Blue Note 78 rpm series (12 inch 78 rpm)
Meade "Lux" Lewis, piano.
probably WMGM Radio Station, NYC, January 6, 1939
| tk.11 (444-11) | Melancholy
|
| tk.12 (443-12) | Solitude
|
Albert Ammons, piano.
probably WMGM Radio Station, NYC, January 6, 1939
| tk.5 (441-5) | Boogie Woogie Stomp
|
| tk.8 (442-8) | Boogie Woogie Blues
|
Frank Newton, trumpet; J.C. Higginbotham, trombone; Albert Ammons, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
probably WMGM Radio Station, NYC, April 7, 1939
| GM516-2 | Mighty Blues
|
| GM517-1 | Rocking The Blues
|
Albert Ammons, piano.
probably WMGM Radio Station, NYC, January 6, 1939
| tk.6 (GM535-6) | Chicago In Mind
|
Albert Ammons, Meade "Lux" Lewis, piano.
| tk.17 (GM537-17) | Two And Fews
|
Earl "Fatha" Hines, piano.
possibly WMGM Radio Station, NYC, July 29, 1939
| GM301x-3 | The Father's Getaway
|
| GM302x-2 | Reminiscing At Blue Note
|
Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
probably WMGM Radio Station, NYC, June 8, 1939
Frank Newton, trumpet; J.C. Higginbotham, trombone; Sidney Bechet, clarinet; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
| GM536-11 | Pounding Heart Blues
|
J.C. Higginbotham, trombone; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
probably WMGM Radio Station, NYC, June 8, 1939
| GM532B-15 | Basin Street Blues
|
Frank Newton, trumpet; J.C. Higginbotham, trombone; Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
| GM532x-12 | Blues For Tommy (Ladnier)
|
Meade "Lux" Lewis, piano.
probably WMGM Radio Station, NYC, January 6, 1939
| tk.1 (486A-1) | The Blues, Part 1
|
| tk.2 (486A-2) | The Blues, Part 2
|
** part of Blue Note 8/9.
Meade "Lux" Lewis, piano.: same session.
probably WMGM Radio Station, NYC, January 6, 1939
| tk.3 (486A-3) | The Blues, Part 3
|
| tk.4 (486A-4) | The Blues, Part 4
|
** part of Blue Note 8/9.
Pete Johnson, piano; Ulysses Livingston, guitar; Abe Bolar, bass.
Reeves Sound Studios, NYC, December 19, 1939
| RS659-7 | Barrelhouse Breakdown
|
| RS660-8 | Kansas City Farewell
|
Pete Johnson, piano; Ulysses Livingston, guitar; Abe Bolar, bass.: same session.
Reeves Sound Studios, NYC, December 19, 1939
| RS653-1 | Vine St. Bustle
|
| RS655-3 | Some Day Blues
|
Pete Johnson, piano.
Reeves Sound Studios, NYC, December 19, 1939
| RS658-6 | Holler Stomp
|
| RS662-10 | You Don't Know My Mind
|
Sidney Bechet, soprano sax; Teddy Bunn, guitar; George "Pops" Foster, bass; Sidney Catlett, drums.
Reeves Sound Studios, NYC, March 27, 1940
| RS709 B | Lonesome Blues
|
| RS710 A | Dear Old Southland
|
Frank Newton, trumpet; J.C. Higginbotham, trombone; Albert Ammons, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
probably WMGM Radio Station, NYC, April 7, 1939
| GM515A-5 | Port Of Harlem Blues
|
Frank Newton, trumpet; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
probably WMGM Radio Station, NYC, June 8, 1939
Meade "Lux" Lewis, piano.
Reeves Sound Studios, NYC, October 4, 1940
| RS791 B | Honky Tonk Train Blues
|
| RS794 A | Tell Your Story
|
Meade "Lux" Lewis, piano.: same session.
Reeves Sound Studios, NYC, October 4, 1940
| RS792 C | Bass On Top
|
| RS793 A | Six Wheel Chaser
|
Edmond Hall, clarinet; Meade "Lux" Lewis, celeste; Charlie Christian, acoustic guitar; Israel Crosby, bass.
Reeves Sound Studios, NYC, February 5, 1941
| R3461 | Profoundly Blue
|
| R3462A-2 | Celestial Express
|
Edmond Hall, clarinet; Meade "Lux" Lewis, celeste; Charlie Christian, acoustic guitar; Israel Crosby, bass.: same session.
Reeves Sound Studios, NYC, February 5, 1941
| R3459A | Jamming In Four
|
| R3460 | Edmond Hall Blues
|
Meade "Lux" Lewis, harpsichord.
Reeves Sound Studios, NYC, April 9, 1941
| RS934 B | Variations On A Theme: I. 19 Ways Of Playing A Chorus
|
| RS937 A | Variations On A Theme: II. Self-Portrait
|
Meade "Lux" Lewis, harpsichord.: same session.
Reeves Sound Studios, NYC, April 9, 1941
| RS935 B | Variations On A Theme: III. School Of Rhythm
|
| RS938 A | Variations On A Theme: IV. "Feelin' Tomorrow Like I Feel Today.."
|
Albert Ammons, piano.
probably WMGM Radio Station, NYC, January 6, 1939
| tk.7 (1007) | Suitcase Blues
|
same session.
| tk.14 (1014) | Bass Goin' Crazy
|
Meade "Lux" Lewis, piano.
Reeves Sound Studios, NYC, October 4, 1940
| RS794 B | Tell Your Story No. 2
|
same personnel.
Reeves Sound Studios, NYC, April 9, 1941
Sidney Bechet, soprano sax; Josh White, guitar, vocals; Wilson Ernest Myers, bass.
Reeves Sound Studios, NYC, March 7, 1940
| RS671 A | Careless Love (Blues)
|
| RS672 | Milk Cow Blues
|
James P. Johnson, piano.
WOR Studios, NYC, November 17, 1943
| BN777 | J.P. Boogie
|
| BN780 | Gut Stomp
|
James P. Johnson, piano.: same session.
WOR Studios, NYC, November 17, 1943
| BN778 | Back Water Blues
|
| BN779 | Carolina Balmoral
|
James P. Johnson, piano.: same personnel.
WOR Studios, NYC, December 15, 1943
| BN783 | Caprice Rag
|
| BN784 | Improvisation On Pine Top's Boogie Woogie
|
James P. Johnson, piano.: same session.
WOR Studios, NYC, December 15, 1943
| BN781 | Mule Walk-Stomp
|
| BN782 | Arkansaw Blues
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Edmond Hall, clarinet; James P. Johnson, piano; Jimmy Shirley, guitar; Israel Crosby, bass; Sidney Catlett, drums.
WOR Studios, NYC, November 29, 1943
| BN901-3 | High Society
|
| BN903-2 | Blues At Blue Note
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Edmond Hall, clarinet; James P. Johnson, piano; Jimmy Shirley, guitar; Israel Crosby, bass; Sidney Catlett, drums.: same session.
WOR Studios, NYC, November 29, 1943
| BN905-2 | Night Shift Blues
|
| BN907-2 | Royal Garden Blues
|
Edmond Hall, clarinet; Red Norvo, vibes; Teddy Wilson, piano; Carl Kress, guitar; Johnny Williams, bass.
WOR Studios, NYC, January 25, 1944
| BN908-2 | Rompin' In '44
|
| BN910-2 | Smooth Sailing
|
Edmond Hall, clarinet; Red Norvo, vibes; Teddy Wilson, piano; Carl Kress, guitar; Johnny Williams, bass.: same session.
WOR Studios, NYC, January 25, 1944
| BN909 | Blue Interval
|
| BN911 | Seein' Red
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Ben Webster, tenor sax; James P. Johnson, piano; Jimmy Shirley, guitar; John Simmons, bass; Sidney Catlett, drums.
WOR Studios, NYC, March 4, 1944
| BN950-1 | Blue Mizz
|
| BN951-3 | Victory Stride
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Ben Webster, tenor sax; James P. Johnson, piano; Jimmy Shirley, guitar; John Simmons, bass; Sidney Catlett, drums.: same session.
WOR Studios, NYC, March 4, 1944
| BN952-2 | Joy-Mentin'
|
| BN953-2 | After You've Gone
|
Max Kaminsky, trumpet; Vic Dickenson, trombone; Edmond Hall, clarinet; Art Hodes, piano; Jimmy Shirley, guitar; Sid Weiss, bass; Danny Alvin, drums.
WOR Studios, NYC, June 1, 1944
| BN977-0 | Sweet Georgia Brown
|
| BN979-1 | Sugar Foot Stomp
|
Max Kaminsky, trumpet; Vic Dickenson, trombone; Edmond Hall, clarinet; Art Hodes, piano; Jimmy Shirley, guitar; Sid Weiss, bass; Danny Alvin, drums.: same session.
WOR Studios, NYC, June 1, 1944
| BN978-0 | Squeeze Me
|
| BN980-1 | Bugle Call Rag
|
Benny Morton, trombone; Edmond Hall, clarinet; Harry Carney, baritone sax; Don Frye, piano; Everett Barksdale, guitar; Alvin Raglin, bass; Sidney Catlett, drums.
WOR Studios, NYC, May 5, 1944
| BN975-0 | Big City Blues
|
| BN976-1 | Steamin' And Beamin'
|
Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Milton Hinton, bass; J.C. Heard, drums.
WOR Studios, NYC, July 18, 1944
| BN985-1 | Tiny's Exercise
|
| BN988-1 | Blue Harlem
|
Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Milton Hinton, bass; J.C. Heard, drums.: same session.
WOR Studios, NYC, July 18, 1944
| BN986-0 | She's Funny That Way
|
| BN987-2 | Indiana
|
Meade "Lux" Lewis, piano, whistling.
WOR Studios, NYC, August 22, 1944
| BN1202 | Chicago Flyer
|
| BN1203 | Blues' Whistle (aka Whistlin' Blues)
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Edmond Hall, clarinet; James P. Johnson, piano; Jimmy Shirley, guitar; John Simmons, bass; Sidney Catlett, drums.
WOR Studios, NYC, June 21, 1944
| BN981-0 | Everybody Loves My Baby
|
| BN984-0 | The Call Of The Blues
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Edmond Hall, clarinet; James P. Johnson, piano; Jimmy Shirley, guitar; John Simmons, bass; Sidney Catlett, drums.: same session.
WOR Studios, NYC, June 21, 1944
| BN982-0 | Ballin' The Jack
|
| BN983-1 | Who's Sorry Now
|
Jonah Jones, trumpet; Tyree Glenn, trombone; Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Oscar Pettiford, bass; J.C. Heard, drums.
WOR Studios, NYC, September 25, 1944
| BN991-0 | Mad About You
|
| BN992-1 | Facin' The Face
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Manzie Johnson, drums.
WOR Studios, NYC, December 20, 1944
| BN208-0 | Blue Horizon
|
| BN209-0 | Muskrat Ramble
|
Sidney DeParis, trumpet; Vic Dickenson, trombone; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Manzie Johnson, drums.: same session.
WOR Studios, NYC, December 20, 1944
| BN206-1 | St. Louis Blues
|
| BN207-3 | Jazz Me Blues
|
Max Kaminsky, trumpet; Mezz Mezzrow, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Danny Alvin, drums.
WOR Studios, NYC, December 11, 1944
| BN201-1 | Apex Blues
|
| BN202-1 | Shake That Thing
|
Benny Morton, trombone; Barney Bigard, clarinet; Ben Webster, tenor sax; Sammy Benskin, piano; Israel Crosby, bass; Eddie Dougherty, drums.
WOR Studios, NYC, January 31, 1945
| BN220-0 | Conversing In Blue
|
| BN221-0 | The Sheik Of Araby
|
Benny Morton, trombone; Barney Bigard, clarinet; Ben Webster, tenor sax; Sammy Benskin, piano; Israel Crosby, bass; Eddie Dougherty, drums.: same session.
WOR Studios, NYC, January 31, 1945
| BN219-0 | My Old Flame
|
| BN222-0 | Limehouse Blues
|
Oliver "Rev." Mesheux, trumpet; Sandy Williams, trombone; Vivian Smith, piano; Jimmy Shirley, guitar; Israel Crosby, bass; Tommy Benford, drums; "Pigmeat" Alamo Markham, vocals.
WOR Studios, NYC, August 31, 1945
| BN254-2 | Blues Before Sunrise
|
| BN256-0 | How Long-How Long Blues
|
Max Kaminsky, trumpet; George Lugg, trombone; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Fred Moore, drums.
WOR Studios, NYC, January 29, 1945
| BN216-2 | Salty Dog
|
| BN217-1 | Weary Blues
|
Max Kaminsky, trumpet; George Lugg, trombone; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Fred Moore, drums.: same session.
WOR Studios, NYC, January 29, 1945
| BN215-1 | High Society
|
| BN218-2 | Jackass Blues
|
Max Kaminsky, trumpet; Art Hodes, piano; Fred Moore, drums, vocals.
WOR Studios, NYC, April 6, 1945
| BN230-0 | K.M.H. Drag (Draggin' The Blues) (as KMH Blues)
|
| BN231-1 | Funny Feathers
|
Albert Nicholas, clarinet; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Danny Alvin, drums.
WOR Studios, NYC, February 12, 1946
| BN277-1 | Old Stack O'Lee Blues
|
| BN278-3 | Bechet's Fantasy
|
no details.
Blue Note 500 series (10 inch 78 rpm)
Frank Newton, trumpet; Albert Ammons, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
probably WMGM Radio Station, NYC, April 7, 1939
J.C. Higginbotham, trombone; Albert Ammons, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums.
Sidney Bechet, soprano sax; Teddy Bunn, guitar; George "Pops" Foster, bass; Sidney Catlett, drums.
Reeves Sound Studios, NYC, March 27, 1940
| RS711 A | Bechet's Steady Rider
|
| RS712 A | Saturday Night Blues
|
Teddy Bunn, guitar, vocals.
Reeves Sound Studios, NYC, March 28, 1940
| RS713 A | King Porter Stomp
|
| RS714 A | Bachelor Blues
|
Teddy Bunn, guitar, vocals.: same session.
Reeves Sound Studios, NYC, March 28, 1940
| RS715 B | Blues Without Words
|
| RS716 A | Guitar In High
|
Max Kaminsky, trumpet; Ray Conniff, trombone; Rod Cless, clarinet; Art Hodes, piano; Bob Haggart, bass; Danny Alvin, drums.
NYC, March 18, 1944
| BN960-0 | Maple Leaf Rag
|
| BN962-0 | Yellow Dog Blues
|
Max Kaminsky, trumpet; Ray Conniff, trombone; Rod Cless, clarinet; Art Hodes, piano; Bob Haggart, bass; Danny Alvin, drums.: same session.
NYC, March 18, 1944
| BN961-1 | She's Crying For Me
|
| BN963-2 | Slow 'Em Down Blues
|
Max Kaminsky, trumpet; Ray Conniff, trombone; Rod Cless, clarinet; Art Hodes, piano; Sid Jacobs, bass; Danny Alvin, drums.
NYC, March 22, 1944
| BN964-2 | Doctor Jazz
|
| BN965-0 | Shoe Shiner's Drag
|
Max Kaminsky, trumpet; Ray Conniff, trombone; Rod Cless, clarinet; Art Hodes, piano; Sid Jacobs, bass; Danny Alvin, drums.: same session.
NYC, March 22, 1944
| BN966-4 | There'll Be Some Changes Made
|
| BN967-0 | Clark And Randolph
|
Oliver "Rev." Mesheux, trumpet; Sandy Williams, trombone; Vivian Smith, piano; Jimmy Shirley, guitar; Israel Crosby, bass; Tommy Benford, drums; "Pigmeat" Alamo Markham, vocals.
WOR Studios, NYC, August 31, 1945
| BN255-1 | You've Been A Good Old Wagon
|
| BN257-1 | See See Rider
|
Jonah Jones, trumpet; Tyree Glenn, trombone; Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Oscar Pettiford, bass; J.C. Heard, drums.
WOR Studios, NYC, September 25, 1944
| BN989-0 | Hard Tack
|
| BN990-1 | If I Had You
|
** part of Blue Note 102.
Benny Morton, trombone; Edmond Hall, clarinet; Harry Carney, baritone sax; Don Frye, piano; Everett Barksdale, guitar; Alvin Raglin, bass; Sidney Catlett, drums.
WOR Studios, NYC, May 5, 1944
| BN973-3 | It's Been So Long
|
| BN974-1 | I Can't Believe That You're In Love With Me
|
Max Kaminsky, trumpet; Art Hodes, piano; Fred Moore, drums, vocals.
WOR Studios, NYC, April 6, 1945
| BN232-0 | Blues 'N' Booze (as Blues 'N' Blues)
|
| BN229-4 | That Eccentric Rag (as Eccentric)
|
John Hardee, tenor sax; Sammy Benskin, piano; Tiny Grimes, guitar; John Simmons, bass; Sidney Catlett, drums.
WOR Studios, NYC, February 28, 1946
| BN280-0 | Tired
|
| BN281-0 | Blue Skies
|
John Hardee, tenor sax; Sammy Benskin, piano; Tiny Grimes, guitar; John Simmons, bass; Sidney Catlett, drums.: same session.
WOR Studios, NYC, February 28, 1946
| BN282-0 | Hardee's Partee
|
| BN283-5 | Idaho
|
** part of Blue Note 101.
Buck Clayton, trumpet; "Keg" Johnson, trombone; Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Grachan Moncur, bass; J.C. Heard, drums.
WOR Studios, NYC, July 17, 1945
| BN248-1 | Topsy
|
| BN249-0 | Cup-Mute Clayton
|
** part of Blue Note 102.
Ike Quebec, tenor sax; Dave Rivera, piano; Napoleon Allen, guitar; Milton Hinton, bass; J.C. Heard, drums.
WOR Studios, NYC, April 10, 1945
| BN234-1 | Dolores
|
| BN236-3 | Sweethearts On Parade
|
** part of Blue Note 102.
Albert Nicholas, clarinet; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Danny Alvin, drums.
WOR Studios, NYC, February 12, 1946
| BN276-1 | Blame It On The Blues (as Quincy Street Stomp)
|
| BN279-2 | Weary Way Blues
|
Albert Nicholas, clarinet; Art Hodes, piano; Wellman Beaud, bass; Baby Dodds, drums.
WOR Studios, NYC, December 26, 1945
| BN273-2 | Careless Love
|
| BN275-0 | Winin' Boy Blues
|
Albert Nicholas, clarinet; Art Hodes, piano; Wellman Beaud, bass; Baby Dodds, drums.: same session.
WOR Studios, NYC, December 26, 1945
| BN272-2 | Feelin' At Ease
|
| BN274-2 | High Society
|
John Hardee, tenor sax; Bill Bivens, vibes; Sammy Benskin, piano; Jimmy Shirley, guitar; Eugene Ramey, bass; Sidney Catlett, drums.
WOR Studios, NYC, May 31, 1946
| BN284-1 | What Is This Thing Called Love
|
| BN285-1 | Nervous From The Service
|
** part of Blue Note 101.
John Hardee, tenor sax; Bill Bivens, vibes; Sammy Benskin, piano; Jimmy Shirley, guitar; Eugene Ramey, bass; Sidney Catlett, drums.: same session.
WOR Studios, NYC, May 31, 1946
| BN286-4 | River Edge Rock
|
| BN287-0 | Sweet And Lovely
|
** part of Blue Note 101.
Sammy Benskin, piano; Billy Taylor, bass; Specs Powell, drums.
WOR Studios, NYC, July 27, 1945
| BN250-2 | Cherry
|
| BN252-0 | The World Is Waiting For The Sunrise
|
"Trummy" Young, trombone; John Hardee, tenor sax; Marlowe Morris, piano; Tiny Grimes, guitar; Jimmy Butts, bass; Eddie Nicholson, drums.
WOR Studios, NYC, August 14, 1946
| BN289-1 | Flying Home, Part 1
|
| BN290-1 | Flying Home, Part 2
|
"Trummy" Young, trombone; John Hardee, tenor sax; Marlowe Morris, piano; Tiny Grimes, guitar; Jimmy Butts, bass; Eddie Nicholson, drums.: same session.
WOR Studios, NYC, August 14, 1946
| BN288-3 | "C" Jam Blues
|
| BN291-2 | Tiny's Boogie Woogie
|
Sandy Williams, trombone #1; Art Hodes, piano; Jimmy Shirley, guitar; Israel Crosby, bass.
NYC, April 21, 1944
| 1. BN969-0 | Low Down Blues (as Low Down Bama Blues)
|
| 2. BN972-0 | Back-Room Blues
|
Max Kaminsky, trumpet; Sandy Williams, trombone #2; Art Hodes, piano; Jimmy Shirley, guitar; Israel Crosby, bass.
NYC, April 21, 1944
| 1. BN968-0 | M.K. Blues
|
| 2. BN970-1 | Jug Head Boogie
|
Max Kaminsky, trumpet; Mezz Mezzrow, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Danny Alvin, drums.
WOR Studios, NYC, December 11, 1944
| BN200-0 | Gut Bucket Blues
|
| BN204-0 | Nobody's Sweetheart
|
Paul Campbell, Forrest Powell, Walter Williams, trumpet; Allen Durham, Britt Woodman, trombone; Floyd Turnham, alto sax; Les Hite, alto sax, director; Roger Hurd, Quedellis "Que" Martyn, tenor sax; Sol Moore, baritone sax; Nat Walker, piano; Frank Pasley, guitar; Al Morgan, bass; Oscar Bradley, drums; T-Bone Walker, vocals; Dudley Brooks, arranger.
NYC, June, 1940
Jimmy Shirley, guitar; Oscar Smith, bass.
WOR Studios, NYC, January 23, 1945
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Fred Moore, drums, vocals.
WOR Studios, NYC, October 12, 1945
| BN262-1 | Save It Pretty Mama
|
| BN267-0 | Darktown Strutters' Ball
|
** part of Blue Note 103.
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Fred Moore, drums, vocals.: same session.
WOR Studios, NYC, October 12, 1945
| BN264-1 | Memphis Blues
|
| BN265-0 | Shine
|
** part of Blue Note 103.
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Fred Moore, drums, vocals.: same session.
WOR Studios, NYC, October 12, 1945
| BN263-1 | Way Down Yonder In New Orleans
|
| BN266-1 | St. James Infirmary
|
** part of Blue Note 103.
Tadd Dameron, piano, vocals; Pee Wee Tinney, guitar, vocals; Art Phipps, bass; Babs Gonzales, vocals; with Rudy Williams, alto sax; Charles Simon, drums.
WOR Studios, NYC, February 24, 1947
| BN297-1 | Oop-Pop-A-Da
|
| BN298-3 | Stomping At The Savoy
|
Tadd Dameron, piano, vocals; Pee Wee Tinney, guitar, vocals; Art Phipps, bass; Babs Gonzales, vocals; with Rudy Williams, alto sax; Charles Simon, drums.: same session.
WOR Studios, NYC, February 24, 1947
| BN296-1 | Lop-Pow
|
| BN299-2 | Pay Dem Dues
|
Tadd Dameron, piano, vocals; Pee Wee Tinney, guitar, vocals; Art Phipps, bass; Babs Gonzales, vocals.
WOR Studios, NYC, May 7, 1947
| BN302-3 | Dob Bla Bli
|
| BN303-1 | Weird Lullaby
|
Tadd Dameron, piano, vocals; Pee Wee Tinney, guitar, vocals; Art Phipps, bass; Babs Gonzales, vocals.: same session.
WOR Studios, NYC, May 7, 1947
| BN300-3 | Running Around
|
| BN301-5 | Babs' Dream
|
Shad Collins, trumpet; "Keg" Johnson, trombone; Ike Quebec, tenor sax; Roger Ramirez, piano; John Collins, guitar; Milton Hinton, bass; J.C. Heard, drums.
WOR Studios, NYC, September 23, 1946
| BN294-1 | Someone To Watch Over Me
|
| BN295-4 | Zig Billion
|
Shad Collins, trumpet; "Keg" Johnson, trombone; Ike Quebec, tenor sax; Roger Ramirez, piano; John Collins, guitar; Milton Hinton, bass; J.C. Heard, drums.: same session.
WOR Studios, NYC, September 23, 1946
| BN292-4 | The Masquerade Is Over
|
| BN293-2 | Basically Blue
|
Fats Navarro, trumpet; Ernie Henry, alto sax; Charlie Rouse, tenor sax; Tadd Dameron, piano; Nelson Boyd, bass; Shadow Wilson, drums.
WOR Studios, NYC, September 26, 1947
| BN305-1 | The Squirrel
|
| BN306-5 | Our Delight
|
Fats Navarro, trumpet; Ernie Henry, alto sax; Charlie Rouse, tenor sax; Tadd Dameron, piano; Nelson Boyd, bass; Shadow Wilson, drums.: same session.
WOR Studios, NYC, September 26, 1947
| BN304-2 | The Chase
|
| BN307-2 | Dameronia
|
Idrees Suliman, trumpet; Danny Quebec West, alto sax; Billy Smith, tenor sax; Thelonious Monk, piano; Eugene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 15, 1947
| BN310-1 | Suburban Eyes
|
| BN311-0 | Thelonious
|
Thelonious Monk, piano; Eugene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 24, 1947
George Taitt, trumpet; Edmund Gregory, alto sax; Thelonious Monk, piano; Robert Paige, bass; Art Blakey, drums.
WOR Studios, NYC, November 21, 1947
| BN321-1 | 'Round About Midnight
|
Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Milton Hinton, bass; J.C. Heard, drums.
WOR Studios, NYC, July 18, 1944
| BN988-0 | Blue Harlem (alternate take)
|
Kenny Dorham, trumpet; Howard Bowe, trombone; Edmund Gregory, alto sax; Orland Wright, tenor sax; Ernest Thompson, baritone sax; Walter Bishop Jr., piano; LaVerne Barker, bass; Art Blakey, drums.
WOR Studios, NYC, December 22, 1947
| BN322-3 | The Thin Man
|
| BN325-1 | Musa's Vision
|
Kenny Dorham, trumpet; Howard Bowe, trombone; Edmund Gregory, alto sax; Orland Wright, tenor sax; Ernest Thompson, baritone sax; Walter Bishop Jr., piano; LaVerne Barker, bass; Art Blakey, drums.: same session.
WOR Studios, NYC, December 22, 1947
| BN323-1 | The Bop Alley
|
| BN324-2 | Groove Street
|
Idrees Suliman, trumpet; Danny Quebec West, alto sax; Billy Smith, tenor sax; Thelonious Monk, piano; Eugene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 15, 1947
Thelonious Monk, piano; Eugene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 24, 1947
George Taitt, trumpet; Edmund Gregory, alto sax; Thelonious Monk, piano; Robert Paige, bass; Art Blakey, drums.
WOR Studios, NYC, November 21, 1947
Milton Jackson, vibes; Thelonious Monk, piano; John Simmons, bass; Shadow Wilson, drums.
Apex Studios, NYC, July 2, 1948
Thelonious Monk, piano; Eugene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 24, 1947
Milton Jackson, vibes; Thelonious Monk, piano; John Simmons, bass; Shadow Wilson, drums.
Apex Studios, NYC, July 2, 1948
Max Kaminsky, trumpet; George Lugg, trombone; Bujie Centobie, clarinet; Art Hodes, piano; Chick Robertson, guitar; Jack Lesberg, bass; Danny Alvin, drums.
WOR Studios, NYC, May 23, 1945
| BN241-0 | Wolverine Blues
|
| BN245-0 | Bujie
|
** part of Blue Note 104.
Max Kaminsky, trumpet; George Lugg, trombone; Bujie Centobie, clarinet; Art Hodes, piano; Chick Robertson, guitar; Jack Lesberg, bass; Danny Alvin, drums.: same personnel.
WOR Studios, NYC, May 17, 1945
| BN238-3 | I Never Knew What A Gal Could Do
|
| BN239-1 | Mr. Jelly Lord
|
** part of Blue Note 104.
Max Kaminsky, trumpet; George Lugg, trombone; Bujie Centobie, clarinet; Art Hodes, piano; Chick Robertson, guitar; Jack Lesberg, bass; Danny Alvin, drums.: same session.
WOR Studios, NYC, May 17, 1945
same personnel.
WOR Studios, NYC, May 23, 1945
** part of Blue Note 104.
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Teddy Stewart, drums; "Gil" Fuller, arranger.
Apex Studios, NYC, October 19, 1948
| BN340-4 | The Fuller Bop Man
|
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Art Blakey, drums; Chano Pozo, vocals, bongos; "Gil" Fuller, arranger.
Apex Studios, NYC, October 25, 1948
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Teddy Stewart, drums; "Gil" Fuller, arranger.
Apex Studios, NYC, October 19, 1948
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Art Blakey, drums; Chano Pozo, vocals, bongos; "Gil" Fuller, arranger.
Apex Studios, NYC, October 25, 1948
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Teddy Stewart, drums; "Gil" Fuller, arranger.
Apex Studios, NYC, October 19, 1948
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Art Blakey, drums; Chano Pozo, vocals, bongos; "Gil" Fuller, arranger.
Apex Studios, NYC, October 25, 1948
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Teddy Stewart, drums; "Gil" Fuller, arranger.
Apex Studios, NYC, October 19, 1948
Dave Burns, Elmon Wright, trumpet; Ernie Henry, alto sax; James Moody, tenor sax; Cecil Payne, baritone sax; Hen Gates, piano; Nelson Boyd, bass; Art Blakey, drums; Chano Pozo, vocals, bongos; "Gil" Fuller, arranger.
Apex Studios, NYC, October 25, 1948
| BN346-0 | Moody's All Frantic
|
Howard McGhee, Fats Navarro, trumpet; Ernie Henry, alto sax; Milton Jackson, vibes, piano; Curley Russell, bass; Kenny Clarke, drums.
Apex Studios, NYC, October 11, 1948
Howard McGhee, Fats Navarro, trumpet; Ernie Henry, alto sax; Milton Jackson, vibes, piano; Curley Russell, bass; Kenny Clarke, drums.: same session.
Apex Studios, NYC, October 11, 1948
| BN337-1 | Boperation
|
| BN336-3 | The Skunk
|
Fats Navarro, trumpet; Allen Eager, Wardell Gray, tenor sax; Tadd Dameron, piano; Curley Russell, bass; Kenny Clarke, drums; Chino Pozo, bongos #1.
Apex Studios, NYC, September 13, 1948
| 1. BN332-1 | Jahbero
|
| 2. BN333-0 | Lady Bird
|
Idrees Suliman, trumpet; Danny Quebec West, alto sax; Billy Smith, tenor sax; Thelonious Monk, piano; Eugene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 15, 1947
Milton Jackson, vibes; Thelonious Monk, piano; John Simmons, bass; Shadow Wilson, drums.
Apex Studios, NYC, July 2, 1948
| BN329-0 | Misterioso (as Mysterioso)
|
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Fred Moore, drums.
WOR Studios, NYC, January 21, 1949
"Wild Bill" Davison, cornet; Ray Diehl, trombone; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Wilmore "Slick" Jones, drums.
WOR Studios, NYC, March 23, 1949
| BN357-2 | At The Jazz Band Ball
|
** part of Blue Note 105.
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Fred Moore, drums.
WOR Studios, NYC, January 21, 1949
"Wild Bill" Davison, cornet; Ray Diehl, trombone; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Wilmore "Slick" Jones, drums.
WOR Studios, NYC, March 23, 1949
| BN355-1 | Cake Walking Babies
|
** part of Blue Note 105.
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Fred Moore, drums.
WOR Studios, NYC, January 21, 1949
| BN353-1 | When The Saints Go Marching In
|
"Wild Bill" Davison, cornet; Ray Diehl, trombone; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Wilmore "Slick" Jones, drums.
WOR Studios, NYC, March 23, 1949
| BN354-0 | Basin Street Blues
|
** part of Blue Note 105.
Bunk Johnson, trumpet; Sandy Williams, trombone; Sidney Bechet, clarinet; Cliff Jackson, piano; George "Pops" Foster, bass; Manzie Johnson, drums.
WOR Studios, NYC, March 10, 1945
| BN223-1 | Milenberg Joys
|
| BN226-0 | Days Beyond Recall
|
Bunk Johnson, trumpet; Sandy Williams, trombone; Sidney Bechet, clarinet; Cliff Jackson, piano; George "Pops" Foster, bass; Manzie Johnson, drums.: same session.
WOR Studios, NYC, March 10, 1945
| BN225-0 | Lord, Let Me In The Lifeboat
|
| BN228-1 | Up In Sidney's Flat
|
Pierre Dervaux, trumpet; Claude Phillippe, trumpet, banjo; Mowgli Jospin, trombone; Claude Luter, clarinet; Sidney Bechet, soprano sax, clarinet; Christian Azzi, piano; Roland Bianchini, bass; Francois "Moustache" Galepides, drums.
Paris, France, October 14, 1949
Pierre Dervaux, trumpet; Bernard Zacharias, trombone; Claude Luter, clarinet; Sidney Bechet, soprano sax; Christian Azzi, piano; Roland Bianchini, bass; Francois "Moustache" Galepides, drums.
Paris, France, November 15, 1949
| V3033-1 | Struttin' With Some Barbecue
|
Pierre Dervaux, trumpet; Bernard Zacharias, trombone; Claude Luter, clarinet; Sidney Bechet, soprano sax; Christian Azzi, piano; Roland Bianchini, bass; Francois "Moustache" Galepides, drums.: same session.
Paris, France, November 15, 1949
| V3029-2 | Temptation Rag
|
| V3031-2 | Sobbin' And Cryin'
|
Pierre Dervaux, trumpet; Bernard Zacharias, trombone; Claude Luter, clarinet; Sidney Bechet, soprano sax; Christian Azzi, piano; Roland Bianchini, bass; Francois "Moustache" Galepides, drums.: same session.
Paris, France, November 15, 1949
| V3030-1 | Riverboat Shuffle
|
| V3034-2 | Saw Mill Blues
|
Pierre Dervaux, trumpet; Claude Phillippe, trumpet, banjo; Mowgli Jospin, trombone; Claude Luter, clarinet; Sidney Bechet, soprano sax, clarinet; Christian Azzi, piano; Roland Bianchini, bass; Francois "Moustache" Galepides, drums.
Paris, France, October 14, 1949
| V3015-2 | Ce Mossieu Qui Parle
|
| V3017-1 | Bechet's Creole Blues
|
Pierre Dervaux, trumpet; Claude Phillippe, trumpet, banjo; Mowgli Jospin, trombone; Claude Luter, clarinet; Sidney Bechet, soprano sax, clarinet; Christian Azzi, piano; Roland Bianchini, bass; Francois "Moustache" Galepides, drums.: same session.
Paris, France, October 14, 1949
| V3016-2 | Buddy Bolden Story
|
| V3019-2 | The Onions
|
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Fred Moore, drums.
WOR Studios, NYC, January 21, 1949
| BN352-1 | Nobody Knows You...
|
"Wild Bill" Davison, cornet; Ray Diehl, trombone; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Wilmore "Slick" Jones, drums.
WOR Studios, NYC, March 23, 1949
"Wild Bill" Davison, cornet; Jimmy Archey, trombone; Sidney Bechet, soprano sax; Joe Sullivan, piano; George "Pops" Foster, bass; Wilmore "Slick" Jones, drums.
WOR Studios, NYC, April 19, 1950
| BN376-4 | Copenhagen
|
| BN381-2 | Shim-Me-Sha-Wabble
|
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Fred Moore, drums.
WOR Studios, NYC, January 21, 1949
"Wild Bill" Davison, cornet; Jimmy Archey, trombone; Sidney Bechet, soprano sax; Joe Sullivan, piano; George "Pops" Foster, bass; Wilmore "Slick" Jones, drums.
WOR Studios, NYC, April 19, 1950
Blue Note 78 rpm Album series (12 inch 78 rpm Album)
Meade "Lux" Lewis, piano.
probably WMGM Radio Station, NYC, January 6, 1939
| tk.1 (486A-1) | The Blues, Part 1
|
| tk.2 (486A-2) | The Blues, Part 2
|
| tk.3 (486A-3) | The Blues, Part 3
|
| tk.4 (486A-4) | The Blues, Part 4
|
** same contents as Blue Note 8 + 9.
Blue Note 78 rpm Album series (10 inch 78 rpm Album)
John Hardee, tenor sax; Sammy Benskin, piano; Tiny Grimes, guitar; John Simmons, bass; Sidney Catlett, drums.
WOR Studios, NYC, February 28, 1946
| BN282-0 | Hardee's Partee
|
| BN283-5 | Idaho
|
John Hardee, tenor sax; Bill Bivens, vibes; Sammy Benskin, piano; Jimmy Shirley, guitar; Eugene Ramey, bass; Sidney Catlett, drums.
WOR Studios, NYC, May 31, 1946
| BN284-1 | What Is This Thing Called Love
|
| BN285-1 | Nervous From The Service
|
| BN286-4 | River Edge Rock
|
| BN287-0 | Sweet And Lovely
|
** same contents as Blue Note 514 + 520 + 521.
Jonah Jones, trumpet; Tyree Glenn, trombone; Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Oscar Pettiford, bass; J.C. Heard, drums.
WOR Studios, NYC, September 25, 1944
| BN989-0 | Hard Tack
|
| BN990-1 | If I Had You
|
Ike Quebec, tenor sax; Dave Rivera, piano; Napoleon Allen, guitar; Milton Hinton, bass; J.C. Heard, drums.
WOR Studios, NYC, April 10, 1945
| BN234-1 | Dolores
|
| BN236-3 | Sweethearts On Parade
|
Buck Clayton, trumpet; "Keg" Johnson, trombone; Ike Quebec, tenor sax; Roger Ramirez, piano; Tiny Grimes, guitar; Grachan Moncur, bass; J.C. Heard, drums.
WOR Studios, NYC, July 17, 1945
| BN248-1 | Topsy
|
| BN249-0 | Cup-Mute Clayton
|
** same contents as Blue Note 510 + 515 + 516.
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax, clarinet; Art Hodes, piano; George "Pops" Foster, bass; Fred Moore, drums, vocals.
WOR Studios, NYC, October 12, 1945
| BN262-1 | Save It Pretty Mama
|
| BN263-1 | Way Down Yonder In New Orleans
|
| BN264-1 | Memphis Blues
|
| BN265-0 | Shine
|
| BN266-1 | St. James Infirmary
|
| BN267-0 | Darktown Strutters' Ball
|
** same contents as Blue Note 531 + 532 + 533.
Max Kaminsky, trumpet; George Lugg, trombone; Bujie Centobie, clarinet; Art Hodes, piano; Chick Robertson, guitar; Jack Lesberg, bass; Danny Alvin, drums.
WOR Studios, NYC, May 17, 1945
| BN237-1 | Chicago Gal
|
| BN238-3 | I Never Knew What A Gal Could Do
|
| BN239-1 | Mr. Jelly Lord
|
same personnel.
WOR Studios, NYC, May 23, 1945
| BN241-0 | Wolverine Blues
|
| BN244-2 | Willie The Weeper
|
| BN245-0 | Bujie
|
** same contents as Blue Note 550 + 551 + 552.
"Wild Bill" Davison, cornet; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Fred Moore, drums.
WOR Studios, NYC, January 21, 1949
| BN349-2 | Tiger Rag
|
| BN350-0 | Tin Roof Blues
|
| BN353-1 | When The Saints Go Marching In
|
"Wild Bill" Davison, cornet; Ray Diehl, trombone; Sidney Bechet, soprano sax; Art Hodes, piano; Walter Page, bass; Wilmore "Slick" Jones, drums.
WOR Studios, NYC, March 23, 1949
| BN354-0 | Basin Street Blues
|
| BN355-1 | Cake Walking Babies
|
| BN357-2 | At The Jazz Band Ball
|
** same contents as Blue Note 561 + 562 + 563.
Blue Note 1500 series (10 inch 78 rpm)
Milton Jackson, vibes; Thelonious Monk, piano; John Simmons, bass; Shadow Wilson, drums.
Apex Studios, NYC, July 2, 1948
Fats Navarro, trumpet; Allen Eager, Wardell Gray, tenor sax; Tadd Dameron, piano; Curley Russell, bass; Kenny Clarke, drums.
Apex Studios, NYC, September 13, 1948
George Taitt, trumpet; Edmund Gregory, alto sax; Thelonious Monk, piano; Robert Paige, bass; Art Blakey, drums.
WOR Studios, NYC, November 21, 1947
| BN319-0 | Monk's Mood
|
| BN320-0 | Who Knows
|
Bud Powell, piano; Tommy Potter, bass; Roy Haynes, drums.
WOR Studios, NYC, August 9, 1949
| BN364-0 | You Go To My Head
|
| BN365-0 | Ornithology
|
Fats Navarro, trumpet; Sonny Rollins, tenor sax; Bud Powell, piano; Tommy Potter, bass; Roy Haynes, drums.
WOR Studios, NYC, August 9, 1949
| BN360-2 | Bouncing With Bud
|
| BN361-3 | Wail
|
Fats Navarro, trumpet; Sonny Rollins, tenor sax; Bud Powell, piano; Tommy Potter, bass; Roy Haynes, drums.: same session.
WOR Studios, NYC, August 9, 1949
| BN362-1 | Dance Of The Infidels
|
| BN363-1 | 52nd St. Theme
|
Kenny Dorham, trumpet; James Moody, tenor sax; Al Haig, piano; Tommy Potter, bass; Max Roach, drums.
Studio Technisonor, Paris, France, May 15, 1949
** previously released on Vogue (F) V 5009.
James Moody, tenor sax; Art Simmons, piano; Alvin "Buddy" Banks, bass; Clarence Terry, drums; Al Edwards, vocals.
Lausanne, Switzerland, April 30, 1949
Kenny Dorham, trumpet; James Moody, tenor sax; Al Haig, piano; Tommy Potter, bass; Max Roach, drums.
Studio Technisonor, Paris, France, May 15, 1949
Kenny Dorham, trumpet; James Moody, tenor sax; Al Haig, piano; Tommy Potter, bass; Max Roach, drums.: same session.
Studio Technisonor, Paris, France, May 15, 1949
| ST3012 | Tomorrow (aka Yesterdays)
|
** previously released on Vogue (F) V 5011.
Howard McGhee, trumpet; Jay Jay Johnson, trombone; Brew Moore, tenor sax; Kenny Drew, piano; Curley Russell, bass; Max Roach, drums.
WOR Studios, NYC, January 23, 1950
| BN371-1 | Fuguetta
|
| BN375-1 | I'll Remember April
|
Howard McGhee, trumpet; Jay Jay Johnson, trombone; Brew Moore, tenor sax; Kenny Drew, piano; Curley Russell, bass; Max Roach, drums.: same session.
WOR Studios, NYC, January 23, 1950
| BN372-0 | Fluid Drive
|
| BN374-0 | Donnellon Square
|
Howard McGhee, trumpet; Jay Jay Johnson, trombone; Brew Moore, tenor sax; Kenny Drew, piano; Curley Russell, bass; Max Roach, drums.: same session.
WOR Studios, NYC, January 23, 1950
| BN370-2 | Lo-Flame
|
| BN373-0 | Meciendo
|
Thelonious Monk, piano; Eugene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 24, 1947
| BN312-1 | Nice Work
|
| BN315-1 | April In Paris
|
Bud Powell, piano; Curly Russell, bass #2; Max Roach, drums #2.
WOR Studios, NYC, May 1, 1951
| 1. BN383-0 | Over The Rainbow
|
| 2. BN384-0 | A Night In Tunisia
|
Bud Powell, piano; Curly Russell, bass #1; Max Roach, drums #1.
WOR Studios, NYC, May 1, 1951
| 1. BN382-4 | Un Poco Loco
|
| 2. BN385-1 | It Could Happen To You
|
Wynton Kelly, piano; Oscar Pettiford, bass; Lee Abrams, drums.
WOR Studios, NYC, July 25, 1951
| BN403-1 | Born To Be Blue
|
| BN404-0 | Where Or When
|
Wynton Kelly, piano; Franklin Skeete, bass #1; Oscar Pettiford, bass #2; Lee Abrams, drums.
WOR Studios, NYC, July 25, 1951
| 1. BN402-1 | Cherokee
|
| 2. BN405-0 | Moonglow
|
Wynton Kelly, piano; Franklin Skeete, bass; Lee Abrams, conga drums.
WOR Studios, NYC, August 1, 1951
| BN412-1 | Summertime
|
| BN414-1 | Crazy, He Calls Me
|
Wynton Kelly, piano; Oscar Pettiford, bass; Lee Abrams, drums.
WOR Studios, NYC, July 25, 1951
Wynton Kelly, piano; Franklin Skeete, bass; Lee Abrams, conga drums.
WOR Studios, NYC, August 1, 1951
| BN408-0 | Goodbye (78 rpm version)
|
Rene Reumont, French horn; Max Porret, flute; Robert Jeannoutot, oboe; Henri Bellicourt, clarinet, bass clarinet; James Moody, tenor, alto sax; Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir, violin; Robert Jadoux, Guy Rogne, cello; Bernard Galais, harp; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums; Pepito Riebe, bongos; Andre Hodeir, arranger, conductor.
Paris, France, July 13, 1951
| V4057 | Autumn Leaves
|
| V4060 | Shade Of Blond
|
** previously released on Vogue (F) V 3024.
Rene Reumont, French horn; Max Porret, flute; Robert Jeannoutot, oboe; Henri Bellicourt, clarinet, bass clarinet; James Moody, tenor, alto sax; Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir, violin; Robert Jadoux, Guy Rogne, cello; Bernard Galais, harp; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums; Pepito Riebe, bongos; Andre Hodeir, arranger, conductor.: same session.
Paris, France, July 13, 1951
| V4058 | So Very Pretty
|
| V4062 | September Serenade
|
** previously released on Vogue (F) V 3025.
Rene Reumont, French horn; Max Porret, flute; Robert Jeannoutot, oboe; Henri Bellicourt, clarinet, bass clarinet; James Moody, tenor, alto sax; Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir, violin; Robert Jadoux, Guy Rogne, cello; Bernard Galais, harp; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums; Pepito Riebe, bongos; Andre Hodeir, arranger, conductor.: same session.
Paris, France, July 13, 1951
| V4056 | Bedelia
|
| V4061 | Jackie My Little Cat
|
** previously released on Vogue (F) V 3022.
Rene Reumont, French horn; Max Porret, flute; Robert Jeannoutot, oboe; Henri Bellicourt, clarinet, bass clarinet; James Moody, tenor, alto sax; Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir, violin; Robert Jadoux, Guy Rogne, cello; Bernard Galais, harp; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums; Pepito Riebe, bongos; Andre Hodeir, arranger, conductor.: same session.
Paris, France, July 13, 1951
| V4055 | Loving You The Way I Do
|
| V4059 | Singing For You
|
** previously released on Vogue (F) V 3023.
Sahib Shihab, alto sax; Milt Jackson, vibes; Thelonious Monk, piano; Al McKibbon, bass; Art Blakey, drums.
WOR Studios, NYC, July 23, 1951
| BN392-1 | Four In One
|
| BN395-0 | Straight No Chaser
|
Sahib Shihab, alto sax; Milt Jackson, vibes; Thelonious Monk, piano; Al McKibbon, bass; Art Blakey, drums.: same session.
WOR Studios, NYC, July 23, 1951
| BN393-0 | Criss-Cross
|
| BN394-0 | Eronel
|
Milt Jackson, vibes #2; Thelonious Monk, piano; Al McKibbon, bass; Art Blakey, drums.
WOR Studios, NYC, July 23, 1951
| 1. BN396-1 | Ask Me Now
|
| 2. BN397-0 | Willow Weep For Me
|
Lou Donaldson, alto sax #1; Milt Jackson, vibes; John Lewis, piano; Percy Heath, bass; Kenny Clarke, drums.
WOR Studios, NYC, April 7, 1952
| 1. BN422-0 tk.1 | Tahiti
|
| 2. BN425-3 tk.12 | What's New
|
Lou Donaldson, alto sax #2; Milt Jackson, vibes; John Lewis, piano; Percy Heath, bass; Kenny Clarke, drums.
WOR Studios, NYC, April 7, 1952
| 1. BN423-1 tk.4 | Lillie
|
| 2. BN424-2 tk.8 | Bags' Groove
|
Lou Donaldson, alto sax; Milt Jackson, vibes; John Lewis, piano; Percy Heath, bass; Kenny Clarke, drums.
WOR Studios, NYC, April 7, 1952
| BN426-0 tk.14 | Don't Get Around Much Anymore
|
| BN427-0 tk.16 | On The Scene
|
Miles Davis, trumpet; Jay Jay Johnson, trombone; Jackie McLean, alto sax; "Gil" Coggins, piano; Oscar Pettiford, bass; Kenny Clarke, drums.
WOR Studios, NYC, May 9, 1952
| BN428-1 tk.2 | Dear Old Stockholm
|
| BN431-3 tk.13 | Would'n You
|
Miles Davis, trumpet; Jay Jay Johnson, trombone #1; Jackie McLean, alto sax #1; "Gil" Coggins, piano; Oscar Pettiford, bass; Kenny Clarke, drums.
WOR Studios, NYC, May 9, 1952
| 1. BN429-3 tk.6 | Chance It
|
| 2. BN432-0 tk.14 | Yesterdays
|
Fats Navarro, trumpet; Ernie Henry, alto sax; Charlie Rouse, tenor sax; Tadd Dameron, piano; Nelson Boyd, bass; Shadow Wilson, drums.
WOR Studios, NYC, September 26, 1947
Miles Davis, trumpet; Jay Jay Johnson, trombone; Jackie McLean, alto sax; "Gil" Coggins, piano; Oscar Pettiford, bass; Kenny Clarke, drums.
WOR Studios, NYC, May 9, 1952
Lou Donaldson, alto sax; Horace Silver, piano; Gene Ramey, bass; Arthur Taylor, drums.
WOR Studios, NYC, June 20, 1952
| BN440-1 tk.2 | Roccus
|
| BN442-4 tk.11 | Cheek To Cheek
|
Lou Donaldson, alto sax; Horace Silver, piano; Gene Ramey, bass; Arthur Taylor, drums.: same session.
WOR Studios, NYC, June 20, 1952
| BN443-1 tk.9 | Lou's Blues
|
| BN441-2 tk.12 | Things We Did Last Summer
|
Vic Dickenson, trombone; Bill Doggett, organ; John Collins, guitar; Jo Jones, drums.
WOR Studios, NYC, June 24, 1952
| BN444-2 tk.3 | Tenderly
|
| BN446-3 tk.9 | Lion's Den
|
Blue Note 1600 series (10 inch 78 rpm)
Vic Dickenson, trombone; Bill Doggett, organ; John Collins, guitar; Jo Jones, drums.
WOR Studios, NYC, June 24, 1952
| BN445-1 tk.5 | (I'm) Gettin' Sentimental (Over You)
|
| BN447-2 tk.14 | In A Mellow Tone
|
Kenny Dorham, trumpet; Lou Donaldson, alto sax; Lucky Thompson, tenor sax; Thelonious Monk, piano; Nelson Boyd, bass; Max Roach, drums.
WOR Studios, NYC, May 30, 1952
| BN434-1 tk.2 | Skippy
|
| BN438-0 tk.11 | Let's Cool One
|
Kenny Dorham, trumpet; Lou Donaldson, alto sax; Lucky Thompson, tenor sax; Thelonious Monk, piano; Nelson Boyd, bass; Max Roach, drums.: same session.
WOR Studios, NYC, May 30, 1952
| BN435-3 tk.7 | Hornin' In
|
| BN437-0 tk.10 | Carolina Moon
|
Rolf Ericson, trumpet; Ake Persson, trombone; Putte Wickman, clarinet; Arne Domnerus, alto sax; Carl-Henrik Norin, tenor sax; Lars Gullin, baritone sax; Ulf Linde, vibes; Bengt Hallberg, piano; Sten Carlberg, guitar; Simon Brehm, bass; Jack Noren, drums.
Stockholm, Sweden, September 5, 1951
| 2186 | Cream Of The Crop, Part 1
|
| 2187 | Cream Of The Crop, Part 2
|
** previously released on Cupol (Swd) 9007 entitled "
Jazzkritikerorkestern 1951 - Cream Of The Crop, Part 1 & 2".
Rolf Ericson, trumpet; Ake Persson, trombone; Putte Wickman, clarinet; Arne Domnerus, alto sax; Carl-Henrik Norin, tenor sax; Lars Gullin, baritone sax; Ulf Linde, vibes; Bengt Hallberg, piano; Sten Carlberg, guitar; Simon Brehm, bass; Jack Noren, drums.: same session.
Stockholm, Sweden, September 5, 1951
| 2188 | Summertime
|
| 2189 | Pick Yourself Up
|
** previously released on Cupol (Swd) 9008 entitled "
Favoritsolisterna 1951 - Summertime / Pick Yourself Up".
Eddie Bert, trombone; Gil Melle, tenor sax; Joe Manning, vibes; George Wallington, piano; Red Mitchell, bass; Max Roach, drums; Monica Dell, vocals #2.
Van Gelder Studio, Hackensack, NJ, March 2, 1952
| 1. BN461-3 (tk.4) | Four Moons
|
| 2. BN462-3 (tk.8) | The Gears
|
Eddie Bert, trombone; Gil Melle, tenor sax; Joe Manning, vibes; George Wallington, piano; Red Mitchell, bass; Max Roach, drums; Monica Dell, vocals.
Van Gelder Studio, Hackensack, NJ, March 2, 1952
| BN463-0 (tk.9) | Mars
|
| BN464-0 (tk.10) | Sunset Concerto
|
Horace Silver, piano; Gene Ramey, bass; Art Blakey, drums.
WOR Studios, NYC, October 9, 1952
| BN449-1 tk.5 | Safari
|
| BN450-6 tk.15 | Thou Swell
|
Blue Mitchell, trumpet #2; Lou Donaldson, alto sax; Horace Silver, piano; Percy Heath, bass; Art Blakey, drums.
WOR Studios, NYC, November 19, 1952
| 1. BN457-0 tk.1 | Sweet Juice
|
| 2. BN460-1 tk.10 | The Best Things In Life Are Free
|
Blue Mitchell, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Percy Heath, bass; Art Blakey, drums.
WOR Studios, NYC, November 19, 1952
| BN459-1 tk.8 | Down Home
|
| BN458-5 tk.12 | If I Love Again
|
Kenny Baker, trumpet; Gordon Langhorn, trombone; Henry McKenzie, clarinet; Ronnie Chamberlain, soprano sax; Johnny Dankworth, alto sax; Ronnie Scott, tenor sax; Dave Shand, baritone sax #1; Victor Feldman, vibes; Ralph Sharon, piano; Ivor Mairants, guitar; Charlie Short, bass; Jack Parnell, drums.
London, England, February 3, 1951
| 1. SSS-7-126 | Brand's Essence (as Birdland Bounce)
|
| 2. SSS-7-127 | Marshall's Plan (as Leapin' In London)
|
** previously released on Esquire (E) 10-115 entitled "
Melody Maker All Stars - Brand's Essence / Marshall's Plan".
Jimmy Deuchar, trumpet; Eddie Harvey, trombone; Johnny Dankworth, alto sax; Don Rendell, tenor sax; Bill LeSage, piano; Eric Dawson, bass; Tony Kinsey, drums.
London, England, July 29, 1950
| M-7-116 | Seven Not Out (as Tea For Me)
|
| M-7-117 | Cherokee
|
** previously released on Esquire (E) 10-093 entitled "
Johnny Dankworth - Seven Not Out / Cherokee".
Dizzy Gillespie, trumpet, vocals; Bill Tamper, trombone; Hubert Fol, alto sax; Don Byas, tenor sax; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums.
Schola Cantorum, Paris, France, April 11, 1952
| 52V4225 | BN2002 | Lady Bird (as Dizzy Song)
|
| 52V4229 | BN2001 | Sweet Lorraine
|
Dizzy Gillespie, trumpet, vocals; Don Byas, tenor sax; Arnold Ross, piano; Joe Benjamin, bass; Bill Clark, drums; Umberto Canto, congas.
Studio Jouvenet, Paris, France, March 27, 1952
| 52V4210-1 | BN2003 | Hurry Home
|
| 52V4211-3 | BN2004 | Afro-Paris
|
Dizzy Gillespie, trumpet, vocals; Don Byas, tenor sax; Arnold Ross, piano; Joe Benjamin, bass; Bill Clark, drums; Umberto Canto, congas.: same session.
Studio Jouvenet, Paris, France, March 27, 1952
| 52V4212-1 | BN2008 | Say Eh!
|
Dizzy Gillespie, trumpet, vocals; Bill Tamper, trombone; Hubert Fol, alto sax; Don Byas, tenor sax; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums.
Schola Cantorum, Paris, France, April 11, 1952
| 52V4230 | BN2007 | Everything Happens To Me
|
Dizzy Gillespie, trumpet, vocals; Bill Tamper, trombone; Hubert Fol, alto sax; Don Byas, tenor sax; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums.: same session.
Schola Cantorum, Paris, France, April 11, 1952
| 52V4227-1 | BN2006 | She's Funny That Way
|
| 52V4228 | BN2005 | Wrap Your Troubles In Dreams
|
Dizzy Gillespie, trumpet, vocals; Bill Tamper, trombone; Hubert Fol, alto sax; Don Byas, tenor sax; Raymond Fol, piano; Pierre Michelot, bass; Pierre Lemarchand, drums.: same session.
Schola Cantorum, Paris, France, April 11, 1952
| 52V4224 | BN2010 | CCC Blues (as Cripple Crapple Crutch)
|
| 52V4226 | BN2009 | Somebody Loves Me
|
Miles Davis, trumpet; Jay Jay Johnson, trombone; Jimmy Heath, tenor sax; "Gil" Coggins, piano; Percy Heath, bass; Art Blakey, drums.
WOR Studios, NYC, April 20, 1953
| BN478-2 tk.6 | Enigma
|
| BN480-0 tk.10 | Tempus Fugit
|
Miles Davis, trumpet; Jay Jay Johnson, trombone #1; Jimmy Heath, tenor sax #1; "Gil" Coggins, piano; Percy Heath, bass; Art Blakey, drums.
WOR Studios, NYC, April 20, 1953
| 1. BN479-2 tk.9 | Ray's Idea
|
| 2. BN482-0 tk.16 | I Waited For You
|
Miles Davis, trumpet; Jay Jay Johnson, trombone; Jimmy Heath, tenor sax; "Gil" Coggins, piano; Percy Heath, bass; Art Blakey, drums.
WOR Studios, NYC, April 20, 1953
| BN477-2 tk.3 | Kelo
|
| BN481-3 tk.15 | C.T.A.
|
Clifford Brown, trumpet; Jay Jay Johnson, trombone; Jimmy Heath, tenor, baritone sax; John Lewis, piano; Percy Heath, bass; Kenny Clarke, drums.
WOR Studios, NYC, June 22, 1953
| BN503-3 tk.4 | Capri
|
| BN505-0 tk.6 | Turnpike
|
Clifford Brown, trumpet; Lou Donaldson, alto sax; Elmo Hope, piano; Percy Heath, bass; "Philly" Joe Jones, drums.
WOR Studios, NYC, June 9, 1953
| BN492-0 tk.9 | Brownie Speaks
|
| BN494-0 tk.11 | You Go To My Head
|
Clifford Brown, trumpet; Lou Donaldson, alto sax; Elmo Hope, piano; Percy Heath, bass; "Philly" Joe Jones, drums.: same session.
WOR Studios, NYC, June 9, 1953
| BN489-1 tk.2 | Bellarosa
|
| BN491-1 tk.8 | Cookin'
|
Clifford Brown, trumpet; Lou Donaldson, alto sax; Elmo Hope, piano; Percy Heath, bass; "Philly" Joe Jones, drums.: same session.
WOR Studios, NYC, June 9, 1953
| BN490-3 tk.6 | Carvin' The Rock
|
| BN493-0 tk.10 | De-Dah
|
Horace Silver, piano; Percy Heath, bass; Art Blakey, drums.
WOR Studios, NYC, November 23, 1953
| BN534-2 tk.6 | Opus De Funk
|
| BN535-1 tk.9 | Day In, Day Out
|
Art Blakey, drums; "Sabu" Martinez, bongos, congas #1.
WOR Studios, NYC, November 23, 1953
| 1. BN533-0 tk.1 | Message From Kenya
|
| 2. BN536-0 tk.11 | Nothing But The Soul
|
** also released on Blue Note 45-1626.
Doug Mettome, trumpet, baritone horn; Urbie Green, trombone; John Murtaugh, tenor sax; Sam Staff, baritone sax; Jimmy Lyon, piano; Danny Martucci, bass; Jimmy Campbell, drums.
Van Gelder Studio, Hackensack, NJ, December 27, 1953
| BN543-0 (tk.1) | Skylark
|
| BN545-2 (tk.3) | Dansero
|
Bud Powell, piano; George Duvivier, bass; Art Taylor, drums.
WOR Studios, NYC, August 14, 1953
| BN514-1 tk.23 | I Want To Be Happy
|
| BN516-0 tk.27 | The Glass Enclosure
|
Bud Powell, piano; George Duvivier, bass; Art Taylor, drums.: same session.
WOR Studios, NYC, August 14, 1953
| BN511-2 tk.17 | Sure Thing
|
| BN512-2 tk.20 | Collard Greens And Black-Eyed Peas
|
Blue Note 1200 series (10 inch 78 rpm)
Milton Jackson, vibes; Thelonious Monk, piano; John Simmons, bass; Shadow Wilson, drums; Kenny 'Pancho' Hagood, vocals.
Apex Studios, NYC, July 2, 1948
| BN326-3 | All The Things You Are
|
| BN327-2 | I Should Care
|
Clyde Bernhardt, trombone, vocals; Sam Taylor, tenor sax; Dave Small, baritone sax; Earl Knight, piano; Rene Hall, guitar; Eugene Ramey, bass; Gus Johnson, drums.
Carnegie Hall Studio, NYC, October 6, 1949
| BN366 (tk.4) | Crackin' Bread
|
| BN367 (tk.2) | Meet Me On The Corner
|
Clyde Bernhardt, trombone, vocals; Sam Taylor, tenor sax; Dave Small, baritone sax; Earl Knight, piano; Rene Hall, guitar; Eugene Ramey, bass; Gus Johnson, drums.: same session.
Carnegie Hall Studio, NYC, October 6, 1949
| BN368 (tk.3) | Don't Tell It
|
| BN369 (tk.3) | Chattanooga
|
Climax 100 series (12 inch 78 rpm)
Avery "Kid" Howard, trumpet, vocals; Jim Robinson, trombone; George Lewis, clarinet; Lawrence Marrero, banjo; Chester Zardis, bass; Edgar Mosley, drums.
New Orleans, LA, May 16, 1943
| CD105 | Climax Rag
|
| CD123 | Deep Bayou Blues
|
Jim Robinson, trombone; George Lewis, clarinet, flute; Lawrence Marrero, banjo; Jim Little, tuba; Edgar Mosley, drums.
New Orleans, LA, May 15, 1943
Avery "Kid" Howard, trumpet, vocals; Jim Robinson, trombone; George Lewis, clarinet; Lawrence Marrero, banjo; Chester Zardis, bass; Edgar Mosley, drums.
New Orleans, LA, May 16, 1943
Avery "Kid" Howard, trumpet, vocals; Jim Robinson, trombone; George Lewis, clarinet; Lawrence Marrero, banjo; Chester Zardis, bass; Edgar Mosley, drums.: same session.
New Orleans, LA, May 16, 1943
| CD107 | Just A Closer Walk With Thee
|
| CD114 | Just A Little While To Stay Here
|
Avery "Kid" Howard, trumpet, vocals; Jim Robinson, trombone; George Lewis, clarinet; Lawrence Marrero, banjo; Chester Zardis, bass; Edgar Mosley, drums.: same session.
New Orleans, LA, May 16, 1943
| CD113 | Dauphine St. Blues
|
| CD119 | Fidgety Feet
|
Avery "Kid" Howard, trumpet, vocals; Jim Robinson, trombone; George Lewis, clarinet; Lawrence Marrero, banjo; Chester Zardis, bass; Edgar Mosley, drums.: same session.
New Orleans, LA, May 16, 1943
| CD111 | Careless Love Blues (as Careless Love)
|
| CD122 | Don't Go 'Way Nobody
|