Prestige Records Discography: 1974
1974 (25th anniversary)
American Quartet + 3
Dewey Redman, tenor sax, tambourine; Keith Jarrett, piano, soprano sax, Osi drum; Charlie Haden, bass; Paul Motian, drums, percussion; with Sam Brown, guitar #4,8; Guilherme Franco, Danny Johnson, percussion.
Generation Sound Studios, NYC, February 27 and 28, 1974
| 1. | The Rich (And The Poor) (take 1.5) | Impulse! AS-9274 |
| 2. | Blue Streak (take 3B) | - |
| 3. | Fullsuvollivus (Fools Of All Of Us) (take 3) | - |
| 4. | Treasure Island (take 4A) | Impulse! IMP-31001, AS-9274, IA-9348 |
| 5. | Introduction And Yaqui Indian Folk Song (take 4) | Impulse! AS-9274, IA-9348; Prestige P-24052 |
| 6. | Le Mistral (edited takes 1 & 2) | Impulse! AS-9274 |
| 7. | Angles (Without Edges) (take 1) | - |
| 8. | Sister Fortune (take 3) | Impulse! IMP-31001, AS-9274 |
| 9. | Death And The Flower (edited takes 1 & 2) | Impulse! IMPD-5-237 |
* Impulse! AS-9274 Keith Jarrett - Treasure Island 1974
= Impulse! IMPD-5-237 Keith Jarrett - The Impulse Years, 1973-1974 1997
* Impulse! IA-9348 Best Of Keith Jarrett 1978
* Prestige P-24052 Various Artists - Piano Giants Vol. I 1975
* Impulse! IMP-31001 Keith Jarrett - Treasure Island / Sister Fortune
Ntu With Gary Bartz
Gary Bartz, clarinet, soprano, alto sax, mouth harp, synthesizer, percussion, vocal; Hubert Eaves, electric, acoustic piano, Clavinet; Maynard Parker, guitar; James Benjamin, electric bass; Howard King, drums; with Kenneth Nash, percussion #3.
Fantasy Studios, Berkeley, CA, February, 1974
| 1. | St. Felix Street | Prestige P-10083 |
| 2. | Dozens (The Sounding Song) | - |
| 3. | Blind Man | - |
| 4. | Singerella-A Ghetto Fairy Tale | - |
| 5. | Lady Love | - |
| 6. | Mellow Yellow | - |
* Prestige P-10083 Ntu With Gary Bartz - Singerella-A Ghetto Fairy Tale 1974
Gene Ammons Featuring Nat Adderley, Gary Bartz, & Kenny Drew
Nat Adderley, cornet; Gary Bartz, alto sax; Gene Ammons, tenor sax; Kenny Drew, piano; Sam Jones, bass; Louis Hayes, drums; Ray Barretto, congas.
CI Recording, NYC, March 18, 19 and 20, 1974
| Out In The Sticks | Prestige P-10093 | |
| Alone Again (Naturally) | - | |
| It Don't Mean A Thing | - | |
| Jeannine | - | |
| Geru's Blues | - | |
| Goodbye | - |
* Prestige P-10093 Gene Ammons - Goodbye 1975
= Original Jazz Classics OJCCD-1081-2 - 2002
Jack DeJohnette
Bennie Maupin, bass clarinet, voices; John Abercrombie, Mick Goodrick, guitar, voices; David Holland, bass, voices; Jack DeJohnette, drums, voices; Michael Fellerman, metaphone 1, voices.
Willow, NY, March, 1974
| Sorcery #1 | Prestige P-10081 | |
| The Right Time | - | |
| The Rock Thing | - |
* Prestige P-10081 Jack DeJohnette - Sorcery 1974
= Original Jazz Classics OJCCD-1838-2 - 1994
Jack DeJohnette
Jack DeJohnette, keyboards, drums, C melody sax; David Holland, bass; Michael Fellerman, metaphone 1, trombone.
Bearsville Studios, Bearsville, NY, May, 1974
| The Reverend King Suite: Reverend King / Obstructions / The Fatal Shot / Mourning / Unrest / New Spirits On The Horizon | Prestige P-10081 | |
| Four Levels Of Joy | - | |
| Epilog | - |
* Prestige P-10081 Jack DeJohnette - Sorcery 1974
= Original Jazz Classics OJCCD-1838-2 - 1994
Azar Lawrence
Azar Lawrence, soprano, tenor sax; Joe Bonner, piano; Kenneth Nash, percussion.
Fantasy Studios, Berkeley, CA, May, 1974
| Fatisha | Prestige P-10086 |
Julian Priester, trombone #2; Hadley Caliman, flute #2; Azar Lawrence, soprano, tenor sax; Black Arthur, alto sax; Joe Bonner, piano; John Heard, bass; Ndugu, drums; Mtume, conga drums, percussion; Kenneth Nash, percussion #1; Ernie Straughter, arranger #2.
| 1. | Warriors Of Peace | - |
| 2. | Forces Of Nature | - |
* Prestige P-10086 Azar Lawrence - Bridge Into The New Age 1974
Charles Earland
Jon Faddis, trumpet; Clifford Adams, trombone; Dave Hubbard, flute, soprano, tenor sax; Charles Earland, organ, electric piano, synthesizer; Aurell Ray, guitar; Ron Carter, electric bass #4,5; George Johnson, drums.
Montreux Jazz Festival, Montreux, Switzerland, July 6, 1974
| 1. | Joe Brown | Prestige P-10095 |
| 2. | Morgan | - |
| 3. | Suite For Martin Luther King Part 1: Offering | - |
| 4. | Suite For Martin Luther King Part 2: Mode For Martin | - |
| 5. | Kharma | - |
* Prestige P-10095 Charles Earland - Kharma 1975
Hampton Hawes With Carol Kaye & Spider Webb
Hampton Hawes, acoustic, electric piano; Carol Kaye, electric bass; Spider Webb, drums; thanks to: Allen DeRienzo, Snooky Young, trumpet; George Bohanon, trombone; William Green, Jackie Kelso, Jay Migliori, sax, flute; David Axelrod, arranger, conductor.
Fantasy Studios, Berkeley, CA, July 18-19, 1974
| Sierra Morena | Prestige P-10088; Fantasy FCD-9685-2 | |
| Go Down Moses | Prestige P-10088 | |
| Bach | Prestige P-10088; Fantasy FCD-9685-2 | |
| Web | Prestige P-10088 | |
| Tune Axle Grease | - | |
| C & H Sugar | - |
* Prestige P-10088 Hampton Hawes - Northern Windows 1974
= Prestige PRCD-24278-2 Hampton Hawes - Northern Windows Plus 2003
* Fantasy FCD-9685-2 David Axelrod - The Axelrod Chronicles
Funk, Inc.
Eugene Barr, tenor sax; Bobby Watley, keyboards; Rudy Turner, guitar; William Simmons, bass; Michael Hughes, drums; Cecil Hunt, congas; special thanks to: Allen DeRienzo, Snooky Young, trumpet; George Bohanon, trombone; William Green, Jackie Kelso, Jay Migliori, reeds; Billy Fender, guitar; Earl Palmer, drums; Billie Barnum, James Gilstrap, August Johnson, Gregory Matta, Julia Tillman, Edna Wright, vocal; David Axelrod, arranger, conductor.
Fantasy Studios, Berkeley, CA, July, August and September, 1974
| It Ain't The Spotlight | Prestige P-10087 | |
| Priced To Sell | - | |
| God Only Knows | - | |
| Where Are We Going | - | |
| Gimme Some Lovin' | - | |
| Somewhere In My Mind | - | |
| The Girl Of My Dreams | - |
* Prestige P-10087 Funk, Inc. - Priced To Sell 1974
Rusty Bryant
Rusty Bryant, tenor sax #1,3-6, alto sax #2; George Devens, vibes, percussion; Ernie Hayes, organ; Horace Ott, Clavinet #1,6, piano #2, electric piano #3-5; David Spinozza, guitar; Richie Resnikoff, guitar #1,3-6; Hugh McCracken, guitar #2; Wilbur Bascomb, bass; Bernard Purdie, drums; with Jon Faddis, Joe Shepley, trumpet #1,3-6; Garnett Brown, trombone #1,4,5; Billy Campbell, trombone #3,6; Heywood Henry, flute, baritone sax #1,4,5; Seldon Powell, flute #1,4,5, tenor sax #3,6; Babe Clarke, baritone sax #3,6; Horace Ott, arranger, conductor.
A&R Studios, NYC, August, 1974
| 1. | The Hump Bump | Prestige P-10085 |
| 2. | Troubles | - |
| 3. | Red-Eye Special | - |
| 4. | Draggin' The Line | - |
| 5. | Until It's Time For You To Go | - |
| 6. | Ga Gang Gang Goong | - |
* Prestige P-10085 Rusty Bryant - Until It's Time For You To Go 1974
Patrice Rushen
Oscar Brashear, trumpet, flugelhorn; George Bohanon, trombone; Hadley Caliman, flute, alto flute, soprano sax; Joe Henderson, tenor sax; Patrice Rushen, acoustic, electric piano, Clavinet, ARP synthesizer; Tony Dumas, electric bass, "Blitz" bass; Ndugu, drums; Kenneth Nash, percussion; Ndugu, rhythm arranger; Patrice Rushen, arranger.
Fantasy Studios, Berkeley, CA, August, 1974
| Shortie's Portion | Prestige P-10089, PRCD-24207-2 | |
| 7/73 | - | |
| Haw-Right Now | - | |
| Traverse | Prestige P-10089, P-10110, PRCD-24207-2 | |
| Puttered Bopcorn | Prestige P-10089 |
* Prestige P-10089 Patrice Rushen - Prelusion 1974
* Prestige P-10110 The Best Of Patrice Rushen - Let There Be Funk 1980
* Prestige PRCD-24207-2 Patrice Rushen - Prelusion/Before The Dawn 1998
Azar Lawrence
Woody Shaw, trumpet; (Shams) Ray Straughter, wood flute #2; Azar Lawrence, soprano, tenor sax; Woody Murray, vibes; Clint Houston, bass; Billy Hart, drums; Guillerme Franco, percussion; Jean Carn, voice; introduction only Kenneth Nash, percussion #2; Ernie Straughter, arranger #2.
Fantasy Studios, Berkeley, CA, September, 1974;
Fantasy Studios, Berkeley, CA, May, 1974
| 1. | Bridge Into The New Age | Prestige P-10086 |
| 2. | The Beautiful And Omnipresent Love | - |
* Prestige P-10086 Azar Lawrence - Bridge Into The New Age 1974
Nat Adderley
Nat Adderley, cornet, vocal #1,2,6, cornet #3-5,7; with George Duke, electric, acoustic piano, ARP synthesizer; Billy Fender, guitar #1-3,5-7; Phil Upchurch, guitar #4; Walter Booker, bass; Roy McCurdy, drums; King Errisson, percussion; plus Cannonball Adderley, alto sax #4,5; Hal Galper, piano #4; Rudy Copeland, Mini Moog synthesizer #1; Johnny Watson, guitar #1,2, electric bass #5; Don Peake, rhythm guitar #1,2; plus Oscar Brashear, Allen DeRienzo, Snooky Young, trumpet #1; George Bohanon, Dick Hyde, trombone #1; William Green, Jackie Kelso, Jay Migliori, sax, flute #1; Nathan Gershman, William Hymanson, Alexander Neiman, Gareth Nuttycombe, Jerome Reisler, Henry Roth, Walter Rower, Jack Shulman, strings #2,6; Billie Barnum, Jody Mathis, Stephanie Spruill, background vocal #2; Nat Adderley, arranger #1; David Axelrod, arranger #1,2; Jimmy Jones, arranger #6; Earl McIntyre, arranger #7.
Fantasy Studios, Berkeley, CA, 1974
| 1. | Watermelon Man | Prestige P-10090 |
| 2. | Quit It | Prestige P-10090; Fantasy FCD-9685-2 |
| 3. | 59 Go And Pass | Prestige P-10090 |
| 4. | Contant 19 | - |
| 5. | Traffic | - |
| 6. | In A Silent Way (The Sound Of The Sky) | - |
| 7. | Song Of The Valdez Diamond | - |
* Prestige P-10090 Nat Adderley - Double Exposure 1975
* Fantasy FCD-9685-2 David Axelrod - The Axelrod Chronicles