge (trumpet) Oscar Peterson (organ) Barney Kessel (guitar) Ray Brown (bass) Jo Jones (drums)
NYC, April 20, 1953
| 1222-1 | Love For Sale
|
| 1223-5 | 62VK206 | Dale's Wail
|
| 1224-3 | The Man I Love
|
| 1225-2 | Oscar's Arrangement
|
Nelson Williams (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Al Sears (tenor saxophone) Leroy Lovett (piano) Al McKibbon (bass) Sonny Greer (drums)
NYC, January 15, 1951
| 478-3 | Something To Pad Your Foot To
|
| 480-2 | My Reward
|
Emmett Berry (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Al Sears (tenor saxophone) Leroy Lovett (piano) Lloyd Trotman (bass) Joe Marshall (drums)
NYC, January 13, 1952
Emmett Berry (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Ben Webster (tenor saxophone) Leroy Lovett (piano) Red Callender (bass) J.C. Heard (drums) Al Hibbler (vocals)
Los Angeles, CA, July 22, 1952
| 808-5 | Hodge Podge
|
| 809-1 | Jappa
|
Emmett Berry (trumpet) Lawrence Brown (trombone) Johnny Hodges (alto saxophone) Ben Webster, Rudy Williams (tenor saxophone) Ted Brannon (piano) Barney Richmond (bass) Al Walker (drums)
NYC, December 11, 1952
| 952-1 | Through For The Night
|
| 954-7 | The Sheik Of Araby
|
| 955-7 | Latino
|
** also issued on Norgran MGN 1.
Charlie Shavers (trumpet) Willie Smith (alto saxophone) Teddy Wilson (piano) Steve Jordan (guitar) Israel Crosby (bass) Gene Krupa (drums)
NYC, April 14, 1953
| 1204-3 | Capital Idea
|
| 1205-4 | Coronation Hop
|
| 1206-5 | Paradise
|
| 1207-11 | Overtime
|
Charlie Shavers (trumpet) Bill Harris (trombone) Ben Webster (tenor saxophone) Teddy Wilson (piano) Herb Ellis (guitar) Ray Brown (bass) Gene Krupa (drums)
NYC, September 10, 1953
| 1308-1 | Imagination
|
| 1309-1 | Don't Take Your Love From Me
|
** also issued on Universal (J) UCCV 9039.
Oscar Peterson (piano) Major Holley (bass)
NYC, May 8, 1950
| 403-1 | Deep Purple
|
| 405-1 | I'll Remember April
|
Oscar Peterson (piano) Ray Brown (bass)
NYC, August, 1950
| 467-2 | That's My Weakness Now
|
same personnel
NYC, January 19, 1951
| 502-6 | The Nearness Of You
|
| 505-1 | On The Alamo
|
| 506-3 | Lullaby Of The Leaves
|
| 507-1 | Laura
|
| 510-2 | September In The Rain
|
Teddy Wilson (piano) Arvell Shaw (bass) J.C. Heard (drums)
NYC, September 4, 1953
| 1296-5 | Nice Work If You Can Get It
|
| 1297-1 | Air Mail Special
|
| 1298-3 | Night And Day
|
| 1299-1 | Cheek To Cheek
|
same personnel
NYC, September 8, 1953
| 1304-5 | East Of The Sun
|
| 1305-14 | Autumn In New York
|
| 1306-2 | Isn't It Romantic
|
| 1307-1 | You Go To My Head
|
Charlie Parker (alto saxophone) Hank Jones (piano) Teddy Kotick (bass) Max Roach (drums)
Fulton Recording Studios, NYC, December 30, 1952
| 1118-3 | The Song Is You (I Hear Music)
|
| 1119-7 | 62VK440 | Laird Bird
|
| 1120-4 | Kim
|
| 1121-2 | Cosmic Rays
|
Charlie Parker (alto saxophone) Al Haig (piano) Percy Heath (bass) Max Roach (drums)
Fulton Recording Studios, NYC, July 28, 1953
| 1246-6 | Chi-Chi
|
| 1247-1 | I Remember You
|
| 1248-1 | Now's The Time
|
** also issued on Universal (J) UCCV 9111.
Al Porcino (trumpet) Bill Harris (trombone) Charlie Kennedy (alto saxophone) Flip Phillips (tenor saxophone) Cecil Payne (baritone saxophone) Mickey Crane (piano) Freddie Green (guitar) Clyde Lombardi (bass) Max Roach (drums)
NYC, March 21, 1952
| 749-3 | Someone To Watch Over Me
|
| 750-3 | I'm Puttin' All My Eggs In One Basket
|
| 751-2 | Singin' In The Rain
|
| 752-2 | Gina
|
Charlie Shavers (trumpet) Flip Phillips (tenor saxophone) Oscar Peterson (piano) Barney Kessel (guitar) Ray Brown (bass) Alvin Stoller (drums)
Los Angeles, CA, March, 1952
| 776-6 | If I Had You
|
| 777-13 | Cottontail
|
| 778-2 | Blues For The Midgets
|
| 779-2 | What Is This Thing Called Love
|
Artie Shaw (clarinet) Joe Roland (vibraphone) Hank Jones (piano) Tal Farlow (guitar) Tommy Potter (bass) Irv Kluger (drums)
NYC, 1954
| 1621 | Sequence In B Flat
|
| 1622 | I've Got A Crush On You
|
| 1623 | The Sad Sack
|
Artie Shaw (clarinet) Joe Roland (vibraphone) Hank Jones (piano) Tal Farlow (guitar) Tommy Potter (bass) Irv Kluger (drums): same session
NYC, 1954
| 1624 | Sunny Side Up
|
| 1625 | Autumn Leaves
|
| 1626 | When The Quail Come Back To San Quentin
|
| 1627 | Tenderly
|
Charlie Shavers (trumpet) Flip Phillips (tenor saxophone) Oscar Peterson (piano) Barney Kessel (guitar) Ray Brown (bass) J.C. Heard (drums) Billie Holiday (vocals)
Los Angeles, CA, April, 1952
| 784-1 | Everything I Have Is Yours
|
| 785-4 | Love For Sale
|
| 786-4 | Moonglow
|
| 788-2 | If The Moon Turns Green
|
| 790-1 | Autumn In New York
|
Charlie Shavers (trumpet) Oscar Peterson (piano) Herb Ellis (guitar) Ray Brown (bass) Ed Shaughnessy (drums) Billie Holiday (vocals)
NYC, April 14, 1954
| 1567-1 | How Deep Is The Ocean
|
| 1568-1 | What A Little Moonlight Can Do
|
| 1569-5 | I Cried For You
|
** also issued on Universal (J) UCCV 9031.
Roy Eldridge (trumpet) Oscar Peterson (piano) Herb Ellis (guitar) Ray Brown (bass) Alvin Stoller (drums)
Los Angeles, CA, December, 1953
| 1379-6 | Willow Weep For Me
|
| 1380-2 | Somebody Loves Me
|
| 1381-1 | When Your Lover Has Gone
|
| 1382-8 | When It's Sleepy Time Down South
|
| 1383-1 | Feeling A Draft
|
| 1384-1 | Don't Blame Me
|
| 1385-3 | Echoes Of Harlem
|
| 1386-3 | I Can't Get Started
|
Stan Wilson (guitar, vocals) Vernon Alley (bass) Rayardo Velarde, Earl Watkins (congas)
San Francisco, CA, 1954
| 1842 | Rolling Stone
|
| 1843-7A | Drucilla
|
| 1844 | I Want You, I Need You
|
| 1845 | Night
|
| 1846-2A | O Ken Karangae
|
| 1847-1A | Scarlet Ribbons
|
| 1848-4A | Mona Lisa
|
| 1849-3A | Neighbor Neighbor
|
Everett McDonald (trumpet) Porky Cohen (trombone) Guy Kee (French horn) Ray De Geer, Gene Kinsey (alto saxophone) Kurt Bloom, Dave Matthews (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Bill Miller (piano) Dennis Sandole (guitar) Chubby Jackson (bass) George Jenkins (drums) Martha Raye (vocals)
NYC, August 5, 1946
| AP3091 | Sweet Lorraine
|
| AP3092 | Nobody Knows The Trouble I've Seen
|
| AP3093 | I Cover The Waterfront
|
add Al Killian, Art Robey, George Seaburg, Ed Stress, Paul Webster (trumpet) Frank Bradley, Ed Fromm, Tommy Pederson (trombone) John McAfee (baritone saxophone)
NYC, August 12, 1946
| 6196 | I Got It Bad And That Ain't Good
|
| 6198 | As Long As I Live
|
Al Killian, Irving Lewis, Everett McDonald, Shorty Rogers (trumpet) Art Robey (trumpet, vocals) Frank Bradley, Burt Johnson, Tommy Pederson, Phil Washburne (trombone) Gus McReynolds, Frank Papalardo (alto saxophone) Kurt Bloom, Don Raeffel (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Billy Miller (piano) Barney Kessel (guitar) Ed Mihelich (bass) George Jenkins (drums)
Los Angeles, CA, February 3, 1947
James Campbell, Joe Graves, Dave Nichols, Jimmy Nottingham, Clark Terry (trumpet) Walt Benson, Porky Cohen, Fred Zito (trombone) Frank Papalardo, Walt Weidler (alto saxophone) Kurt Bloom, Jack Henderson (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Bill Miller (piano) Bob Bain (guitar) Frank Siravo (bass) Dick Shanahan (drums) Bunny Briggs, Jean Louise (vocals)
NYC, August 25, 1947
| AP3130 | East Side, West Side
|
| AP3131 | My Old Flame
|
Al Killian, Irving Lewis, Everett McDonald, Shorty Rogers (trumpet) Art Robey (trumpet, vocals) Frank Bradley, Burt Johnson, Tommy Pederson, Phil Washburne (trombone) Gus McReynolds, Frank Papalardo (alto saxophone) Kurt Bloom, Don Raeffel (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Billy Miller (piano) Barney Kessel (guitar) Ed Mihelich (bass) George Jenkins (drums)
Los Angeles, CA, February 3, 1947
James Campbell, Joe Graves, Dave Nichols, Jimmy Nottingham, Clark Terry (trumpet) Walt Benson, Porky Cohen, Fred Zito (trombone) Frank Papalardo, Walt Weidler (alto saxophone) Kurt Bloom, Jack Henderson (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Bill Miller (piano) Bob Bain (guitar) Frank Siravo (bass) Dick Shanahan (drums) Bunny Briggs, Jean Louise (vocals)
NYC, August 25, 1947
omit Briggs, Louise
Los Angeles, CA, September 2, 1947
| AP3155 | Moods
|
| AP3156 | Budandy
|
James Campbell, Joe Graves, Jimmy Nottingham, Doc Severinsen, Clark Terry (trumpet) Walt Benson, Porky Cohen, Fred Zito (trombone) Walter Weidler, Wolfgang Weidler (alto saxophone) Kurt Bloom, Bud Shank (tenor saxophone) Charlie Barnet (tenor, soprano, alto saxophone) Bob Dawes (baritone saxophone) Claude Williamson (piano) unknown (guitar) Don Totsi (bass) Dick Shanahan (drums) Bunny Briggs (vocals) Billy May (arranger)
NYC, November 30, 1947
| AP3195 | Little John Ordinary
|
| AP3198 | Rockin' In Rhythm
|
| AP3199 | Pompton Turnpike
|
Roger King Mozian (trumpet) and others
1953
| 1292 | Midnight In Spanish Harlem
|
| 1293 | Love For Sale
|
| 1294 | Panorama
|
| 1295 | Temptation
|
same personnel
circa 1954
| 1617-10 | Yesterdays
|
| 1618-8 | Forlorn
|
| 1619-5 | Rock 'Em
|
| 1620-5 | Just Mozian Along
|
Russell Jacquet (trumpet) Joe Newman (trumpet -1) Ernie Henry (alto saxophone -1) Illinois Jacquet (tenor saxophone) Rudy Williams (baritone saxophone -1) Johnny Acea (piano) Leonard Gaskin (bass) Lee Abrams (drums)
Los Angeles, CA, January 18, 1951
| 1. 493-2 | Hippity Hop
|
| 2. 495-4 | Moe
|
Illinois Jacquet (tenor saxophone) Carl Perkins (piano) Oscar Moore (guitar) Red Callender (bass) J.C. Heard (drums)
Russell Jacquet (trumpet) Matthew Gee (trombone) Illinois Jacquet (tenor saxophone) Cecil Payne (baritone saxophone) Johnny Acea (piano) Al Lucas (bass) Shadow Wilson (drums)
NYC, December 11, 1953
| 1387-2 | Little Jeff
|
| 1388-5 | Jacquet Jumps
|
| 1389-5 | Blue Nocturne
|
| 1390-5 | One You Toes
|
| 1391-3 | R.U. One
|
| 1392-2 | Jatap Conga
|
| 1393-1 | It's The Talk Of The Town
|
| 1394-7 | Heads
|
Oscar Peterson (piano, vocals) Barney Kessel (guitar) Ray Brown (bass) Alvin Stoller (drums)
Los Angeles, CA, February 26, 1952
| 704-1 | Oh, Lady Be Good
|
| 705-1 | Body And Soul
|
possibly Buck Clayton, Joe Guy (trumpet) Tommy Turk (trombone) Willie Smith (alto saxophone) possibly Coleman Hawkins, Lester Young (tenor saxophone) Milt Raskin (piano) possibly Irving Ashby (guitar) Red Callender (bass) David Coleman (drums) Billie Holiday (vocals)
"Embassy Auditorium", Los Angeles, CA, April 22, 1946
| Body And Soul
|
| Strange Fruit
|
| Trav'lin' Light
|
| He's Funny That Way
|
| The Man I Love
|
| Gee Baby, Ain't I Good To You
|
| All Of Me
|
| Billie's Blues
|
** also issued on Universal (J) UCCV 9041.
Clef 500 series (10 inch LP)
Mitch Miller (oboe, English horn) Charlie Parker (alto saxophone) Bronislaw Gimpel, Max Hollander, Milton Lomask (violin) Frank Brieff (viola) Frank Miller (cello) Meyer Rosen (harp) Stan Freeman (piano) Ray Brown (bass) Buddy Rich (drums) Jimmy Carroll (arranger, conductor)
Reeves Sound Studios, NYC, November 30, 1949
| 319-5 | 62VK204 | Just Friends
|
| 320-3 | Everything Happens To Me
|
| 321-3 | April In Paris
|
| 322-2 | Summertime
|
| 323-2 | I Didn't Know What Time It Was
|
| 324-3 | If I Should Lose You
|
** reissue of Mercury MG 35010.
Bud Powell (piano) Ray Brown (bass) Max Roach (drums)
NYC, January-February, 1949
| 2174-5 | 242-5 | Tempus Fugit
|
| 2175-3 | 243-3 | Celia
|
Bud Powell (piano) Ray Brown (bass -2,3) Max Roach (drums -2,3)
NYC, February-May, 1949
| 1. 2406-1 | 245-1 | I'll Keep Loving You
|
| 2. 2407-4 | 246-4 | Strictly Confidential
|
| 3. 2408-3 | 247-3 | All God's Chillun Got Rhythm
|
Bud Powell (piano)
NYC, February, 1950
** reissue of Mercury MG 35012.
Lu Watters (trumpet) Don Noakes (trombone) Bob Helm (clarinet) Wally Rose (piano) Pat Patton (banjo) Clancy Hayes (banjo, vocals) Dick Lammi (bass, tuba) Bill Dart (drums)
"Hambone Kelly's", El Cerrito, CA, January 15, 1950
| 330-2 | Sage Hen Strut
|
| 331-1 | Skid-Da-De-Dat
|
| 333-1 | Antigua Blues
|
| 336-1 | When The Saints Go Marching In
|
| 337 | Emperor Norton's Hunch
|
| 340 | Copenhagen
|
** reissue of Mercury MG 35013.
Mario Bauza, Frank "Paquito" Davilla, Harry Edison, Al Stewart, Bob Woodlen (trumpet) unknown (clarinet) Gene Johnson, Charlie Parker, Fred Skerritt (alto saxophone) Jose Madera, Flip Phillips (tenor saxophone) Sol Rabinowitz (tenor, baritone saxophone) Leslie Johnakins (baritone saxophone) Rene Hernandez (piano) Roberto Rodriguez (bass) Buddy Rich (drums) Rafael Miranda, Chano Pozo (congas) Jose Mangual (bongos) Ubaldo Nieto (timbales) Machito (maracas) Chico O'Farrill (arranger, conductor)
NYC, December 21, 1950 or late 1948
| 557-4 | Afro-Cuban Jazz Suite: Cancion
|
| 558-6 | Afro-Cuban Jazz Suite: Mambo, Pt. 1
|
| 559-4 | Afro-Cuban Jazz Suite: Mambo, Pt. 2
|
| 560-2 | Afro-Cuban Jazz Suite: 6/8
|
| 561-3 | Afro-Cuban Jazz Suite: Jazz
|
| 562-4 | Afro-Cuban Jazz Suite: Rhumba Abierta
|
** reissue of Mercury MGC 505.
Slim Gaillard (piano, guitar, drums, vocals) Tiny "Bam" Brown (bass, vocals)
"Embassy Auditorium", Los Angeles, CA, April 22, 1946
| D461 | 305 | Opera In Vout (Groove Juice Symphony), Pt. 1: Introduzione-Pianissimo (Softly, Most Softly)
|
| D462 | 306 | Opera In Vout (Groove Juice Symphony), Pt. 2: Recitative E Finale (C Jam?)
|
| D463 | 307 | Opera In Vout (Groove Juice Symphony), Pt. 3: Andante Cantabile In Modo De Blues (With A Floy Floy)
|
| D464 | 308 | Opera In Vout (Groove Juice Symphony), Pt. 4: Presto Con Stomp (Of Much Scat)
|
Meade "Lux" Lewis (piano)
| D266 | 652 | Medium Boogie
|
| D267 | 653 | Fast Boogie
|
| D268 | 654 | Slow Boogie
|
| D269 | 655 | Honky Tonk Train Blues
|
** reissue of Mercury MGC 506.
Bud Powell (piano) Curly Russell (bass) Max Roach (drums)
NYC, February, 1950
| 341-2 | So Sorry Please
|
| 342-2 | Get Happy
|
| 343-1 | Sometimes I'm Happy
|
| 344-2 | Sweet Georgia Brown
|
| 346-1 | April In Paris
|
| 347-1 | Body And Soul
|
Bud Powell (piano) Ray Brown (bass) Buddy Rich (drums)
NYC, July 1, 1950
| 435-6 | Hallelujah!
|
| 436-10 | Tea For Two
|
** reissue of Mercury MGC 507.
no details
Joseph Singer (French horn) Edwin C. Brown (oboe) Charlie Parker (alto saxophone) Sam Kaplan, Harry Melnikoff, Sam Rand, Ziggy Smirnoff (violin) Howard Kay, Isadore Zir (viola) Maurice Brown (cello) Verley Mills (harp) Bernie Leighton (piano) Ray Brown (bass) Buddy Rich (drums) Joe Lippman (arranger, conductor)
Reeves Sound Studios, NYC, July 5, 1950
| 442-5 | Dancing In The Dark
|
| 443-2 | You Came Along From Out Of Nowhere
|
| 444-3 | Laura
|
| 445-4 | East Of The Sun
|
| 446-2 | They Can't Take That Away From Me
|
| 447-4 | Easy To Love
|
| 448-2 | I'm In The Mood For Love
|
| 449-2 | I'll Remember April
|
** reissue of Mercury MGC 109.
Lu Watters (trumpet) Warren Smith (trombone) Bob Helm (clarinet) Wally Rose (piano) Pat Patton (banjo) Clancy Hayes (banjo, vocals) Dick Lammi (bass, tuba) Bill Dart (drums)
"Hambone Kelly's", El Cerrito, CA, 1950
| 420 | Doctor Jazz
|
| 421 | Irish Black Bottom
|
| 422 | Beale Street Blues
|
| 423 | Shake That Thing
|
| 424 | Tin Roof Blues
|
| 425 | Blues My Naughty Sweetie Gave To Me
|
| 426 | Royal Garden Blues
|
| 427 | Sweet Georgia Brown
|
** reissue of Mercury MGC 510.
Mario Bauza, Frank "Paquito" Davilla, Bob Woodlen (trumpet) Gene Johnson, Fred Skerritt (alto saxophone) Charlie Parker (alto saxophone -2,4) Jose Madera (tenor saxophone) Flip Phillips (tenor saxophone -1,3) Leslie Johnakins (baritone saxophone) Rene Hernandez (piano) Roberto Rodriguez (bass) Luis Miranda (congas) Jose Mangual (bongos) Ubaldo Nieto (timbales) Machito (arranger, conductor)
NYC, December 20, 1948
| 1. 2154-9 | 300 | No Noise, Pt. 1
|
| 2. 2155-2 | 301-2 | No Noise, Pt. 2
|
| 3. 2156 | 302 | Bucabu
|
| 4. 2157-1 | 303 | Mango Mangue
|
Mario Bauza, Frank "Paquito" Davilla, Bob Woodlen (trumpet) Gene Johnson, Fred Skerritt (alto saxophone) Charlie Parker (alto saxophone -2) Jose Madera (tenor saxophone) Flip Phillips (tenor saxophone -1,3/5) Leslie Johnakins (baritone saxophone) Rene Hernandez (piano) Roberto Rodriguez (bass) Luis Miranda (congas) Jose Mangual (bongos) Ubaldo Nieto (timbales) Machito (arranger, conductor)
NYC, January, 1949
| 1. 2170-2 | 297 | Caravan
|
| 2. 2171-1 | 298-1 | Okiedoke
|
| 3. 2173-9 | 304 | Flying Home
|
| 4. 481 | Tanga, Pt. 1
|
| 5. 482 | Tanga, Pt. 2
|
** reissue of Mercury MGC 511.
Kenny Dorham (trumpet) Tommy Turk (trombone) Charlie Parker (alto saxophone) Al Haig (piano) Tommy Potter (bass) Max Roach (drums) Carlos Vidal (bongos)
NYC, February-March, 1949
omit Turk, Vidal
NYC, May 5, 1949
| 2756-2 | 295-2 | Passport (rare)
|
Dizzy Gillespie (trumpet) Charlie Parker (alto saxophone) Thelonious Monk (piano) Curly Russell (bass) Buddy Rich (drums)
NYC, June 6, 1950
| 410-4 | Bloomdido
|
| 411-4 | An Oscar For Treadwell
|
| 412-6 | Mohawk
|
| 413-2 | My Melancholy Baby
|
| 414-6 | Leap Frog
|
| 415-3 | Relaxin' With Lee
|
** reissue of Mercury MGC 512.
Charlie Parker (alto saxophone) Walter Bishop Jr. (piano) Teddy Kotick (bass) Roy Haynes (drums) Luis Miranda (congas) Jose Mangual (bongos)
NYC, March 12, 1951
| 540-6 | My Little Suede Shoes
|
| 541-2 | Up Poquito De Tu Amor
|
| 542-9 | Tico Tico
|
Benny Harris (trumpet -1/3,5) Charlie Parker (alto saxophone) Walter Bishop Jr. (piano) Teddy Kotick (bass) Max Roach (drums) possibly Jose Mangual (bongos)
NYC, January 23, 1952
| 1. 679-4 | Mama Inez
|
| 2. 680-3 | La Cucaracha
|
| 3. 681-6 | Estrellita
|
| 4. 682-3 | Begin The Beguine
|
| 5. 683-1 | La Paloma
|
** reissue of Mercury MGC 513.
Alejandro Vivar (trumpet) Gus Maas (tenor saxophone) Bebo Valdes (piano) Kiki Hernandez (bass) Bill Barritto (drums) Rolando Alfonso (congas)
Miami, FL, 1952
| Blues For Andre
|
| Con Poco Loco
|
| Desconfianza
|
| Taboo
|
| Duerme
|
** reissue of Mercury MGC 515.
Maurice Vander (piano) Django Reinhardt (guitar) Pierre Michelot (bass) Jean-Louis Viale (drums)
Paris, France, March 10, 1952
| 17276 | Blues For Ike
|
| 17277 | September Song
|
| 17278 | Night And Day
|
| 17279 | Insensiblement
|
| 17280 | Manoir De Mes Reves
|
| 17281 | Nuages
|
| 17282 | Brazil
|
| 17283 | Confessin'
|
** reissue of Mercury MGC 516.