Savoy Reissue 2200 series (12 inch LP)
Charlie Parker (alto saxophone) Clyde Hart (piano) Tiny Grimes (guitar, vocals) Jimmy Butts (bass, vocals) Doc West (drums)
WOR Studios, Broadway, NYC, September 15, 1944
| S5710-3 | Tiny's Tempo (orig.-take 3)
|
| S5711-2 | I'll Always Love You Just The Same (take 2)
|
| S5712-5 | Romance Without Finance (take 5)
|
| S5713-2 | Red Cross (orig.-take 2)
|
Miles Davis (trumpet -2/4) Charlie Parker (alto saxophone) Sadik Hakim (piano -4) Dizzy Gillespie (piano -1/3,6, trumpet, piano -5) Curly Russell (bass) Max Roach (drums)
WOR Studios, Broadway, NYC, November 26, 1945
| 1. S5849-1 | Warming Up A Riff (orig.-take 1)
|
| 2. S5850-5 | Billie's Bounce (orig.-take 5)
|
| 3. S5851-4 | Now's The Time (orig.-take 4)
|
| 4. S5852-3 | Thriving On A Riff (orig.-take 3)
|
| 5. S5853-2 | Ko-Ko (orig.-take 2) (Cocoa)
|
| 6. | Meandering (new-take 1)
|
Miles Davis (trumpet) Charlie Parker (alto saxophone) Bud Powell (piano) Tommy Potter (bass) Max Roach (drums)
Harry Smith Studios, NYC, May 8, 1947
| S3420-5 | Donna Lee (orig.-take 3)
|
| S3421-4 | Chasin' The Bird (short-take 4)
|
| S3422-2 | Cheryl (orig.-take 2)
|
| S3423-5 | Buzzy (orig.-take)
|
Miles Davis (trumpet) Charlie Parker (tenor saxophone) John Lewis (piano) Nelson Boyd (bass) Max Roach (drums)
Harry Smith Studios, NYC, August 14, 1947
| S3440-2 | Milestones (new-take 2)
|
| S3441-3 | Little Willie Leaps (orig.-take 3)
|
| S3442-2 | Half Nelson (orig.-take 2)
|
| S3443-2 | Sippin' At Bells (orig.-take 2)
|
Miles Davis (trumpet) Charlie Parker (alto saxophone) Duke Jordan (piano) Tommy Potter (bass) Max Roach (drums)
United Sound Systems, Detroit, MI, December 21, 1947
| D830-3 | Another Hair Do (orig.-take 3)
|
| D831-3 | Bluebird (orig.-take 3)
|
| D832-1 | Klaunstance (orig.-take 1)
|
| D833-3 | Bird Gets The Worm (orig.-take 3)
|
Miles Davis (trumpet -1/3) Charlie Parker (alto saxophone) John Lewis (piano) Curly Russell (bass) Max Roach (drums)
Harry Smith Studios, NYC, September 18, 1948
| 1. B900-4 | Barbados (orig.-take 4)
|
| 2. B901-2 | Ah-Leu-Cha (orig.-take 2)
|
| 3. B902-4 | Constellation (orig.-take 4)
|
| 4. B903-3 | Parker's Mood (orig.-take 3)
|
Miles Davis (trumpet) Charlie Parker (alto saxophone) John Lewis (piano) Curly Russell (bass) Max Roach (drums)
Harry Smith Studios, NYC, September 24, 1948
| B908-7 | Perhaps (orig.-master)
|
| B909-11 | Marmaduke (take 11)
|
| B910-2 | Steeplechase (take 2)
|
| B911-2 | Merry-Go-Round (orig.-take 2)
|
Harry Edison, Al Killian, Ed Lewis, Joe Newman (trumpet) Ted Donnelly, Eli Robinson, Lou Taylor, Dicky Wells (trombone) Jimmy Powell (alto saxophone) Earl Warren (alto saxophone, vocals, arranger) Buddy Tate, Lester Young (tenor saxophone) Rudy Rutherford (baritone saxophone) Clyde Hart (piano) Freddie Green (guitar) Rodney Richardson (bass) Jo Jones (drums) Tadd Dameron, Dick Flanagan, Dixky Wells (arranger)
NYC, April 18, 1944
| S5441-1 | Circus In Rhythm
|
| S5441-2 | -
|
| S5441-3 | -
|
| S5442-1 | Poor Little Plaything
|
| S5442-2 | -
|
| S5443-1 | Tush
|
| S5443-2 | -
|
Billy Butterfield (trumpet) Hank D'Amico (clarinet) Lester Young (tenor saxophone) Johnny Guarnieri (piano) Dexter Hall (guitar) Billy Taylor (bass) Cozy Cole (drums)
| S5446-1 | These Foolish Things
|
| S5447-1 | Exercise In Swing
|
| S5447-2 | -
|
| S5447-3 | -
|
| S5447-4 | -
|
| S5448-1 | Salute To Fats
|
| S5448-2 | -
|
| S5448-3 | -
|
| S5448-4 | -
|
| S5448-5 | -
|
| S5449-1 | Basie English
|
| S5449-2 | -
|
Lester Young (tenor saxophone) Count Basie (piano) Freddie Green (guitar) Rodney Richardson (bass) Shadow Wilson (drums)
NYC, May 1, 1944
| S5454-1 | Blue Lester (Lester's Blues)
|
| S5455-1 | (I Don't Stand) A Ghost Of A Chance
|
| S5455-2 | -
|
| S5456-1 | Indiana
|
| S5456-2 | -
|
| S5457-1 | Jump, Lester, Jump (Lester's Savoy Jump)
|
Jesse Drakes (trumpet) Jerry Elliott (trombone) Lester Young (tenor saxophone) Junior Mance (piano) Leroy Jackson (bass) Roy Haynes (drums)
NYC, June 28, 1949
| S5240-1 | Crazy Over J.Z.
|
| S5240-2 | -
|
| S5240-3 | -
|
| S5241-1 | Ding Dong
|
| S5241-2 | -
|
| S5241-3 | -
|
| S5242-1 | Blue' N' Bells
|
| S5242-2 | -
|
| S5242-3 | -
|
| S5243-1 | June Bug (Lester Digs)
|
Wilbur Harden (flugelhorn) John Coltrane (tenor saxophone) Tommy Flanagan (piano) Doug Watkins (bass) Louis Hayes (drums)
Rudy Van Gelder Studio, Hackensack, NJ, March 13, 1958
| Wells Fargo
|
| Wells Fargo (alt. take)
|
| West 42nd Street
|
| E.F.F.P.H.
|
| Snuffy
|
| Rhodomagnetics
|
| Rhodomagnetics (alt. take)
|
| Countdown
|
| Countdown (alt. take)
|
Lucky Thompson (tenor saxophone) Milt Jackson (vibraphone) Wade Legge (piano) Wendell Marshall (bass) Kenny Clarke (drums)
NYC, January 5, 1956
| 69116 | Come Rain Or Come Shine
|
| 69117 | They Can't Take That Away From Me
|
| 69118 | Wild Man
|
| 69119 | Soulful
|
| 69120 | Fred's Mood
|
| 69121 | Flamingo
|
Hank Jones (piano) replaces Legge
NYC, January 23, 1956
| 69122 | Lover
|
| 69123 | Can't Help Lovin' Dat Man
|
| 69124 | The Lady Is A Tramp
|
| 69125 | Angel Face
|
| 69126 | Sometimes I'm Happy
|
| 69127 | What's New
|
| 69128 | Now's The Time
|
| 69129 | In A Sentimental Mood
|
| 69130 | Mood Indigo
|
| 69131 | Azure
|
| 69132 | Minor Conception
|
| 69133 | Soul In 3/4
|
Curtis Fuller (trombone, tambourine) Yusef Lateef (tenor saxophone, flute, argol, scraper) Hugh Lawson (piano) Ernie Farrow (bass, rabat) Louis Hayes (drums) Doug Watkins (finger cymbals, percussion)
NYC, April 5, 1957
| SYL70005 | Beauregard
|
| SYL70006 | O' Blues
|
| SYL70007 | Happyology
|
| SYL70008 | Midday
|
| SYL70009 | Polarity
|
| SYL70010 | Ameena
|
| SYL70011 | Space
|
same personnel
NYC, April 9, 1957
| SYL70012 | Metaphore
|
| SYL70013 | Morning
|
| SYL70014 | The Beginning
|
| SYL70015 | G' Bouk
|
| SYL70016 | Blues In Space
|
| SYL70017 | Yusef's Mood
|
Nat Adderley (cornet -1,2,4/6) Donald Byrd (trumpet -1,2,4,5) Cannonball Adderley (alto saxophone) Jerome Richardson (tenor saxophone, flute -1,4/6) Horace Silver (piano) Paul Chambers (bass) Kenny Clarke (drums)
NYC, June 28, 1955
| 1. SKC6981 | With Apologies To Oscar
|
| 2. SKC6982 | Hear Me Takin' To Ya
|
| 3. SKC6983 | Willow Weep For Me
|
| 4. SKC6984 | Bohemia After Dark
|
| 5. SKC6985 | Chasm
|
| 6. SKC6986 | Late Entry
|
Nat Adderley (cornet -1/4) Cannonball Adderley (alto saxophone) Hank Jones (piano) Paul Chambers (bass) Kenny Clarke (drums)
NYC, July 14, 1955
| 1. SJA6987 | Spontaneous Combustion
|
| 2. SJA6988 | Still Talkin' To Ya
|
| 3. SJA6989 | A Little Taste
|
| 4. SJA6990 | Caribbean Cutie
|
| 5. SJA6992 | Flamingo
|
Erroll Garner (piano) John Levy (bass) George De Hart (drums)
NYC, September 25, 1945
| S5837 | Laura
|
| S5838 | Stardust
|
| S5839 | Somebody Loves Me
|
| S5840 | Back Home Again In Indiana
|
Erroll Garner (piano) John Simmons (bass) Alvin Stoller (drums)
Los Angeles, CA, March 29, 1949
| B4400 | I Cover The Waterfront
|
| B4401 | It's Easy To Remember
|
| B4402 | Penthouse Serenade
|
| B4403 | Love Walked In
|
| B4405 | Body And Soul
|
| B4407 | I Don't Stand A Ghost Of A Chance
|
| B4408 | Stompin' At The Savoy
|
| B4411 | Goodbye
|
| B4415 | I Can't Believe That You're In Love With Me
|
| B4416 | More Than You Know
|
| B4417 | Undecided
|
| B4418 | Red Sails In The Sunset
|
| B4419 | All Of Me
|
| B4420 | Over The Rainbow
|
| BOP210 | I Surrender, Dear
|
same personnel
Los Angeles, CA, circa summer 1949
| B4522 | This Can't Be Love
|
| B4523 | The Man I Love
|
| B4524 | Moonglow
|
| B4525 | I Want A Little Girl
|
| B4526 | She's Funny That Way
|
| B4527 | Until The Real Thing Comes Along
|
| B4528 | Confessin'
|
| B4529 | Stormy Weather
|
Ben Webster (tenor saxophone) Johnny Guarnieri (piano) Oscar Pettiford (bass) David Booth (drums)
NYC, April 17, 1944
| S5436-1 | Honeysuckle Rose
|
| S5437-2 | I Surrender, Dear
|
| S5438-1 | Blue Skies
|
Hot Lips Page (trumpet, vocals) Floyd "Horsecollar" Williams (alto, tenor saxophone) Don Byas, George Johnson (tenor saxophone) Clyde Hart (piano) John Simmons (bass) Sidney Catlett (drums)
NYC, June 14, 1944
| S5462 | Dance Of The Tambourine
|
| S5463-6 | Uncle Sam's Blues
|
| S5465 | I Keep Rollin' On
|
Emmett Berry (trumpet) Walter "Foots" Thomas (tenor saxophone) Reuben "June" Cole (piano) Harold Underhill (guitar) Billy Taylor (bass) Cozy Cole (drums) Viola Wells (vocals)
NYC, July 6, 1944
| S5475 | Bye Bye Baby
|
| S5476 | My Lucky Day
|
| S5477 | Hey Lawdy Mama
|
| S5478 | Groovin' The Blues
|
Pete Brown (alto saxophone) Kenny Watts (piano) Al Casey (guitar) Al Matthews (bass) Eddie Nicholson (drums)
NYC, July 11, 1944
| S5480 | Ooh Wee
|
| S5481 | Bellevue For You
|
| S5482 | Pete Brown's Boogie
|
| S5483 | Moppin' The Blues
|
Jesse Brown, Joe Keyes (trumpet) Hot Lips Page (trumpet, vocals) Vic Dickenson (trombone) Earl Bostic, Floyd "Horsecollar" Williams (alto saxophone) Don Byas, Ike Quebec (tenor saxophone) Clyde Hart (piano, celeste) Tiny Grimes (guitar) Al Lucas (bass) Jack Parker (drums)
NYC, September 12, 1944
| S5706 | I Got What It Takes
|
| S5707 | Good For Stompin'
|
| S5708 | Lips Blues (Double Trouble Blues)
|
| S5709 | Blooey
|
Charlie Parker (alto saxophone) Clyde Hart (piano) Tiny Grimes (guitar, vocals) Jimmy Butts (bass, vocals) Doc West (drums)
WOR Studios, Broadway, NYC, September 15, 1944
| S5711-1 | I'll Always Love You Just The Same (take 1)
|
| S5712-1 | Romance Without Finance (take 1)
|
Shad Collins, Frank Newton (trumpet) Tyree Glenn (trombone) Earl Bostic (alto saxophone) Don Byas (tenor saxophone) Ernie Caceres (baritone saxophone) Red Norvo (vibraphone) Teddy Wilson (piano) Remo Palmieri (guitar) Slam Stewart (bass) Cozy Cole (drums) Buck Ram (leader)
NYC, September 18, 1944
| S5714 | Twilight In Teheran
|
| S5715 | Morning Mist
|
| S5716 | Swing Street
|
| S5717 | Ram Session
|
Joe Springer (piano) Tiny Grimes (guitar) Bass Robinson (bass) Doc West (drums)
NYC, November 3, 1944
| S5735 | Groovin' With Grimes
|
"Little" Benny Harris (trumpet) Herbie Fields (alto, tenor saxophone) Budd Johnson (tenor saxophone) Clyde Hart (piano) Chuck Wayne (guitar) Oscar Pettiford (bass) Denzil Best (drums) Joe Gregory (vocals)
NYC, December 19, 1944
| S5768 | Smack That Mess
|
| S5769 | Dee Dee's Dance
|
| S5770 | Little Benny (King Kong)
|
| S5771 | Shoot The Arrow To Me Cupid
|
Herbie Fields (tenor saxophone) Lionel Hampton (piano) Al Casey (guitar) Slam Stewart (bass)
NYC, May 4, 1945
| S5813 | Run Down
|
| S5814 | Nuts To Notes
|
Dizzy Gillespie (trumpet) John Coltrane (alto, tenor saxophone) Milt Jackson (vibraphone, piano) Kenny Burrell (guitar) Percy Heath (bass) Carl "Kansas" Fields (drums) Freddy Strong (vocals)
Detroit, MI, March 1, 1951
| 4010 | We Love To Boogie
|
| 4015 | Tin Tin Deo
|
| 4020 | Birks' Works
|
Dizzy Gillespie (trumpet) J.J. Johnson (trombone) Budd Johnson (tenor saxophone) Milt Jackson (vibraphone, piano) Percy Heath (bass) Art Blakey (drums) Joe Carroll, Melvin Moore (vocals)
NYC, April 16, 1951
| 3636 | Lady Be Good
|
| 3637 | Love Me Pretty Baby
|
| 3638 | The Champ, Pt. 1&2
|
Dizzy Gillespie (trumpet, vocals) Bill Graham (alto, baritone saxophone) Milt Jackson (vibraphone, piano) Percy Heath (bass) Al Jones (drums) Joe Carroll, Melvin Moore (vocals)
NYC, August 16, 1951
| 1206 | I'm In A Mess
|
| 1210 | School Days
|
| 1500 | Swing Low, Sweet Cadillac
|
| Bopsie's Blues
|
| Bopsie's Blues (alt. take)
|
| I Couldn't Beat The Rap
|
Dizzy Gillespie (trumpet) Bill Graham (alto, baritone saxophone) Milt Jackson (vibraphone, piano, organ, vocals) Stuff Smith (violin) Percy Heath (bass) Al Jones (drums) Joe Carroll (vocals)
NYC, October 25, 1951
| 2300 | Caravan
|
| - | Caravan (alt. take)
|
| 2301 | Nobody Knows The Trouble (I've Seen)
|
| 2302 | The Bluest Blues
|
| 2303 | On The Sunny Side Of The Street
|
| 2304 | Stardust
|
| 2305 | Time On My Hands
|
Dizzy Gillespie (trumpet, vocals) Bill Graham (alto, baritone saxophone) Wynton Kelly (piano) Bernie Griggs (bass) Al Jones (drums) Joe Carroll (vocals)
Chicago, IL, July 18, 1952
| 2306 | Blue Skies
|
| 2307 | Umbrella Man
|
| 2308 | Pop's Confessin'
|
| 2309 | Oo-Shoo-Bee-Doo-Bee
|
| 2310 | They Can't Take That Away From Me
|
Allen Eager (tenor saxophone) Ed Finckel (piano) Bob Carter (bass) Max Roach (drums)
NYC, March 22, 1946
| S59000 | Rampage
|
| S59001 | Vot's Dot
|
| S59002 | Bo By Hatch
|
| S59003 | Symphony Sid's Idea (Zadah)
|
Red Rodney (trumpet) Earl Swope (trombone) Serge Chaloff (baritone saxophone) George Wallington (piano) Curly Russell (bass) Tiny Kahn (drums)
NYC, March 5, 1947
| S3412 | Pumpernickel (alt. take)
|
| - | Pumpernickel
|
| S3413 | Gabardine And Serge (alt. take)
|
| - | Gabardine And Serge
|
| S3414 | Serge's Urge (alt. take)
|
| - | Serge's Urge
|
| S3415 | A Bar A Second (alt. take)
|
| - | A Bar A Second
|
Allen Eager (tenor saxophone) Terry Gibbs (vibraphone) Duke Jordan (piano) Curly Russell (bass) Max Roach (drums)
NYC, July 15, 1947
| S3432 | All Night, All Frantic
|
| S3433 | Donald Jay
|
| S3434 | Meeskite
|
| S3435 | And That's For Sure
|
Brew Moore (tenor saxophone) Gene DiNovi (piano) Jimmy Johnson (bass) Stan Levey (drums)
NYC, October 22, 1948
| S3913 | Brew Blew
|
| - | Brew Blew (alt. take)
|
| S3914 | Blue Brew
|
| - | Blue Brew (alt. take)
|
| - | -
|
| S3915 | No More Brew
|
| S3916 | More Brew
|
| - | More Brew (alt. take)
|
Earl Swope (trombone) Stan Getz, Zoot Sims (tenor saxophone) Al Cohn (tenor saxophone, arranger) Duke Jordan (piano) Jimmy Raney (guitar) Mert Oliver (bass) Charlie Perry (drums)
NYC, May 2, 1949
| S36-126 | Stan Getz Along (alt. take)
|
| S36-127 | Stan's Mood (alt. take)
|
| S36-128 | Slow (alt. take)
|
| S36-129 | Fast (alt. take)
|
Al Cohn (tenor saxophone) George Wallington (piano) Tommy Potter (bass) Tiny Kahn (drums)
NYC, July 29, 1950
| Groovin' With Gus (alt. take)
|
| Infinity (alt. take)
|
| Let's Get Away From It All (alt. take)
|
Dexter Gordon (tenor saxophone) Sadik Hakim (piano) Gene Ramey (bass) Eddie Nicholson (drums)
NYC, October 30, 1945
| D5841-2 | Blow Mr. Dexter (alt. take)
|
| D5841-3 | Blow Mr. Dexter
|
| D5842 | Dexter's Deck
|
| D5843 | Dexter's Cuttin' Out
|
| D5844 | Dexter's Minor Mad
|
Benny Harris (trumpet) Don Byas (tenor saxophone) Jimmy Jones (piano) John Levy (bass) Fred Radcliffe (drums)
NYC, November 26, 1945
| S5845 | Candy
|
| S5846 | How High The Moon
|
| S5847 | Don By
|
| S5848 | Byas-A-Drink
|
Leonard Hawkins (trumpet -1/3,6,7) Dexter Gordon (tenor saxophone) Bud Powell (piano) Curly Russell (bass) Max Roach (drums)
NYC, January 29, 1946
| 1. S5878-1 | Long Tall Dexter (alt. take)
|
| 2. S5878-2 | Long Tall Dexter
|
| 3. S5879-1 | Dexter Rides Again
|
| 4. S5880-3 | I Can't Escape From You (alt. take)
|
| 5. S5880-7 | I Can't Escape From You
|
| 6. S5881-2 | Dexter Digs In (alt. take)
|
| 7. S5881-3 | Dexter Digs In
|
Howard McGhee (trumpet) Trummy Young (trombone) Sonny Criss (alto saxophone) Dexter Gordon (tenor saxophone) Hampton Hawes (piano) Barney Kessel (guitar) Red Callender (bass) Roy Porter (drums)
"Elks Auditorium", Los Angeles, CA, July 6, 1947
| BOP54 | Bop After Hours, Pt. 1 (After Hours Bop)
|
| BOP55 | Bop After Hours, Pt. 2 (After Hours Bop)
|
| BOP56 | Bop After Hours, Pt. 3 (After Hours Bop)
|
| BOP57 | Bop After Hours, Pt. 4 (After Hours Bop)
|
| BOP58 | Bop After Hours, Pt. 5 (After Hours Bop)
|
| BOP59 | Bop After Hours, Pt. 6 (After Hours Bop)
|
Dexter Gordon (tenor saxophone) Leo Parker (baritone saxophone) Tadd Dameron (piano) Curly Russell (bass) Art Blakey (drums)
NYC, December 11, 1947
| S3491-3 | Settin'n The Pace, Pt. 1
|
| S3492-3 | Settin'n The Pace, Pt. 2
|
| S3493 | So Easy
|
| - | So Easy (alt. take)
|
| S3494 | Dexter's Riff
|
| - | Dexter's Riff (alt. take)
|
Joe Newman (trumpet) J.J. Johnson (trombone) Dexter Gordon (tenor, alto saxophone) Leo Parker (baritone saxophone) Hank Jones (piano) Curly Russell (bass) Shadow Wilson (drums)
NYC, December 19, 1947
| S3495-1 | Wee Dot
|
| S3495-3 | -
|
| S3497-1 | The Lion Roars
|
| S3497-3 | The Lion Roars (Lion's Roar)
|
Fats Navarro (trumpet -2/4) Dexter Gordon (tenor saxophone) Tadd Dameron (piano) Nelson Boyd (bass) Art Mardigan (drums)
NYC, December 22, 1947
| 1. S3511 | Dexter's Mood
|
| 2. S3512 | Dextrose
|
| 3. S3513 | Index
|
| 4. S3514 | Dextivity
|
Red Norvo (vibraphone) Tal Farlow (guitar) Charles Mingus (bass)
Los Angeles, CA, May 3, 1950
| D305-1 | Swedish Pastry (take 1)
|
| D305-2 | Swedish Pastry (mst. take)
|
| D306 | Cheek To Cheek
|
| D307 | Night And Day
|
| D308 | Time And Tide
|
same personnel
Chicago, IL, October 13, 1950
| D375 | D405 | September Song
|
| D376 | D406 | Move
|
| D377 | D407 | I've Got You Under My Skin
|
| D378 | D409 | I Get A Kick Out Of You
|
| D379 | D408 | I'll Remember April
|
| D380 | D410 | I Can't Believe That You're In Love With Me
|
| D381 | D411 | Little White Lies
|
| D382 | D412 | Have You Met Miss Jones
|
| D383 | D413 | Zing! Went The Strings Of My Heart
|
| Mood Indigo
|
| Prelude To A Kiss
|
| 'Deed I Do
|
same personnel
Los Angeles, CA, April 13, 1951
| D480 | If I Had You
|
| D481-1 | This Can't Be Love (take 1)
|
| D481-2 | This Can't Be Love (take 2)
|
| D481-3 | This Can't Be Love (mst. take)
|
| D482-1 | Godchild (take 1)
|
| D482-2 | Godchild (take 2)
|
| D482-3 | Godchild (mst. take)
|
| D483-3 | I'm Yours
|
Charlie Shavers (trumpet) Don Byas (tenor saxophone) Clyde Hart (piano, celeste) Slam Stewart (bass) Jack "The Bear" Parker (drums)
NYC, July 28, 1944
| S5490 | Riffin' And Jivin'
|
| S5491-1 | Free And Easy
|
| S5491-2 | -
|
| S5492 | Worried And Blue
|
| S5493-1 | Don's Idea
|
| S5493-2 | -
|
Charlie Shavers (trumpet) Rudy Williams (alto saxophone) Don Byas (tenor saxophone) Clyde Hart (piano) Slam Stewart (bass) Jack "The Bear" Parker (drums)
NYC, August 17, 1944
| S5700 | Savoy Jam Party, Pt. 2
|
| S5701 | Savoy Jam Party, Pt. 1
|
| S5702 | Just Can't Make Up My Mind (11944 Stomp)
|
| S5703 | What Do You Want With My Heart
|
Emmett Berry (trumpet) Don Byas (tenor saxophone) Dave Rivera (piano) Milton Hinton (bass) J.C. Heard (drums)
NYC, August 31, 1944
| NSC1 | Sweet And Lovely
|
| NSC2 | White Rose Kick
|
| NSC3 | My Deep Blue Dream
|
| NSC4 | Byas'd Opinion
|
Don Byas (tenor saxophone) Teddy Brannon (piano) Frank Skeete (bass) Fred Radcliffe (drums)
NYC, May 17, 1946
| S59048 | I Don't Know Why
|
| S59049 | London Donnie
|
| S59050 | Old Folks
|
| S59051 | Cherokee
|
| S59052 | September In The Rain
|
Don Byas (tenor saxophone) Sanford Gold (piano) Leonard Gaskin (bass) Max Roach (drums)
NYC, August 21, 1946
| S3329 | Living My Life For You
|
| S3330 | To Each His Own
|
| S3331A | They Say It's Wonderful
|
| S3332A | Cynthia's In Love
|
| S3333A | September Song
|
| S3334A | St. Louis Blues
|
| S3335 | I've Found A New Baby
|
| S3336 | Marie
|
Gail Brockman, Boonie Hazel, Shorty McConnell, Fats Navarro (trumpet) Joe Taswell Baird, Chippy Outcalt, Howard Scott (trombone) Gerald "Gerry" Valentine (trombone, arranger) Budd Johnson, Sonny Stitt (alto saxophone) Gene Ammons, Dexter Gordon (tenor saxophone) Leo Parker (baritone saxophone) John Malachi (piano) Connie Wainwright (guitar) Tommy Potter (bass) Art Blakey (drums) Billy Eckstine (vocals, valve trombone, conductor)
NYC, May 2, 1945
| NSC53-1 | Lonesome Lover Blues
|
| NSC54-3 | A Cottage For Sale
|
| NSC55-2 | I Love The Rhythm In A Riff
|
| NSC56 | Last Night (And Now Tonight Again)
|
Boonie Hazel, Shorty McConnell, Fats Navarro, Raymond Orr (trumpet) Walter Knox, Chippy Outcalt, Howard Scott, Gerald Valentine (trombone) John Cobbs, Budd Johnson (alto saxophone) Gene Ammons, Arthur Simmons (tenor saxophone) Teddy Cypron (baritone saxophone) Richard "Duke" Ellington (piano) Connie Wainwright (guitar) Tommy Potter (bass) Art Blakey (drums) Billy Eckstine (vocals)
NYC, September, 1945
| NSC62 | Prisoner Of Love
|
| NSC64 | It Ain't Like That
|
same personnel
NYC, October, 1945
| NSC69 | I'm In The Mood For Love
|
| NSC70 | You Call It Madness
|
| NSC71 | All I Sing Is Blues
|
| NSC72 | Long, Long Journey
|
Kenny Dorham, Boonie Hazel, Shorty McConnell, Raymond Orr (trumpet) Chippy Outcalt, Robert Scott, Gerald Valentine (trombone) Norris Turney, Bob "Junior" Williams (alto saxophone) Gene Ammons, Arthur Simmons (tenor saxophone) Tate Houston (baritone saxophone) possibly Richard Ellington (piano) Connie Wainwright (guitar) Bill McMahon (bass) Art Blakey (drums) Billy Eckstine (vocals)
NYC, January 3, 1946
| NSC100 | I Only Have Eyes For You
|
| NSC103 | You're My Everything
|
| NSC105 | The Jitney Man
|
Fats Navarro (trumpet) Josh Jackson (tenor saxophone) Leo Parker (baritone saxophone) possibly Jimmy Golden (piano) replaces Dorham, Simmons, Houston, Ellington
NYC, February, 1946
| NSC114 | Blue
|
| NSC115 | Second Balcony Jump
|
| NSC116 | Gloomy Sunday
|
| NSC117 | Tell Me Pretty Baby
|
same personnel
NYC, March, 1946
| NSC122 | Love Is The Thing
|
| NSC123 | Without A Song
|
| NSC124 | Cool Breeze
|
| NSC125 | Don't Take Your Love From Me
|
Miles Davis, Hobart Dotson, Leonard Hawkins, King Kolax (trumpet) Water Knox, Chippy Outcalt, Gerald Velentine (trombone) John Cobbs, Sonny Stitt (alto saxophone) Gene Ammons, Arthur Sammons (tenor saxophone) Cecil Payne (baritone saxophone) Linton Garner (piano) Connie Wainwright (guitar) Tommy Potter (bass) Art Blakey (drums) Billy Eckstine (vocals, valve trombone)
Radio Recorders, Hollywood, CA, October 5, 1946
| NSC164 | Oo Bop Sh' Bam
|
| - | Oo Bop Sh' Bam (alt. take)
|
| NSC166 | In The Still Of The Night
|
| NSC167 | Jelly Jelly
|
add unidentified strings
Radio Recorders, Hollywood, CA, October 6, 1946
| NSC168 | My Silent Love
|
| NSC169 | Time On My Hands
|
| NSC170 | All The Things You Are
|
| NSC171 | In A Sentimental Mood
|
Ray Linn (trumpet) Gerald Vlentine (trombone) Sonny Criss (alto saxophone) Wardell Gray (tenor saxophone) Warren Bracken (piano) unknown (guitar) Shifty Henry (bass) Tim Kennedy (drums) Billy Eckstine (vocals, valve trombone)
Los Angeles, CA, April 21, 1947
| NSC260 | She's Got The Blues For Sale
|
| NSC262 | Serenade In Blue
|
| NSC263 | In My Solitude
|
| NSC264 | Sophisticated Lady
|
Dodo Marmarosa (piano) Slim Gaillard (guitar, piano, vocals) Bam Brown (bass, vocals) Zutty Singleton (drums)
Los Angeles, CA, 1945
| BB101-3 | Laguna
|
| BB102-3 | Dunkin' Bagel
|
| BB103-1 | Boogin' At Berg's
|
Al Killian (trumpet) Sonny Criss (alto saxophone) Wardell Gray (tenor saxophone) Russ Freeman (piano) Barney Kessel (guitar) Harry Babasin (bass) Ken Kennedy (drums)
"Elks Auditorium", Los Angeles, CA, July 6, 1947
| BOP30 | Backbreaker, Pt. 1
|
| BOP31 | Backbreaker, Pt. 2
|
| BOP32 | Backbreaker, Pt. 3
|
| BOP33 | Backbreaker, Pt. 4
|
| BOP34 | Backbreaker, Pt. 5
|
| BOP35 | Backbreaker, Pt. 6
|
Art Farmer, James Metlock, Eddie Preston, Bob Ross (trumpet) Danny Horton, Jimmy Knepper, William Willington (trombone) Eric Dolphy, Leroy Robinson (alto saxophone) Joe Howard, Clifford Solomon (tenor saxophone) Clyde Dunn (baritone saxophone) Joe Harrison (piano) Ben White (guitar) Roger Alderson (bass) Roy Porter (drums) Alvy Kidd (congas) Paul Sparks (vocals -4)
Los Angeles, CA, 1948 or January 19, 1949
| 1. SLA1100 | Pete's Beat
|
| 2. SLA1101 | Sippin' With Cisco, Pt. 1
|
| 3. SLA1102 | Sippin' With Cisco, Pt. 2
|
| 4. SLA1103 | This Is You
|
| 5. SLA1104 | Gassin' The Wig
|
Art Farmer, James Metlock, Eddie Preston, Bob Ross (trumpet) Danny Horton, Jimmy Knepper, William Willington (trombone) Eric Dolphy, Leroy Robinson (alto saxophone) Joe Howard, Clifford Solomon (tenor saxophone) Clyde Dunn (baritone saxophone) Joe Harrison (piano) Ben White (guitar) Addison Farmer (bass) Roy Porter (drums) Alvy Kidd (congas) Paul Sparks (vocals -3)
Los Angeles, CA, February 23, 1949
| 1. SLA512 | Phantom Moon
|
| 2. SLA513 | Howard's Idea
|
| 3. SLA514 | Love Is Laughing At Me
|
| 4. SLA515-4 | Little Wig
|
Froegel Brigham (trumpet) Russell B. Campbell (trombone) William S. Doty (alto saxophone) Harold Land (tenor saxophone) Fred Jackson (piano) Dave Dyson (bass) Leon Petties (drums)
Los Angeles, CA, April 25, 1949
| SLA524 | Outlandish
|
| SLA525 | Swingin' On Savoy
|
| SLA526 | Dan Diego Bounce
|
| SLA527 | I'll Remember April
|
Vernon Smith (trumpet) Dexter Gordon (tenor saxophone) Freddie Simon (baritone saxophone -1/4) Maurice Simon (baritone saxophone -5/8) Ernie Freeman (piano -1/4) Ernie Freedman (piano -5/8) Red Callender (bass) J.C. Heard (drums) Helen Humes (vocals)
Los Angeles, CA, November 20, 1950
| 1. D418 | Ain't Gonna Quit You Baby
|
| 2. D419-4 | Helen's Advice
|
| 3. D420 | Knockin' Myself Out
|
| 4. D421-4 | Airplane Blues
|
| 5. | Ain't Gonna Quit You Baby
|
| 6. | Helen's Advice
|
| 7. | Knockin' Myself Out
|
| 8. | Airplane Blues
|
Art Pepper (alto saxophone) Hampton Hawes (piano) Joe Mondragon (bass) Larry Bunker (drums)
Los Angeles, CA, March 4, 1952
| D6001-7 | D6035 | Brown Gold
|
| D6002-4 | D6036 | These Foolish Things
|
| D6003-5 | D6037 | Surf Ride
|
| D6004-4 | D6038 | Holiday Flight
|
Hampton Hawes (piano) Joe Mondragon (bass) Shelly Manne (drums)
Los Angeles, CA, September 10, 1952
| D6050 | Jumpin' Jacque
|
| D6051 | Don't Get Around Much Anymore
|
| D6052 | It's You Or No One For Me
|
| D6053 | Thou Swell
|
Kenny Dorham, Fats Navarro (trumpet) Sonny Stitt (alto saxophone) Morris Lane (tenor saxophone) Eddie DeVerteuil (baritone saxophone) Bud Powell (piano) Al Hall (bass) Kenny Clarke (drums) Gil Fuller (arranger)
NYC, September 6, 1946
| S3346 | Boppin' A Riff, Pt. 1
|
| S3347 | Boppin' A Riff, Pt. 2
|
| S3348 | Fat Boy, Pt. 1
|
| S3349 | Fat Boy, Pt. 2
|
| S3350 | Everything's Cool, Pt. 1
|
| S3351 | Everything's Cool, Pt. 2
|
| S3352 | Webb City, Pt. 1
|
| S3353 | Webb City, Pt. 2
|
Fats Navarro (trumpet) Eddie "Lockjaw" Davis (tenor saxophone) Al Haig (piano) Huey Long (guitar) Gene Ramey (bass) Denzil Best (drums)
NYC, December 18, 1946
| S3367 | Calling Dr. Jazz
|
| S3368 | Fracture
|
| S3369 | Hollerin' And Screamin'
|
| S3370 | Stealin' Trash
|
same personnel
NYC, December 20, 1946
| S3371A | Just A Mystery
|
| S3372A | Red Pepper
|
| S3373 | Spinal
|
| S3374 | Maternity (Lard Pot)
|
Fats Navarro (trumpet) Leo Parker (baritone, alto saxophone) Tadd Dameron (piano) Gene Ramey (bass) Denzil Best (drums)
NYC, January 29, 1947
| S3383-2 | Fat Girl
|
| S3384-2 | Ice Freezes Red
|
| S3385 | Ed Pob
|
| S3386 | Goin' To Minton's
|
Fats Navarro (trumpet) Ernie Henry (alto saxophone) Tadd Dameron (piano) Curly Russell (bass) Kenny Clarke (drums) Kay Penton (vocals)
NYC, October 28, 1947
| S3465-1 | A Bop Carol
|
| S3465-6 | -
|
| S3466-1 | The Tadd Walk
|
| S3467-3 | Gone With The Wind
|
| S3468-3 | That Someone Must Be You
|
Fats Navarro (trumpet) Charlie Rouse (tenor saxophone) Tadd Dameron (piano) Nelson Boyd (bass) Art Blakey (drums)
NYC, December 5, 1947
| S3483-1 | Nostalgia
|
| S3483-6 | -
|
| S3484-3 | Barry's Bop
|
| S3484-6 | -
|
| S3485-1 | Bebop Romp
|
| S3485-6 | -
|
| S3486 | Fat Blows
|
Art Pepper (alto saxophone) Russ Freeman (piano) Bob Whitlock (bass) Bobby White (drums)
Los Angeles, CA, March 29, 1953
| D6058-2 | Chili Pepper
|
| D6058-4 | -
|
| D6059-1 | Suzy The Poodle
|
| D6059-6 | -
|
| D6060-3 | Everything Happens To Me
|
| D6060-4 | -
|
| D6061-4 | Tickle Toe
|
| D6061-9 | -
|
Art Pepper (alto saxophone) Jack Montrose (tenor saxophone) Claude Williamson (piano) Monty Budwig (bass) Paul Ballerina (drums -1/8) Larry Bunker (drums -9/16)
Los Angeles, CA, August 25, 1954
| 1. D6301-3 | Nutmeg
|
| 2. D6301-4 | -
|
| 3. D6302 | -
|
| 4. D6303-1 | Deep Purple
|
| 5. D6304-3 | Cinnamon
|
| 6. D6304-5 | -
|
| 7. D6305-2 | What's New
|
| 8. D6305-3 | -
|
| 9. D6306-2 | Thyme Time
|
| 10. D6306-3 | -
|
| 11. D6307-2 | Straight Life
|
| 12. D6307-3 | -
|
| 13. D6308-2 | Art's Oregano
|
| 14. D6308-5 | -
|
| 15. D6309-2 | The Way You Look Tonight
|
| 16. D6309-5 | -
|
Lammar Wright (trumpet -1/3) Ray Conniff (trombone -1/3) Ben Webster (tenor saxophone) Johnny Guarnieri (piano) Teddy Walters (guitar) Billy Taylor (bass) Cozy Cole (drums)
NYC, March 13, 1944
| 1. S5410 | Jericho
|
| 2. S5411 | Talk To Me
|
| 3. S5412 | Concerto For Cozy
|
| 4. S5413 | Body And Soul
|
Emmett Berry (trumpet) Walter Thomas (alto, tenor saxophone) Coleman Hawkins, Budd Johnson (tenor saxophone) Johnny Guarnieri (piano) Max Shopnick (bass) Cozy Cole (drums)
NYC, May 1, 1944
| S5450 | Old Man River
|
| S5451 | Wrap Your Troubles In Dreams
|
| S5452 | Riddin' The Riff
|
| S5453 | Flat Rock
|
Eddie Barefield (alto saxophone) Sid Weiss (bass) replaces Johnson, Shopnick
NYC, June 14, 1944
| S5466 | Jersey Jump Off
|
| S5467 | Stompin' At The Savoy
|
| S5468 | On The Sunny Side Of The Street
|
| S5469 | Jump Awhile (Jump Street)
|
Hot Lips Page (trumpet) Clyde Bernhardt (trombone) Don Stovall (alto saxophone) Budd Johnson (tenor saxophone) Pete Johnson (piano) Jimmy Shirley (guitar) Abe Bolar (bass) Jack Parker (drums) Etta Jones (vocals)
NYC, January 2, 1946
| NSC97 | I May Be Wonderful
|
| NSC98 | Man Wanted
|
| NSC99 | 1280 Stomp
|
| NSC101 | Atomic Boogie
|
| NSC102 | Back Room Blues
|
| - | Back Room Blues (alt. take)
|
Albert Nicholas (clarinet) Pete Johnson (piano) Jimmy Shirley (guitar) Al Hall (bass) J.C. Heard (drums)
NYC, January 26, 1946
| NSC106 | Pete's Lonesome Blues
|
| NSC107 | Mr. Drum Meets Mr. Piano
|
| NSC108 | Mutiny In The Doghouse
|
| NSC109 | Mr. Clarinet Knocks Twice
|
add Hot Lips Page (trumpet) J.C. Higginbotham (trombone) Ben Webster (tenor saxophone)
NYC, January 31, 1946
| NSC110 | Ben Rides Out
|
| - | Ben Rides Out (alt. take)
|
| NSC111 | Page Mr. Trumpet
|
| - | Page Mr. Trumpet (alt. take)
|
| NSC112 | J.C. From K.C.
|
| NSC113 | Pete's Housewarming
|
Howard McGhee (trumpet) Jimmy Heath (alto, baritone saxophone -1/6,8) Milt Jackson (vibraphone) Will Davis (piano) Percy Heath (bass) Joe Harris (drums)
Chicago, IL, February, 1948
| 1. | Merry Lee
|
| 2. | Short Life
|
| 3. | Talk Of The Town
|
| 4. | Bass C Jam
|
| 5. | Bass C Jam (alt. take)
|
| 6. | Down Home
|
| 7. | Sweet And Lovely
|
| 8. | Fiesta
|
| 9. | I'm In The Mood For Love
|
Howard McGhee (trumpet) Billy Eckstine (valve trombone -1/4) Kenny Mann (tenor saxophone -1/4) Hank Jones (piano) Ray Brown (bass) J.C. Heard (drums)
| 1. | Flip Lip
|
| 2. | Belle From Bunnycock
|
| 3. | Belle From Bunnycock (alt. take)
|
| 4. | The Last Word
|
| 5. | The Man I Love
|
Howard McGhee (trumpet) J.J. Johnson (trombone) Rudy Williams (tenor saxophone) Clifton Best (guitar) Oscar Pettiford (bass) Charlie Rice (drums)
pacific, late 1951
| Royal Garden Blues
|
| St. Louis Blues
|
| Mood Indigo
|
| Lady Be Good (Guamania)
|
| Harvest Time
|
Unknown Philipino (bass) replaces Pettiford
Guam, January 17, 1952
| HL401 | How High The Moon, Pt. 1
|
| HL402 | How High The Moon, Pt. 2
|
| HL403 | Stardust
|
| HL404 | Body And Soul
|
| HL405 | 12th Street Rag (12th Street Bop)
|
| HL406 | Man With A Horn
|
| Perdido
|
| Don't Blame Me
|
| Stormy Weather
|
| Stompin' At The Savoy
|
Ben Webster (tenor saxophone) Johnny Guarnieri (piano) Teddy Walters (guitar) Billy Taylor (bass) Cozy Cole (drums)
NYC, March 13, 1944
| S5413 | Body And Soul (alt. take)
|
Ben Webster (tenor saxophone) Johnny Guarnieri (piano) Oscar Pettiford (bass) David Booth (drums)
NYC, April 17, 1944
| S5436-2 | Honeysuckle Rose
|
| S5437-1 | I Surrender, Dear
|
| S5438-2 | Blue Skies
|
| S5439 | Kat's Fur
|
Ike Quebec (tenor saxophone) Johnny Guarnieri (piano) Bill DeArango (guitar) Milt Hinton (bass) J.C. Heard (drums)
NYC, August 7, 1945
| S5828-1 | Girl Of My Dreams
|
| S5829 | Jim Dawgs
|
| S5830 | Scufflin'
|
| S5831 | I.Q. Blues
|
Emmett Berry (trumpet) Illinois Jacquet (tenor saxophone) Bill Doggett (piano) Freddie Green (guitar) John Simmons (bass) Shadow Wilson (drums)
NYC, January 7, 1946
| S5870-1 | Don't Blame Me
|
| S5871-2 | Jumpin' Jacquet
|
| S5872-1 | Blue Mood (Blues Mood)
|
| S5873-3 | Jacquet In The Box
|
same personnel
NYC, January 8, 1946
| S5874-1 | Savoy Blip (Jacquet And No Vest)
|
| S5875 | Doggin' With Doggett
|
| S5876-6 | Minor Romp (Jacquet And Coat)
|
| S5877-1 | Berry's Blues (Jacquet's Blues)
|
Ludwig Joe Jordan (trumpet) John Hardee (tenor saxophone, vocals) Billy Kyle (piano) John Simmons (bass) Cozy Cole (drums)
NYC, November, 1947
| RE5033 | Bad Man's Bounce
|
| RE5034 | Lunatic
|
| RE5035 | Can't Help Lovin' Dat Man
|
| RE5036 | Baby Watch That Stuff
|
John Hardee (tenor saxophone) Billy Taylor (piano) Milt Page (organ) John Simmons (bass) Shadow Wilson (drums)
NYC, November 20, 1949
| SBT4450 | 1113 | Misty (Morning) Blues
|
| SBT4453 | 1116 | Take The "A" Train
|
Coleman Hawkins (tenor saxophone) unknown (piano) unknown (organ) unknown (bass) Buddy Smith (drums) unidentified vocal choir
Chicago, IL, May 27, 1954
| 6994 | Flight Eleven
|
| 6995 | Modern Fantasy
|
| 6996 | Confessin'
|
| 6997 | September Song
|
| 6998 | They Can't Take That Away From Me
|
| 6999 | Should I
|
| Last Stop
|
Howard Biggs (piano, arranger) unknown (guitar) unknown (bass) unknown (drums) Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Warren Suttles (baritone vocals) Jimmy Ricks (bass vocals)
NYC, April 24, 1947
John Lawton (trumpet) Walter Cox (tenor, alto saxophone) Paul Williams (baritone, alto saxophone) T.J. Fowler (piano) Hank Ivory (bass) Clarence Stamps (drums) Alex Thomas (vocals)
Detroit, MI, October 6, 1947
Phil Guilbeau (trumpet) Wild Bill Moore (tenor saxophone) Paul Williams (baritone, alto saxophone) Floyd Taylor (piano) Herman Hopkins (bass) Reetham Mallett (drums)
Detroit, MI, November 21, 1947
T.J. Fowler (piano) replaces Taylor
Detroit, MI, December 18, 1947
| D823 | We're Gonna Rock, We're Gonna Roll
|
Milton Larkins (trombone) Hal Singer (tenor saxophone) Wynton Kelly (piano) Franklin Skeete (bass) Heywood Jackson (drums)
NYC, circa June, 1948
Big Jay McNeely (tenor saxophone) Bob McNeely (baritone saxophone) Devonia Williams (piano) unknown (bass) unknown (drums)
Los Angeles, CA, December 13, 1948
Phil Guilbeau (trumpet) Miller Sam (tenor saxophone) Paul Williams (baritone, alto saxophone) Floyd Taylor (piano) Herman Hopkins (bass) Reetham Mallett (drums)
NYC, December 15, 1948
Howard Biggs (piano, arranger) unknown (guitar) unknown (bass) unknown (drums) Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Warren Suttles (baritone vocals) Jimmy Ricks (bass vocals)
NYC, February, 1949
Johnny Otis (vibraphone) Devonia Williams (piano, vocals) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Little Esther (vocals) The Robins: Ty Terrell (tenor vocals) Roy Richards, Billy Richards (baritone vocals) Bobby Nunn (lead bass vocals) (vocal group)
Los Angeles, CA, December 1, 1949
| SLA4453 | Our Romance Is Gone
|
| SLA4454 | If I Didn't Love You So
|
| SLA4456-2 | Double Crossing Blues
|
Big Jay McNeely (tenor saxophone) Johnny Otis (vibraphone) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Little Esther, Redd Lyte (vocals)
Los Angeles, CA, December 23, 1949
The Robins: Ty Terrell (tenor vocals) Roy Richards, Billy Richards (baritone vocals) Bobby Nunn (lead bass vocals) (vocal group) replaces Lyte
Los Angeles, CA, January 11, 1950
| SLA5105 | Lover's Lane Boogie
|
Lorenzo Holden (tenor saxophone) replaces McNeely
Los Angeles, CA, February 13, 1950
Lorenzo Holden (tenor saxophone) Johnny Otis (vibraphone) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Mel Walker (vocals)
Los Angeles, CA, February 23, 1950
add Lee Graves, Don Johnson (trumpet) George Washington (trombone) James Von Streeter (tenor saxophone) Walter Henry (baritone, alto saxophone) Little Esther, Redd Lyte (vocals)
Los Angeles, CA, February 27, 1950
Bill Sanford (piano, arranger) unknown (guitar) unknown (bass) unknown (drums) Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Louis Heyward (baritone vocals) Jimmy Ricks (bass vocals)
NYC, March, 1950
| NSC581 | I'm Gonna Paper All My Walls With Your Love Letters
|
| NSC582 | Count Every Star
|
Lee Graves, Don Johnson, Hosea Sapp (trumpet) George Washington (trombone) Lorenzo Holden, James Von Streeter (tenor saxophone) Walter Henry (baritone, alto saxophone) Johnny Otis (vibraphone) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Little Esther, Redd Lyte, Mel Walker (vocals)
Chicago, IL, June 20, 1950
| SAV6814 | Lost In A Dream (Lost Dream Blues)
|
George Kelly (tenor saxophone) Haywood Henry (baritone saxophone) Lee Anderson (piano) Lonnie Johnson (guitar) Prince Babbs (bass) Gene Brooks (drums) Varetta Dillard (vocals) Leroy Kirkland (arranger, director)
NYC, May 15, 1953
Robert Caffery (tenor saxophone) Huey Smith (piano, vocals) Earl King (guitar) Roland Cook (bass) Charles Williams (drums)
New Orleans, LA, June 1, 1953
| SHS4376 | You Made Me Cry
|
| SHS4377 | You're Down With Me
|
Budd Johnson, Sam Taylor (tenor saxophone) Maurice Simon (baritone saxophone) Howard Biggs (piano, arranger) Mickey Baker (guitar) Abie Baker (bass) Dave Bailey (drums) Nappy Brown (vocals)
NYC, February 1, 1955
unknown (piano) unknown (guitar) unknown (bass) unknown (drums) Luther Bond (lead vocals) The Emeralds (vocal group)
Cincinnati, OH, March 30, 1955
| SLB330 | It's Written In The Stars
|
Jerome Richardson, Sam Taylor (tenor saxophone) Budd Johnson (baritone saxophone) Ernie Hayes (piano) Mickey Baker (guitar) Milt Hinton (bass) Dave Bailey (drums) Varetta Dillard (vocals) The Roamers (vocal group) Leroy Kirkland (arranger, director)
NYC, May 3, 1955
| SVD4698 | Promise Mr. Thomas
|
Budd Johnson, Al Sears (tenor saxophone) George Berg (baritone saxophone) Howard Biggs (piano, arranger) Everett Barksdale (guitar) Milt Hinton (bass) Connie Kay (drums) Nappy Brown (vocals)
NYC, June 8, 1955
| SNB7402 | Piddly Patter Patter
|
Warren Luckey, Al Sears (tenor saxophone) Dave McRae (baritone saxophone) Ernie Hayes (piano) Mickey Baker (guitar) Lloyd Trotman (bass) Panama Francis (drums) Nappy Brown (vocals) Howard Biggs (arranger, director)
NYC, September 29, 1955
| SNB6750 | Deedle I Love You (Deedle I Do)
|
Buddy Lucas, Hal Singer (tenor saxophone) Kelly Owens (piano, director) Mickey Baker (guitar) Leonard Gaskin (bass) Panama Francis (drums)
NYC, October 27, 1955
Dave McRae (alto saxophone) Buddy Lucas, Warren Lucky (tenor saxophone) Leslie Johnakins (baritone saxophone) Kelly Owens (piano, arranger) Mickey Baker (guitar) Leonard Gaskin (bass) Sol Hall (drums) Big Maybelle (vocals)
NYC, May 14, 1956
| SBM6854 | Candy
|
| SBM6856 | Ring Dang Dilly
|
Ed Sneed (bass) replaces Gaskin
NYC, July 20, 1956
King Curtis (tenor saxophone) Sam Price (piano) Mickey Baker (guitar) Leonard Gaskin (bass) Bobby Donaldson (drums)
NYC, October 17, 1956
Earl Johnson (tenor saxophone, vocals) Allen Tinney (piano, vocals) Kenny Burrell (guitar) Leonard Gaskin (bass) Clarence Palmer (bass, vocals) Bobby Donaldson (drums) Pee Wee Tinney (vocals)
NYC, November 30, 1956
Howard McGhee (trumpet) Trummy Young (trombone) Sonny Criss (alto saxophone) Dexter Gordon, Wardell Gray (tenor saxophone) Hampton Hawes (piano) Barney Kessel (guitar) possibly Leroy Gray (bass) Ken Kennedy (drums)
"Elks Auditorium", Los Angeles, CA, July 6, 1947
| BOP3 | The Hunt, Pt. 1 (Rock' N' Shoals)
|
| BOP4 | The Hunt, Pt. 2 (Rock' N' Shoals)
|
| BOP5 | The Hunt, Pt. 3 (Rock' N' Shoals)
|
| BOP6 | The Hunt, Pt. 4 (Rock' N' Shoals)
|
| BOP7 | The Hunt, Pt. 5 (Rock' N' Shoals)
|
| BOP8 | The Hunt, Pt. 6 (Rock' N' Shoals)
|
| BOP9 | The Hunt, Pt. 7 (Rock' N' Shoals)
|
| BOP10 | The Hunt, Pt. 8 (Rock' N' Shoals)
|
same session
| BOP15 | Bopera, Pt. 1 (Disorder At The Border)
|
| BOP16 | Bopera, Pt. 2 (Disorder At The Border)
|
| BOP17 | Bopera, Pt. 3 (Disorder At The Border)
|
| BOP18 | Bopera, Pt. 4 (Disorder At The Border)
|
| BOP19 | Bopera, Pt. 5 (Disorder At The Border)
|
| BOP20 | Bopera, Pt. 6 (Disorder At The Border)
|
| BOP21 | Bopera, Pt. 7 (Disorder At The Border)
|
Red Callender (bass) Roy Porter (drums) replaces possibly Leroy Gray, Kennedy
| BOP36 | Bopland, Pt. 1 (Byas-A-Drink)
|
| BOP37 | Bopland, Pt. 2 (Byas-A-Drink)
|
| BOP38 | Bopland, Pt. 3 (Byas-A-Drink)
|
| BOP39 | Bopland, Pt. 4 (Byas-A-Drink)
|
| BOP40 | Bopland, Pt. 5 (Byas-A-Drink)
|
| BOP41 | Bopland, Pt. 6 (Byas-A-Drink)
|
| BOP42 | Jeronimo, Pt. 1 (Cherrykoke) (Cherokee)
|
| BOP43 | Jeronimo, Pt. 2 (Cherrykoke) (Cherokee)
|
| BOP44 | Jeronimo, Pt. 3 (Cherrykoke) (Cherokee)
|
| BOP45 | Jeronimo, Pt. 4 (Cherrykoke) (Cherokee)
|
| BOP46 | Jeronimo, Pt. 5 (Cherrykoke) (Cherokee)
|
| BOP47 | Jeronimo, Pt. 6 (Cherrykoke) (Cherokee)
|
| BOP48 | Jeronimo, Pt. 7 (Cherrykoke) (Cherokee)
|
| BOP49 | Jeronimo, Pt. 8 (Cherrykoke) (Cherokee)
|
Frank Newton (trumpet) Don Byas (tenor saxophone) Pete Johnson (piano) Leonard Ware (guitar) Al Hall (bass) Doc West (drums) Joe Turner (vocals)
NYC, February 2, 1945
| NSC33 | S.K. Blues, Pt. 1
|
| NSC34 | S.K. Blues, Pt. 2
|
| NSC35 | Johnson And Turner Blues
|
| - | Johnson And Turner Blues (alt. take)
|
| NSC36 | Watch That Jive
|
Bill Martin (trumpet) Flaps Dungee (alto saxophone) Josh Jackson (tenor saxophone) Pete Johnson (piano) unknown (guitar) Dallas Bartley (bass) unknown (drums) Joe Turner (vocals)
Chicago, IL, May 10, 1945
| NSC60A | Howlin' Winds
|
| NSC60B | Doggin' The Blues (Low Down Dog)
|
Warren Brocken (trumpet) Lloyd Harrison, Bill Moore (tenor saxophone) Al Williams (piano) Teddy Bunn (guitar) John Henry (bass) Alray Kidd (drums) Joe Turner (vocals)
Los Angeles, CA, January 23, 1946
| NSC140 | Miss Brown Blues
|
| NSC141 | I Got My Discharge Papers
|
| NSC142 | My Gal's A Jockey
|
| NSC143 | I'm Still In The Dark
|
| NSC144 | I Got Love For Sale
|
Russell Jacquet (trumpet) Bill Moore, Lou Simon (tenor saxophone) Camille Howard (piano) Teddy Bunn (guitar) John Henry (bass) Walter Murden (drums) Joe Turner (vocals)
Los Angeles, CA, January 30, 1946
| NSC145 | Sunday Morning Blues
|
| NSC146 | Mad Blues
|
| NSC147 | It's A Low Down Dirty Shame (Playboy Blues)
|
Albert Ammons (piano) Red Saunders (drums) Joe Turner (vocals) and others
Chicago, IL, October 11, 1946
| NSC172 | I'm Still In The Dark
|
| NSC173 | Miss Brown Blues
|
| NSC174 | Sally Zu-Zaz
|
| NSC175 | Rock O' Gibraltar
|
unknown (piano) Joe Turner (vocals) and others
Chicago, IL, October 12, 1946
| NSC176 | Milk And Butter Blues
|
| NSC177 | That's When It Really Hurts
|
| NSC178 | I'm In Sharp When I Hit The Coast
|
| NSC179 | Ooh Wee Baby Blues
|
Charles Gray (trumpet) Riley Hampton (alto saxophone) Otis Finch (tenor saxophone) Ellsworth Liggett (piano) Ike Perkins (guitar) Robert Moore (bass) James Adams (drums) Joe Turner (vocals)
Chicago, IL, December 9, 1947
| NSC337 | Last Goodbye Blues
|
| NSC338 | Whistle Stop Blues
|
| NSC339 | Hollywood Bed (Cherry Red Blues)
|
| NSC340 | Howlin' Winds
|
Nat King Cole (piano, vocals) Oscar Moore (guitar) Johnny Miller (bass) Lee Young (drums)
Los Angeles, CA, April 18, 1940
| AM521 | S5898 | I Like To Riff
|
| AM522 | S5899 | On The Sunny Side Of The Street
|
Pete Brown (alto saxophone, vocals) Kenny Watts (piano) Herman Mitchell (guitar) Al Hall (bass) Eddie Nicholson (drums)
NYC, August 1, 1944
| S5495 | Boot Zoot
|
| S5496 | It's Great
|
| S5497 | Lazy Day
|
| S5498 | Sunshine Blues
|
Jimmy Jones (piano) Stuff Smith (violin, vocals) John Levy (bass) Rosalie Young (vocals)
NYC, September 26, 1944
| S5726 | Don'tcha Pay Him No Mind
|
| S5727 | Is Is
|
| S5728 | Two Faced Woman
|
Frank Newton (trumpet) Hank D'Amico (clarinet) Don Byas (tenor saxophone) Dave Rivera (piano) Sid Weiss (bass) Cozy Cole (drums)
NYC, October 10, 1944
| NSC9 | Hank's Pranks
|
| NSC10 | Juke Box Judy
|
| NSC11 | Shy Little Witch From Greenwich
|
| NSC12 | Gone At Dawn
|
Dave Page (trumpet) Herbie Fields (clarinet) Jay Peters (tenor saxophone) Lionel Hampton (piano) Billy Mackel (guitar) Charlie Harris (bass) George Jones (drums)
NYC, May 30, 1945
| S5820 | Camp Meeting
|
| S5821 | Four O'Clock Blues
|
Emmett Berry (trumpet) Illinois Jacquet (tenor saxophone) Bill Doggett (piano) Freddie Green (guitar) John Simmons (bass) Shadow Wilson (drums)
NYC, January 7, 1946
| S5870 | Don't Blame Me (alt. take)
|
| S5873 | Jacquet In The Box (alt. take)
|
same personnel
NYC, January 8, 1946
| S5874 | Savoy Blip (alt. take)
|
| S5875-1 | Doggin' With Doggett (Illinois Goes To Chicago)
|
| S5876 | Minor Romp (alt. take)
|
Leonard Hawkins (trumpet) Pete Brown (alto saxophone) Ray Abrams (tenor saxophone) Kenny Watts (piano) Jimmy Shirley (guitar) Leonard Gaskin (bass) Arthur Herbert (drums) Cousin Joe (vocals)
NYC, January 13, 1946
| S5882 | Weddin' Day Blues
|
| S5883 | Desperate G.I. Blues
|
| S5884 | You Got It Comin' To You
|
| S5885 | Boogie Woogie Hannah
|
Neal Hefti (trumpet) Lem Davis (alto saxophone) Hal Singer (tenor saxophone) Sanford Gold (piano) John Simmons (bass) Denzil Best (drums)
NYC, March 6, 1946
| S5894 | Theme On The Beam
|
| S5895 | Solace
|
| S5896 | Chitlin Strut
|
| S5897 | Daily Double
|
Courtney Williams (trumpet) Vic Dickenson (trombone) Lem Davis (alto saxophone) Sanford Gold (piano) Al Hall (bass) Denzil Best (drums)
NYC, May 10, 1946
| S59038 | I Don't Believe
|
| S59039 | I Never Knew
|
| S59040 | Lovely You
|
| S59041 | G-U-M-P-E-Y
|
Kenny Dorham (trumpet) Sonny Stitt (alto saxophone) Bud Powell (piano) Al Hall (bass) Wallace Bishop (drums)
NYC, August 23, 1946
| S3338 | Bebop In Pastel (Bouncing With Bud)
|
| S3339 | Fool's Fancy (Wail)
|
| S3340 | Bombay
|
| S3341A | Ray's Idea
|
Kenny Clarke (drums) replaces Bishop
NYC, September 4, 1946
| S3342 | Serenade To A Square
|
| S3343A | Good Kick
|
| S3344 | Seven Up
|
| S3345 | Blues In Bebop
|
Dave Burns, Dizzy Gillespie (trumpet) John Brown (alto saxophone) James Moody (tenor saxophone) Milt Jackson (vibraphone) Hank Jones (piano) Ray Brown (bass) Joe Harris (drums) Gil Fuller (arranger)
NYC, September 25, 1946
| S3354-2 | For Hecklers Only
|
| S3355B | Smoky Hollow Jump
|
| S3356B | Boppin' The Blues (Dizz-Moody)
|
| S3357B | Moody Speaks
|
Elmon Wright (trumpet) Ernie Henry, Howard Johnson (alto saxophone) Cecil Payne (baritone saxophone) John Lewis (piano) Nelson Boyd (bass) Kenny Clarke (drums) Kenny Hagood (vocals)
NYC, August 27, 1947
| S3449 | Baby I'm Comin' Home
|
| S3450 | The Way You Look Tonight
|
Joe Newman (trumpet) J.J. Johnson (trombone) Dexter Gordon (tenor, alto saxophone) Leo Parker (baritone saxophone) Hank Jones (piano) Curly Russell (bass) Shadow Wilson (drums)
NYC, December 19, 1947
| S3495-2 | Wee Dot
|
| S3495-4 | -
|
| S3496 | Solitude
|
| S3497-2 | The Lion Roars
|
| S3497-4 | -
|
Joe Newman (trumpet) Charlie Rouse (tenor saxophone -3/5) Leo Parker (baritone saxophone) Sir Charles Thompson (piano) Al Lucas (bass) Jack "The Bear" Parker (drums)
Detroit, MI, March 23, 1948
| 1. D842 | On The House
|
| 2. D843 | Dinky
|
| 3. D846 | Leo's Bells
|
| 4. D847 | Sweet Talkin' Leo
|
| 5. D848 | Swinging For Love
|
Dave Burns, Mustapha Daleel, Bill Massey, Abdul Salaam (trumpet) Charlie Johnson, Haleen Rasheed, Clarence Ross, Rip Tarrant (trombone) Jimmy Heath, Sahib Shihab (alto saxophone) Pritchard Cheesman, Billy Mitchell (tenor saxophone) Cecil Payne (baritone saxophone) Milt Jackson (vibraphone, piano) Percy Heath (bass) Art Blakey (drums) Gil Fuller (arranger, conductor, vocals)
NYC, June 11, 1949
| D172 | D268 | Mean To Me
|
| D173 | Blues For A Debutante
|
| D174 | D268 | The Scene Changes
|
| D175 | Tropicana
|
Johnny Morris (trombone) Nat Harper (tenor saxophone) Walt Harper (piano) Bob Boswell (bass) Cecil Brooks (drums) Eddie Jefferson (vocals)
Pittsburgh, PA, July 11, 1952
| EJ6030 | The Birdland Story
|
| EJ6031 | I Got The Blues
|
| EJ6032 | Body And Soul
|
| EJ6033 | not used
|
| EJ6034 | Honeysuckle Rose
|
Gil Askey, Hal Mitchell (trumpet) Bob Range (trombone) Buddy Tate (tenor saxophone) Maurice Simon (baritone saxophone) Hank Jones (piano) Curly Russell (bass) Osie Johnson (drums) Babs Gonzales (vocals)
NYC, October 9, 1953
| SBG8600 | Get Out Of That Bed
|
| SBG8601 | The Boss Is Back (Ornithology)
|
Wilbur Harden (flugelhorn, balloon) Yusef Lateef (tenor saxophone, flute, tambourine) Hugh Lawson (piano, turkishfinger, cymbals) Ernie Farrow (bass, rabat) Oliver Jackson (drums, Chinese gong)
NYC, October 9, 1957
| 70138 | Seulb
|
| 70140 | Song Of Delilah
|
| 70141 | Sounds Of Nature
|
| 70142 | I've Got It Bad And That Ain't Good
|
| 70143 | 8540 Twelfth Street
|
| 70144 | Check Blues
|
same personnel
NYC, October 10, 1957
| 70145 | Prayer To The East
|
| 70146 | A Night In Tunisia
|
| 70147 | Lover Man
|
| 70148 | Endura
|
| 70149 | Love Dance
|
| 70150 | Gypsy Arab
|
| 70151 | Sram
|
Howard Biggs (piano, arranger) unknown (guitar) unknown (bass) unknown (drums) Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Warren Suttles (baritone vocals) Jimmy Ricks (bass vocals)
NYC, April 24, 1947
| NSC253 | Mahzel Means Good Luck
|
| NSC255 | For You
|
| NSC256 | Would You Believe Me
|
same personnel
NYC, September, 1947
| NSC269 | Write Me A Letter
|
| NSC271 | Until The Real Thing Comes Along
|
| NSC272 | September Song
|
| NSC273 | Always
|
| NSC276 | Searching For Love
|
same personnel
December 22, 1947
| NSC345 | I'm Afraid Of You
|
| NSC347 | Fool That I Am
|
| NSC348 | Together
|
| NSC350 | There's No You
|
same personnel
November, 1948
| NSC401 | It's Too Soon To Know
|
Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Richard Cannon (baritone vocals) Jimmy Ricks (bass vocals) replaces Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Warren Suttles (baritone vocals) Jimmy Ricks (bass vocals)
Chicago, IL, December, 1948
| SP118 | STR70124 | Silent Night
|
| SP119 | STR70123 | White Christmas
|
Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Warren Suttles (baritone vocals) Jimmy Ricks (bass vocals) replaces Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Richard Cannon (baritone vocals) Jimmy Ricks (bass vocals)
January 27, 1949
| NSC451 | Deep Purple
|
| NSC452 | Sylvia
|
same personnel
NYC, February, 1949
| NSC460 | Tea For Two
|
| NSC462 | Without A Song
|
Bill Sanford (piano, arranger) replaces Biggs
July, 1949
| NSC482 | There's Nothing Like A Woman In Love
|
| NSC483 | Careless Love
|
| NSC484 | If You Didn't Mean It
|
| NSC485 | Moonglow
|
Sanford plays (piano, celeste, arranger)
September, 1949
| NSC494 | Someday
|
| NSC495 | Lilacs In The Rain
|
Sanford plays (piano, arranger)
January, 1950
| NSC553 | I've Been A Fool
|
| NSC554 | It's The Talk Of The Town
|
| NSC556 | No More Kisses For My Baby
|
Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Louis Heyward (baritone vocals) Jimmy Ricks (bass vocals) replaces Maithe Marshall (lead tenor vocals) Leonard Puzey (2nd tenor vocals) Warren Suttles (baritone vocals) Jimmy Ricks (bass vocals)
August, 1950
| NSC629 | Who's Sorry Now
|
| NSC630 | I've Got The World On A String
|
Ruby Braff (trumpet) Ephy Resnick (trombone) Pee Wee Russell (clarinet) Red Richards (piano) John Field (bass) Kenny John (drums)
"Storyville Club", Boston, MA, January 27, 1952
| Love Is Just Around The Corner (Euphoria Is Here To Stay)
|
| Squeeze Me
|
| Ballin' The Jack (Ballin' The Four Bar Break)
|
| I'd Do Most Anything For You
|
| The Lady Is A Tramp
|
| California, Here I Come
|
| Baby, Won't You Please Come Home
|
| St. James Infirmary
|
| The Lady's In Love With You
|
| Struttin' With Some Barbecue
|
| St. Louis Blues
|
| Sweet Lorraine
|
| Sentimental Journey
|
| If I Had You
|
| Coquette
|
Wild Bill Davison (cornet) Ed Hubbell (trombone) Frank Chase (clarinet) George Wein (piano -1/7) Ev Schwarz (piano -8,9) John Field (bass) John Vine (drums)
"Storyville Club", Boston, MA, November 7, 1951
| 1. SBD4385 | At The Jazz Band Ball
|
| 2. SBD4387 | A Blues
|
| 3. SBD4388 | Exactly Like You
|
| 4. SBD4389 | Beale Street Blues
|
| 5. SBD4390 | Sweet Georgia Brown
|
| 6. SBD4391 | If I Could Be With You
|
| 7. SBD4392 | Original Dixieland One-Step
|
| 8. SBD4393 | Struttin' With Some Barbecue
|
| 9. SBD4395 | 'S Wonderful
|
Wild Bill Davison (cornet) Cutty Cutshall (trombone) Ed Hall (clarinet) Gene Schroeder (piano) Eddie Condon (guitar) Bob Casey (bass) Buzzy Drootin (drums)
broadcast, NYC, December 10, 1951
| Dippermouth Blues
|
| Keepin' Out Of Mischief Now
|
| Squeeze Me
|
| Memphis Blues
|
same personnel
broadcast, NYC, January 1, 1952
| Beale Street Blues
|
| Mandy Make Up Your Mind
|
| Just The Blues
|
| Riverboat Shuffle
|
| Medley
|
same personnel
broadcast, NYC, January 28, 1952
| Sweet Georgia Brown
|
| The One I Love Belongs To Somebody Else
|
| Blues My Naughty Sweetie Gave To Me
|
Wild Bill Davison (cornet) Cutty Cutshall (trombone) Ed Hall (clarinet) Gene Schroeder (piano) Bob Casey (bass) Cliff Leeman (drums)
broadcast, NYC, February 25, 1952
| Original Dixieland One-Step
|
| Wrap Your Troubles In Dreams
|
Teddy Buckner, Billy Jones, Harry Parr Jones, Loyal Walker (trumpet) Henry Coker, Jap Jones, John Pettigrew, Eli Robinson (trombone) Rene Bloch, Bob Harris (alto saxophone) Paul Quinichette, James Von Streeter (tenor saxophone) Leon Beck (baritone saxophone) Bill Doggett (piano) Bernie Cobbs (guitar) Curtis Counce (bass) Johnny Otis (drums) Jimmy Rushing (vocals)
Los Angeles, CA, September 13, 1945
| JO141A | My Baby's Business
|
| JO141B | Preston Love's Mansion
|
| JO142A | Jimmy's Round-The-Clock Blues
|
| JO142-2 | Harlem Nocturne
|
Lee Graves, Don Johnson (trumpet -2,3) George Washington (trombone -2,3) Lorenzo Holden, James Von Streeter (tenor saxophone -2,3) Walter Henry (baritone saxophone) Devonia Williams (piano) Pete Lewis (guitar) two unknown (guitar -1) Gene Phillips (Hawaiian guitar -2,3) Mario Delagarde (bass) Leard Bell (drums) Little Esther, Redd Lyte, Junior Ryder (vocals -2,3) The Robins: Ty Terrell (tenor vocals) Roy Richards, Billy Richards (baritone vocals) Bobby Nunn (lead bass vocals) (vocal group -2,3) Johnny Otis (director -1, vibraphone, drums -2,3)
Los Angeles, CA, November 10, 1949
| 1. SLA4443 | Boogie Guitar
|
| 2. SLA4445 | There's Rain In My Eyes
|
| 3. SLA4446-1 | Hangover Blues
|
Johnny Otis (vibraphone) Devonia Williams (piano, vocals) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Little Esther (vocals) The Robins: Ty Terrell (tenor vocals) Roy Richards, Billy Richards (baritone vocals) Bobby Nunn (lead bass vocals) (vocal group)
Los Angeles, CA, December 1, 1949
Lee Graves, Don Johnson (trumpet) George Washington (trombone) Lorenzo Holden, Big Jay McNeely (tenor saxophone) Walter Henry (baritone saxophone) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Redd Lyte (vocals) Johnny Otis (director)
Los Angeles, CA, December 23, 1949
| SLA4459 | The Little Red Hen
|
| SLA4460-4 | New Orleans Shuffle
|
John Anderson (trumpet -1/4) Floyd Turnham (alto saxophone -1/4) Big Jay McNeely (tenor saxophone) Bobby McNeely (baritone saxophone -1/4) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Mel Walker (vocals -1/4) Little Esther (vocals -5) The Robins: Ty Terrell (tenor vocals) Roy Richards, Billy Richards (baritone vocals) Bobby Nunn (lead bass vocals) (vocal group) Johnny Otis (director -1/4, vibraphone -5)
Los Angeles, CA, January 11, 1950
| 1. SLA5101-3 | The Turkey Hop, Pt. 1
|
| 2. SLA5102-3 | The Turkey Hop, Pt. 2
|
| 3. SLA5103-2 | Blues Nocturne
|
| 4. SLA5104A | Cry Baby
|
| 5. SLA5106 | I Found Out My Troubles
|
Lorenzo Holden (tenor saxophone) Johnny Otis (vibraphone) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Little Esther (vocals) The Robins: Ty Terrell (tenor vocals) Roy Richards, Billy Richards (baritone vocals) Bobby Nunn (lead bass vocals) (vocal group)
Los Angeles, CA, February 13, 1950
| SLA5109 | I'm Living O.K.
|
| SLA5110-1 | Ain't No Use Beggin'
|
| SLA5111 | You're Fine But Not My Kind
|
Lee Graves, Don Johnson (trumpet) George Washington (trombone) Lorenzo Holden, James Von Streeter (tenor saxophone) Walter Henry (baritone, alto saxophone) Johnny Otis (vibraphone) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Little Esther, Redd Lyte, Mel Walker (vocals)
Los Angeles, CA, February 27, 1950
| SLA5113-3 | Cool And Easy
|
| SLA5114 | Mistrutin' Blues
|
| SLA5115-3 | Dreamin' Blues
|
add Hosea Sapp (trumpet)
Chicago, IL, June 20, 1950
Lee Graves (vocals) replaces Lyte
NYC, August 12, 1950
| SAV6820 | Sunset To Dawn
|
| SAV6821 | Wedding Boogie
|
| SAV6823 | Love Will Break You Heart For You
|
omit Sapp, Graves
NYC, September 19, 1950
Lorenzo Holden (tenor saxophone) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Johnny Otis (drums) Marilyn Scott (vocals)
| SS6836 | Beer Bottle Boogie
|
| SS6837 | Uneasy Blues
|
Lee Graves, Don Johnson (trumpet) George Washington (trombone, vocals) Lorenzo Holden, James Von Streeter (tenor saxophone) Walter Henry (baritone, alto saxophone) Johnny Otis (vibraphone, vocals) Devonia Williams (piano) Pete Lewis (guitar) Mario Delagarde (bass) Leard Bell (drums) Mel Walker (vocals)
NYC, March 19, 1951
same personnel
NYC, March 21, 1951
| SS6844 | Honky Tonk Boogie
|
| SS6845 | Because I Love My Baby So
|
| SS6847 | Three Magic Words
|
Hall Overton (piano) Teddy Kotick (bass) Nick Stabulas (drums) + overdubs: Phil Woods (alto saxophone)
Rudy Van Gelder Studio, Hackensack, NJ, February 8, 1955
| (101) | You'd Be So Nice To Come Home To +
|
| (102) | Yesterdays +
|
| (103) | It's Only A Paper Moon +
|
| (104) | Pennies From Heaven +
|
Duke Jordan (piano) Oscar Pettiford (bass) Kenny Clarke (drums) + overdubs: Gigi Gryce (alto saxophone)
Rudy Van Gelder Studio, Hackensack, NJ, March 7, 1955
| (105) | Sometimes I'm Happy +
|
| (106) | Embraceable You +
|
| (107) | Jordu +
|
| (108) | Oh Yeah (Oh Yeah) +
|
Gigi Gryce (alto saxophone) Thelonious Monk (piano) Percy Heath (bass) Art Blakey (drums)
Rudy Van Gelder Studio, Hackensack, NJ, October 15, 1955
| 114 | Brake's Sake
|
| 115 | Gallop's Gallop
|
| 116 | Shuffle Boil
|
| 117 | Nica's Tempo
|
Art Farmer (trumpet) Eddie Bert (trombone) Julius Watkins (French horn) Bill Barber (tuba) Gigi Gryce (alto saxophone) Cecil Payne (baritone saxophone) Horace Silver (piano) Oscar Pettiford (bass) Art Blakey (drums) Ernestine Anderson (vocals)
Rudy Van Gelder Studio, Hackensack, NJ, October 22, 1955
| 118 | Social Call
|
| 119 | (You'll Always Be) The One I Love
|
Art Farmer (trumpet) Jimmy Cleveland (trombone) Gunther Schuller (French horn) Bill Barber (tuba) Gigi Gryce (alto saxophone) Danny Bank (baritone saxophone) Horace Silver (piano) Oscar Pettiford (bass) Kenny Clarke (drums)
| 120 | Smoke Signal
|
| 121 | In Meditatiing Mood
|
| 122 | Speculation
|
| 123 | Kerry Dance
|
** same contents as Signal S 1201 + 8 bonus tracks.
J.J. Johnson (trombone) Cecil Payne (baritone saxophone) Bud Powell (piano) Leonard Gaskin (bass) Max Roach (drums)
NYC, June 26, 1946
| S3309-1 | Jay Bird
|
| S3309-9 | -
|
| S3309-11 | Jay Bird (Fly Jay)
|
| S3310-1 | Coppin' The Bop
|
| S3311-1 | Hey Jay Jay
|
| S3311-2 | -
|
| S3311-4 | -
|
| S3312-1 | Mad Bebop
|
J.J. Johnson (trombone) Leo Parker (baritone saxophone) Hank Jones (piano) Al Lucas (bass) Shadow Wilson (drums)
NYC, December 24, 1947
| S3519 | Boneology
|
| S3520 | Down Vernon's Alley
|
| S3521 | Yesterdays
|
| S3522 | Riffette
|
J.J. Johnson (trombone) Sonny Rollins (tenor saxophone) John Lewis (piano) Gene Ramey (bass) Shadow Wilson (drums)
NYC, May 11, 1949
| S36-130-1 | Audobahn
|
| S36-130-3 | Audobahn (Audubon)
|
| S36-131 | Don't Blame Me
|
| S36-132-2 | Goof Square
|
| S36-132-4 | -
|
| S36-132-8 | -
|
| S36-133-3 | Bee Jay
|
| S36-133-5 | -
|
J.J. Johnson, Kai Winding (trombone) Billy Bauer (guitar) Charles Mingus (bass) Kenny Clarke (drums)
Rudy Van Gelder Studio, Hackensack, NJ, August 24, 1954
| Blues For Trombones
|
| What Is This Thing Called Love
|
| Lament
|
| The Major
|
Wally Cirillo (piano) replaces Bauer
Rudy Van Gelder Studio, Hackensack, NJ, August 26, 1954
| Bernie's Tune
|
| Reflections
|
| Co-Op
|
| Blues In Twos
|
Frank Newton (trumpet) Morris Lounds (tenor saxophone) Reuben "June" Cole (piano) Harold Underhill (guitar) Billy Taylor (bass -1/3) Slam Stewart (bass -4) Cozy Cole (drums) Miss Rhapsody (vocals)
NYC, November 21, 1944
| 1. S5751 | Blues In My Heart
|
| 2. S5752 | Sugar
|
| 3. S5753 | Downhearted Blues
|
| 4. S5754 | Sweet Man
|
Dizzy Gillespie (trumpet) Gene Sedric (clarinet) Sammy Price (alto saxophone) Don Byas (tenor saxophone) Leonard Ware (guitar) Oscar Smith (bass) Doc West (drums) Albinia Jones (vocals)
NYC, April 14, 1945
| NSC49 | Evil Gal Blues
|
| NSC50 | Salty Papa Blues
|
| NSC51 | Albinia's Blues
|
| NSC52 | Don't You Wear No Black
|
Freddie Webster (trumpet) Eddie "Lockjaw" Davis, Walter Thomas (tenor saxophone) Reuben "June" Cole (piano) Harold Underhill (guitar) Billy Taylor (bass) Cozy Cole (drums) Miss Rhapsody (vocals)
NYC, May 15, 1945
| S5814 | He May Be Your Man
|
| S5816 | The Night Before Judgement Day
|
| S5817 | I Feel For You
|
Ray Preasly (trombone) George Johnson (tenor saxophone) Fletcher Smith (piano) Addison Farmer (bass) Booker T. Hart (drums) Linda Hopkins (vocals)
San Francisco, CA, May 10, 1951
| SF967 | Walkin' And Talkin' Blues
|
| SF968 | Sad And Lonely
|
| SF969 | Me And Dirty Blues
|
| SF970 | Baby, Please Come Home
|
Money Johnson (trumpet) Warren Lucky, Hal Singer (tenor saxophone) Kelly Owens (piano) Mickey Baker (guitar) Leonard Gaskin (bass) Sol Hall (drums) Esther Phillips (vocals)
NYC, May 2, 1956
| SLE6846 | Longing In My Heart
|
| SLE6847 | You Can Bet Your Life
|
| SLE6848 | 'T Ain't Whatcha Say
|
| SLE6849 | If It's New To You
|
Dave McRae (alto saxophone) Buddy Lucas, Warren Lucky (tenor saxophone) Leslie Johnakins (baritone saxophone) Kelly Owens (piano, arranger) Mickey Baker (guitar) Leonard Gaskin (bass) Sol Hall (drums) Big Maybelle (vocals)
NYC, May 14, 1956
Ed Sneed (bass) replaces Gaskin
NYC, July 20, 1956
| SBM6869 | There I've Said It Again
|
| SBM6871 | Tell Me Who
|
Frank Rehak (trombone) Sahib Shihab (alto saxophone) Jerome Richardson (tenor saxophone) George Barrow (baritone saxophone) Don Abney (piano) Kenny Burrell (guitar) Al Lucas (bass) Bobby Donaldson (drums) Big Maybelle (vocals) Ernie Wilkins (arranger)
NYC, April 13, 1957
| SBM70025 | A Little Bird Told Me
|
unknown (trombone) 2 unknown (alto saxophone) unknown (tenor saxophone) unknown (piano) unknown (guitar) unknown (bass) unknown (drums) Big Maybelle (vocals)
NYC, November 26, 1957
| SBM70173 | Ramblin' Blues
|
| SBM70174 | Blues Early, Early, Pt. 1
|
| SBM70175 | Blues Early, Early, Pt. 2
|
Esther Phillips (vocals) and others
February 19, 1959
| SLE70497 | It's So Good
|
| SLE70498 | Do You Ever Think Of Me
|
| SLE70499 | Papa Do
|
unknown (trumpet, alto, tenor, baritone saxophone, piano, guitar, bass, drums) Big Maybelle (vocals)
probably NYC?, March 16, 1959
| SBM70522 | A Good Man Is Hard To Find
|
Milton Larkins (trombone) Hal Singer (tenor saxophone) Wynton Kelly (piano) Franklin Skeete (bass) Heywood Jackson (drums)
NYC, circa June, 1948
| S35-124 | Swanee River
|
| S35-126 | A Plug For Cliff
|
Paul Bley (piano) Steve Swallow (bass) Pete LaRoca (drums)
Medallion Studios, Newark, NJ, August 17, 1962
| SPB6470 | Crossroads (The Circle With The Hole In The Middle)
|
same personnel
Medallion Studios, Newark, NJ, September 12, 1963
Bill Dixon (trumpet) Ken McIntyre (alto saxophone, oboe) George Barrow (tenor saxophone) Howard Johnson (baritone saxophone, tuba) Hal Dodson, Dave Izenzon (bass) Howard McRae (drums)
NYC, February 4, 1964
| 64-059 | Winter Song 1964
|
| 64-060 | The 12th December
|
Ted Curson (trumpet -1,2) Don Cherry (trumpet -3) John Tchicai (alto saxophone) Archie Shepp (tenor saxophone) Ronnie Boykins (bass) Sonny Murray (drums)
NYC, February 5, 1964
| 1. 64-061 | Where Poppies Bloom
|
| 2. 64-062 | Like A Blessed Baby Lamb
|
| 3. 64-063 | Consequences
|
John Gilmore (tenor saxophone) Paul Bley (piano) Gary Peacock (bass) Paul Motian (drums)
Mirasound Studios, NYC, March 9, 1964
| Around Again
|
| Ida Lupino
|
| Syndrome
|
Mike Zwerin (trombone, bass trumpet) Kathy Morris (cello) Jimmy Garrison (bass) Robert Pozar (drums)
1966
| The Mechanical Answering Service Of Chris And Martha White
|
| Maia
|
George Turner (cornet) Marty Cook (trombone) Marzette Watts (tenor saxophone) Frank Kipers (violin) Bobby Few (piano) Joony Booth, Cevera Jeffers, Steve Tintweiss (bass) Tom Berge, J.C. Moses (drums) Amy Schaefer, Patty Waters (vocals)
NYC, 1968
Marzette Watts (tenor saxophone) Bill Dixon (piano) unknown (bass) unknown (drums)
Kai Winding (trombone) Allen Eager (tenor saxophone) Marty Napoleon (piano) Eddie Safranski (bass) Shelly Manne (drums) Teddy Reig (director)
NYC, January 22, 1947
| S3375 | O-Go-Mo
|
| S3376-2 | Mr. Dues
|
| S3377 | Oh, Kai (Kai's Day)
|
| S3378 | Saxon
|
Doug Mettome (trumpet) Allen Eager (tenor saxophone) George Wallington (piano) Leonard Gaskin (bass) Stan Levey (drums)
NYC, November 6, 1947
| S3469-2 | Nightmare Allen
|
| S3469-5 | -
|
| S3470-3 | Churchmouse
|
| S3470-4 | -
|
| S3471-4 | Jane's Bounce
|
| S3471-5 | -
|
| S3472-3 | Unmeditated
|
| S3472-4 | -
|
Jerry Lloyd (trumpet) Kai Winding (trombone) Brew Moore (tenor saxophone) Gerry Mulligan (baritone saxophone) George Wallington (piano) Curly Russell (bass) Roy Haynes (drums)
NYC, May 20, 1949
| S36-134-1 | Mug Bug
|
| S36-134-6 | -
|
| S36-135-1 | Gold Rush
|
| S36-135-5 | -
|
| S36-136-4 | Lestorian Mode
|
| S36-136-5 | -
|
| S36-137-2 | Kai's Kid
|
| S36-137-5 | -
|
Phil Urso (tenor saxophone) Walter Bishop Jr. (piano) Clyde Lombardi (bass) Howie Mann (drums)
NYC, April 14, 1953
| SPU4329 | Little Pres
|
| SPU4330 | Three Little Words
|
| SPU4331 | Don't Take Your Love From Me
|
| SPU4332 | She's Funny That Way
|
Bob Brookmeyer (valve trombone) Phil Urso (tenor saxophone) Horace Silver (piano) Percy Heath (bass) Kenny Clarke (drums)
NYC, April 30, 1954
| SPU4513 | Chiketa
|
| SPU4514 | Wizzard Gizzard
|
| SPU4515 | Stop Watch
|
| SPU4516 | Ozzie's Ode
|
Bernie Privin (trumpet) Toots Mondello (alto saxophone) Al Cohn, Jerry Sanfino, Wolf Taine (tenor saxophone) Romeo Penque (baritone saxophone) Bernie Leighton (piano) Clyde Lombardi (bass) Kenny Clarke (drums)
NYC, May 3, 1956
| 69196 | I'm Gonna Sit Right Down And Write Myself A Letter
|
| 69199 | The Sheik Of Araby
|
Bernie Previn (trumpet) Al Cohn (tenor saxophone) Bernie Leighton (piano) Milt Hinton (bass) Osie Johnson (drums)
NYC, June 14, 1956
| 69226 | My Heart Stood Still
|
| 69228 | How Long Has This Been Going On
|
Ray Copeland (trumpet -1/5,10) Idrees Sulieman (trumpet -1/5,7) Donald Byrd (trumpet -1/5,8) Ernie Royal (trumpet -1/5,9) Joe Wilder (trumpet -1/6) Hank Jones (piano) Wendell Marshall (bass) Kenny Clarke (drums) Ernie Wilkins (arranger, director)
NYC, November 8, 1955
| 1. 69064 | Top Brass
|
| 2. 69065 | Trick Or Treat
|
| 3. 69066 | 58 Market Street
|
| 4. 69067 | Speedway
|
| 5. 69069 | Dot
|
| 6. 69070 | Willow Weep For Me
|
| 7. 69071 | Imagination
|
| 8. 69072 | It Might As Well Be Spring
|
| 9. 69073 | The Nearness Of You
|
| 10. 69074 | Taking A Chance On Love
|
Lee Morgan (trumpet) Curtis Fuller (trombone) Benny Golson (tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Charlie Persip (drums)
Rudy Van Gelder Studio, Englewood Cliffs, NJ, August 25, 1959
| It's All Right With Me
|
| Arabia
|
| I'll Walk Alone
|
| Judy's Dilemma
|
| Wheatleigh Hall
|
Thad Jones (trumpet) Curtis Fuller (trombone) Benny Golson (tenor saxophone) McCoy Tyner (piano) Jimmy Garrison (bass) Dave Bailey (drums)
Rudy Van Gelder Studio, Englewood Cliffs, NJ, December 17, 1959
| Kachin
|
| Bang Bang
|
| Imagination
|
| Blues De Funk
|
| Lido Road
|
** same contents as Savoy MG 12143 + MG 12144.
Russell Jacquet (trumpet) Gus Evans (alto saxophone) Dexter Gordon (tenor saxophone) Arthur Dennis (baritone saxophone) Jimmy Bunn (piano) Leo Blevins (guitar) Herman Washington (bass) Chico Hamilton (drums) Numa Lee Davis (vocals)
Los Angeles, CA, September 21, 1946
| JRC235-2 | Wake Up Old Maid (take 2)
|
| JRC235-5 | Wake Up Old Maid (take 5)
|
| JRC235-10 | Wake Up Old Maid
|
Russell Jacquet (trumpet, vocals) Gus Evans (alto saxophone) Dexter Gordon (tenor saxophone) Arthur Dennis (baritone saxophone) Jimmy Bunn (piano) Leo Blevins (guitar) Herman Washington (bass) Chico Hamilton (drums)
| JRC236-5 | Blues A La Russ (take 5)
|
| JRC236-7 | Blues A La Russ (take 7)
|
| JRC236-11 | Blues A La Russ
|
Al Killian (trumpet) Sonny Criss (alto saxophone) Wardell Gray (tenor saxophone) Russ Freeman (piano) Barney Kessel (guitar) Harry Babasin (bass) Ken Kennedy (drums)
"Elks Auditorium", Los Angeles, CA, July 6, 1947
| BOP50 | Blow Blow Blow, Pt. 1
|
| BOP51 | Blow Blow Blow, Pt. 2
|
| BOP52 | Blow Blow Blow, Pt. 3
|
| BOP53 | Blow Blow Blow, Pt. 4
|
Phil Woods (alto saxophone) Benny Golson (tenor saxophone) Sahib Shihab (baritone saxophone) Hank Jones (piano) Paul Chambers (bass) Art Taylor (drums)
Rudy Van Gelder Studio, Hackensack, NJ, July 9, 1957
| 70085 | SMTWTFSS Blues
|
| 70088 | The Moors
|
| 70089 | Jamilla
|
Phil Woods (alto saxophone) Benny Golson (tenor saxophone) Sahib Shihab (baritone saxophone) Bill Evans (piano) Oscar Pettiford (bass) Art Taylor (drums)
Rudy Van Gelder Studio, Hackensack, NJ, November 7, 1957
| Blu-A-Round
|
| Le Sneak
|
| Ballad To The East
|
| Ba-Dat-Du-Dat
|
Charlie Shavers (trumpet) Buster Bailey (clarinet) Russell Procope (alto saxophone) Billy Kyle (piano) John Kirby (bass) O'Neil Spencer (drums)
NYC, May, 1940
| US1759-1 | Should I
|
| US1760-1 | The Blue Room
|
| US1761-1 | April In Paris
|
| US1762-1 | Am I Blue
|
Charlie Shavers (trumpet) Buster Bailey (clarinet) Benny Carter (alto saxophone) Billy Kyle (piano) John Kirby (bass) Zutty Singleton (drums) Judy Ellington (vocals -1,2)
NYC, June, 1940
| 1. US1841-1 | Seems Like A Month Of Sundays
|
| 2. US1842-1 | Fable Of A Rose
|
| 3. US1843-1 | Pinetop's Boogie Woogie
|
| 4. US1844-1 | Eccentric Rag
|
Kenny Dorham (trumpet) Sonny Stitt (alto saxophone) Bud Powell (piano) Al Hall (bass) Wallace Bishop (drums)
NYC, August 23, 1946
| S3338-4 | Bebop In Pastel (alt. take)
|
Kenny Clarke (drums) replaces Bishop
NYC, September 4, 1946
| S3344-? | Seven Up (alt. take)
|
| S3345-? | Blues In Bebop (alt. take) (Blues A La Bud)
|
Lennie Tristano (piano) Billy Bauer (guitar) John Levy (bass)
NYC, October 23, 1947
| T1391 | Supersonic
|
| T1391-master | Supersonic (alt. take)
|
| T1392 | On A Planet
|
| T1393 | Air Pocket
|
| T1394 | Celestia
|
Dodo Marmarosa (piano) Thomas Mandrus (bass) Joe Wallace (drums)
Pittsburgh, PA, July 21, 1950
| PIT8600 | My Foolish Heart
|
| PIT8601 | Blue Room
|
| PIT8602 | Why Was I Born
|
| PIT8603 | The Night Is Young
|
George Wallington (piano) Curly Russell (bass) Max Roach (drums)
NYC, November 21, 1951
| Twins
|
| Polka Dot
|
| I'll Remember April
|
| High Score
|
| Hyacinth
|
| Joy Bell
|
| I Didn't Know What Time It Was
|
| Fine And Dandy
|
Herbie Nichols (piano) Danny Barker (guitar) Chocolate Williams (bass, vocals) Shadow Wilson (drums)
NYC, March 6, 1952
| HL311 | My Lady Gingersnap (Lady Ginger Snaps)
|
Williams plays (bass)
| HL313 | Who's Blues
|
| HL314 | 'S Wonderful
|
| HL315 | Nichols And Dimes
|
Donald Byrd (trumpet) John LaPorta (alto saxophone) Horace Silver (piano) Wendell Marshall (bass) Kenny Clarke (drums)
Rudy Van Gelder Studio, Hackensack, NJ, January 30, 1956
| 69134 | Budo
|
| 69135 | I Married An Angel
|
| 69136 | The Jazz Message (Freedom For All)
|
Donald Byrd (trumpet) Henry Coker (trombone) Frank Foster (tenor saxophone) Ronnell Bright (piano) Eddie Jones (bass) Gus Johnson (drums)
NYC, October 13, 1957
| 70135 | M.C.
|
| 70136 | La Jolie
|
| 70137 | Southside
|
Conte Candoli, Buddy Colaneri, Norman Faye, Bernie Glow (trumpet) Milt Bernhart, Leon Cox (trombone) Bart Varsalona (bass trombone) Lloyd Otto, Al Richman (French horn) Buddy DeFranco (clarinet) Sam Spumberg (alto saxophone) Shirley Thompson (tenor saxophone) Jimmy Giuffre, Jerry Sanfino (tenor, alto saxophone) Hy Mandel (baritone saxophone) Boyd Raeburn (bass, soprano saxophone, arranger) Ray Rossi (piano) Steve Jordan (guitar) Joe Berisce (bass) Irv Kluger (drums) Doug Jones (percussion) Ginnie Powell (vocals) Johnny Richards (arranger)
NYC, August 14, 1947
| 46 | The Lady Is A Tramp
|
| 47 | How High The Moon
|
| 48 | Trouble Is A Man
|
| 49 | St. Louis Blues
|
no details
Nat Meeks (trumpet) Walter Henry (alto saxophone) James Von Streeter (tenor saxophone) Hampton Hawes (piano) Charlie Norris (guitar) Shifty Henry (bass) Al Wichard (drums) Herman Pattus (vocals)
Los Angeles, CA, July 27, 1949
| SLA4422 | Slow Blues
|
| SLA4424-3 | I'll Never Smile Again
|
no details
Phil Woods (alto saxophone) Frank Socolow (alto, tenor saxophone) Cecil Payne (baritone saxophone) Duke Jordan (piano) Wendell Marshall (bass) Art Taylor (drums)
"Five Spot Cafe", NYC, August 12, 1957
| Parker's Mood
|
| Steeplechase
|
| Buzzy
|
| Scrapple From The Apple
|
same session
| Scrapple From The Apple (take 1) +
|
| Confirmation +
|
| Yardbird Suite +
|
** same contents as Signal S 1204 + 3 bonus tracks.
no details