Wynton Kelly Catalog
1948 (age 17)
Various Artists - Honkers & Screamers: Roots Of Rock 'N' Roll, Vol. 6 (Savoy SJL 2234)
Milton Larkins, trombone; Hal Singer, tenor sax; Wynton Kelly, piano; Franklin Skeete, bass; Heywood Jackson, drums.
NYC, circa June, 1948
S35-124 | Swanee River |
S35-126 | A Plug For Cliff |
Various Artists - The Roots Of Rock'N Roll: The Savoy Sessions (Savoy SJL 2221)
Milton Larkins, trombone; Hal Singer, tenor sax; Wynton Kelly, piano; Franklin Skeete, bass; Heywood Jackson, drums.: same session.
NYC, circa June, 1948
S35-127 | Corn Bread |
1949
Billy Stewart - Porgy / Day In, Day Out (Savoy 692)
Leonard Hawkins, trumpet; Ray Abrams, Coleman Hoppin, tenor sax; Cecil Payne, baritone sax; Wynton Kelly, piano; Leonard Gaskin, bass; Lee Abrams, drums; Billy Stewart, vocals.
NYC, February 18, 1949
S36-108 | Porgy |
S36-109 | Day In, Day Out |
Babs Gonzales - Weird Lullaby (Blue Note CDP 7 84464 2)
J.J. Johnson, trombone; Art Pepper, alto sax; Herbie Steward, tenor sax; Wynton Kelly, piano; Pee Wee Tinney, guitar, vocals; Bruce Lawrence, bass, vocals; Jackie Mills, drums; Babs Gonzales, vocals.
Capitol Melrose Studios, Los Angeles, CA, March 15, 1949
4099-4 | The Continental |
J.J. Johnson, trombone; Alberto Socarras, flute; Don Redman, soprano sax; Sonny Rollins, tenor sax; Ray Nance, violin #3; Wynton Kelly, piano; Bruce Lawrence, bass, vocals; Roy Haynes, drums, vocals; Babs Gonzales, vocals.
NYC, April 27, 1949
1. 3776-3 | Real Crazy |
2. 3777-4 | Then You'll Be Boppin' Too |
3. 3778-1 | When Lovers They Lose |
Various Artists - Bebop Professors (Capitol (J) CR-8812)
J.J. Johnson, trombone; Art Pepper, alto sax; Herbie Steward, tenor sax; Wynton Kelly, piano; Pee Wee Tinney, guitar, vocals; Bruce Lawrence, bass, vocals; Jackie Mills, drums; Babs Gonzales, vocals.
Capitol Melrose Studios, Los Angeles, CA, March 15, 1949
4100-1 | Prelude To A Nightmare |
J.J. Johnson, trombone; Alberto Socarras, flute; Don Redman, soprano sax; Sonny Rollins, tenor sax; Wynton Kelly, piano; Bruce Lawrence, bass, vocals; Roy Haynes, drums, vocals; Babs Gonzales, vocals.
NYC, April 27, 1949
3779-2 | St. Louis Blues |
** also issued on Capitol (J) ECJ-50073.
Jimmy Witherspoon, Eddie "Cleanhead" Vinson - Battle Of The Blues, Vol. 3 (King LP 634)
Henderson Williams, trumpet; Eddie "Cleanhead" Vinson, alto sax, vocals; Eddie "Lockjaw" Davis, Harry Porter, tenor sax; Al Townsend, baritone sax; Wynton Kelly, piano; Franklin Skeete, bass; Leon Abrams, drums.
Cincinnati, OH, August 10, 1949
K5761 | Ashes On My Pillow |
K5764 | Somebody Done Stole My Cherry Red |
Calvin Hughes, trumpet; James Buxton, trombone; Eddie "Cleanhead" Vinson, alto sax; Eddie "Lockjaw" Davis, Harry Porter, tenor sax; Wynton Kelly, piano; Franklin Skeete, bass; Leon Abrams, drums.
Cincinnati, OH, August 30, 1949
K5781 | I'm Weak But Willing |
K5783 | Featherbed Mama |
K5784 | No Good Woman Blues |
Eddie Vinson - Cherry Red Blues (Gusto GD 5035-X)
Henderson Williams, trumpet; Eddie "Cleanhead" Vinson, alto sax, vocals; Eddie "Lockjaw" Davis, Harry Porter, tenor sax; Al Townsend, baritone sax; Wynton Kelly, piano; Franklin Skeete, bass; Leon Abrams, drums.
Cincinnati, OH, August 10, 1949
K5762 | I'm Gonna Wind Your Clock |
Eddie "Cleanhead" Vinson - Wineola / Somebody Done Stole My Cherry Red (King 4313)
Henderson Williams, trumpet; Eddie "Cleanhead" Vinson, alto sax, vocals; Eddie "Lockjaw" Davis, Harry Porter, tenor sax; Al Townsend, baritone sax; Wynton Kelly, piano; Franklin Skeete, bass; Leon Abrams, drums.: same session.
Cincinnati, OH, August 10, 1949
K5763 | Wineola |
Eddie Vinson - Mr. Cleanhead Steps Out (Saxophonograph (Swd) BP 507)
Henderson Williams, trumpet; Eddie "Cleanhead" Vinson, alto sax, vocals; Eddie "Lockjaw" Davis, Harry Porter, tenor sax; Al Townsend, baritone sax; Wynton Kelly, piano; Franklin Skeete, bass; Leon Abrams, drums.: same session.
Cincinnati, OH, August 10, 1949
Eddie's Bounce |
1950
Dizzy Gillespie, Bennie Green, Eddie "Lockjaw" Davis, Red Rodney - Prestige First Sessions, Volume Three (Prestige PCD-24116-2)
Eddie "Lockjaw" Davis, tenor sax; Wynton Kelly, piano; Al Casey, guitar; Franklin Skeete, bass; Lee Abrams, drums; Carl Davis, vocals.
NYC, February 7, 1950
BL1206 | I'm Gonna Eat You With A Spoon |
BL1208 | If The Motif Is Right |
Various Artists - First Sessions 1949/50 (Prestige P-24081)
Eddie "Lockjaw" Davis, tenor sax; Wynton Kelly, piano; Al Casey, guitar; Franklin Skeete, bass; Lee Abrams, drums.
NYC, February 7, 1950
BL1207 | Sweet And Lovely (aka Little Rock) |
BL1209 | Squattin' (aka The Lock) |
1951 (age 20)
Dinah Washington - Queen Of The Juke Box "Live" 1948-1955 (Baldwin Street Music BJH 310)
Wynton Kelly, piano; Percy Heath, bass; Art Blakey, drums; Dinah Washington, vocals.
radio broadcast, "Birdland", NYC, January 13, 1951
I'll Never Be Free | |
I Cross My Fingers | |
Harbor Lights | |
Only A Moment Ago |
same personnel.
radio broadcast, "Birdland", NYC, January 20, 1951
I Wanna Be Loved | |
My Heart Cries For You | |
Time Out For Tears |
unknown, tenor sax; Wynton Kelly, piano; Percy Heath, bass; Al Jones, drums; Dinah Washington, vocals.
radio broadcast, "Birdland", NYC, July 21, 1951
It's Too Soon To Know | |
NY, Chicago And LA | |
Baby Get Lost | |
I Wanna Be Loved | |
I Won't Cry Anymore | |
Please Send Me Someone To Love |
Wynton Kelly, piano; Keter Betts, bass; Ed Shaughnessy, drums; Dinah Washington, vocals.
radio broadcast, "Birdland", NYC, June 21, 1952
Tell Me Why | |
Cold Cold Heart | |
Wheel Of Fortune | |
Mixed Emotions | |
Blow Top Blues |
Wynton Kelly, piano; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals.
radio broadcast, "Basin Street East", NYC, July 10, 1955
NY, Chicago And LA | |
Mixed Emotions | |
Come Rain Or Come Shine | |
I Diddie |
The Complete Dinah Washington On Mercury, Vol. 2 - 1950-1952 (Mercury (J) 18PJ-10055/57)
possibly Wynton Kelly, piano; unknown, guitar; Walter Buchanan, bass; unknown, drums; Dinah Washington, vocals; unidentified brass.
NYC, February 27, 1951
3877-2 | Fine Fine Daddy |
3880-2 | I'm So Lonely I Would Cry |
Clyde Reasinger, Tom Reeves, trumpet; Art Pearlman, Roger White, trombone; Ed Freeman, alto sax; Bob Hardaway, Bob Robinson, tenor sax; John Koch, baritone sax; Wynton Kelly or Ike Carpenter, piano; Chuck Norris, guitar; Joe O'Rear, bass; Dick Stanton, drums; Dinah Washington, vocals; Ike Carpenter, conductor.
Los Angeles, CA, June 1, 1951
4369-5 | Be Fair To Me |
4370-3 | Just One More Chance (alternate take) |
omit Norris.
Los Angeles, CA, June 2, 1951
4371-3 | Saturday Night |
4372-4 | If You Don't Believe I'm Leaving |
4373-5 | I'm A Fool To Want You |
unknown, trumpet; unknown, alto sax; Wardell Gray, unknown, Ben Webster, tenor sax; unknown, baritone sax; Wynton Kelly, piano; unknown, bass; Jimmy Cobb, drums; Dinah Washington, vocals.
Los Angeles, CA, January 18, 1952
4731-9A | Wheel Of Fortune (alternate take) |
unknown, trumpet; Wynton Kelly, piano; unknown, guitar; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals; unidentified brass and strings, Walter Rodell, conductor.
Chicago, IL, March 24, 1952
4895 | I Thought About You |
4896 | Mad About The Boy |
4897 | I Can't Face The Music |
4898 | Stormy Weather |
unknown, tenor sax; Wynton Kelly, piano; unknown, guitar; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals; unidentified brass.
Chicago, IL, May 6, 1952
9220-8 | Pillow Blues |
9221-9 | No Caviar |
9222-? | Double Dealing Daddy (alternate take) |
9222-3 | Double Dealing Daddy |
** also issued on Mercury (J) 30JD-10055/7.
Dinah Washington - Late Late Show (Wing MGW-12140)
possibly Wynton Kelly, piano; unknown, guitar; Walter Buchanan, bass; unknown, drums; Dinah Washington, vocals; unidentified brass.
NYC, February 27, 1951
3878-1 | Please Send Me Someone To Love |
Paul Quinichette, tenor sax; possibly Wynton Kelly, piano; Jackie Davis, organ; Keter Betts, bass; Jimmy Cobb, drums; Candido, bongos; Dinah Washington, vocals; unidentified brass.
NYC, June 10, 1953
9793-1 | Feel Like I Wanna Cry |
unknown, trumpet; unknown, trombone; Paul Quinichette, unknown, tenor sax; unknown, baritone sax; Wynton Kelly, piano; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals; Hal Mooney, arranger, conductor.
NYC, January 11, 1955
11108-15 | You Stay On My Mind |
Dinah Washington Sings (Wing MGW-12223-W)
possibly Wynton Kelly, piano; unknown, guitar; Walter Buchanan, bass; unknown, drums; Dinah Washington, vocals; unidentified brass.
NYC, February 27, 1951
3879-2 | 'Tain't Nobody's Business If I Do |
unknown, trumpet; unknown, alto sax; Wardell Gray, unknown, Ben Webster, tenor sax; unknown, baritone sax; Wynton Kelly, piano; unknown, bass; Jimmy Cobb, drums; Dinah Washington, vocals.
Los Angeles, CA, January 18, 1952
4731-9B | Wheel Of Fortune |
4732-5 | Tell Me Why |
** also issued on Wing SRW-16223-W.
Dinah Washington - The Good Old Days (Mercury MG-20829)
Clyde Reasinger, Tom Reeves, trumpet; Art Pearlman, Roger White, trombone; Ed Freeman, alto sax; Bob Hardaway, Bob Robinson, tenor sax; John Koch, baritone sax; Wynton Kelly or Ike Carpenter, piano; Chuck Norris, guitar; Joe O'Rear, bass; Dick Stanton, drums; Dinah Washington, vocals; Ike Carpenter, conductor.
Los Angeles, CA, June 1, 1951
4367-6 | What's The Matter With Baby |
omit Norris.
Los Angeles, CA, June 2, 1951
4374-2 | I'm Crying |
unknown, trumpet; unknown, alto sax; Wardell Gray, unknown, Ben Webster, tenor sax; unknown, baritone sax; Wynton Kelly, piano; unknown, bass; Jimmy Cobb, drums; Dinah Washington, vocals.
Los Angeles, CA, January 18, 1952
4734-7 | When The Sun Goes Down |
Paul Quinichette, tenor sax; possibly Wynton Kelly, piano; Jackie Davis, organ; Keter Betts, bass; Jimmy Cobb, drums; Candido, bongos; Dinah Washington, vocals; unidentified brass.
NYC, June 10, 1953
9791-9 | Go Pretty Daddy |
9797 | I Ain't Goin' To Cry No More |
** originally scheduled on Mercury MG-20622.
** also issued on Mercury SR-60829.
Dinah Washington - The Best In Blues (Mercury MG-20247)
Clyde Reasinger, Tom Reeves, trumpet; Art Pearlman, Roger White, trombone; Ed Freeman, alto sax; Bob Hardaway, Bob Robinson, tenor sax; John Koch, baritone sax; Wynton Kelly or Ike Carpenter, piano; Chuck Norris, guitar; Joe O'Rear, bass; Dick Stanton, drums; Dinah Washington, vocals; Ike Carpenter, conductor.
Los Angeles, CA, June 1, 1951
4368-2 | Don't Hold It Against Me |
Paul Quinichette, tenor sax; Wynton Kelly, piano; Freddie Green, guitar; Keter Betts, bass; Jimmy Cobb or Gus Johnson, drums; Dinah Washington, vocals; unidentified brass, Nook Shrier, conductor.
NYC, September 24, 1951
4223-1 | New Blow-Top Blues |
unknown, trumpet; unknown, alto sax; Wardell Gray, unknown, Ben Webster, tenor sax; unknown, baritone sax; Wynton Kelly, piano; unknown, bass; Jimmy Cobb, drums; Dinah Washington, vocals.
Los Angeles, CA, January 18, 1952
4733-4 | Trouble In Mind |
Paul Quinichette, tenor sax; possibly Wynton Kelly, piano; Jackie Davis, organ; Keter Betts, bass; Jimmy Cobb, drums; Candido, bongos; Dinah Washington, vocals; unidentified brass.
NYC, June 10, 1953
9790-5 | Fat Daddy |
9792-12 | TV Is The Thing (take 12) |
Dinah Washington - Music For Late Hours (Mercury MG-20120)
Clyde Reasinger, Tom Reeves, trumpet; Art Pearlman, Roger White, trombone; Ed Freeman, alto sax; Bob Hardaway, Bob Robinson, tenor sax; John Koch, baritone sax; Wynton Kelly or Ike Carpenter, piano; Chuck Norris, guitar; Joe O'Rear, bass; Dick Stanton, drums; Dinah Washington, vocals; Ike Carpenter, conductor.
Los Angeles, CA, June 1, 1951
4370-5 | Just One More Chance |
Paul Quinichette, tenor sax; Wynton Kelly, piano; Freddie Green, guitar; Keter Betts, bass; Jimmy Cobb or Gus Johnson, drums; Dinah Washington, vocals; unidentified brass, Nook Shrier, conductor.
NYC, September 24, 1951
4220-3 | Mixed Emotions |
4221-1 | Cold Cold Heart |
4222-1 | Baby Did You Hear |
Piano Interpretations By Wynton Kelly (Blue Note (J) BNJ-71001)
Wynton Kelly, piano; Oscar Pettiford, bass #1,4,5; Franklin Skeete, bass #2,3; Lee Abrams, drums.
WOR Studios, NYC, July 25, 1951
1. BN399-1 | Blue Moon |
2. BN401-0 | I've Found A New Baby |
3. BN402-1 | Cherokee |
4. BN403-1 | Born To Be Blue |
5. BN407-0 | Born To Be Blue (alternate take) (mistitled as Foolin' Myself) |
Wynton Kelly, piano #1-3,5,6, celeste #4; Franklin Skeete, bass; Lee Abrams, conga drums.
WOR Studios, NYC, August 1, 1951
1. BN408-0 | Goodbye (78 rpm version) |
2. BN408-1 | Goodbye |
3. BN410-0 | There Will Never Be Another You |
4. BN413-0 | Moonlight In Vermont |
5. BN414-1 | Crazy, He Calls Me |
6. BN415-2 | Opus Caprice |
** reissue of Blue Note BLP 5025 as "New Faces-New Sounds" + 11 bonus tracks.
Sonny Clark, Wynton Kelly - The Immortal Session From Blue Note (Blue Note (J) LNJ-70079)
Wynton Kelly, piano; Franklin Skeete, bass #1; Oscar Pettiford, bass #2-5; Lee Abrams, drums.
WOR Studios, NYC, July 25, 1951
1. BN400-2 | Fine And Dandy |
2. BN404-0 | Where Or When |
3. BN405-0 | Moonglow |
4. BN405-1 | Moonglow (alternate take) |
5. BN406-0 | If I Should Lose You |
Wynton Kelly, piano; Franklin Skeete, bass; Lee Abrams, conga drums.
WOR Studios, NYC, August 1, 1951
BN409-2 | Foolin' Myself |
BN411-3 | Do Nothin' Till You Hear From Me |
BN412-1 | Summertime |
1952
Lester Young - The President, Volume Three Of Six (Ambrosia AMB 30)
Jesse Drakes, trumpet; Lester Young, tenor sax; Earl Knight or Wynton Kelly, piano; Aaron Bell, bass; Lee Abrams, drums.
"Birdland", NYC, April 25, 1952
Neenah | |
Ghost Of A Chance | |
In A Little Spanish Town | |
Destination Moon | |
Lester Leaps In |
same personnel.
"Birdland", NYC, May 2, 1952
Up 'N' Adam | |
'Deed I Do | |
How High The Moon | |
Pennnies From Heaven |
same personnel.
"Birdland", NYC, May 3, 1952
Up 'N' Adam |
Lester Young - The President, Volume Four Of Six (Ambrosia AMB 40)
Jesse Drakes, trumpet; Lester Young, tenor sax; Earl Knight or Wynton Kelly, piano; Aaron Bell, bass; Lee Abrams, drums.: same session.
"Birdland", NYC, May 3, 1952
'Deed I Do |
Dizzy Gillespie - Dee Gee Days: The Savoy Sessions (Savoy SJL 2209)
Dizzy Gillespie, trumpet; Bill Graham, baritone sax; Wynton Kelly, piano; Bernard Griggs, bass; Al Jones, drums; Joe Carroll, vocals.
Chicago, IL, July 18, 1952
DG-2306 | Blue Skies |
Dizzy Gillespie - School Days (Regent MG 6043)
Dizzy Gillespie, trumpet; Bill Graham, baritone sax; Wynton Kelly, piano; Bernard Griggs, bass; Al Jones, drums; Joe Carroll, vocals.: same session.
Chicago, IL, July 18, 1952
DG-2307 | Umbrella Man |
DG-2308 | Pop's Confessin' |
** also issued on Savoy MG 12204 as "Dizzy Gillespie - Milt Jackson - Joe Carroll".
Dizzy Gillespie - The Champ (Savoy MG 12047)
Dizzy Gillespie, trumpet; Bill Graham, baritone sax; Wynton Kelly, piano; Bernard Griggs, bass; Al Jones, drums; Joe Carroll, vocals.: same session.
Chicago, IL, July 18, 1952
DG-2309 | Oh-Sho-Be-Do-Be |
DG-2310 | They Can't Take That Away From Me |
1953
The Complete Dinah Washington On Mercury, Vol. 3 - 1952-1954 (Mercury (J) 18PJ-10140/43)
unknown, trombone #2; Paul Quinichette, tenor sax; possibly Wynton Kelly, piano; Jackie Davis, organ; Keter Betts, bass; Jimmy Cobb, drums; Candido, bongos; Dinah Washington, vocals; unidentified brass and male vocal group, #1; unidentified brass and mixed vocal group, #2,3.
NYC, June 10, 1953
1. 9792-7 | TV Is The Thing (take 7) |
2. 9794 | Lean Baby (aka My Lean Baby) |
3. 9795 | Never, Never |
Paul Quinichette, tenor sax; Wynton Kelly, piano; George Barnes, Barry Galbraith, guitar; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals.
NYC, June, 1954
10651-4 | No, No, No, You Can't Love Two |
10652-8 | What A Great Sensation |
10653-10 | Raindrops |
10654-11 | Big Long Slidin' Thing |
** also issued on Mercury (J) 30JD-10140/42.
1954
Dizzy And Strings (Norgran MGN-1023)
Dizzy Gillespie, trumpet, vocals; John Barrows, Jim Buffington, Jim Chambers, Fred Klein, French horn; Danny Bank, baritone sax; George Berg, Jack Greenberg, Tom Parshley, woodwinds; Wynton Kelly, piano; Percy Heath, bass; Jimmy Crawford, drums; 9 strings, Johnny Richards, arranger, conductor.
NYC, September 16, 1954
1984-6 | Rose Of Picardy |
1985 | Silhouette |
1986-8 | Can You Recall |
1987-2 | O Solow |
** also issued on Norgran MGN-1090; Verve MGV-8178 as "Diz Big Band".
The Eminent Jay Jay Johnson, Volume 1 (Blue Note BLP 1505)
Jay Jay Johnson, trombone; Wynton Kelly, piano; Charles Mingus, bass; Kenny Clarke, drums; "Sabu" Martinez, congas #1-3,5.
Van Gelder Studio, Hackensack, NJ, September 24, 1954
1. tk.2 | Too Marvelous For Words |
2. tk.4 | Jay |
3. tk.5 | Old Devil Moon |
4. tk.7 | It's You Or No One |
5. tk.11 | Coffee Pot |
** also issued on Blue Note BST 81505 (pseudo stereo), CDP 7 81505 2.
The Eminent Jay Jay Johnson, Volume 2 (Blue Note BLP 1506)
Jay Jay Johnson, trombone; Wynton Kelly, piano; Charles Mingus, bass; Kenny Clarke, drums.
Van Gelder Studio, Hackensack, NJ, September 24, 1954
tk.10 | Time After Time |
** also issued on Blue Note BST 81506 (pseudo stereo), CDP 7 81506 2.
Art Farmer - Early Art (New Jazz NJLP 8258)
Art Farmer, trumpet; Wynton Kelly, piano; Addison Farmer, bass; Herbie Lovelle as Herby Lovelle, drums.
Van Gelder Studio, Hackensack, NJ, November 9, 1954
633 | I've Never Been In Love Before |
634 | I'll Walk Alone |
635 | Gone With The Wind |
636 | Alone Together |
637 | Preamp |
638 | Autumn Nocturne |
** also issued on Prestige PR 7665; Original Jazz Classics OJCCD-880-2.
1955
The Complete Dinah Washington On Mercury, Vol. 4 - 1954-1956 (Mercury (J) 18PJ-10144/47)
unknown, trumpet; unknown, trombone; Paul Quinichette, unknown, tenor sax; unknown, baritone sax; Wynton Kelly, piano; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals; Hal Mooney, arranger, conductor.
NYC, January 11, 1955
11107-5 | That's All I Want From You |
same personnel.
NYC, January 12, 1955
11110-14 | I Concentrate On You |
Clark Terry, trumpet; Jimmy Cleveland, trombone; Budd Johnson, Paul Quinichette, tenor sax; Cecil Payne, baritone sax; Wynton Kelly, piano; Barry Galbraith, guitar; Keter Betts, bass; Jimmy Cobb, drums; Candido, bongos; Dinah Washington, vocals; Quincy Jones, conductor.
Capitol Studios, NYC, March 17, 1955
11410-5 | I Diddle (1 voice version) |
11410-6 | I Diddle (2 voice version) |
11411-1 | Wasn't It |
11412-3 | No, You Can't Have Him |
11413-17 | Ask A Women Who Knows |
Paul Quinichette, tenor sax; Wynton Kelly, piano; unknown, guitar; Keter Betts, bass; Jimmy Cobb, drums; unknown, bongos; Dinah Washington, vocals; nine strings section, four trombones section, Hal Mooney, arranger, conductor.
Los Angeles, CA, November 10, 1955
12392-12 | The Show Must Go On |
12395 | Birth Of The Blues |
12396-3 | What Is This Thing Called Love |
unknown, flute; Wynton Kelly, piano; unknown, bass; unknown, drums; Dinah Washington, vocals; unidentified brass.
Los Angeles, CA, December, 1955
12469 | Come On Home |
** also issued on Mercury (J) 30JD-10144/46.
Dinah Washington - Dinah! (EmArcy MG-36065)
unknown, trumpet; unknown, trombone; Paul Quinichette, unknown, tenor sax; unknown, baritone sax; Wynton Kelly, piano; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals; Hal Mooney, arranger, conductor.
NYC, January 12, 1955
11109-13 | A Cottage For Sale |
Paul Quinichette, tenor sax; Wynton Kelly, piano; unknown, guitar; Keter Betts, bass; Jimmy Cobb, drums; unknown, bongos; Dinah Washington, vocals; nine strings section, four trombones section, Hal Mooney, arranger, conductor.
Los Angeles, CA, November 10, 1955
12391-4 | Goodbye |
12393-3 | Smoke Gets In Your Eyes |
12394-4 | Look To The Rainbow |
Maynard Ferguson, Conrad Gozzo, Mannie Klein, Ray Linn, trumpet; Tommy Pederson, Frank Rosolino, Si Zentner, trombone; Herb Geller, Skeets Herfurt, alto sax; Georgie Auld, Babe Russin, tenor sax; Chuck Gentry, baritone sax; Wynton Kelly, piano; Al Hendrickson, guitar; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals; Hal Mooney, arranger, conductor.
Los Angeles, CA, November 11, 1955
12401-4 | There'll Be Some Changes Made |
12402-5 | I Could Have Told You |
12403-2 | More Than You Know |
12404-4 | Make Me A Present Of You |
same personnel.
Los Angeles, CA, November 12, 1955
12417-6 | Ill Wind |
12418-7 | Willow Weep For Me |
12419-4 | All Of Me |
12420-3 | Accent On Youth |
Dinah Washington - For These In Love (EmArcy MG-36011)
Clark Terry, trumpet; Jimmy Cleveland, trombone; Paul Quinichette, tenor sax; Cecil Payne, baritone sax; Wynton Kelly, piano; Barry Galbraith, guitar; Keter Betts, bass; Jimmy Cobb, drums; Dinah Washington, vocals; Quincy Jones, conductor.
Capitol Studios, NYC, March 15, 1955
11401-13 | I Could Write A Book |
11402-8 | Make The Man Love Me |
11403-12 | Blue Gardenia |
11404-10 | You Don't Know What Love Is |
same personnel.
Capitol Studios, NYC, March 16, 1955
11405-8 | My Old Flame |
11406 | Easy Living |
11407 | I Get A Kick Out Of You |
11408 | This Can't Be Love |
** also scheduled on Mercury MG-20574 as "For Those In Love".
Dinah Washington - The Jazz Sides (EmArcy EMS-2-401)
Clark Terry, trumpet; Jimmy Cleveland, trombone; Budd Johnson, Paul Quinichette, tenor sax; Cecil Payne, baritone sax; Wynton Kelly, piano; Barry Galbraith, guitar; Keter Betts, bass; Jimmy Cobb, drums; Candido, bongos; Dinah Washington, vocals; Quincy Jones, conductor.: add Budd Johnson, tenor sax; Candido, bongos.
Capitol Studios, NYC, March 17, 1955
11409-4 | If I Had You |
Dinah Washington - The Queen! (Mercury MG-20439)
unknown, flute; Wynton Kelly, piano; unknown, bass; unknown, drums; Dinah Washington, vocals; unidentified brass.
Los Angeles, CA, December, 1955
12466 | I Thought About You |
12467 | Lingering |
12468 | A Sunday Kind Of Love |
** originally scheduled on EmArcy MG-36149.
** also issued on Mercury SR-60111.
1956
Introducing Johnny Griffin (Blue Note BLP 1533)
Johnny Griffin, tenor sax; Wynton Kelly, piano; Curly Russell, bass; Max Roach, drums.
Van Gelder Studio, Hackensack, NJ, April 17, 1956
tk.2 | Chicago Calling |
tk.3 | Mil Dew |
tk.6 | The Boy Next Door |
tk.8 | It's All Right With Me |
tk.10 | Nice And Easy |
tk.13 | Lover Man |
tk.14 | These Foolish Things |
** also issued on Blue Note CDP 7 46536 2.
Various Artists - The Other Side Of Blue Note 1500 Series (Blue Note (J) BNJ-61008/10)
Johnny Griffin, tenor sax; Wynton Kelly, piano; Curly Russell, bass; Max Roach, drums.: same session.
Van Gelder Studio, Hackensack, NJ, April 17, 1956
tk.12 | The Way You Look Tonight |
tk.16 | Cherokee |
Lady Sings The Blues (Clef MGC-721)
Charlie Shavers, trumpet; Tony Scott, clarinet, arranger; Paul Quinichette, tenor sax; Wynton Kelly, piano; Kenny Burrell, guitar; Aaron Bell, bass; Lenny McBrowne, drums; Billie Holiday, vocals.
NYC, June 6, 1956
2850-5 | 62VK224 | Trav'lin' Light |
2851-3 | I Must Have That Man |
2853-1 | Some Other Spring |
2854-4 | Lady Sings The Blues |
Charlie Shavers, trumpet; Tony Scott, clarinet, arranger #2-4; Paul Quinichette, tenor sax #2-4; Wynton Kelly, piano; Kenny Burrell, guitar; Aaron Bell, bass #2-4; Lenny McBrowne, drums; Billie Holiday, vocals.
NYC, June 7, 1956
1. 2855-12 | Strange Fruit |
2. 2856-1 | God Bless The Child |
3. 2857-8 | Good Morning, Heartache |
4. 2858-1 | No Good Man |
** also issued on Verve MGV-8099; ARS G-431.
Dizzy Gillespie - Big Band Live In Hi-Fi From Birdland (Fanfare LP N 46 146)
Talib Daawud, Dizzy Gillespie, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Al Grey, Rod Levitt, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, Ernie Wilkins, tenor sax; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums.
"Birdland", NYC, November 4-December 2, 1956
Introduction | |
Dizzy's Blues | |
A Night In Tunisia | |
Stella By Starlight | |
Doodlin' |
Talib Daawud, Dizzy Gillespie, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Al Grey, Rod Levitt, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, Ernie Wilkins, tenor sax; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums; Austin Cromer, vocals #1.
"Birdland", NYC, December 1, 1956
1. | If You Could See Me Now |
2. | Groovin' For Nat |
3. | The Theme |
4. | Introduction / The Theme |
5. | Whisper Not |
6. | Tangerine |
7. | Dizzy's Business (incomplete) |
Sonny Rollins (Vol. 1) (Blue Note BLP 1542)
Donald Byrd, trumpet; Sonny Rollins, tenor sax; Wynton Kelly, piano; Gene Ramey, bass; Max Roach, drums.
Van Gelder Studio, Hackensack, NJ, December 16, 1956
tk.1 | Decision |
tk.2 | Plain Jane |
tk.5 | Sonnysphere |
tk.6 | How Are Things In Glocca Morra |
tk.8 | Bluesnote |
** also issued on Blue Note BST 81542 (pseudo stereo), CDP 7 81542 2.
1957
Lee Morgan, Wynton Kelly - Dizzy Atmosphere (Specialty SP-5001)
Lee Morgan, trumpet; Al Grey, trombone; Billy Mitchell, tenor sax; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums.
Los Angeles, CA, February 18, 1957
Dishwater (take 4) | |
Someone I Know (take 6) | |
D.D.T. (take 5) | |
Whisper Not (take 5) | |
About Time (take 5) | |
Day By Day (take 2) | |
Rite Of Swing (take 3) | |
Over The Rainbow (take 4) |
** also issued on Specialty SP 2210; Original Jazz Classics OJCCD-1762-2.
Lee Morgan, Wynton Kelly - Dizzy Atmosphere (Original Jazz Classics OJCCD-1762-2)
Lee Morgan, trumpet; Al Grey, trombone; Billy Mitchell, tenor sax; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums.: same session.
Los Angeles, CA, February 18, 1957
Someone I Know (take 3) | |
Whisper Not (take 3+4) | |
Over The Rainbow (take 3) |
** reissue of Specialty SP-5001 + 3 bonus tracks.
Howard Rumsey Lighthouse All-Stars And Charlie Persip's Jazz Statesmen - Double Or Nothin' (Liberty LRP-3045)
Lee Morgan, trumpet #1,3,4; Conte Candoli, trumpet #4; Frank Rosolino, trombone #4; Benny Golson, tenor sax #1,3,4; Bob Cooper, tenor sax #4; Wynton Kelly, piano; Wilfred Middlebrooks, bass #1,2,4; Red Mitchell, bass #2,3; Charlie Persip, drums.
"The Lighthouse", Hermosa Beach, CA, February 27, 1957
1. | Reggie Of Chester |
2. | Celedia |
3. | Blues After Dark |
4. | Wildwood |
Lee Morgan, Vol. 3 (Blue Note BLP 1557)
Lee Morgan, trumpet; Gigi Gryce, alto sax, flute; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
Van Gelder Studio, Hackensack, NJ, March 24, 1957
tk.3 | Hasaan's Dream |
tk.5 | I Remember Clifford |
tk.7 | Mesabi Chant |
tk.11 | Tip-Toeing |
tk.13 | Domingo |
** also issued on Blue Note CDP 7 46817 2.
** part of Mosaic MR6-162, MD4-162 as "The Complete Blue Note Lee Morgan Fifties Sessions".
The Complete Blue Note Lee Morgan Fifties Sessions (Mosaic MR6-162)
Lee Morgan, trumpet; Gigi Gryce, alto sax, flute; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.: same session.
Van Gelder Studio, Hackensack, NJ, March 24, 1957
tk.10 | Tip-Toeing (alternate take) |
** also issued on Mosaic MD4-162.
** same as Blue Note BLP 1538 entitled "Lee Morgan Indeed!" + BLP 1541 entitled "Lee Morgan (Vol. 2)" + BLP 1557 entitled "Lee Morgan, Vol. 3" + BLP 1575 entitled "City Lights" + BLP 1578 entitled "The Cooker" + BLP 1590 entitled "Candy" + 4 bonus tracks.
Art Blakey And His Jazz Messengers 1957 - Second Edition (RCA Bluebird 07863 66661-2)
Bill Hardman, Lee Morgan, trumpet; Melba Liston, trombone; Sahib Shihab, alto sax; Johnny Griffin, tenor sax; Cecil Payne, baritone sax; Wynton Kelly, piano; Spanky DeBrest, bass; Art Blakey, drums.
RCA Victor Studio No. 3, NYC, April 2, 1957
A Night At Tony's (take 3) |
** reissue of Vik LAK 1103 as "Art Blakey's Jazz Messengers - Selections From Lerner And Loewe's..." + 5 bonus tracks.
Art Blakey - Theory Of Art (RCA Bluebird 6286-2-RB)
Bill Hardman, Lee Morgan, trumpet; Melba Liston, trombone; Sahib Shihab, alto sax; Johnny Griffin, tenor sax; Cecil Payne, baritone sax; Wynton Kelly, piano; Spanky DeBrest, bass; Art Blakey, drums.: same session.
RCA Victor Studio No. 3, NYC, April 2, 1957
A Night At Tony's (take 4) | |
Social Call (take 4) |
** reissue of Vik LAX 1115 as "Art Blakey's Jazz Messengers - A Night In Tunisia" + 2 bonus tracks.
Johnny Griffin, Vol. 2 - A Blowing Session (Blue Note BLP 1559)
Lee Morgan, trumpet; John Coltrane, Johnny Griffin, Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.
Van Gelder Studio, Hackensack, NJ, April 6, 1957
tk.2 | Smokestack |
tk.3 | The Way You Look Tonight |
tk.4 | Ball Bearing |
tk.5 | All The Things You Are |
** also issued on Blue Note CDP 7 81559 2, 7243 4 99009 2 9.
** part of Blue Note BN-LA521-H2 as "Johnny Griffin, John Coltrane, Hank Mobley - Blowin' Sessions".
Johnny Griffin, Vol. 2 - A Blowing Session (Blue Note 7243 4 99009 2 9)
Lee Morgan, trumpet; John Coltrane, Johnny Griffin, Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.: same session.
Van Gelder Studio, Hackensack, NJ, April 6, 1957
tk.1 | Smokestack (alternate take) |
** reissue of Blue Note BLP 1559 + 1 bonus track.
Dizzy Gillespie Big Band - Birks' Works (Verve MGV-8222)
Talib Daawud, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Dizzy Gillespie, trumpet, arranger; Al Grey, Rod Levitt, trombone; Melba Liston, trombone, arranger; Ernie Henry, Jimmy Powell, alto sax; Billy Mitchell, tenor sax; Benny Golson, tenor sax, arranger; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums; Austin Cromer, vocals #6-8; Ernie Wilkins, arranger.
NYC, April 7, 1957
1. 20828-5 | Jordu |
2. 20829-8 | 63VK626 | Birks' Works |
3. 20830-12 | Umbrella Man |
4. 20831-13 | Autumn Leaves |
5. 20832-16 | Tangerine |
6. 20833-18 | Over The Rainbow |
7. 20834-21 | You No Quiero Bailer |
8. 20835-29 | If You Could See Me Now |
Talib Daawud, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Dizzy Gillespie, trumpet, arranger; Al Grey, Rod Levitt, trombone; Melba Liston, trombone, arranger; Ernie Henry, Jimmy Powell, alto sax; Billy Mitchell, tenor sax; Benny Golson, tenor sax, arranger; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums; Ernie Wilkins, arranger.
NYC, April 8, 1957
20836-5 | Left Hand Corner |
20837-9 | Whisper Not |
** part of Verve 314 527 900-2 as "Birks Works: The Verve Big-Band Sessions".
Dizzy Gillespie - Birks Works: The Verve Big-Band Sessions (Verve 314 527 900-2)
Talib Daawud, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Dizzy Gillespie, trumpet, arranger; Al Grey, Rod Levitt, trombone; Melba Liston, trombone, arranger; Ernie Henry, Jimmy Powell, alto sax; Billy Mitchell, tenor sax; Benny Golson, tenor sax, arranger; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums; Austin Cromer, vocals #7,8; Ernie Wilkins, arranger.
NYC, April 8, 1957
1. 20836-1 | Left Hand Corner (false start) |
2. 20836-2 | Left Hand Corner (alternate take) |
3. 20836-3 | - |
4. 20836-4 | Left Hand Corner (false start) |
5. 20837-6 | Whisper Not (alternate take) |
6. 20837-8 | - |
7. 20841-29 | Mayflower Rock (alternate take) |
8. 20841-30 | Mayflower Rock |
Talib Dawud, Dizzy Gillespie, Lee Morgan, E.V. Perry, Carl Warwick, trumpet; Ray Connor, Al Gray, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Paul West, bass; Charles Persip, drums.
NYC, July 8, 1957
21092 | 62VK236 | Joogie Boogie |
21094-4 | You'll Be Sorry |
21095-8 | Wonder Why |
** same as Norgran MGN-1084 entitled "World Statesman" + Verve MGV-8017 entitled "Dizzy In Greece" + MGV-8222 entitled "Dizzy Gillespie Big Band - Birks' Works" + 12 bonus tracks.
Dizzy In Greece (Verve MGV-8017)
Talib Daawud, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Dizzy Gillespie, trumpet, arranger; Al Grey, Rod Levitt, trombone; Melba Liston, trombone, arranger; Ernie Henry, Jimmy Powell, alto sax; Billy Mitchell, tenor sax; Benny Golson, tenor sax, arranger; Billy Root, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums; Ernie Wilkins, arranger.
NYC, April 8, 1957
20838-13 | Stablemates |
20839-15 | That's All |
20840-2 | Groovin' High |
** part of Verve 314 527 900-2 as "Dizzy Gillespie - Birks Works: The Verve Big-Band Sessions".
Dizzy Gillespie And Stuff Smith (Verve MGV-8214)
Dizzy Gillespie, trumpet; Stuff Smith, violin; Wynton Kelly, piano; Paul West, bass; J.C. Heard, drums; The Gordon Family: George Gordon, George Gordon Jr., Richard Gordon, Honey Gordon, vocal group #5.
NYC, April 17, 1957
1. 20866-5 | Rio Pakistan |
2. 20867-6 | It's Only A Paper Moon |
3. 20868-8 | Purple Sounds |
4. 20869-10 | Russian Lullaby |
5. 20870-12 | Oh, Lady Be Good |
Clark Terry - Serenade To A Bus Seat (Riverside RLP 12-237)
Clark Terry, trumpet; Johnny Griffin, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, April 27, 1957
Donna Lee | |
Boardwalk | |
Digits | |
Boomerang | |
Serenade To A Bus Seat | |
Stardust | |
Cruising | |
That Old Black Magic |
** also issued on Original Jazz Classics OJC-066, OJCCD-066-2.
Dizzy Gillespie And His Orchestra "Live", Chester, Pennsylvania, June 14, 1957 (Jazz Unlimited (Swd) JUCD 2040)
Talib Daawud, Dizzy Gillespie, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Ray Connor, Al Grey, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Tommy Bryant, bass; Charlie Persip, drums.
Chester, PA, June 14, 1957
A Night In Tunisia | |
Doodlin' | |
Autumn Leaves | |
My Reverie | |
Dizzy's Business | |
I Remember Clifford | |
Jordu | |
Whisper Not | |
Birks' Works | |
Jessica's Day | |
Left Hand Corner | |
Yesterdays | |
Cool Breeze |
Dizzy Gillespie Big Band Live In Stereo At Chester PA (Jazz Hour JH 1029)
Talib Daawud, Dizzy Gillespie, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Ray Connor, Al Grey, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Tommy Bryant, bass; Charlie Persip, drums; Austin Cromer, vocals #10.
Chester, PA, June 14, 1957
1. | A Night In Tunisia |
2. | Autumn Leaves |
3. | Dizzy's Business |
4. | Anitra's Dance |
5. | Begin The Beguine |
6. | Left Hand Corner |
7. | I Love You Much To Much |
8. | Yesterdays |
9. | Cool Breeze |
10. | Wonder Why |
Dizzy Gillespie, Stan Getz, Coleman Hawkins And Paul Gonsalves - Sittin' In (Verve MGV-8225)
Dizzy Gillespie, trumpet; Stan Getz, Paul Gonsalves, Coleman Hawkins, tenor sax; Wynton Kelly, piano; Wendell Marshall, bass; J.C. Heard, drums.
WOR Studios, NYC, June 26, 1957
21045-3 | The Way You Look Tonight |
21046-1 | Ballad Medley: On The Alamo / Stompin' At The Savoy / This Time The Dream's On Me / Time After Time / Gone With The Wind |
21047-2 | Ballad Medley: I'm Through With Love / Without A Word Of Warning / Sweet Lorraine / Love Walked In / September Song |
21048-2 | Dizzy Atmosphere (All The Things You Are) |
Dizzy Gillespie At Newport (Verve MGV-8242)
Talib Dawud, Dizzy Gillespie, Lee Morgan, E.V. Perry, Carl Warwick, trumpet; Chuck Conner, Al Gray, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Paul West, bass; Charles Persip, drums.
"Newport Jazz Festival", Newport, RI, evening, July 6, 1957
63VK577 | Dizzy's Blues |
63VK578 | School Days |
Doodlin' | |
Manteca | |
I Remember Clifford | |
Cool Breeze |
** also issued on Verve MGVS-6023. Verve V6-8830 as "The Newport Years, Volume V".
Count Basie & Joe Williams, Dizzy Gillespie & Mary Lou Williams At Newport (Verve MGV-8244)
Talib Dawud, Dizzy Gillespie, Lee Morgan, E.V. Perry, Carl Warwick, trumpet; Chuck Conner, Al Gray, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Paul West, bass; Charles Persip, drums.: same session.
"Newport Jazz Festival", Newport, RI, evening, July 6, 1957
A Night In Tunisia |
** also issued on Verve MGVS-6025.
Various Artists - Special College Jazz Album: Complimentary Record (Verve MGV-8341)
Talib Dawud, Dizzy Gillespie, Lee Morgan, E.V. Perry, Carl Warwick, trumpet; Ray Connor, Al Gray, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Paul West, bass; Charles Persip, drums.: Ray Connor, trombone; replaces Conner.
NYC, July 8, 1957
21092 | Joogie Boogie (alternate take) |
The Big Band Sound Of Dizzy Gillespie (Verve (E) 2317 080)
Talib Dawud, Dizzy Gillespie, Lee Morgan, E.V. Perry, Carl Warwick, trumpet; Ray Connor, Al Gray, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Paul West, bass; Charles Persip, drums.: same session.
NYC, July 8, 1957
21093-2 | I Remember Clifford |
Sarah Vaughan, Miles Davis, Charlie Mingus, Dizzy Gillespie - I Giganti Del Jazz, Vol. 2 (Curcio (It) GJ-2)
Talib Daawud, Dizzy Gillespie, Lee Morgan, Ermet Perry, Carl Warwick, trumpet; Ray Connor, Al Grey, Melba Liston, trombone; Ernie Henry, Jimmy Powell, alto sax; Benny Golson, Billy Mitchell, tenor sax; Pee Wee Moore, baritone sax; Wynton Kelly, piano; Paul West, bass; Charlie Persip, drums.
Chester, PA, July 14, 1957
Things To Come |
Charlie Rouse/Paul Quinichette - The Chase Is On (Bethlehem BCP-6021)
Paul Quinichette, Charlie Rouse, tenor sax; Wynton Kelly, piano; Wendell Marshall, bass; Ed Thigpen, drums.
NYC, August 29, 1957
B6470 | This Can't Be Love |
B6471 | Last Time For Love |
B6472 | Tender Trap |
B6473 | Knittin' |
B6474 | The Chase Is On |
B6475 | The Things I Love |
Don Byrd-Gigi Gryce And The Jazz Lab Quintet With Jackie Paris - Modern Jazz Perspective (Columbia CL 1058)
Donald Byrd, trumpet; Gigi Gryce, alto sax; Wynton Kelly, piano; Wendell Marshall, bass; Art Taylor, drums.
NYC, August 30, 1957
CO59677 | Satellite |
CO59678 | An Evening In Casablanca |
CO59679 | Social Call |
Donald Byrd, trumpet; Gigi Gryce, alto sax; Wynton Kelly, piano; Wendell Marshall, bass; Art Taylor, drums; Jackie Paris, vocals, banjo #1,2.
NYC, September 3, 1957
1. CO59684 | Early Morning Blues / Now Don't You Know |
2. CO59685 | Early Bird |
3. CO59686 | Elgy |
Donald Byrd, trumpet; Jimmy Cleveland, trombone; Julius Watkins, French horn; Don Butterfield, tuba; Gigi Gryce, alto sax; Sahib Shihab, baritone sax; Wynton Kelly, piano; Wendell Marshall, bass; Art Taylor, drums.
NYC, September 5, 1957
CO59690 | Stablemates |
CO59691 | Steppin' Out |
** also issued on Columbia PC 36810 as "Various Artists - Modern Jazz Perspective".
Ernie Henry - Last Chorus (Riverside RLP 12-266)
Lee Morgan, trumpet; Melba Liston, trombone #1,2,4; Ernie Henry, alto sax; Benny Golson, tenor sax; Cecil Paine, baritone sax #1,2,4; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, September 15, 1957
1. | Autumn Leaves |
2. | Beauty And The Blues |
3. | All The Things You Are |
4. | Melba's Tune |
Ernie Henry, alto sax; Wynton Kelly, piano; Wilbur Ware, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, September 30, 1957
Like Someone In Love (alternate take) |
** also issued on Original Jazz Classics OJC-086, OJCCD-1906-2.
A.K. Salim - Pretty For The People (Savoy 7567-93006-2)
Kenny Dorham, trumpet; Buster Cooper, trombone; Johnny Griffin, tenor sax; Pepper Adams, baritone, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Max Roach, drums; Chino Pozo, congas; A.K. Salim, arranger, director.
Van Gelder Studio, Hackensack, NJ, September 17, 1957
70125 | Blu-Binsky (alternate take) |
70127 | Pretty For The People (alternate take) |
A.K. Salim - Pretty For The People (Savoy MG 12118)
Kenny Dorham, trumpet; Buster Cooper, trombone; Johnny Griffin, tenor sax; Pepper Adams, baritone, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Max Roach, drums; Chino Pozo, congas; A.K. Salim, arranger, director.: same session.
Van Gelder Studio, Hackensack, NJ, September 17, 1957
70125 | Blu-Binsky |
70126 | R-U 1-2 |
70127 | Pretty For The People |
70128 | Ba-Lu-Ee-Du |
70129 | Shirley Ray |
70130 | Takin' Care Of Business |
Sonny Rollins - Newk's Time (Blue Note BLP 4001)
Sonny Rollins, tenor sax; Wynton Kelly, piano; Doug Watkins, bass; Philly Joe Jones, drums.
Van Gelder Studio, Hackensack, NJ, September 22, 1957
tk.5 | Tune Up |
tk.9 | Asiatic Raes |
tk.15 | Wonderful! Wonderful! |
tk.17 | Namely You |
tk.19 | Blues For Philly Joe |
** also issued on Blue Note BST 84001, CDP 7 84001 2.
Ernie Henry Quartet - Seven Standards And A Blues (Riverside RLP 12-248)
Ernie Henry, alto sax; Wynton Kelly, piano; Wilbur Ware, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, September 30, 1957
I Get A Kick Out Of You | |
My Ideal | |
I've Got The World On A String | |
Sweet Lorraine | |
Soon | |
Lover Man | |
Specific Gravity | |
Like Someone In Love |
** also issued on Original Jazz Classics OJC-1722, OJCCD-1722-2.
The Charles Mingus Group - Debut Rarities, Volume 3 (Original Jazz Classics OJCCD-1821-2)
Clarence Shaw, trumpet; Shafi Hadi as Curtis Porter, tenor sax; Pepper Adams, baritone sax; Wade Legge or Wynton Kelly, piano; Henry Grimes or Charles Mingus, bass; Dannie Richmond, drums.
NYC, September, 1957
We Got Blue (as Untitled Original Blues (take 1)) | |
Stella By Starlight (take 4) | |
Stella By Starlight (take 5) | |
Untitled Original Composition (take 3) | |
Untitled Original Composition (take 5) |
Charles Mingus - The Rarest On Debut - Mingus Newly Discovered (Mythic Sound (It) MSLP 003)
Clarence Shaw, trumpet; Shafi Hadi as Curtis Porter, tenor sax; Pepper Adams, baritone sax; Wade Legge or Wynton Kelly, piano; Henry Grimes or Charles Mingus, bass; Dannie Richmond, drums.: same session.
NYC, September, 1957
Autumn In New York (take 1) | |
Autumn In New York (take 2) | |
Long Ago And Far Away (take 1) (false start) | |
Long Ago And Far Away (take 2) | |
Long Ago And Far Away (take 3) | |
Long Ago And Far Away (take 4) | |
Long Ago And Far Away (take 5) | |
We Got Blue (as Untitled Original Blues (take 2)) | |
Joldi (rehearsal) (short take) | |
Joldi (rehearsal) (long take) | |
Joldi (take 1) | |
Joldi (take 2) (false start) | |
Joldi (take 3) (incomplete) | |
Joldi (take 4) | |
Joldi (take 5) (false start) | |
Joldi (take 6) (as Joldi (take 5)) |
Benny Golson's New York Scene (Contemporary C3552)
Art Farmer, trumpet; Jimmy Cleveland, trombone; Julius Watkins, French horn; Gigi Gryce, alto sax; Benny Golson, tenor sax; Sahib Shihab, baritone sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
NYC, October 14, 1957
Whisper Not | |
Just By Myself | |
Capri |
Art Farmer, trumpet #1-3; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
NYC, October 17, 1957
1. | Something In B Flat |
2. | Step Lightly |
3. | Blues It |
4. | You're Mine, You |
** also issued on Original Jazz Classics OJC-164, OJCCD-164-2.
Benny Golson's New York Scene (Original Jazz Classics OJCCD-164-2)
Art Farmer, trumpet; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
NYC, October 17, 1957
B.G.'s Holiday |
** reissue of Contemporary C3552 + 1 bonus track.
Abbey Lincoln - That's Him (Riverside RLP 12-251)
Kenny Dorham, trumpet; Sonny Rollins, tenor sax; Wynton Kelly, piano #1-6,8, bass #7; Paul Chambers, bass #1-6,8; Max Roach, drums; Abbey Lincoln, vocals.
NYC, October 28, 1957
1. | Strong Man |
2. | Happiness Is Just A Thing Called Joe |
3. | My Man |
4. | That's Him |
5. | I Must Have That Man |
6. | Porgy |
7. | Don't Explain |
8. | When A Woman Loves A Man |
** also issued on Riverside RLP 1107; Original Jazz Classics OJC-085, OJCCD-085-2.
Abbey Lincoln - That's Him (Original Jazz Classics OJCCD-085-2)
Kenny Dorham, trumpet; Sonny Rollins, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Max Roach, drums; Abbey Lincoln, vocals.
NYC, October 28, 1957
I Must Have That Man (take 3) | |
Porgy (take 1) |
** reissue of Riverside RLP 12-251 + 2 bonus tracks.
Steve Lacy - Soprano Sax (Prestige PRLP 7125)
Steve Lacy, soprano sax; Wynton Kelly, piano; Buell Neidlinger, bass; Dennis Charles, drums.
Van Gelder Studio, Hackensack, NJ, November 1, 1957
1376 | Daydream |
1377 | Alone Together |
1378 | Work |
1379 | Rockin' In Rhythm |
1380 | Easy To Love |
1381 | Little Girl, Your Daddy Is Calling You |
** also issued on Status ST 8308 as "Wynton Kelly With Steve Lacy". Original Jazz Classics OJC-130, OJCCD-130-2.
Various Artists - Jazz Is Busting Out All Over! (Savoy MG 12123)
Sonny Redd, alto sax; Pepper Adams, baritone sax; Wynton Kelly, piano; Doug Watkins, bass; Elvin Jones, drums.
Chicago, IL, November 12, 1957
Stop |
Art Pepper, Sonny Redd - Two Altos (Regent MG 6069)
Sonny Redd, alto sax; Pepper Adams, baritone sax; Wynton Kelly, piano; Doug Watkins, bass; Elvin Jones, drums.: same session.
Chicago, IL, November 12, 1957
Watkins Production | |
Redd's Head |
** also issued on Savoy MG 12215.
Jimmy Cleveland - Cleveland Style (EmArcy MG-36126)
Art Farmer, trumpet; Jimmy Cleveland, trombone; Don Butterfield, tuba; Jimmy McAllister, tuba #2; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
NYC, December 12, 1957
1. 16460 | Out Of This World |
2. 16461 | All This And Heaven Too |
3. 16462 | Goodbye Ebbets Field |
Art Farmer, trumpet; Jimmy Cleveland, trombone; Don Butterfield, tuba; Jimmy McAllister, tuba #1,2,4; Benny Golson, tenor sax; Wynton Kelly, piano; Eddie Jones, bass; Charlie Persip, drums.
NYC, December 13, 1957
1. 16463 | Posterity |
2. 16464 | A Jazz Ballad |
3. 16465 | Long Ago And Far Away |
4. 16466 | Jimmy's Tune |
** also issued on Mercury MG-20553, SR-60121; Universal (J) UCCM-9117.
Benny Golson Sextet - The Modern Touch (Riverside RLP 12-256)
Kenny Dorham, trumpet; J.J. Johnson, trombone; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Max Roach, drums.
Reeves Sound Studios, NYC, December 19, 1957
Hymn To The Orient | |
Namely You | |
Blues On Down |
same personnel.
Reeves Sound Studios, NYC, December 23, 1957
Out Of The Past | |
Reunion | |
Venetian Blues |
** also issued on Jazzland JLP 85, JLP 985 as "Reunion". Original Jazz Classics OJCCD-1797-2.
** part of Milestone M-47048 as "Blues On Down".
1958
Wynton Kelly Piano (Riverside RLP 12-254)
Wynton Kelly, piano; Kenny Burrell, guitar; Paul Chambers, bass; Philly Joe Jones, drums #5-7.
NYC, January 31, 1958
1. | Strong Man |
2. | Ill Wind |
3. | You Can't Get Away |
4. | Don't Explain |
5. | Whisper Not |
6. | Dark Eyes |
7. | Action |
** also issued on Jazzland JLP 83, JLP 983 as "Whisper Not". Original Jazz Classics OJC-401, OJCCD-401-2.
** part of Milestone M-47026 as "Keep It Moving".
Wynton Kelly Piano (Original Jazz Classics OJCCD-401-2)
Wynton Kelly, piano; Kenny Burrell, guitar; Paul Chambers, bass; Philly Joe Jones, drums.
NYC, January 31, 1958
Dark Eyes (alternate take) |
** reissue of Riverside RLP 12-254 + 1 bonus track.
The Complete Blue Note Hank Mobley Fifties Sessions (Mosaic MQ10-181)
Lee Morgan, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
Van Gelder Studio, Hackensack, NJ, February 9, 1958
tk.2 | High And Flighty (alternate take) |
tk.4 | Stretchin' Out (alternate take) |
tk.12 | Speak Low (alternate take) |
** also issued on Mosaic MD6-181.
** same as Blue Note BLP 1540 entitled "Hank Mobley With Donald Byrd And Lee Morgan" + BLP 1544 entitled "Hank Mobley And His All Stars" + BLP 1550 entitled "Hank Mobley Quintet" + BLP 1560 entitled "Hank" + BLP 1568 entitled "Hank Mobley" + (J) GXF-3066 entitled "Poppin'" + (J) BNJ-61006 entitled "Hank Mobley Quintet Featuring Sonny Clark" + 20 bonus tracks.
Hank Mobley, Lee Morgan - Peckin' Time (Blue Note BLP 1574)
Lee Morgan, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.: same session.
Van Gelder Studio, Hackensack, NJ, February 9, 1958
tk.3 | High And Flighty |
tk.5 | Stretchin' Out |
tk.6 | Peckin' Time |
tk.10 | Git-Go Blues |
tk.11 | Speak Low |
** also issued on Blue Note CDP 7 81574 2.
Out There With Betty Carter (Peacock PLP 90)
Ray Copeland, trumpet; Melba Liston, trombone; Jerome Richardson, tenor sax, flute, bass clarinet; Wynton Kelly, piano; Peck Morrison, bass; Charles "Specs" Wright, drums; Betty Carter, vocals.
NYC, February, 1958
I Can't Help It | |
By The Bend Of The River | |
Babe's Blues | |
You're Getting To Be A Habit With Me | |
But Beautiful | |
All I've Got |
Ray Copeland, Kenny Dorham, trumpet; Melba Liston, trombone; Gigi Gryce, Jimmy Powell, alto sax; Benny Golson, tenor sax; Sahib Shihab, baritone sax; Wynton Kelly, piano; Sam Jones, bass; Charles "Specs" Wright, drums; Betty Carter, vocals.
You're Driving Me Crazy | |
Foul Play | |
On The Isle Of May | |
Make It Last | |
The Bluebird Of Happiness | |
Something Wonderful |
** part of Impulse! AS-9321-2 as "What A Little Moonlight Can Do". Impulse! GRD-114 as "I Can't Help It".
The Pepper-Knepper Quintet With Pepper Adams & Jimmy Knepper (Metrojazz E1004)
Jimmy Knepper, trombone; Pepper Adams, baritone sax; Wynton Kelly, piano, organ; Doug Watkins, bass; Elvin Jones, drums.
Beltone Studios, NYC, March 25, 1958
58-XY-413ST | Minor Catastrophe |
58-XY-414ST | All Too Soon |
58-XY-416ST | Beaubien |
58-XY-417ST | Adams In The Apple |
58-XY-419ST | Riverside Drive |
58-XY-418ST | I Didn't Know About You |
58-XY-415ST | Primrose Path |
** also issued on Metrojazz SE1004.
Blue Mitchell Big 6 (Riverside RLP 12-273)
Blue Mitchell, trumpet; Curtis Fuller, trombone; Johnny Griffin, tenor sax; Wynton Kelly, piano; Wilbur Ware, bass; Philly Joe Jones, drums.
NYC, July 2 & 3, 1958
Blues March | |
Big Six | |
There Will Never Be Another You | |
Brother 'Ball | |
Jamph | |
Sir John | |
Promenade |
** also issued on Original Jazz Classics OJC-615, OJCCD-615-2.
Dinah Washington, Terry Gibbs, Max Roach, Don Elliott - Newport '58 (EmArcy MG-36141)
Blue Mitchell, trumpet; Melba Liston, trombone; Harold Ousley, tenor sax; Sahib Shihab, baritone sax; Wynton Kelly, piano; Paul West, bass; Max Roach, drums; Dinah Washington, vocals.
"Newport Jazz Festival", Newport, RI, July 6, 1958
17638 | Lover Come Back To Me |
17639 | Crazy Love |
17640 | Back Water Blues |
Urbie Green, trombone; Don Elliott, mellophone, vibes; Terry Gibbs, vibes; Wynton Kelly, piano; Paul West, bass; Max Roach, drums; Dinah Washington, vocals #3.
1. 17641 | Backstage Blues |
2. 17642 | Julie And Jake |
3. 17643 | All Of Me |
** also issued on EmArcy SR-80009; Mercury MG-20523, SR-60200.
The Complete Dinah Washington On Mercury, Vol. 5 - 1956-1958 (Mercury (J) 18PJ-10215/18)
Blue Mitchell, trumpet; Melba Liston, trombone; Harold Ousley, tenor sax; Sahib Shihab, baritone sax; Wynton Kelly, piano; Paul West, bass; Max Roach, drums; Dinah Washington, vocals.
"Newport Jazz Festival", Newport, RI, July 6, 1958
Send Me To The 'Lectric Chair | |
Me And My Gin (aka Gimmie Me A Pig Foot) |
** also issued on Mercury (J) EJD-2009/11.
Abbey Lincoln - It's Magic (Riverside RLP 12-277)
Kenny Dorham, trumpet; Curtis Fuller, trombone #1-3; Benny Golson, tenor sax; Jerome Richardson, baritone sax, flute #1-3; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums; Abbey Lincoln, vocals.
NYC, July 24, 1958
1. | Just For Me |
2. | An Occasional Man |
3. | Music, Maestro, Please |
4. | 'Tain't Nobody's Business If I Do |
5. | Exactly Like You |
Art Farmer, trumpet; Curtis Fuller, trombone #1,2; Benny Golson, tenor sax; Sahib Shihab, baritone sax, flute #1,2; Wynton Kelly, piano; Sam Jones, bass; Philly Joe Jones, drums; Abbey Lincoln, vocals.
NYC, August 15, 1958
1. | I'm In Love |
2. | Love |
3. | It's Magic |
4. | Out Of The Past |
5. | Little Niles |
** also issued on Original Jazz Classics OJC-205, OJCCD-205-2.
Cannonball Adderley, Milt Jackson - Things Are Getting Better (Riverside RLP 12-286)
Cannonball Adderley, alto sax; Milt Jackson, vibes; Wynton Kelly, piano; Percy Heath, bass; Art Blakey, drums.
NYC, October 28, 1958
Blues Oriental | |
Things Are Getting Better | |
Serves Me Right (take 5) | |
Groovin' High | |
The Sidewalks Of New York (take 5) | |
Sounds For Sid | |
Just One Of Those Things |
** also issued on Riverside RLP 1128; Original Jazz Classics OJC-032, OJCCD-032-2.
** part of Milestone MSP-47001 as "Cannonball Adderley - Cannonball And Eight Giants".
Cannonball Adderley, Milt Jackson - Things Are Getting Better (Original Jazz Classics OJCCD-032-2)
Cannonball Adderley, alto sax; Milt Jackson, vibes; Wynton Kelly, piano; Percy Heath, bass; Art Blakey, drums.: same session.
NYC, October 28, 1958
Serves Me Right (take 4) | |
The Sidewalks Of New York (take 4) |
** reissue of Riverside RLP 12-286 + 2 bonus tracks.
Cannonball Adderley - Cannonball And Eight Giants (Milestone MSP-47001)
Cannonball Adderley, alto sax; Milt Jackson, vibes; Wynton Kelly, piano; Percy Heath, bass; Art Blakey, drums.: same session.
NYC, October 28, 1958
A Few Words... |
** same as Riverside RLP 12-286 entitled "Cannonball Adderley, Milt Jackson - Things Are Getting Better" + 8 bonus tracks.
Donald Byrd - Off To The Races (Blue Note BLP 4007)
Donald Byrd, trumpet; Jackie McLean, alto sax #1,2,4-6; Pepper Adams, baritone sax #1,2,4-6; Wynton Kelly, piano; Sam Jones, bass; Art Taylor, drums.
Van Gelder Studio, Hackensack, NJ, December 21, 1958
1. tk.3 | Sudwest Funk |
2. tk.4 | Lover Come Back To Me |
3. tk.6 | When Your Lover Has Gone |
4. tk.8 | Off To The Races (aka The Long Two/Four) |
5. tk.10 | Paul's Pal |
6. tk.12 | Down Tempo |
** also issued on Blue Note BST 84007.
1959
Miles Davis All Stars Featuring John Coltrane With Cannonball Adderley (Jazz Band (E) EB 409)
Miles Davis, trumpet; Cannonball Adderley, alto sax; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; Leonard Feather, announcer.
radio broadcast, "Bandstand USA", "Birdland", NYC, January 3, 1959
Bags' Groove (mistitled as Walkin') | |
All Of You (mistitled as All Of Me) |
Blue Mitchell - Out Of The Blue (Riverside RLP 12-293)
Blue Mitchell, trumpet; Benny Golson, tenor sax; Wynton Kelly, piano; Sam Jones, bass #1,3,4; Paul Chambers, bass #2,5,6; Art Blakey, drums.
Reeves Sound Studios, NYC, January 5, 1959
1. | Blues On My Mind |
2. | It Could Happen To You |
3. | Boomerang |
4. | Sweet-Cakes |
5. | Missing You |
6. | When The Saints Go Marching In |
** also issued on Riverside RLP 1131; Original Jazz Classics OJCCD-667-2.
The Complete Vee Jay Paul Chambers - Wynton Kelly Sessions 1959-61 (Mosaic MD6-205)
Freddie Hubbard, trumpet; Cannonball Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Chicago, IL, February 2, 1959
tk.2 | Ease It (alternate take) |
Booker Little, trumpet; Frank Strozier, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Fine Sound, NYC, December 9, 1959
tk.8 | Lucka Duce (alternate take) |
tk.4 | A Starling's Theme (alternate take) |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, July 20, 1961
tk.10 | Scotch And Water (as Joe's Avenue) |
tk.2 | Someday My Prince Will Come |
tk.3 | - |
** same as Vee-Jay VJLP 1014 entitled "Paul Chambers - Go" + VJLP 1016 entitled "Wynton Kelly - Kelly Great" + VJLP 3005 entitled "Fantastic Frank Strozier" + VJLP 3011 entitled "Wynton Kelly - Kelly At Midnight" + VJLP 3012 entitled "Paul Chambers - 1st Bassman" + VJLP 3022 entitled "Wynton Kelly!" + 39 bonus tracks.
Paul Chambers - Go (Vee-Jay VJLP 1014)
Freddie Hubbard, trumpet; Cannonball Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Chicago, IL, February 2, 1959
59-1073 tk.5 | Ease It |
59-1074 tk.8 | Just Friends |
59-1075 tk.5 | I Got Rhythm |
same personnel.
Universal Recording, Chicago, IL, February 3, 1959
59-1077 tk.7 | Julie Ann |
Cannonball Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums #1; Jimmy Cobb, drums #2.
Universal Recording, Chicago, IL, February, 1959?
1. 59-1195 tk.6 | Awful Mean |
2. 59-1196 | There Is No Greater Love |
** also issued on Vee-Jay VJSR 1014, (J) PVCP-8119. Affinity (E) AFF 115 as "Paul Chambers, Julian "Cannonball" Adderley - Ease It". Vee-Jay (J) 22YB-2003, (J) 32YD-1003, (J) FHCY-2003 as "Go + 1".
** part of Vee-Jay (J) FHCY-1009/10. Mosaic MD6-205 as "The Complete Vee Jay Paul Chambers - Wynton Kelly Sessions 1959-61".
Paul Chambers - Go + 1 (Vee-Jay (J) 22YB-2003)
Freddie Hubbard, trumpet; Cannonball Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Chicago, IL, February 3, 1959
remake tk.1 | I Heard That (as F Blues) |
** reissue of Vee-Jay VJLP 1014 as "Go" + 1 bonus track.
Paul Chambers - Go II (Vee-Jay (J) 22YB-2088)
Freddie Hubbard, trumpet; Cannonball Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
Universal Recording, Chicago, IL, February 2, 1959
tk.6 | Just Friends (alternate take) |
tk.2 | I Got Rhythm |
same personnel.
Universal Recording, Chicago, IL, February 3, 1959
tk.4 | I Heard That (as F Blues) |
Cannonball Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums #1; Jimmy Cobb, drums #2.
Universal Recording, Chicago, IL, February, 1959?
1. tk.4 | Awful Mean (alternate take) |
2. tk.10 | Shades Of Blue (as Who's Blues) |
** also issued on Vee-Jay (J) 32YD-1083.
** part of Vee-Jay (J) FHCY-1009/10 as "Go".
Wynton Kelly - Kelly's Memories (Vee-Jay (J) RJL-6025)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Chicago, IL, February 2, 1959
59-1076 tk.3 | Dear Ann |
Freddie Hubbard, trumpet #1; Cannonball Adderley, alto sax #1; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Chicago, IL, February 3, 1959
1. 59-1078 tk.8 | I Heard That (as F Blues) |
2. remake tk.3 | Dear Ann |
Booker Little, trumpet; Frank Strozier, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Fine Sound, NYC, December 9, 1959
tk.5 | Tibbit |
tk.3 | Just In Time |
Wynton Kelly - Autumn Leaves (Vee-Jay (J) RJL-2304)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Chicago, IL, February 3, 1959
remake tk.2 | Dear Ann |
same personnel.
Bell Sound Studios, Studio A, NYC, July 20, 1961
tk.1 | Scotch And Water (as Joe's Avenue) (mistitled as (take 4)) |
- | Autumn Leaves (alternate take 1) |
same personnel.
Bell Sound Studios, Studio A, NYC, July 21, 1961
tk.2 | Char's Blues (alternate take 1) (mistitled as (take 3)) |
** also issued on Vee-Jay (J) R32J-1009.
Cannonball Adderley Quintet In Chicago (Mercury MG-20449)
Cannonball Adderley, alto sax #1-3,5,6; John Coltrane, tenor sax #1-5; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Studio B, Chicago, IL, February 3, 1959
1. 18094 | Grand Central |
2. 18095 | The Sleeper |
3. 18096 | Wabash |
4. 18097 | You're A Weaver Of Dreams |
5. 18098 | Limehouse Blues |
6. 18099 | Stars Fell On Alabama |
** originally scheduled on EmArcy MG-36161.
** also issued on Mercury SR-60134. Limelight LM-82009, LS-86009 as "Cannonball & Coltrane". Verve 314 559 770-2 as "Cannonball Adderley In Chicago".
Cannonball Adderley - Limehouse Blues / Stars Fell On Alabama (Mercury 71712)
Cannonball Adderley, alto sax; John Coltrane, tenor sax #1; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Universal Recording, Studio B, Chicago, IL, February 3, 1959
1. 20487 | Limehouse Blues (45 rpm edit) |
2. 20488 | Stars Fell On Alabama (45 rpm edit) |
** also issued on Limelight L-3055.
Wynton Kelly - Kelly Blue (Riverside RLP 12-298)
Nat Adderley, cornet; Bobby Jaspar, flute; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
NYC, February 19, 1959
Kelly Blue | |
Keep It Moving (take 4) |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
NYC, March 10, 1959
Softly, As In A Morning Sunrise | |
On Green Dolphin Street | |
Willow Weep For Me | |
Old Clothes |
** also issued on Riverside RLP 1142; Original Jazz Classics OJC-033, OJCCD-033-2.
** part of Milestone M-47026 as "Keep It Moving".
Wynton Kelly - Kelly Blue (Original Jazz Classics OJCCD-033-2)
Nat Adderley, cornet; Bobby Jaspar, flute; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
NYC, February 19, 1959
Keep It Moving (take 3) |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
NYC, March 10, 1959
Do Nothin' Till You Hear From Me |
** reissue of Riverside RLP 12-298 + 2 bonus tracks.
Miles Davis & John Coltrane - The Complete Columbia Recordings 1955-1961 (Legacy C6K 65833)
Miles Davis, trumpet; Cannonball Adderley, alto sax; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Columbia 30th Street Studios, NYC, March 2, 1959
CO62290-3 | Freddie Freeloader (false start) |
** also issued on Mosaic MQ9-191 as "The Complete Columbia Recordings Of Miles Davis With John Coltrane".
Miles Davis - Kind Of Blue (Columbia CL 1355)
Miles Davis, trumpet; Cannonball Adderley, alto sax; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
Columbia 30th Street Studios, NYC, March 2, 1959
CO62290-4 | Freddie Freeloader |
** also issued on Columbia CS 8163, PC 8163, CJ 40579, CK 40579.
Nat Adderley - Much Brass (Riverside RLP 12-301)
Nat Adderley, cornet; Slide Hampton, tuba; Wynton Kelly, piano; Sam Jones, cello; Laymon Jackson, bass; Albert Heath, drums.
NYC, March 23, 1959
Blue Concept |
Nat Adderley, cornet; Slide Hampton, trombone #1-5; Laymon Jackson, tuba; Wynton Kelly, piano; Sam Jones, bass; Albert Heath, drums.
NYC, March 23 & 27, 1959
1. | Little Niles |
2. | Israel |
3. | What Next |
4. | Moving |
5. | Accents |
6. | Blue Brass Groove |
7. | Sometimes I Feel Like A Motherless Child |
** also issued on Riverside RLP 1143; Original Jazz Classics OJCCD-848-2.
Abbey Lincoln - Abbey Is Blue (Riverside RLP 12-308)
Kenny Dorham, trumpet; Wynton Kelly, piano; Les Spann, guitar, flute; Sam Jones, bass; Philly Joe Jones, drums; Abbey Lincoln, vocals.
NYC, March 26, 1959
Lonely House | |
Thursday's Child | |
Brother, Where Are You |
** also issued on Riverside RLP 1153; Original Jazz Classics OJC-069, OJCCD-069-2.
Sonny Criss At The Crossroads (Peacock PLP 91)
Ole Hansen, trombone #3,5-7; Sonny Criss, alto sax; Wynton Kelly, piano; Bob Cranshaw, bass; Walter Perkins, drums.
Chicago, IL, March, 1959
1. 6004 | Sweet Lorraine |
2. 6005 | I Got It Bad |
3. | Indiana |
4. | You Don't Know What Love Is |
5. | Sylvia |
6. | Softly, As In A Morning Sunrise |
7. | Butt's Delight |
** part of Impulse! IA-9337/2 as "Sonny Criss, Kenny Dorham - The Dedication Series, Vol. I: The Bopmasters".
The Sound Of Miles Davis (Toei Video (J) TE M576)
Emmett Berry, Johnny Coles, Louis Mucci, Clyde Reasinger, Ernie Royal, trumpet; Miles Davis, flugelhorn, trumpet; Jimmy Cleveland, Bill Elton, Frank Rehak, trombone; Rod Levitt, valve trombone; Bob Northern, Julius Watkins, French horn; Bill Barber, tuba; Eddie Caine, Romeo Penque, flute; Danny Bank, bass clarinet; John Coltrane, tenor, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; Robert Herridge, announcer; Gil Evans, arranger, conductor.
television broadcast, "The Robert Herridge Theater Show", CBS Studios 61, NYC, April 2, 1959
So What | |
unknown title (incomplete) | |
unknown title / So What | |
So What, Part 1 (incomplete) | |
So What, Part 2 (incomplete) | |
So What |
Miles Davis, John Coltrane, Sonny Rollins - Rare Broadcast Performances (Ozone 18)
Emmett Berry, Johnny Coles, Louis Mucci, Clyde Reasinger, Ernie Royal, trumpet; Miles Davis, flugelhorn, trumpet; Jimmy Cleveland, Bill Elton, Frank Rehak, trombone; Rod Levitt, valve trombone; Bob Northern, Julius Watkins, French horn; Bill Barber, tuba; Eddie Caine, Romeo Penque, flute; Danny Bank, bass clarinet; John Coltrane, tenor, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; Robert Herridge, announcer; Gil Evans, arranger, conductor.: same session.
television broadcast, "The Robert Herridge Theater Show", CBS Studios 61, NYC, April 2, 1959
So What | |
The Duke | |
Blues For Pablo |
Miles Davis All Stars And Gil Evans (Beppo (E) BEP 502)
Emmett Berry, Johnny Coles, Louis Mucci, Clyde Reasinger, Ernie Royal, trumpet; Miles Davis, flugelhorn, trumpet; Jimmy Cleveland, Bill Elton, Frank Rehak, trombone; Rod Levitt, valve trombone; Bob Northern, Julius Watkins, French horn; Bill Barber, tuba; Eddie Caine, Romeo Penque, flute; Danny Bank, bass clarinet; John Coltrane, tenor, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; Robert Herridge, announcer; Gil Evans, arranger, conductor.: same session.
television broadcast, "The Robert Herridge Theater Show", CBS Studios 61, NYC, April 2, 1959
New Rhumba |
Cannonball Adderley Quartet - Cannonball Takes Charge (Riverside RLP 12-303)
Julian "Cannonball" Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Reeves Sound Studios, NYC, April 23, 1959
I've Told Every Little Star |
same personnel.
Reeves Sound Studios, NYC, April 27, 1959
If This Isn't Love | |
I Guess I'll Hang My Tears Out To Dry | |
Serenata |
Julian "Cannonball" Adderley, alto sax; Wynton Kelly, piano; Percy Heath, bass; Albert Heath, drums.
Reeves Sound Studios, NYC, May 12, 1959
Poor Butterfly | |
Barefoot Sunday Blues (take 3) | |
I Remember You (take 12) |
** also issued on Riverside RLP 1148. Landmark LLP-1306, LCD-1306-2 as "The Cannonball Adderley Collection, Volume 6 - Cannonball Takes Charge".
The Cannonball Adderley Collection, Volume 6 - Cannonball Takes Charge (Landmark LLP-1306)
Julian "Cannonball" Adderley, alto sax; Wynton Kelly, piano; Percy Heath, bass; Albert Heath, drums.: same session.
Reeves Sound Studios, NYC, May 12, 1959
Barefoot Sunday Blues (take 1) (previously unissued) | |
I Remember You (take 11) (previously unissued) |
** reissue of Riverside RLP 12-303 as "Cannonball Adderley Quartet - Cannonball Takes Charge" + 2 bonus tracks.
Philly Joe Jones Big Band Sounds - Drums Around The World (Riverside RLP 12-302)
Lee Morgan, trumpet; Curtis Fuller, trombone; Herbie Mann, flute, piccolo #1,2; Cannonball Adderley, alto sax; Benny Golson, tenor sax #1,3; Sahib Shihab, baritone sax; Wynton Kelly, piano; Jimmy Garrison, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, May 4, 1959
1. | "El Tambores" (Carioca) |
2. | Land Of The Blue Veils |
3. | Philly J.J. |
Blue Mitchell, trumpet; Lee Morgan, trumpet #1,2; Curtis Fuller, trombone; Herbie Mann, flute, piccolo #1,3; Cannonball Adderley, alto sax #1,2; Benny Golson, tenor sax #1,2; Sahib Shihab, baritone sax #1,2; Wynton Kelly, piano; Sam Jones, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, May 11, 1959
1. | Blue Gwynn |
2. | Stablemates |
3. | Cherokee |
** also issued on Riverside RLP 1147; Jazzland JLP 92, JLP 992; Original Jazz Classics OJCCD-1792-2.
Philly Joe Jones Big Band Sounds - Drums Around The World (Original Jazz Classics OJCCD-1792-2)
Blue Mitchell, Lee Morgan, trumpet; Curtis Fuller, trombone; Cannonball Adderley, alto sax; Benny Golson, tenor sax; Sahib Shihab, baritone sax; Wynton Kelly, piano; Sam Jones, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, May 11, 1959
Stablemates (mono take) |
** reissue of Riverside RLP 12-302 + 1 bonus track.
Johnny Griffin - The Little Giant (Riverside RLP 12-304)
Blue Mitchell, trumpet; Julian Priester, trombone; Johnny Griffin, tenor sax; Wynton Kelly, piano; Sam Jones, bass; Albert Heath, drums.
NYC, August 4 & 5, 1959
Olive Refractions | |
The Message | |
63rd Street Theme | |
Playmates | |
Venus And The Moon |
** also issued on Riverside RLP 1149; Jazzland JLP 93, JLP 993; Original Jazz Classics OJC-136, OJCCD-136-2.
Wynton Kelly - Kelly Great (Vee-Jay VJLP 1016)
Lee Morgan, trumpet; Wayne Shorter, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Fine Sound, NYC, August 12, 1959
59-1220 | Wrinkles |
59-1221 | June Night |
59-1222 | Mama "G" |
59-1223 | What Know |
59-1224 | Sydney |
** also issued on Vee-Jay VJSR 1016, VJLP 3004, VJSR 3004, NVJ2-907.
** part of Mosaic MD6-205 as "The Complete Vee Jay Paul Chambers - Wynton Kelly Sessions 1959-61".
The Best Of Wynton Kelly (Vee-Jay VJLP 1086)
Lee Morgan, trumpet; Wayne Shorter, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums; with string section directed by Bill Marx overdubbed.
Fine Sound, NYC, August 12, 1959
59-1220 (overdubbed) | Wrinkles |
59-1221 (overdubbed) | June Night |
Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums; with string section directed by Bill Marx overdubbed.
Bell Sound Studios, NYC, April 27, 1960
60-1499 (overdubbed) | On Stage |
60-1500 (overdubbed) | Weird Lullaby |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; with strings overdubbed and drum introduction edited out.
Bell Sound Studios, Studio A, NYC, July 20, 1961
61-2078 tk.11 (overdubbed) | Scotch And Water (as Joe's Avenue) |
61-2080 tk.3 (overdubbed) | Autumn Leaves |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; with strings overdubbed.
Bell Sound Studios, Studio A, NYC, July 21, 1961
61-2084 (overdubbed) | Love, I've Found You |
** also issued on Vee-Jay VJLPS 1086.
The Curtis Fuller Jazztet With Benny Golson (Savoy MG 12143)
Lee Morgan, trumpet; Curtis Fuller, trombone; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
Van Gelder Studio, Englewood Cliffs, NJ, August 25, 1959
It's All Right With Me | |
Arabia | |
I'll Walk Alone | |
Judy's Dilemma | |
Wheatleigh Hall |
** also issued on Savoy SST 13010.
** part of Savoy SJL 2239 as "Curtis Fuller - All-Star Sextets".
Blue Mitchell - Blue Soul (Riverside RLP 12-309)
Blue Mitchell, trumpet; Curtis Fuller, trombone #1,2,5,6,8,9; Jimmy Heath, tenor sax #1,2,5,6,8,9; Wynton Kelly, piano; Sam Jones, bass; Philly Joe Jones, drums.
NYC, September 28, 1959
1. | Minor Vamp |
2. | The Head |
3. | The Way You Look Tonight |
4. | Park Avenue Petite |
5. | Top Shelf |
6. | Waverley Street |
7. | Blue Soul |
8. | Polka Dots And Moonbeams |
9. | Nica's Dream |
** also issued on Riverside RLP 1155; Jazzland JLP 90, JLP 990; Original Jazz Classics OJCCD-765-2.
Jimmy Heath Sextet - The Thumper (Riverside RLP 12-314)
Nat Adderley, cornet #1,2,4-7,9; Curtis Fuller, trombone #1,2,4-7,9; Jimmy Heath, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Albert Heath, drums.
Reeves Sound Studios, NYC, September, 1959
1. | For Minors Only |
2. | Who Needs It |
3. | Don't You Know I Care |
4. | Two Tees |
5. | The Thumper |
6. | Newkeep |
7. | For All We Know |
8. | I Can Make You Love Me |
9. | Nice People |
** also issued on Riverside RLP 1160; Original Jazz Classics OJCCD-1828-2.
Bill Henderson Sings (Vee-Jay VJLP 1015)
Booker Little, trumpet; Bernard McKinney, trombone, euphonium; Yusef Lateef, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; Bill Henderson, vocals; Benny Golson, arranger.
Chicago, IL, October 27, 1959
59-1310 | Moanin' |
59-1311 | Bad Luck |
59-1312 | The Song Is You |
59-1313 | This Little Girl Of Mine |
59-1314 | You Make Me Feel So Young |
** also issued on Vee-Jay VJSR 1015, (J) 22YB-2021.
Various Artists - Alternate Sessions At The Early '60s (Vee-Jay (J) RJL-2640)
Lee Morgan, trumpet; Wayne Shorter, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Fine Sound, NYC, November 9, 1959
tk.3 | Blues A La Carte (alternate take) |
Booker Little, trumpet; Frank Strozier, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Fine Sound, NYC, December 9, 1959
tk.10 | Lucka Duce |
Lee Morgan, trumpet; Clifford Jordan, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.
Bell Sound Studios, Studio B, NYC, February 3, 1960
tk.6 | Terrible "T" (1st version) |
same personnel.
Bell Sound Studios, Studio B, NYC, February 8, 1960
tk.8 | I'm A Fool To Want You (alternate take 2) |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, July 20, 1961
tk.8 | Scotch And Water (as Joe's Avenue) |
tk.6 | Someday My Prince Will Come |
Introducing Wayne Shorter (Vee-Jay VJLP 3006)
Lee Morgan, trumpet; Wayne Shorter, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Fine Sound, NYC, November 9, 1959
60-1487 | 5920 tk.4 | Blues A La Carte |
60-1488 | 5921 tk.5 | Harry's Last Stand |
same personnel.
Fine Sound, NYC, November 10, 1959
60-1489 | 5922 tk.5/3 | Down In The Depths |
60-1490 | 5923 tk.3 | Pug Nose |
60-1491 | 5924 tk.7 | Black Diamond |
60-1492 | 5925 tk.5 | Mack The Knife (edited version) |
** also issued on Vee-Jay VJSR 3006.
Wayne Shorter - Shorter Moments (Trip Jazz TLX-5009)
Lee Morgan, trumpet; Wayne Shorter, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
Fine Sound, NYC, November 9, 1959
tk.4 | Harry's Last Stand (alternate take) |
same personnel.
Fine Sound, NYC, November 10, 1959
tk.1 | Black Diamond (alternate take) |
** same as Vee-Jay VJLP 3029 entitled "Wayning Moments" + 6 bonus tracks.
Wayne Shorter (GNP Crescendo GNPS 2-2075)
Lee Morgan, trumpet; Wayne Shorter, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
Fine Sound, NYC, November 10, 1959
tk.3 | Down In The Depths (alternate take) |
5925 tk.5 | Mack The Knife (full version) |
** also issued on GNP Crescendo GNPD 2075.
The Complete Vee Jay Lee Morgan - Wayne Shorter Sessions (Mosaic MD6-202)
Lee Morgan, trumpet; Wayne Shorter, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
Fine Sound, NYC, November 10, 1959
tk.2 | Pug Nose (alternate take) |
** same as Vee-Jay VJLP 3007 entitled "Here's Lee Morgan" + VJLP 3013 entitled "Various Artists - The Young Lions" + VJLP 3015 entitled "Lee Morgan - Expoobident" + VJLP 3029 entitled "Wayne Shorter - Wayning Moments" + VJS 3057 entitled "Wayne Shorter - Second Genesis" + 43 bonus tracks.
Dizzy Reece - Star Bright (Blue Note BLP 4023)
Dizzy Reece, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Taylor, drums.
Van Gelder Studio, Englewood Cliffs, NJ, November 19, 1959
tk.3 | The Rebound |
tk.7 | A Variation On Monk |
tk.11 | I Wished On The Moon |
tk.15 | The Rake |
tk.19 | I'll Close My Eyes |
tk.22 | Groovesville |
** also issued on Blue Note BST 84023.
John Coltrane - Coltrane Jazz (Atlantic LP 1354)
John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Atlantic Studios, NYC, November 24, 1959
3885-1 | I'll Wait And Pray |
3886 | Little Old Lady |
same personnel.
Atlantic Studios, NYC, December 2, 1959
3891 | Like Sonny |
3892 | Harmonique |
3895 | My Shining Hour |
3897 | Some Other Blues |
3898 | Fifth House |
** also issued on Atlantic SD 1354.
** part of Rhino R2 71984 as "The Heavyweight Champion: The Complete Atlantic Recordings".
John Coltrane - Alternate Takes (Atlantic (J) P-6128A)
John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
Atlantic Studios, NYC, November 24, 1959
3885-2 | I'll Wait And Pray (alternate take) |
** also issued on Atlantic SD 1668.
** part of Rhino R2 71984 as "The Heavyweight Champion: The Complete Atlantic Recordings".
John Coltrane - Giant Steps (Atlantic LP 1311)
John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
Atlantic Studios, NYC, December 2, 1959
3896 | Naima |
** also issued on Atlantic SD 1311.
** part of Rhino R2 71984 as "The Heavyweight Champion: The Complete Atlantic Recordings".
Sonny Red - Out Of The Blue (Blue Note BLP 4032)
Sonny Red, alto sax; Wynton Kelly, piano; Sam Jones, bass; Roy Brooks, drums.
Van Gelder Studio, Englewood Cliffs, NJ, December 5, 1959
tk.3 | Bluesville |
tk.5 | Stay As Sweet As You Are |
tk.10 | I've Never Been In Love Before |
tk.12 | Blues In The Pocket |
tk.13 | Alone Too Long |
tk.19 | Nadia |
Sonny Red, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Van Gelder Studio, Englewood Cliffs, NJ, January 23, 1960
tk.8 | Stairway To The Stars |
tk.13 | The Lope |
** also issued on Blue Note BST 84032, CDP 7243 8 52440 2 5.
Sonny Red - Out Of The Blue (Blue Note CDP 7243 8 52440 2 5)
Sonny Red, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
Van Gelder Studio, Englewood Cliffs, NJ, January 23, 1960
tk.10 | Crystal |
tk.15 | Lost April |
tk.17 | You're Sensational |
** reissue of Blue Note BLP 4032 + 5 bonus tracks.
Sonny Red - Alone Too Long / Blues In The Pocket (Blue Note 45-1762)
Sonny Red, alto sax; Wynton Kelly, piano; Sam Jones, bass; Roy Brooks, drums.
Van Gelder Studio, Englewood Cliffs, NJ, December 5, 1959
tk.14 | Alone Too Long (45 rpm version) |
Fantastic Frank Strozier (Vee-Jay VJLP 3005)
Booker Little, trumpet; Frank Strozier, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Fine Sound, NYC, December 9, 1959
60-1454 tk.6 | A Starling's Theme |
60-1453 tk.2 | W.K. Blues |
same personnel.
Bell Sound Studios, Studio B, NYC, February 3, 1960
60-1455 tk.6 | I Don't Know |
60-1457 tk.7 | Runnin' |
60-1456 tk.3 | Waltz Of The Demons |
60-1458 tk.5 | Off Shore |
** also issued on Vee-Jay VJSR 3005, (J) 22YB-2009, (J) 32YD-1009, (J) FHCY-1020/21, (J) PVCP-8188. Affinity (E) AFF 49 as "Frank Strozier, Booker Little - Waltz Of The Demons". Vee-Jay NVJ2-903 as "Fantastic Frank Strozier-Plus".
** part of Mosaic MD6-205 as "The Complete Vee Jay Paul Chambers - Wynton Kelly Sessions 1959-61".
Fantastic Frank Strozier (Vee-Jay (J) 22YB-2009)
Booker Little, trumpet; Frank Strozier, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
Fine Sound, NYC, December 9, 1959
tk.1 | Just In Time (studio chatter) |
tk.2 | Just In Time (alternate take) |
** reissue of Vee-Jay VJLP 3005 + 2 bonus tracks.
Fantastic Frank Strozier (Vee-Jay (J) FHCY-1020/21)
Booker Little, trumpet; Frank Strozier, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
Fine Sound, NYC, December 9, 1959
tk.15 | Runnin' (1st version) (as Run) |
** reissue of Vee-Jay VJLP 3005 + 9 bonus tracks.
1960
Various Artists - Rare Tracks: The Other Side Of Blue Note 4000 Series (Blue Note (J) TOCJ-5941/44)
Sonny Red, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Van Gelder Studio, Englewood Cliffs, NJ, January 23, 1960
tk.3 | Blues For Kokee |
tk.7 | You're Driving Me Crazy |
Wynton Kelly - Alternate Takes Of Fantastic And The Others (Vee-Jay (J) FHCY-1001)
Booker Little, trumpet; Frank Strozier, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio B, NYC, February 3, 1960
tk.3 | I Don't Know (alternate take) |
tk.4 | Runnin' (alternate take) |
tk.1 | Waltz Of The Demons (alternate take) |
tk.3 | Off Shore (alternate take) |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, July 20, 1961
tk.9 | Scotch And Water (as Joe's Avenue) |
tk.2 | Autumn Leaves (alternate take 2) |
Alternate Takes Of Here's Lee Morgan (Vee-Jay (J) FHCY-1002)
Lee Morgan, trumpet; Clifford Jordan, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.
Bell Sound Studios, Studio B, NYC, February 3, 1960
tk.4 | Running Brook (1st version) |
same personnel.
Bell Sound Studios, Studio B, NYC, February 8, 1960
tk.7 | Off Spring (alternate take) |
tk.3 | Bess (alternate take) |
tk.9 | Running Brook (alternate take) |
Hank Mobley - Soul Station (Blue Note BLP 4031)
Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.
Van Gelder Studio, Englewood Cliffs, NJ, February 7, 1960
tk.3 | Remember |
tk.4 | Split Feelin's |
tk.12 | Dig Dis |
tk.18 | This I Dig Of You |
tk.20 | Soul Station |
tk.25 | If I Should Lose You |
** also issued on Blue Note BST 84031, CDP 7 46528 2, ST-46528.
Lee Morgan - Genius (Tradiition 2079)
Lee Morgan, trumpet; Clifford Jordan, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.
Bell Sound Studios, Studio B, NYC, February 8, 1960
tk.1 | Mogie (alternate take 1) |
Lee Morgan (GNP Crescendo GNPS 2-2074)
Lee Morgan, trumpet; Clifford Jordan, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.: same session.
Bell Sound Studios, Studio B, NYC, February 8, 1960
tk.2 | Mogie (alternate take 2) |
tk.7 | Terrible "T" (alternate take) |
tk.1 | I'm A Fool To Want You (alternate take 1) |
** also issued on GNP Crescendo GNPD 2074.
Here's Lee Morgan (Vee-Jay VJLP 3007)
Lee Morgan, trumpet; Clifford Jordan, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.: same session.
Bell Sound Studios, Studio B, NYC, February 8, 1960
60-1506 tk.3 | Mogie |
60-1505 tk.14 | Off Spring |
60-1504 tk.6 | Bess |
60-1509 tk.11 | Running Brook |
60-1508 tk.8 | Terrible "T" |
60-1507 tk.7 | I'm A Fool To Want You |
** also issued on Vee-Jay VJSR 3007; Affinity (E) AFF 143; Vee-Jay (J) FHCY-1011/12, NVJ2-910.
** part of Mosaic MD6-202 as "The Complete Vee Jay Lee Morgan - Wayne Shorter Sessions".
Art Pepper - Gettin' Together! (Contemporary M3573)
Conte Candoli, trumpet #1,2,5; Art Pepper, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmie Cobb, drums.
Contemporary Records' studio, Los Angeles, CA, February 29, 1960
1. | Whims Of Chambers |
2. | Bijou The Poodle |
3. | Why Are We Afraid |
4. | Softly, As In A Morning Sunrise |
5. | Rhythm-a-ning |
6. | Gettin' Together |
7. | Diane |
** also issued on Contemporary S7573; Original Jazz Classics OJC-169, OJCCD-169-2.
Art Pepper - Gettin' Together! (Original Jazz Classics OJCCD-169-2)
Art Pepper, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmie Cobb, drums.
Contemporary Records' studio, Los Angeles, CA, February 29, 1960
Gettin' Together (alternate take) |
** reissue of Contemporary M3573 + 2 bonus tracks.
Art Pepper - ...The Way It Was! (Contemporary S7630)
Art Pepper, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmie Cobb, drums.: same session.
Contemporary Records' studio, Los Angeles, CA, February 29, 1960
The Way You Look Tonight |
** also issued on Original Jazz Classics OJC-389, OJCCD-389-2.
Miles Davis En Concert Avec Europe 1 - Olympia Featuring John Coltrane Mars-1960, Sonny Stitt Octobre-1960 (Trema (F) 710455)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"L'Olympia", Paris, France, 1st concert, March 21, 1960
All Of You | |
So What | |
On Green Dolphin Street |
same personnel.
"L'Olympia", Paris, France, 2nd concert, March 21, 1960
Walkin' | |
Bye Bye Blackbird | |
Round About Midnight | |
Oleo | |
The Theme |
Miles Davis, trumpet; Sonny Stitt, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"L'Olympia", Paris, France, October 11, 1960
Walkin' | |
Autumn Leaves | |
Four | |
Unidentified | |
Round About Midnight | |
No Blues | |
The Theme |
same session.
Walkin' | |
If I Were A Bell | |
Fran Dance | |
Two Bass Hit | |
All Of You | |
So What | |
The Theme |
** also issued on Trema (F) 710575 as "Miles Davis Featuring John Coltrane (Mars)-Sonny Stitt (Octobre) - Olympia 1960".
Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6 (Legacy 88985448392)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"Konserthuset", Stockholm, Sweden, 1st concert, March 22, 1960
Introduction (By Norman Granz) |
same personnel.
"Tivolis Koncertsal", Copenhagen, Denmark, March 24, 1960
Introduction (By Norman Granz) |
Miles Davis & John Coltrane - Live In Stockholm 1960 (Dragon (Swd) DRLP 90/91)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Konserthuset", Stockholm, Sweden, 1st concert, March 22, 1960
So What | |
Fran-Dance | |
The Theme |
same personnel.
"Konserthuset", Stockholm, Sweden, 2nd concert, March 22, 1960
So What | |
On Green Dolphin Street | |
The Theme |
John Coltrane - Bird Note (Bird Note (Swd) no number)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Konserthuset", Stockholm, Sweden, 1st concert, March 22, 1960
Walkin' |
same personnel.
"Konserthuset", Stockholm, Sweden, 2nd concert, March 22, 1960
All Blues |
Miles Davis, John Coltrane - Copenhagen 1960 (Royal Jazz (D) RJ 501)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Tivolis Koncertsal", Copenhagen, Denmark, March 24, 1960
So What | |
On Green Dolphin Street | |
All Blues | |
The Theme (incomplete) |
Miles Davis Quintet Live In Zurich 1960 (Jazz Unlimited (Swd) JUCD 2031)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Kongresshaus", Zurich, Switzerland, April 8, 1960
If I Were A Bell | |
Fran-Dance | |
So What | |
All Blues | |
Bye Bye (theme) |
Miles Davis - So What: The Complete 1960 Amsterdam Concerts (Nederlands Jazz Archief (Du) NJA 1301)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Concertgebouw", Amsterdam, Netherlands, April 9, 1960
Introduction By Norman Granz | |
If I Were A Bell | |
Fran-Dance | |
So What | |
All Blues | |
The Theme |
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"Concertgebouw", Amsterdam, Netherlands, October 15, 1960
Whisper Not | |
Ease It |
Miles Davis, trumpet; Sonny Stitt, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Introduction By Norman Granz | |
But Not For Me | |
Walkin' | |
All Of You | |
So What | |
The Theme | |
Stardust | |
Old Folks | |
All Blues | |
The Theme |
Miles Davis, John Coltrane - Miles And Coltrane Quintet Live, First Time On Records (Unique Jazz UJ 19)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"Kurhaus", Scheveningen, Netherlands, 1st set, April 9, 1960
On Green Dolphin Street | |
So What | |
'Round Midnight | |
Walkin' | |
Bye Bye (theme) |
Miles Davis - 1960/61 (Newsound 2000 (E) NFM002)
Miles Davis, trumpet; John Coltrane, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Kurhaus", Scheveningen, Netherlands, April 9, 1960
All Of You | |
Walkin' |
Miles Davis, trumpet; Sonny Stitt, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"L'Olympia", Paris, France, October 11, 1960
So What | |
Autumn Leaves | |
'Round Midnight |
same personnel.
USA-TV-appearance, early 1961
Mr Lucky |
Booker Little (Time 52011)
Booker Little, trumpet; Wynton Kelly, piano; Scott LaFaro, bass; Roy Haynes, drums.
NYC, April 15, 1960
Bee Tee's Minor Plea | |
Life's A Little Blue |
** also issued on Time S/2011.
The New Scene Of King Curtis (New Jazz NJLP 8237)
Nat Adderley as Little Brother, cornet #1-3,5; King Curtis, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Oliver Jackson, drums.
Van Gelder Studio, Englewood Cliffs, NJ, April 21, 1960
1. 2181 | Have You Heard |
2. 2182 | Da Du Dah |
3. 2183 | Little Brother Soul |
4. 2184 | Willow Weep For Me |
5. 2186 | In A Funky Groove |
** also issued on Prestige PR 7789 as "King Soul!". Original Jazz Classics OJC-198, OJCCD-198-2.
** part of Prestige P-24033 as "Jazz Groove".
James Clay & David "Fathead" Newman - The Sound Of The Wide Open Spaces!!!! (Riverside RLP 12-327)
David "Fathead" Newman, tenor sax; James Clay, tenor sax #1-3,5, flute #4; Wynton Kelly, piano; Sam Jones, bass; Arthur Taylor, drums.
Reeves Sound Studios, NYC, April 26, 1960
1. | Wide Open Spaces |
2. | They Can't Take That Away From Me |
3. | Some Kinda Mean |
4. | What's New |
5. | Figger-ration |
** also issued on Riverside RLP 1178; Original Jazz Classics OJC-257, OJCCD-1075-2.
Wynton Kelly - Kelly At Midnight (Vee-Jay VJLP 3011)
Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Bell Sound Studios, NYC, April 27, 1960
60-1497 | Pot Luck |
60-1498 | Skatin' |
60-1499 | On Stage |
60-1500 | Weird Lullaby |
60-1501 | Temperance |
** also issued on Vee-Jay VJSR 3011, (J) 22YB-2011, NVJ2-914.
** part of Mosaic MD6-205 as "The Complete Vee Jay Paul Chambers - Wynton Kelly Sessions 1959-61".
Paul Chambers - 1st Bassman (Vee-Jay VJLP 3012)
Tommy Turrentine, trumpet; Curtis Fuller, trombone; Yusef Lateef, tenor sax, flute; Wynton Kelly, piano; Paul Chambers, bass; Lex Humphries, drums.
Bell Sound Studios, NYC, May 12, 1960
60-1535 | Melody |
60-1536 | Bass Region |
60-1537 | Retrogress |
60-1538 | Mopp Shoe Blues |
60-1539 | Blessed |
** also issued on Vee-Jay VJSR 3012; Suite Beat SBCD 2015.
** part of Mosaic MD6-205 as "The Complete Vee Jay Paul Chambers - Wynton Kelly Sessions 1959-61".
Bob Brookmeyer - Jazz Is A Kick (Mercury MG-20600)
Curtis Fuller, trombone; Bob Brookmeyer, valve trombone; Wynton Kelly, piano; Paul Chambers, bass; Paul Motian, drums.
NYC, May 16, 1960
19917 | Green Stamps |
19918 | You're My Everything |
19919 | Cooperation |
** also issued on Mercury SR-60600.
Art Taylor - A.T.'s Delight (Blue Note BLP 4047)
Dave Burns, trumpet; Stanley Turrentine, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Taylor, drums; 'Potato' Valdez, congas #3,4,6.
Van Gelder Studio, Englewood Cliffs, NJ, August 6, 1960
1. tk.3 | Syeeda's Song Flute |
2. tk.9 | High Seas |
3. tk.11 | Move |
4. tk.21 | Epistrophy |
5. tk.24 | Blue Interlude |
6. tk.26 | Cookoo & Fungi |
** also issued on Blue Note BST 84047, CDP 7 84047 2.
Nat Adderley - That's Right (Riverside RLP 330)
Nat Adderley, cornet; Cannonball Adderley, alto sax; Jimmy Heath, Charlie Rouse, tenor sax; Yusef Lateef, tenor sax, flute, oboe; Tate Houston, baritone sax; Wynton Kelly, piano; Jim Hall, guitar; Sam Jones, bass; Jimmy Cobb, drums.
NYC, August 9, 1960
Chordnation | |
The Folks Who Live On The Hill | |
You Leave Me Breathless |
Nat Adderley, cornet; Cannonball Adderley, alto sax; Jimmy Heath, Charlie Rouse, tenor sax; Yusef Lateef, tenor sax, flute, oboe; Tate Houston, baritone sax; Wynton Kelly, piano; Les Spann, guitar; Sam Jones, bass; Jimmy Cobb, drums.
NYC, September 15, 1960
Night After Night | |
The Old Country | |
That's Right! | |
Tadd | |
E.S.P. |
** also issued on Riverside RLP 9330; Original Jazz Classics OJCCD-791-2.
** part of Milestone M-47047 as "Work Songs".
Blue Mitchell - Blue's Moods (Riverside RLP 336)
Blue Mitchell, trumpet; Wynton Kelly, piano; Sam Jones, bass; Roy Brooks, drums.
NYC, August 24, 1960
Sir John | |
When I Fall In Love | |
I Wish I Knew |
same personnel.
NYC, August 25, 1960
I'll Close My Eyes | |
Avars | |
Scrapple From The Apple | |
Kinda Vague | |
Sweet Pumpkin |
** also issued on Riverside RLP 9336; Original Jazz Classics OJC-138, OJCCD-138-2.
King Curtis - Soul Meeting (Prestige PRLP 7222)
Nat Adderley, cornet; King Curtis, tenor sax; Wynton Kelly, piano; Sam Jones, bass; Belton Evans, drums.
Van Gelder Studio, Englewood Cliffs, NJ, September 18, 1960
2471 | Do You Have Soul Now |
2472 | Jeep's Blues |
2473 | Soul Meeting |
2474 | What Is This Thing Called Love |
2475 | Lazy Soul |
2476 | All The Way |
** also issued on Prestige PR 7833 as "Soul Meeting!".
** part of Prestige P-24033 as "Jazz Groove".
Walter Benton Quintet - Out Of This World (Jazzland JLP 28)
Freddie Hubbard, trumpet; Walter Benton, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Albert Heath, drums.
Plaza Sound Studios, NYC, September 19, 1960
Out Of This World | |
Night Movement | |
A Blues Mood | |
Lover Man |
Freddie Hubbard, trumpet; Walter Benton, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Plaza Sound Studios, NYC, September 21, 1960
Walter's Altar | |
Iris | |
Azil |
** also issued on Jazzland JLP 928S.
** part of Milestone MCD-47087-2 as "Julian Priester & Walter Benton - Out Of This World".
Miles Davis - Free Trade Hall, Vol. 1 (Magnetic (Luxembourgian) MRCD 102)
Miles Davis, trumpet; Sonny Stitt, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"Free Trade Hall", Manchester, England, September 27, 1960
Four | |
Four (incomplete) | |
Walkin' (incomplete) | |
All Blues |
Miles Davis Quintet Live In Europe (Jazz Up (It) JU 320)
Miles Davis, trumpet; Sonny Stitt, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
"Free Trade Hall", Manchester, England, September 27, 1960
All Of You |
Miles Davis - Free Trade Hall, Vol. 2 (Magnetic (Luxembourgian) MRCD 103)
Miles Davis, trumpet; Sonny Stitt, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
"Free Trade Hall", Manchester, England, September 27, 1960
Well, You Needn't | |
Autumn Leaves | |
So What | |
Bye Bye (theme) | |
Stardust |
Nat Wright - The Biggest Voice In Jazz (Warwick W 2040)
Benny Green, trombone; Shelly Gold, flute; Coleman Hawkins, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; Nat Wright, vocals; Mal Waldron, conductor, arranger.
NYC, September, 1960
My Man's Gone Now | |
Johnny One Note | |
You Let My Love Grow Cold | |
Joshua |
** also issued on Warwick W 2040 ST.
Miles Davis, Sonny Stitt - Stockholm 1960 (Royal Jazz (D) RJD 509)
Miles Davis, trumpet; Sonny Stitt, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"Konserthuset", Stockholm, Sweden, 1st concert 1st set, October 13, 1960
Walkin' | |
Autumn Leaves | |
So What |
same personnel.
"Konserthuset", Stockholm, Sweden, 1st concert 2nd set, October 13, 1960
June Night | |
Stuardust |
same personnel.
"Konserthuset", Stockholm, Sweden, 2nd concert 2nd set, October 13, 1960
Softly, As In A Morning Sunrise | |
Makin' Whoopee! | |
Lover Man |
Miles Davis And Sonny Stitt Live In Stockholm 1960 (Dragon (Swd) DRLP 129/30)
Miles Davis, trumpet; Sonny Stitt, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Konserthuset", Stockholm, Sweden, 1st concert 1st set, October 13, 1960
'Round Midnight | |
Bye Bye (theme) |
same personnel.
"Konserthuset", Stockholm, Sweden, 1st concert 2nd set, October 13, 1960
On Green Dolphin Street | |
All Blues | |
Bye Bye (theme) |
same personnel.
"Konserthuset", Stockholm, Sweden, 2nd concert 1st set, October 13, 1960
All Of You | |
Walkin' | |
Autumn Leaves | |
Bye Bye (theme) |
same personnel.
"Konserthuset", Stockholm, Sweden, 2nd concert 2nd set, October 13, 1960
If I Were A Bell | |
No Blues | |
Bye Bye (theme) |
Bunky Green - My Babe (Exodus EX-6001)
Donald Byrd, trumpet #1-3,5,6; Bunky Green, alto sax; Jimmy Heath, tenor sax #1-3,5,6; Wynton Kelly, piano; Larry Ridley, bass; Jimmy Cobb, drums.
Chicago, IL, October 28, 1960
1. 60-1689 | Counter Punch |
2. 60-1690 | Polka Dots And Moonbeams |
3. 60-1691 | My Babe |
4. 60-1692 | Step High |
5. 60-1693 | Don't Blame Me |
6. 60-1694 | Cecile |
** also issued on Exodus EXS-6001.
** part of Trip Jazz TLX-5000 as "Two Sides Of Donald Byrd".
Hank Mobley - Roll Call (Blue Note BLP 4058)
Freddie Hubbard, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.
Van Gelder Studio, Englewood Cliffs, NJ, November 13, 1960
tk.7 | Take Your Pick |
tk.18 | The Breakdown |
tk.20 | My Groove, Your Move |
tk.29 | A Baptist Beat |
tk.34 | Roll Call |
tk.35 | The More I See You |
** also issued on Blue Note BST 84058, CDP 7 46823 2.
Hank Mobley - Roll Call (Blue Note CDP 7 46823 2)
Freddie Hubbard, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums.: same session.
Van Gelder Studio, Englewood Cliffs, NJ, November 13, 1960
tk.31 | A Baptist Beat (alternate take) |
** reissue of Blue Note BLP 4058 + 1 bonus track.
Grant Green - First Session (Blue Note 7243 5 27548 2 3)
Wynton Kelly, piano; Grant Green, guitar; Paul Chambers, bass; Philly Joe Jones, drums.
Van Gelder Studio, Englewood Cliffs, NJ, November 26, 1960
tk.2 | Just Friends |
tk.4 | Sonnymoon For Two |
tk.7 | He's A Real Gone Guy |
tk.11 | Seepin' |
tk.12 | Grant's First Stand |
Paul Gonsalves - Gettin' Together (Jazzland JLP 36)
Nat Adderley, cornet #1-5; Paul Gonsalves, tenor sax; Wynton Kelly, piano; Sam Jones, bass; Jimmy Cobb, drums.
NYC, December 20, 1960
1. | Hard Groove |
2. | J And B Blues |
3. | Yesterdays |
4. | Low Gravy |
5. | Gettin' Together |
6. | I Surrender, Dear |
7. | Walkin' |
8. | I Cover The Waterfront |
** also issued on Jazzland JLP 936S; Original Jazz Classics OJC-203, OJCCD-203-2.
Dave 'Fathead' Newman - Straight Ahead (Atlantic LP 1366)
Dave "Fathead" Newman, flute, alto, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Charlie Persip, drums.
NYC, December 21, 1960
5241 | Night Of Nisan |
5242 | Summertime |
5243 | Batista's Groove |
5244 | Cousin Slim |
5245 | Skylark |
5246 | Congo Chant |
** also issued on Atlantic SD 1366.
Teri Thornton - Devil May Care (Riverside RLP 352)
Clark Terry, trumpet; Britt Woodman, trombone; Earl Warren, alto sax; Seldon Powell, tenor sax; Wynton Kelly, piano; Freddie Green, guitar; Sam Jones, bass; Jimmy Cobb, drums; Teri Thornton, vocals; Norman Simmons, arranger.
Plaza Sound Studios, NYC, December 23, 1960
Lullaby Of The Leaves | |
Detour Ahead | |
My Old Flame | |
Dancing In The Dark | |
Blue Champagne | |
Blue Skies |
Clark Terry, trumpet; Britt Woodman, trombone; Earl Warren, alto sax; Seldon Powell, tenor sax; Wynton Kelly, piano; Sam Herman, guitar; Sam Jones, bass; Jimmy Cobb, drums; Teri Thornton, vocals; Norman Simmons, arranger.
Plaza Sound Studios, NYC, January 10, 1961
Devil May Care | |
The Song Is You | |
Left Alone | |
What's Your Story, Morning Glory | |
I Feel A Song Comin' On | |
What's New |
** also issued on Riverside RLP 9352; Original Jazz Classics OJCCD-1017-2. Riverside RM 3525, RS 93525 as "Lullaby Of The Leaves".
1961 (age 30)
Sam Jones Plus 10 - The Chant (Riverside RLP 358)
Nat Adderley, cornet; Blue Mitchell, trumpet; Melba Liston, trombone; Julian "Cannonball" Adderley, alto sax; Jimmy Heath, tenor sax; Tate Houston, baritone sax; Victor Feldman, vibes; Wynton Kelly, piano; Keter Betts, guitar; Sam Jones, cello; Louis Hayes, drums.
Plaza Sound Studios, NYC, January 13 & 26, 1961
Sonny Boy | |
Blue Bird | |
Over The Rainbow |
** also issued on Riverside RLP 9358; Original Jazz Classics OJCCD-1839-2.
Philly Joe Jones & Elvin Jones - Together! (Atlantic LP 1428)
Blue Mitchell, trumpet; Curtis Fuller, trombone; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Elvin Jones, Philly Joe Jones, drums.
Atlantic Studios, NYC, February 2, 1961
5327 | Le Roi |
5328 | Brown Sugar |
5329 | Beau-Ty |
** also issued on Atlantic SD 1428.
Cannonball Adderley - African Waltz (Riverside RLP 377)
Nat Adderley, Joe Newman, Ernie Royal, Clark Terry, trumpet; Jimmy Cleveland, George Matthews, Arnett Sparrow, trombone; Paul Faulise, bass trombone; Don Butterfield, tuba; Cannonball Adderley, alto sax; George Dorsey, alto sax, flute; Oliver Nelson, tenor sax, flute; Jerome Richardson, tenor sax, flute, piccolo; Arthur Clarke, baritone sax; Wynton Kelly, piano; Sam Jones, bass; Charlie Persip, drums; Michael Olatunji, congas, bongos; Ernie Wilkins, arranger.
Plaza Sound Studios, NYC, February 28, 1961
African Waltz | |
Kelly Blue |
Nat Adderley, Ernie Royal, Clark Terry, Nick Travis, trumpet; Jimmy Cleveland, Melba Liston, trombone; Paul Faulise, bass trombone; Bob Brookmeyer, valve trombone; Don Butterfield, tuba; Cannonball Adderley, alto sax; George Dorsey, alto sax, flute; Oliver Nelson, tenor sax, flute; Jerome Richardson, tenor sax, flute, piccolo; Arthur Clarke, baritone sax; Wynton Kelly, piano; Sam Jones, bass; Louis Hayes, drums #1-4; Charlie Persip, drums #5; Ray Barretto, congas #1-3,5; Ernie Wilkins, arranger.
Plaza Sound Studios, NYC, May 9, 1961
1. | West Coast Blues |
2. | Letter From Home |
3. | Blue Brass Groove |
4. | Smoke Gets In Your Eyes |
5. | Something Different |
Nat Adderley, Ernie Royal, Clark Terry, Nick Travis, trumpet; Jimmy Cleveland, Melba Liston, trombone; Paul Faulise, bass trombone; Bob Brookmeyer, valve trombone; Don Butterfield, tuba; Cannonball Adderley, alto sax; George Dorsey, alto sax, flute; Oliver Nelson, tenor sax, flute; Jerome Richardson, tenor sax, flute, piccolo; Arthur Clarke, baritone sax; Wynton Kelly, piano; Sam Jones, bass; Charlie Persip, drums; Ernie Wilkins, arranger.
Plaza Sound Studios, NYC, May 15, 1961
The Uptown | |
I'll Close My Eyes | |
Stockholm Sweetnin' |
** also issued on Riverside RLP 9377; Original Jazz Classics OJC-258, OJCCD-258-2.
** part of Milestone M-47059 as "Alabama Africa".
Miles Davis Sextet - Someday My Prince Will Come (Columbia CL 1656)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Columbia 30th Street Studios, NYC, March 7, 1961
CO66235-6 | Drad-Dog |
CO66236-4 | Pfrancing |
Miles Davis, trumpet; Hank Mobley, tenor sax; John Coltrane, tenor sax #1; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Columbia 30th Street Studios, NYC, March 20, 1961
1. CO66500-15 | Someday My Prince Will Come |
2. CO66501 | Old Folks |
Miles Davis, trumpet; John Coltrane, tenor sax #1; Hank Mobley, tenor sax #2; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Columbia 30th Street Studios, NYC, March 21, 1961
1. CO66505 | Teo |
2. CO66506 | I Thought About You |
** also issued on Columbia CS 8456, PC 8456.
Don Sleet - All Members (Jazzland JLP 45)
Don Sleet, trumpet; Jimmy Heath, tenor sax; Wynton Kelly, piano; Ron Carter, bass; Jimmy Cobb, drums.
NYC, March 16, 1961
Brooklyn Bridge | |
Secret Love | |
Softly, As In A Morning Sunrise | |
Fast Company | |
But Beautiful | |
All Members | |
The Hearing |
** also issued on Jazzland JLP 945S; Original Jazz Classics OJCCD-1949-2.
Miles Davis - The Columbia Years 1955-1985 (Columbia C5X 45000)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Columbia 30th Street Studios, NYC, March 20, 1961
CO66500-14 | Someday My Prince Will Come |
** also issued on Columbia C4K 45000.
Miles Davis - Circle In The Round (Columbia KC2 36278)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Columbia 30th Street Studios, NYC, March 21, 1961
CO66507 | Blues No. 2 |
Hank Mobley - Workout (Blue Note BLP 4080)
Hank Mobley, tenor sax; Wynton Kelly, piano; Grant Green, guitar; Paul Chambers, bass; Philly Joe Jones, drums.
Van Gelder Studio, Englewood Cliffs, NJ, March 26, 1961
tk.3 | Smokin' |
tk.4 | Uh Huh |
tk.8 | The Best Things In Life Are Free |
tk.11 | Workout |
tk.15 | Greasin' Easy |
** also issued on Blue Note BST 84080, CDP 7 84080 2.
Hank Mobley - Another Workout (Blue Note BST 84431)
Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Van Gelder Studio, Englewood Cliffs, NJ, March 26, 1961
tk.21 | Three Coins In A Fountain |
same personnel.
Van Gelder Studio, Englewood Cliffs, NJ, December 5, 1961
tk.2 | Gettin' And Jettin' |
tk.8 | Out Of Joe's Bag |
tk.9 | Hank's Other Soul |
tk.15 | I Should Care |
tk.16 | Hello, Young Lovers |
** also issued on Blue Note CDP 7 84431 2.
Miles Davis In Person - Saturday Night At The Blackhawk, San Francisco, Volume II (Columbia CL 1670)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"The Blackhawk", San Francisco, CA, 1st set, April 21, 1961
CO67467 | Oleo |
same personnel.
"The Blackhawk", San Francisco, CA, 3rd set, April 21, 1961
CO67465 | Fran-Dance |
same personnel.
"The Blackhawk", San Francisco, CA, 1st set, April 22, 1961
CO67468 | If I Were A Bell |
CO67466 | So What |
No Blues |
same personnel.
"The Blackhawk", San Francisco, CA, 2nd set, April 22, 1961
CO67464 | Well, You Needn't |
same personnel.
"The Blackhawk", San Francisco, CA, 3rd set, April 22, 1961
CO67469 | Teo (as Neo) |
** also issued on Columbia CS 8470, CJ 44425, CK 44425.
** part of Mosaic MQ6-220 as "The Complete Blackhawk Sessions".
Miles Davis In Person - Friday Night At The Blackhawk, San Francisco, Volume I (Columbia CL 1669)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"The Blackhawk", San Francisco, CA, 1st set, April 21, 1961
CO67461 | No Blues |
CO67462 | Bye Bye (theme) |
same personnel.
"The Blackhawk", San Francisco, CA, 2nd set, April 21, 1961
CO67460 | All Of You |
CO67459 | Bye Bye Blackbird |
CO67458 | Walkin' |
CO67463 | Love, I've Found You |
** also issued on Columbia CS 8469, CJ 44257, CK 44257.
** part of Mosaic MQ6-220 as "The Complete Blackhawk Sessions".
Miles Davis - The Complete Blackhawk Sessions (Mosaic MQ6-220)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
"The Blackhawk", San Francisco, CA, 2nd set, April 21, 1961
Teo (as Neo) | |
I Thought About You |
same personnel.
"The Blackhawk", San Francisco, CA, 3rd set, April 21, 1961
If I Were A Bell | |
Bye Bye (theme) |
same personnel.
"The Blackhawk", San Francisco, CA, 2nd set, April 22, 1961
On Green Dolphin Street | |
Walkin' |
same personnel.
"The Blackhawk", San Francisco, CA, 3rd set, April 22, 1961
Autumn Leaves | |
Two Bass Hit | |
Bye Bye (theme) | |
Love, I've Found You |
same personnel.
"The Blackhawk", San Francisco, CA, 4th set, April 22, 1961
I Thought About You | |
Someday My Prince Will Come | |
Softly, As In A Morning Sunrise |
** same as Columbia CL 1669 entitled "Miles Davis In Person - Friday Night At The Blackhawk, San Francisco, Volume I" + CL 1670 entitled "Miles Davis In Person - Saturday Night At The Blackhawk, San Francisco, Volume II" + 16 bonus tracks.
Various Artists - Who's Who In The Swinging Sixties (Columbia CL 1765)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"The Blackhawk", San Francisco, CA, 3rd set, April 21, 1961
CO69451 | On Green Dolphin Street |
** also issued on Columbia CS 8565.
Miles Davis - Transition (Magnetic (Luxembourgian) MRCD 125)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"The Blackhawk", San Francisco, CA, April 22 or 21, 1961
Autumn Leaves | |
Two Bass Hit / Bye Bye (theme) | |
I Thought About You | |
Someday My Prince Will Come | |
Bye Bye (theme) |
Miles Davis - Circle In The Round (CBS/Sony (J) 36AP-1409/10)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"The Blackhawk", San Francisco, CA, 2nd set, April 22, 1961
CO68866 | 'Round Midnight |
Bye Bye (theme) |
Cannonball Adderley - Alabama Africa (Milestone M-47059)
Nat Adderley, Ernie Royal, Clark Terry, Nick Travis, trumpet; Jimmy Cleveland, Melba Liston, trombone; Paul Faulise, bass trombone; Bob Brookmeyer, valve trombone; Don Butterfield, tuba; Cannonball Adderley, alto sax; George Dorsey, alto sax, flute; Oliver Nelson, tenor sax, flute; Jerome Richardson, tenor sax, flute, piccolo; Arthur Clarke, baritone sax; Wynton Kelly, piano; Sam Jones, bass; Charlie Persip, drums; Ray Barretto, congas; Ernie Wilkins, arranger.
Plaza Sound Studios, NYC, May 9, 1961
This Here |
** same as Riverside RLP 12-276 entitled "John Benson Brooks' Alabama Concerto Featuring Cannonball Adderley, Art Farmer" + RLP 377 entitled "African Waltz" + 1 bonus track.
The Cannonball Adderley Quintet Plus (Riverside RLP 388)
Nat Adderley, cornet; Cannonball Adderley, alto sax; Victor Feldman, vibes; Wynton Kelly, piano; Sam Jones, bass; Louis Hayes, drums.
Plaza Sound Studios, NYC, May 11, 1961
Well, You Needn't | |
New Delhi | |
Winetone | |
Star Eyes | |
Straight, No Chaser |
** also issued on Riverside RLP 9388; Original Jazz Classics OJC-306, OJCCD-306-2.
** part of Milestone M-47053 as "What I Mean".
Various Artists - Great Jazz Artists Play Compositions Of Bobby Timmons (Riverside RLP 3512)
Nat Adderley, Ernie Royal, Clark Terry, Nick Travis, trumpet; Jimmy Cleveland, Melba Liston, trombone; Paul Faulise, bass trombone; Bob Brookmeyer, valve trombone; Don Butterfield, tuba; Cannonball Adderley, alto sax; George Dorsey, alto sax, flute; Oliver Nelson, tenor sax, flute; Jerome Richardson, tenor sax, flute, piccolo; Arthur Clarke, baritone sax; Wynton Kelly, piano; Sam Jones, bass; Charlie Persip, drums; Ernie Wilkins, arranger.
Plaza Sound Studios, NYC, May 15, 1961
This Here |
** also issued on Riverside RLP 93512.
Miles Davis At Carnegie Hall (Columbia CL 1812)
Miles Davis, trumpet; Johnny Coles, Bernie Glow, Louis Mucci, Ernie Royal, trumpet #1,2; Dick Hixson, Jimmy Knepper, Frank Rehak, trombone #1,2; Paul Ingraham, Robert Swisshelm, Julius Watkins, French horn #1,2; Bill Barber, tuba #1,2; Hank Mobley, tenor sax #1,3,4; Danny Bank, Eddie Caine, Romeo Penque, Jerome Richardson, Bob Tricarico, woodwinds #1,2; Janet Putnam, harp #1,2; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; Bobby Rosengarden, percussion #1,2; Gil Evans, arranger, conductor #1,2.
"Carnegie Hall", NYC, May 19, 1961
1. CO69842 | So What |
2. CO69843 | Spring Is Here |
3. CO69844 | No Blues |
4. CO69845 | Oleo |
5. CO69846 | Someday My Prince Will Come |
** also issued on Columbia CS 8612, PC 8612.
Miles Davis - Live Miles: More Music From The Legendary Carnegie Hall Concert (Columbia CJ 40609)
Miles Davis, trumpet; Hank Mobley, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"Carnegie Hall", NYC, May 19, 1961
Teo | |
Walkin' | |
I Thought About You |
** also issued on Columbia CK 40609.
Nat Adderley Quartets - Naturally! (Jazzland JLP 47)
Nat Adderley, trumpet; Wynton Kelly, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Plaza Sound Studios, NYC, July 19, 1961
Chloe | |
Images | |
Oleo | |
Scotch And Water |
** also issued on Jazzland JLP 947S; Original Jazz Classics OJCCD-1088-2.
Alternate Takes Of Wynton Kelly! (Vee-Jay (J) 22YB-2083)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, July 20, 1961
tk.4 | Scotch And Water (as Joe's Avenue) |
** also issued on Vee-Jay (J) 32YD-1078. Vee-Jay (J) PVCP-8122 as "Autumn Leaves II".
Wynton Kelly! (Vee-Jay VJLP 3022)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
Bell Sound Studios, Studio A, NYC, July 20, 1961
61-2078 tk.11 | Scotch And Water (as Joe's Avenue) |
61-2080 tk.3 | Autumn Leaves |
same personnel.
Bell Sound Studios, Studio A, NYC, July 21, 1961
61-2083 | Surrey With The Fringe On Top |
61-2084 | Love, I've Found You |
61-2085 | Gone With The Wind |
Wynton Kelly, piano; Sam Jones, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, probably July 21, 1961
61-2086 | Come Rain Or Come Shine |
61-2087 | Make The Man Love Me |
61-2104 | Sassy |
** also issued on Vee-Jay VJSR 3022, (J) 22YB-2002, (J) 32YD-1002, (J) FHCY-2001, (J) UXP-71-JY, (J) ULS-1651-JY. Vee-Jay (J) PVCP-8118 as "Autumn Leaves".
** part of Mosaic MD6-205 as "The Complete Vee Jay Paul Chambers - Wynton Kelly Sessions 1959-61".
Wynton Kelly! (Vee-Jay (J) 22YB-2002)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, July 21, 1961
61-2082 tk.1 | Char's Blues (alternate take 2) (mistitled as (take 2)) |
** reissue of Vee-Jay VJLP 3022 + 1 bonus track.
Wynton Kelly - Someday My Prince Will Come (Vee-Jay VJS 3038)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
Bell Sound Studios, Studio A, NYC, July 20, 1961
61-2079 tk.5 | Someday My Prince Will Come (mistitled as master & (take 6)) |
same personnel.
Bell Sound Studios, Studio A, NYC, July 21, 1961
61-2081 tk.1 | Char's Blues |
remake tk.1 | Autumn Leaves (mistitled as (take 2)) (mistitled as (take 3)) |
Wynton Kelly, piano; Sam Jones, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, probably July 21, 1961
61-2125 | Come Rain Or Come Shine (edited version) |
** also issued on Vee-Jay NVJ2-902.
Wynton Kelly - Someday My Prince Will Come (Vee-Jay NVJ2-902)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Bell Sound Studios, Studio A, NYC, July 21, 1961
tk.3 | Surrey With The Fringe On Top (alternate take) |
** reissue of Vee-Jay VJS 3038 + 5 bonus tracks.
Joy Bryan - Make The Man Love Me (Contemporary M3604)
Wynton Kelly, piano; Al Viola, guitar; Leroy Vinnegar, bass; Frank Butler, drums; Joy Bryan, vocals.
Contemporary Records, Los Angeles, CA, July 26, 28 & 29, 1961
My Romance | |
Make The Man Love Me | |
Almost Like Being In Love | |
It Never Entered My Mind | |
East Of The Sun | |
Aren't You Glad You're You | |
My Funny Valentine | |
Old Devil Moon | |
These Foolish Things | |
Everything's Coming Up Roses |
** also issued on Contemporary S7604.
Helen Humes - Swingin' With Humes (Contemporary M3598)
Joe Gordon, trumpet; Teddy Edwards, tenor sax; Wynton Kelly, piano; Al Viola, guitar; Leroy Vinnegar, bass; Frank Butler, drums; Helen Humes, vocals.
Contemporary's studio, Los Angeles, CA, July 27, 28 & 29, 1961
When Day Is Done | |
Home (When Shadows Fall) | |
There'll Be Some Changes Made | |
Someday My Prince Will Come | |
I'm Confessin' | |
S'posin' | |
Pennies From Heaven | |
The Very Thought Of You | |
Baby, Won't You Please Come Home | |
Solitude | |
I Surrender, Dear | |
My Blue Heaven |
** also issued on Contemporary S7598; Original Jazz Classics OJC-608, OJCCD-608-2.
Mark Murphy - Rah (Riverside RLP 395)
Blue Mitchell, Clark Terry, trumpet; Wynton Kelly, piano; Art Davis, bass; Jimmy Cobb, drums; Ray Barretto, congas; Mark Murphy, vocals; Ernie Wilkins, arranger.
NYC, September 15, 1961
Twisted | |
Milestones | |
Doodlin' |
Bernie Glow, Ernie Royal, Joe Wilder, trumpet; Jimmy Cleveland, Urbie Green, trombone; Wynton Kelly, piano; Barry Galbraith, guitar; George Duvivier, bass; Jimmy Cobb, drums; Mark Murphy, vocals; Ernie Wilkins, arranger.
NYC, September 19, 1961
Angel Eyes | |
On Green Dolphin Street | |
Spring Can Really Hang You Up The Most | |
No Tears For Me |
Ernie Royal, Clark Terry, Joe Wilder, trumpet; Jimmy Cleveland, Urbie Green, trombone; Wynton Kelly, piano; Barry Galbraith, guitar; George Duvivier, bass; Jimmy Cobb, drums; Ray Barretto, congas #2; Mark Murphy, vocals; Ernie Wilkins, arranger.
NYC, September 22, 1961
1. | Stoppin' The Clock |
2. | Li'l Darlin' |
** also issued on Riverside RLP 9395; Original Jazz Classics OJC-141, OJCCD-141-2.
Wes Montgomery - The Complete Riverside Recordings (Riverside 12RCD-4408-2)
Milt Jackson, vibes; Wynton Kelly, piano; Wes Montgomery, guitar; Sam Jones, bass; Philly Joe Jones, drums.
Plaza Sound Studios, NYC, December 18, 1961
Stablemates (take 2) |
same personnel.
Plaza Sound Studios, NYC, December 19, 1961
S.K.J. (take 4) | |
Sam Sack (take 2) |
Johnny Griffin, tenor sax #1-3; Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Tsubo", Berkeley, CA, June 25, 1962
1. | Blue 'N' Boogie (take 1) |
2. | Blue 'N' Boogie (take 2) (re-edited version) |
3. | Cariba (take 1) |
4. | Born To Be Blue (take 1) |
Milt Jackson, Wes Montgomery - Bags Meets Wes! (Riverside RLP 407)
Milt Jackson, vibes; Wynton Kelly, piano; Wes Montgomery, guitar; Sam Jones, bass; Philly Joe Jones, drums.
Plaza Sound Studios, NYC, December 18, 1961
Stablemates (take 4) | |
Stairway To The Stars (take 6) | |
Blue Roz (take 4) | |
Jingles (take 9) |
same personnel.
Plaza Sound Studios, NYC, December 19, 1961
S.K.J. (take 7) | |
Sam Sack (take 3) | |
Delilah (take 4) |
** also issued on Riverside RLP 9407; Original Jazz Classics OJC-234, OJCCD-234-2.
** part of Milestone M-47013 as "Wes Montgomery, Milt Jackson, George Shearing - Wes And Friends".
The Alternative Wes Montgomery (Milestone M-47065)
Milt Jackson, vibes; Wynton Kelly, piano; Wes Montgomery, guitar; Sam Jones, bass; Philly Joe Jones, drums.: same personnel.
Plaza Sound Studios, NYC, December 18, 1961
Stairway To The Stars (take 2) | |
Jingles (take 8) |
Johnny Griffin, tenor sax #1,2; Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Tsubo", Berkeley, CA, June 25, 1962
1. | Come Rain Or Come Shine (take 1) |
2. | S.O.S. (take 2) |
3. | Born To Be Blue (take 2) |
** also issued on Milestone MCD-47065-2.
Wes Montgomery, Milt Jackson, George Shearing - Wes And Friends (Milestone M-47013)
Milt Jackson, vibes; Wynton Kelly, piano; Wes Montgomery, guitar; Sam Jones, bass; Philly Joe Jones, drums.
Plaza Sound Studios, NYC, December 18, 1961
Blue Roz (take 3) |
same personnel.
Plaza Sound Studios, NYC, December 19, 1961
Delilah (take 3) |
** same as Riverside RLP 407 entitled "Milt Jackson, Wes Montgomery - Bags Meets Wes!" + Jazzland JLP 55 entitled "George Shearing And The Montgomery Brothers" + 2 bonus tracks.
1962
Eddie Jefferson - Letter From Home (Riverside RLP 411)
Joe Newman, Ernie Royal, trumpet; Jimmy Cleveland, trombone; James Moody, alto sax, flute; Johnny Griffin, tenor sax; Arthur Clarke, baritone sax; Wynton Kelly, piano; Barry Galbraith, guitar; Sam Jones, bass; Osie Johnson, drums; Eddie Jefferson, vocals; Ernie Wilkins, arranger.
Plaza Sound Studios, NYC, February 8, 1962
Take The "A" Train | |
Back In Town | |
A Night In Tunisia |
** also issued on Riverside RLP 9411; Original Jazz Classics OJC-307, OJCCD-307-2.
Blue Mitchell - A Sure Thing (Riverside RLP 414)
Blue Mitchell, trumpet; Clark Terry, flugelhorn, trumpet; Julius Watkins, French horn; Jerome Richardson, alto sax, flute; Jimmy Heath, tenor sax; Wynton Kelly, piano; Sam Jones, bass; Albert Heath, drums.
NYC, March 7, 1962
I Can't Get Started With You | |
Hootie Blues |
same personnel.
NYC, March 8, 1962
Blue On Blue | |
A Sure Thing |
Blue Mitchell, trumpet; Clark Terry, flugelhorn, trumpet #1,2; Julius Watkins, French horn #1,2; Jerome Richardson, alto sax, flute #1,2; Jimmy Heath, tenor sax; Pepper Adams, baritone sax #1; Pat Patrick, baritone sax #2; Wynton Kelly, piano; Sam Jones, bass; Albert Heath, drums.
NYC, March 28, 1962
1. | West Coast Blues |
2. | Hip To It |
3. | Gone With The Wind |
** also issued on Riverside RLP 9414; Original Jazz Classics OJCCD-837-2.
Roland Kirk - Domino (Mercury MG-20748)
Roland Kirk, tenor sax, manzello, stritch, flute; Wynton Kelly, piano; Vernon Martin, bass; Roy Haynes, drums.
Nola Studios, NYC, April 18, 1962
24642 | PB7334 | Get Out Of Town |
24643 | PB7335 | Rolando |
24644 | PB7336 | I Believe In You |
24647 | PB7339 | E.D. |
** also issued on Mercury SR-60748, (J) EJD-3042; Verve 314 543 833-2.
Sam Jones & Co. - Down Home (Riverside RLP 432)
Blue Mitchell, Clark Terry, trumpet; Jimmy Cleveland, trombone; Frank Strozier, alto sax; Jimmy Heath, tenor sax; Pat Patrick, baritone sax, flute; Wynton Kelly, piano; Ron Carter, Sam Jones, bass; Ben Riley, drums; Ernie Wilkins, arranger, conductor.
Plaza Sound Studios, NYC, June 25 & August 16, 1962
Come Rain Or Come Shine | |
Strollin' |
** also issued on Riverside RLP 9432; Original Jazz Classics OJCCD-1864-2.
Wes Montgomery - Full House (Riverside RLP 434)
Johnny Griffin, tenor sax; Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Tsubo", Berkeley, CA, June 25, 1962
Full House | |
Blue 'N' Boogie (take 2) | |
Cariba (take 2) | |
Come Rain Or Come Shine (take 2) | |
S.O.S. (take 3) |
** also issued on Riverside RLP 9434; Original Jazz Classics OJC-106, OJCCD-106-2.
** part of Milestone M-47040 as "Movin'".
Dinah Washington - Back To The Blues (Roulette R-25189)
Marky Markowitz, Joe Newman, Ernie Royal, trumpet; Robert Ascher, Morton Bullman, Chauncey Welsch, trombone; George Benz, Bill Rame, Gerald Satini, alto, tenor sax; Eddie Chamblee, tenor sax; Cecil Payne, baritone sax; Elsie Maxwell, harp; Wynton Kelly, piano; Billy Butler, Carl Lynch, guitar; Milt Hinton, bass; Panama Francis, drums; Dinah Washington, vocals.
NYC, July 5 & 9 & November 16 & 27-29, 1962
The Blues Ain't Nothin' But A Woman Cryin' For Her Man | |
Romance In The Dark | |
You've Been A Good Old Wagon | |
Let Me Be The First To Know | |
How Long, How Long Blues | |
Don't Come Running Back To Me | |
It's Mean Old Man's World | |
Key To The Highway | |
If I Never Get To Heaven | |
Duck Before You Drown | |
No Hard Feelings | |
Nobody Knows The Way I Feel This Morning |
** also issued on Roulette SR-25189, CDP 7243 8 54334 2 9.
Dinah Washington - Back To The Blues (Roulette CDP 7243 8 54334 2 9)
Marky Markowitz, Joe Newman, Ernie Royal, trumpet; Robert Ascher, Morton Bullman, Chauncey Welsch, trombone; George Benz, Bill Rame, Gerald Satini, alto, tenor sax; Eddie Chamblee, tenor sax; Cecil Payne, baritone sax; Elsie Maxwell, harp; Wynton Kelly, piano; Billy Butler, Carl Lynch, guitar; Milt Hinton, bass; Panama Francis, drums; Dinah Washington, vocals.: same session.
NYC, July 5 & 9 & November 16 & 27-29, 1962
Don't Say Nothing At All | |
No One Man | |
Me And My Gin |
** reissue of Roulette R-25189 + 3 bonus tracks.
Chuck Mangione - Recuerdo (Jazzland JLP 84)
Chuck Mangione, trumpet; Joe Romano, tenor, alto sax, flute; Wynton Kelly, piano; Sam Jones, bass; Louis Hayes, drums.
NYC, July 31, 1962
Big Foot | |
I Had The Craziest Dream | |
Solar | |
Blues For Sander | |
If Ever I Would Leave You | |
The Little Prince | |
Recuerdo |
** also issued on Jazzland JLP 984; Original Jazz Classics OJC-495, OJCCD-495-2.
** part of Milestone M-47042 as "Jazz Brother".
Chuck Mangione - Recuerdo (Original Jazz Classics OJCCD-495-2)
Chuck Mangione, trumpet; Joe Romano, tenor, alto sax, flute; Wynton Kelly, piano; Sam Jones, bass; Louis Hayes, drums.: same session.
NYC, July 31, 1962
Solar (alternate take) | |
The Little Prince (alternate take) |
** reissue of Jazzland JLP 84 + 2 bonus tracks.
Benny Golson - Turning Point (Mercury MG-20801)
Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
NYC, October 30, 1962
22471 | PB5293 | Alone Together |
22472 | PB5294 | Turning Point |
22473 | PB5295 | Three Little Words |
same personnel.
NYC, October 31, 1962
22474 | PB5296 | The Masquerade Is Over |
22475 | PB5297 | Stella By Starlight |
same personnel.
NYC, November 1, 1962
22476 | PB5298 | How Am I To Know |
22477 | PB5299 | Dear Kathy |
** also issued on Mercury SR-60801.
** part of Mosaic MD7-225 as "The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions".
1963
Wynton Kelly - Comin' In The Back Door (Verve V/V6-8576)
Wynton Kelly, piano; Kenny Burrell, guitar; Paul Chambers, bass; Jimmy Cobb, drums; unidentified strings, Claus Ogerman, arranger, conductor.
NYC, May 10, 1963
63VK459 | Quiet Village |
63VK460 | Caesar And Cleopatra Theme |
63VK461 | To Kill A Mockingbird |
same personnel.
NYC, November 14, 1963
63VK698 | Nocturne |
63VK699 | Little Tracy |
63VK700 | The Bitter End |
same personnel.
NYC, November 15, 1963
63VK701 | Don't Wait Too Long |
63VK702 | Theme From "Burke's Law" |
63VK703 | If That's The Way You Want It |
63VK706 | Comin' In The Back Door |
63VK707 | Signing Off |
1964
Eddie Harris - Cool Sax, Warm Heart (Columbia CL 2168)
Eddie Harris, tenor sax; Wynton Kelly, piano; unknown, organ; Warren Stephens, guitar; Melvin Jacksn, bass; Bucky Taulor, drums; The Malcom Dodds Singers, vocals.
NYC, January 15 & 16, 1964
Stum Stang | |
Since I Fell For You | |
Brother Ed | |
Hip Hoppin' | |
Chicago Serenade | |
Everything Happens To Me | |
Diango's Castle | |
But Not For Me | |
More Soul Than Soulful |
** also issued on Columbia CS 8968.
Wynton Kelly Trio - It's All Right! (Verve V/V6-8588)
Wynton Kelly, piano; Kenny Burrell, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Candido, conga drums; add The Tommy Rey Caribe Steel Band: Ralph Cawley, Hiram Delgado, Malcolm Evans as Malcom Evans, Tommy Rey as Tommy Reynolds, Norman Symonds, steel drums #3; Donald Usher, maracas #3.
Webster Hall, NYC, March 10, 1964
1. 64VK292 | Not A Tear |
2. 64VK293 | South Seas |
3. 64VK294 | The Fall Of Love (From "The Fall Of The Roman Empire") |
Wynton Kelly, piano; Kenny Burrell, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Candido, conga drums.
Webster Hall, NYC, March 11, 1964
64VK295 | It's All Right |
same personnel.
Webster Hall, NYC, March 19, 1964
64VK299 | Moving Up |
64VK300 | On The Trail (From "The Grand Canyon Suite") |
64VK301 | Kelly Roll |
64VK302 | Escapade |
64VK303 | Portrait Of Jennie |
** also issued on Verve (J) J28J 25119.
Wynton Kelly Trio - It's All Right! (Verve (J) J28J 25119)
Wynton Kelly, piano; Kenny Burrell, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Candido, conga drums.: same session.
Webster Hall, NYC, March 19, 1964
64VK298 | One For Joan |
** reissue of Verve V/V6-8588 + 1 bonus track.
Jimmy Heath Quintet - On The Trail (Riverside RM 486)
Jimmy Heath, tenor sax; Wynton Kelly, piano; Kenny Burrell, guitar; Paul Chambers, bass; Al Heath, drums.
Plaza Sound Studios, NYC, spring 1964
On The Trail | |
Cloak And Dagger | |
Vanity | |
All The Things You Are | |
Gingerbread Boy | |
I Should Care | |
Project S |
** also issued on Riverside RS 9486; Original Jazz Classics OJCCD-1854-2.
Lorez Alexandria - More Of The Great (Impulse! A-76)
Wynton Kelly, piano; Ray Crawford, guitar; Al McKibbon, bass; Jimmy Cobb, drums; Lorez Alexandria, vocals; and strings, Tutti Camarata, producer.
Los Angeles, CA, September 10, 1964
12239 | That Far Away Look |
12240 | Once (It S'Aim Aient) |
12241 | No More |
12242 | Little Boat |
same session.
90236A | But Beautiful |
90237A | Dancing On The Ceiling |
90238A | It Might As Well Be Spring |
90239A | The Wildest Gal In Town |
90240A | Angel Eyes |
90241A | This Could Be The Start Of Something Big |
** also issued on Impulse! AS-76.
Lorez Alexandria - The Great (Impulse! A-62)
Paul Horn, sax #2; Wynton Kelly, piano; Ray Crawford, guitar #2; Al McKibbon, bass; Jimmy Cobb, drums; Lorez Alexandria, vocals; Tutti Camarata, producer.
Los Angeles, CA, 1964
1. 90108 | I've Never Been In Love Before |
2. 90109 | Satin Doll |
3. 90111 | Over The Rainbow |
4. 90113 | The Best Is Yet To Come |
5. 90115 | Give Me The Simple Life |
Paul Horn, flute; Wynton Kelly, piano; Ray Crawford, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Lorez Alexandria, vocals; Tutti Camarata, producer.
90110 | My One And Only Love |
90116 | I'm Through With Love |
** also issued on Impulse! AS-62, B0002686-02.
1965
The Wynton Kelly Trio - Undiluted (Verve V/V6-8622)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; with Ray Stevenson, flute #1.
Van Gelder Studio, Englewood Cliffs, NJ, February 5, 1965
1. 65VK269 | Bobo |
2. 65VK270 | Blues On Purpose |
3. 65VK271 | Never |
4. 65VK272 | My Ship |
5. 65VK273 | Six-Eight |
6. 65VK274 | Out Front |
7. 65VK275 | If You Could See Me Now |
8. 65VK276 | Swinging 'Til The Girls Come Home |
Wynton Kelly Trio, Wes Montgomery - Smokin' At The Half Note (Verve V/V6-8633)
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Half Note", NYC, June 24, 1965
65VK493 | No Blues |
65VK494 | If You Could See Me Now |
same personnel.
Van Gelder Studio, Englewood Cliffs, NJ, September 22, 1965
65VK495 | Unit 7 |
65VK496 | Four On Six |
65VK497 | What's New |
Wes Montgomery - Willow Weep For Me (Verve V6-8765)
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Half Note", NYC, June 25, 1965
105616 | Surrey With The Fringe On Top |
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Claus Ogerman, brass and woodwinds arranger.
"Half Note", NYC, June 25, 1965;
overdubs recorded NYC, October 8, 1968
105612 | Willow Weep For Me (overdubbed version) |
105613 | Portrait Of Jennie (overdubbed version) |
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Half Note", NYC, August 13, 1965
105617 | Four On Six |
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Claus Ogerman, brass and woodwinds arranger.
"Half Note", NYC, August 13, 1965;
overdubs recorded NYC, October 8, 1968
105615 | Oh! You Crazy Moon (overdubbed version) |
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Half Note", NYC, September 17, 1965
105618 | Impressions |
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Claus Ogerman, brass and woodwinds arranger.
"Half Note", NYC, September 17, 1965;
overdubs recorded NYC, October 8, 1968
105614 | Misty (overdubbed version) |
** also issued on Verve 314 589 486-2.
Wes Montgomery - The Small Group Recordings (Verve VE-2-2513)
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Half Note", NYC, June 25, 1965
Willow Weep For Me | |
Portrait Of Jennie |
same personnel.
"Half Note", NYC, September 17, 1965
Misty |
Wynton Kelly - Blues On Purpose (Xanadu 198)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"Half Note", NYC, June 25, 1965
If You Could See Me Now | |
Another Blues |
same personnel.
"Half Note", NYC, July 2, 1965
Blues On Purpose | |
Somebody's Blues |
same personnel.
"Half Note", NYC, August 17, 1965
Old Folks | |
Milestones |
Various Artists - Masters Of The Modern Piano (1955-1966) (Verve VE-2-2514)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same personnel.
"Half Note", NYC, June, 1965
Blues On Purpose |
Johnny Lytle - The Loop (Tuba LP 5001)
Johnny Lytle, vibes, marimba; Wynton Kelly, piano; Milt Harris, organ #2-7; George Duvivier, bass; "Peppy" Hinnant, drums; Willie Rodriguez, congas.
NYC, circa mid 1965
1. | The More I See You |
2. | The Man |
3. | Time After Time |
4. | Big Bill |
5. | Cristo Redentor |
6. | The Shyster |
7. | My Romance |
** also issued on Tuba SR 5001.
Wynton Kelly Trio, Wes Montgomery - Smokin' At The Half Note, Vol. 2 (Verve (J) J28J 25117)
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums.
"Half Note", NYC, August 13, 1965
Oh, You Crazy Moon |
Wes Montgomery - Smokin' Guitar (Toko (J) WM94-12)
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Alan Grant, announcer.
radio broadcast, WABC-FM, "Half Note", NYC, September 24, 1965
Laura | |
Cariba |
Wynton Kelly, piano; Wes Montgomery, guitar; Larry Ridley, bass; Jimmy Cobb, drums; Alan Grant, announcer.
radio broadcast, WABC-FM, "Half Note", NYC, November 12, 1965
Birks' Works | |
Four On Six |
Wynton Kelly, piano; Wes Montgomery, guitar; Herman Wright, bass; Jimmy Cobb, drums; Alan Grant, announcer.
radio broadcast, WABC-FM, "Half Note", NYC, November 19, 1965
All The Things You Are | |
I Remember You |
Wes Montgomery - Other Sessions At The Half Note 1965 (All Blues Records ABR-010)
Wynton Kelly, piano; Wes Montgomery, guitar; Paul Chambers, bass; Jimmy Cobb, drums; Alan Grant, announcer.
radio broadcast, WABC-FM, "Half Note", NYC, September 24, 1965
A Little Blues (mistitled as The Theme) |
Wynton Kelly, piano; Wes Montgomery, guitar; Ron Carter, bass; Jimmy Cobb, drums; Alan Grant, announcer.
radio broadcast, WABC-FM, "Half Note", NYC, November 5, 1965
Impressions | |
Mi Cosa | |
No Blues |
Wynton Kelly, piano; Wes Montgomery, guitar; Larry Ridley, bass; Jimmy Cobb, drums; Alan Grant, announcer.
radio broadcast, WABC-FM, "Half Note", NYC, November 12, 1965
The Theme (as Alan Grant Talks) |
Wynton Kelly, piano; Wes Montgomery, guitar; Herman Wright, bass; Jimmy Cobb, drums; Alan Grant, announcer.
radio broadcast, WABC-FM, "Half Note", NYC, November 19, 1965
No Blues (incomplete) |
1966
Johnny Lytle - New And Groovy (Tuba LP 5002)
Johnny Lytle, vibes; Wynton Kelly, piano; Milt Harris, organ; George Duvivier, bass; "Peppy" Hinnant, drums; Montego Joe as Roger Sanders, congas #1,3,4.
NYC, January 21, 1966
1. | Summertime |
2. | The Shadow Of Your Smile |
3. | Too Close For Comfort |
4. | El Marcel |
Johnny Lytle, vibes; Wynton Kelly, piano; Milt Harris, organ; George Duvivier, bass; Jimmy Cobb, drums; Montego Joe as Roger Sanders, congas, tambourine.
NYC, January 22, 1966
Selim | |
Come And Get It | |
The Pulpit | |
Chanukah | |
Screamin' Loud |
** also issued on Tuba SR 5002.
Wynton Kelly Trio, Wes Montgomery - Smokin' In Seattle: Live At The Penthouse (Resonance Records HCD-2029)
Wynton Kelly, piano; Ron McClure, bass; Jimmy Cobb, drums; with Wes Montgomery, guitar #3-5,8-10.
"The Penthouse", Seattle, WA, April 14 & 21, 1966
1. | There Is No Greater Love |
2. | Not A Tear |
3. | Jingles |
4. | What's New |
5. | Blues In F |
6. | Sir John |
7. | If You Could See Me Now |
8. | West Coast Blues |
9. | O Morro Nao Tem Vez |
10. | Oleo |
** reissue of Resonance Records HLP-9029.
Wynton Kelly - Full View (Milestone MLP 1004)
Wynton Kelly, piano; Ron McClure, bass; Jimmy Cobb, drums.
NYC, September, 1966
I Want A Little Girl | |
I Thought About You | |
What A Difference A Day Made | |
Autumn Leaves | |
Don't Cha Hear Me Callin' To Ya | |
On A Clear Day | |
Scufflin' | |
Born To Be Blue | |
Walk On By |
** also issued on Milestone MSP 9004; Original Jazz Classics OJCCD-912-2.
1967
The Phil Upchurch Guitar Sound - Feeling Blue (Milestone MSP 9010)
Wynton Kelly, piano; Phil Upchurch, guitar; Richard Davis, bass; Jimmy Cobb, drums; Montego Joe as Roger Sanders, congas.
Plaza Sound Studios, NYC, September 13, 1967
Corcovado | |
Really Sincere | |
Israel | |
Sebaceous Lament | |
I Want A Little Girl |
** also issued on Original Jazz Classics OJCCD-1100-2.
Interpretation's By The Wynton Kelly Quartet (Vee-Jay (J) 25YD-1092/93)
Hank Mobley, tenor sax; Wynton Kelly, piano; Cecil McBee, bass; Jimmy Cobb, drums.
"The Left Bank Jazz Society", "Famous Ballroom", Baltimore, MD, November 12, 1967
On A Clear Day / Interlude | |
Hackensack | |
On Green Dolphin Street | |
Milestones | |
If You Could See Me Now | |
Speak Low / Theme |
1968
Joe Henderson With The Wynton Kelly Trio - Four! (Verve 314 523 657-2)
Joe Henderson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
"The Left Bank Jazz Society", "Famous Ballroom", Baltimore, MD, April 21, 1968
Autumn Leaves | |
Four | |
On The Trail | |
Stardust / Old Folks | |
On Green Dolphin Street | |
The Theme |
Joe Henderson With The Wynton Kelly Trio - Straight, No Chaser! (Verve 314 531 561-2)
Joe Henderson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.: same session.
"The Left Bank Jazz Society", "Famous Ballroom", Baltimore, MD, April 21, 1968
Straight, No Chaser | |
The Days Of Wine And Roses | |
What Is This Thing Called Love | |
If You Could See Me Now | |
On A Clear Day | |
Limehouse Blues | |
Pfrancin' | |
The Theme |
Wynton Kelly - On Powertree (Trio/Delmark (J) PA-3142)
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
P.S. Recording Studios, Chicago, IL, August 4, 1968
When Love Slips Away | |
Castirian Waltz I | |
Say A Little Prayer For Me | |
Kelly's Blues | |
Watch What Happens | |
House Of Cards | |
Light My Fire | |
Castirian Waltz II | |
Yesterday |
** also issued on Century/Delmark (J) CEJC00186 as "Last Trio Session".
Wynton Kelly - In Concert (Vee-Jay VJS 3071)
George Coleman, tenor sax; Wynton Kelly, piano; Ron McClure, bass; Jimmy Cobb, drums.
"The Left Bank Jazz Society", "Famous Ballroom", Baltimore, MD, September 22, 1968
Piano Interlude | |
On A Clear Day | |
Piano Interlude and On The Trail | |
Theme |
** also issued on Vee-Jay (J) 22YB-2029, (J) 32YD-1029. Affinity (E) AFF 54 as "Wynton Kelly, George Coleman - In Concert".
Wynton Kelly - Final Notes (Vee-Jay VJS 3072-2)
George Coleman, tenor sax; Wynton Kelly, piano; Ron McClure, bass; Jimmy Cobb, drums.: same session.
"The Left Bank Jazz Society", "Famous Ballroom", Baltimore, MD, September 22, 1968
Introduction | |
Unit 7 | |
Piano Interlude | |
Surrey With The Fringe On Top |
same session.
On The Trail | |
Mr. P.C. |
** also issued on Vee-Jay (J) 20YB-2030/31, (J) 25YD-1030/31. Affinity (E) AFFD 108 as "Live In Baltimore".
Cecil Payne - Zodiac (Strata-East SES-19734)
Kenny Dorham, trumpet; Cecil Payne, baritone, alto sax; Wynton Kelly, piano, organ; Wilbur Ware, bass; Albert Heath as Albert Kuumba Heath, drums.
Town Sound Studios, Englewood, NJ, December 16, 1968
Martin Luther King, Jr. / I Know Love | |
Girl, You Got A Home | |
Slide Hampton | |
Follow Me | |
Flying Fish |
The Wynton Kelly Trio Introduces Donna Drake - Donna Sings Dinah (Luxor LP 1)
Wynton Kelly, piano; Keter Betts, bass; Jimmy Cobb, drums; Donna Drake, vocals.
Los Angeles, CA, 1968
Dream | |
Evil Gal Blues | |
What A Difference A Day Made | |
I Could Have Told You So | |
Blow Top Blues | |
Don't Go To Strangers | |
Trouble In Mind | |
For All We Know | |
Who Can I Turn To |
1969
Clifford Jordan - In The World (Strata-East SES-19721)
Don Cherry, cornet #1,2; Kenny Dorham, trumpet #3,4; Julian Priester, trombone; Clifford Jordan, tenor sax; Wynton Kelly, piano; Richard Davis, Wilbur Ware, bass; Al Heath, drums #1,2; Ed Blackwell, Roy Haynes, drums #3,4.
Town Sound Studios, Englewood, NJ, spring 1969
1. | Vienna |
2. | Doug's Prelude |
3. | Ouagoudougou |
4. | 872 |
Illinois Jacquet - The Blues That's Me! (Prestige PR 7731)
Illinois Jacquet, tenor sax, bassoon; Wynton Kelly, piano; Tiny Grimes, guitar; Buster Williams, bass; Oliver Jackson, drums.
Van Gelder Studio, Englewood Cliffs, NJ, September 16, 1969
Still King | |
For Once In My Life | |
Everyday I Have The Blues | |
The Blues: That's Me | |
The Galloping Latin | |
'Round Midnight |
** also issued on Original Jazz Classics OJC-614, OJCCD-614-2.
1970
Gene Ammons - Night Lights (Prestige PR 7862)
Gene Ammons, tenor sax; Wynton Kelly, piano; George Duvivier, bass; Rudy Collins, drums; Pucho, congas #1.
Van Gelder Studio, Englewood Cliffs, NJ, February 2, 1970
1. | Calypso Blues |
2. | Night Lights |
3. | Nature Boy |
4. | The Christmas Song |
5. | Sweet Lorraine |
6. | Lush Life |
Various Artists - 25 Years Of Prestige (Prestige P-24046)
Gene Ammons, tenor sax; Wynton Kelly, piano; George Duvivier, bass; Rudy Collins, drums.
Van Gelder Studio, Englewood Cliffs, NJ, February 2, 1970
The Christmas Song (alternate take) |
Various Artists - Super Black Blues, Vol. 2 (Flying Dutchman/Bluestime (Du) BT 9009)
Russ Andrews, tenor sax; Wynton Kelly, piano; Lawrence Lucie, guitar; Al Hall, bass; Elvin Jones, drums; Joe Turner, vocals #1,2; T-Bone Walker, vocals #6,7; Eddie Vinson, vocals, alto sax #3-5.
"Carnegie Hall", NYC, May, 1970
1. | Honey Hush |
2. | Yakety Yak |
3. | Cleanhead Blues |
4. | I Had A Dream |
5. | Person To Person |
6. | Stormy Monday Blues |
7. | Sail On |
Dexter Gordon - The Jumpin' Blues (Prestige PR 10020)
Dexter Gordon, tenor sax; Wynton Kelly, piano; Sam Jones, bass; Roy Brooks, drums.
NYC, August 27, 1970
Evergreenish | |
For Sentimental Reasons | |
Star Eyes | |
Rhythm-a-ning (mistitled as Straight, No Chaser) | |
If You Could See Me Now | |
The Jumpin' Blues |
** also issued on Original Jazz Classics OJCCD-899-2.
Dexter Gordon Plays The Blues - Blue Dex (Prestige PRCD-11003-2)
Dexter Gordon, tenor sax; Wynton Kelly, piano; Sam Jones, bass; Roy Brooks, drums.: same session.
NYC, August 27, 1970
The Jumpin' Blues (alternate take) |