Philly Joe Jones Catalog
1948 (age 25)
Various Artists - Dance The Rock And Roll (Atlantic LP 8013)
Joe Morris (trumpet) Matthew Gee (trombone) Johnny Griffin (tenor saxophone) Bill McLemore (baritone saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums)Apex Studios, NYC, September 19, 1948
| 141 | Wow! (Ghee) |
Apex Studios, NYC, December 22, 1948
| 166 | Weasel Walk |
Various Artists - Atlantic Rhythm And Blues, Vol. 1: 1947-74 (Atlantic 7 81293-1-F)
Joe Morris (trumpet) Matthew Gee (trombone) Johnny Griffin (tenor saxophone) Bill McLemore (baritone saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same personnelApex Studios, NYC, September 19, 1948
| 142 | The Applejack |
Johnny Griffin With Joe Morris Orchestra - Fly, Mister, Fly (Saxophonograph (Swd) BP 504)
Joe Morris (trumpet) Matthew Gee (trombone) Johnny Griffin (tenor saxophone) Bill McLemore (baritone saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same personnelApex Studios, NYC, December 22, 1948
| 167 | Boogie-Woogie March |
| 168 | Chuck-A-Boogie |
Apex Studios, NYC, May 11, 1949
| 230 | Beans And Cornbread |
The Chronological Joe Morris 1946-1949 (Classics (F) 5057)
Joe Morris (trumpet) Matthew Gee (trombone) Johnny Griffin (tenor saxophone) Bill McLemore (baritone saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums)Apex Studios, NYC, December 22, 1948
| 169 | Jax Boogie |
Apex Studios, NYC, May 11, 1949
| 234 | Tia Juana (Rhumbop) |
1949
Tiny Grimes And His Rocking Highlanders, Vol. 1 (Collectables COCD 5304)
Danny Turner (alto saxophone) Red Prysock (tenor saxophone) Ray Bryant (piano) Tiny Grimes (guitar) Laverne Baker (bass) Philly Joe Jones (drums) J.B. Summers (vocals)Philadelphia, PA, August 30, 1949
| Hey Now | |
| Drinkin' Beer | |
| My Baby Left Me | |
| Hey Mr. J.B. |
Philadelphia, PA, November 14, 1949
| My Baby's Left Me |
J.B. Summers And The Blues Shouters (Collectables COCD 5333)
Danny Turner (alto saxophone) Red Prysock (tenor saxophone) Doc Bagby (piano) Tiny Grimes (guitar) Laverne Baker (bass) Philly Joe Jones (drums) J.B. Summers (vocals): same sessionPhiladelphia, PA, November 14, 1949
| I Want A Present For Christmas |
1953 (age 30)
Miles Davis - Collector's Items (Prestige PRLP 7044)
Miles Davis (trumpet) Charlie Parker as Charlie Chan, Sonny Rollins (tenor saxophone) Walter Bishop Jr. (piano) Percy Heath (bass) Philly Joe Jones (drums)WOR Studios, NYC, January 30, 1953
| 450 | Compulsion |
| 451-1 | The Serpent's Tooth, I |
| 451-2 | The Serpent's Tooth, II |
| 452 | 'Round Midnight |
** part of Prestige PR 24022.
Clifford Brown - Brownie Eyes (Blue Note BN-LA 267-G)
Clifford Brown (trumpet) Lou Donaldson (alto saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums)WOR Studios, NYC, June 9, 1953
| BN489-1 tk.2 | Bellarosa |
Clifford Brown - More Memorable Tracks (Blue Note (J) BNJ 61001)
Clifford Brown (trumpet) Lou Donaldson (alto saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same sessionWOR Studios, NYC, June 9, 1953
| BN490-1 tk.4 | Carvin' The Rock (alt. take 1) |
| BN491-0 tk.7 | Cookin' (alt. take) |
| BN490-5 tk.14 | Carvin' The Rock (alt. take 2) |
** part of Mosaic MR5-104; Blue Note CDP 7243 8 34195-2.
Clifford Brown Memorial Album (Blue Note BLP 1526)
Clifford Brown (trumpet) Lou Donaldson (alto saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same sessionWOR Studios, NYC, June 9, 1953
| BN490-3 tk.6 | Carvin' The Rock |
| BN491-1 tk.8 | Cookin' |
| BN492-0 tk.9 | Brownie Speaks |
| BN493-0 tk.10 | De-Dah |
| BN494-0 tk.11 | You Go To My Head |
** part of Mosaic MR5-104; Blue Note CDP 7243 8 34195-2.
Clifford Brown Memorial (Prestige PRLP 7055)
Clifford Brown, Idrees Sulieman (trumpet) Herb Mullins (trombone) Gigi Gryce (alto saxophone) Benny Golson (tenor saxophone) Oscar Estell (baritone saxophone) Tadd Dameron (piano, arranger) Percy Heath (bass) Philly Joe Jones (drums)NYC, June 11, 1953
| 490 | Philly J.J. |
| 491-1 | Choose Now |
| 491-2 | - |
| 492 | Dial "B" For Beauty |
| 493 | Theme Of No Repeat |
** also issued on Prestige PR 7662 entitled "The Clifford Brown Memorial Album". Prestige PR 16008; Original Jazz Classics OJC 017, OJCCD 017-2.
Elmo Hope Trio/Elmo Hope Quintet (Blue Note (J) K18P 9271)
Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, June 18, 1953
| BN495-1 tk.2 | Happy Hour |
| BN496-2 tk.5 | Freffie |
| BN497-2 tk.8 | Carvin' The Rock |
| BN498-0 tk.9 | Host Sauce |
| BN499-0 tk.10 | Mo Is On |
| BN500-1 tk.13 | Stars Over Marrakesh |
| BN501-1 tk.19 | I Remember You |
| BN502-2 tk.23 | Sweet And Lovely |
Elmo Hope Trio And Quintet (Blue Note CDP 7 84438-2)
Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, June 18, 1953
| BN499-1 tk.11 | Mo Is On (alt. take) |
| tk.20 | It's A Lovely Day Today |
1955
Miles Davis - The Musings Of Miles (Prestige PRLP 7007)
Miles Davis (trumpet) Red Garland (piano) Oscar Pettiford (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, June 7, 1955
| 745 | I Didn't |
| 746 | Will You Still Be Mine |
| 747 | Green Haze |
| 748 | I See Your Face Before Me |
| 749 | A Night In Tunisia |
| 750 | A Gal In Calico |
** part of Prestige P 24064.
Miles Davis - Rare Unreleased Broadcasts (Yadeon (J) 502)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums) Steve Allen (announcer)NBC television broadcast, "The Steve Allen Tonight Show", "Basin Street East", NYC, October 18, 1955
| Steve Allen Intro | |
| Max Is Making Wax | |
| It Never Entered My Mind |
radio broadcast, "Cafe Bohemia", NYC, July 13, 1957
| Walkin' (incomplete) |
Miles Davis - The Legendary Prestige Quintet Sessions (Prestige 4PRCD 4444-2)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums) Steve Allen (announcer)NBC television broadcast, "The Steve Allen Tonight Show", "Basin Street East", NYC, October 18, 1955
| Steve Allen Intro 2 |
Art Farmer Quintet Featuring Gigi Gryce (Prestige PRLP 7017)
Art Farmer (trumpet) Gigi Gryce (alto saxophone) Duke Jordan (piano) Addison Farmer (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, October 21, 1955
| 804 | Forecast |
| 805 | Sans Souci |
| 806 | Evening In Casablanca |
| 807 | Satellite |
| 808 | Nica's Tempo |
| 809 | Shabozz |
The Return Of Howard McGhee (Bethlehem BCP 42)
Howard McGhee (trumpet) Sahib Shihab (baritone, alto saxophone -1,2,4/9,11) Duke Jordan (piano) Percy Heath (bass) Philly Joe Jones (drums)NYC, October 22, 1955
| 1. | Get Happy |
| 2. | Tahitian Lullaby |
| 3. | Lover Man |
| 4. | Lullaby Of The Leaves |
| 5. | Rifftide |
| 6. | Oo-Wee But I Do |
| 7. | Don't Blame Me |
| 8. | Tweedles |
| 9. | Transcriptions |
| 10. | You're Teasing Me |
| 11. | I'll Remember April |
The Complete Columbia Recordings Of Miles Davis With John Coltrane (Mosaic MQ9-191)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Columbia Studio D, NYC, October 26, 1955
| CO54129-1 | Two Bass Hit (alt. take) |
| CO54130-1 | Ah-Leu-Cha (alt. take) |
| CO54130-5 | Ah-Leu-Cha (take 5) |
Columbia 30th Street Studios, NYC, June 5, 1956
| CO56090-5 | Dear Old Stockholm (alt. take) |
| CO56091-1 | Bye Bye Blackbird (alt. take) |
| CO56092-5 | Tadd's Delight (alt. take) |
Columbia 30th Street Studios, NYC, September 10, 1956
| CO56584-1 | All Of You (alt. take) |
| CO56585-1 | Sweet Sue, Just You (1st version) |
| CO56585-3 | Sweet Sue, Just You (false start) |
| CO56585-5 | Sweet Sue, Just You (alt. take) |
| Miles Davis comments |
Columbia 30th Street Studios, NYC, February 4, 1958
| CO60199-1 | Two Bass Hit (alt. take) |
| CO60201-1 | Straight, No Chaser (alt. take) |
| CO60202-2 | Milestones (alt. take) |
Columbia 30th Street Studios, NYC, March 4, 1958
| CO54132-3 | Little Melonae |
Miles Davis - Circle In The Round (Columbia KC2 36278)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Columbia Studio D, NYC, October 26, 1955
| CO54129-2/5 | Two Bass Hit |
Columbia 30th Street Studios, NYC, March 21, 1961
| CO66507 | Blues, No. 2 |
Miles Davis - 'Round About Midnight (Columbia CL 949)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Columbia Studio D, NYC, October 26, 1955
| CO54130-5/4 | Ah-Leu-Cha |
Columbia 30th Street Studios, NYC, June 5, 1956
| CO56090-1 | Dear Old Stockholm |
| CO56091-3 | Bye Bye Blackbird |
| CO56092-2 | Tadd's Delight |
Columbia 30th Street Studios, NYC, September 10, 1956
| CO56584-2 | All Of You |
| CO56586-1 | 'Round Midnight |
Miles Davis - Basic Miles (Columbia C 32025)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Columbia Studio D, NYC, October 26, 1955
| CO54132-2/3 | Little Melonae |
Miles Davis - The Columbia Years 1955-1985 (Columbia C5X 45000)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionColumbia Studio D, NYC, October 26, 1955
| CO54133-1 | Budo (alt. take) |
Various Artists - Jazz Omnibus (Columbia CL 1020)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionColumbia Studio D, NYC, October 26, 1955
| CO54133-8 | Budo |
Miles Davis - Miles (Prestige PRLP 7014)
Miles Davis (trumpet) John Coltrane (tenor saxophone -1/3,5,6) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, November 16, 1955
| 1. 814 | Stablemates |
| 2. 815 | How Am I To Know |
| 3. 816 | Just Squeeze Me |
| 4. 817 | There Is No Greater Love |
| 5. 818 | Bye Bye (theme) |
| 6. 819 | S'posin' |
** part of Prestige P 24064, 4PRCD 4444-2.
1956
Paul Chambers - Chambers' Music (Jazz West JWLP 7)
John Coltrane (tenor saxophone -1,2,5,6) Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums)United Western Recorders, Hollywood, CA, March 1 or 2, 1956
| 1. IM-3532 | Dexterity |
| 2. IM-3533 | Stablemates |
| 3. IM-3534 | Easy To Love |
| 4. IM-3535 | Visitations |
| 5. IM-3536 | John Paul Jones |
| 6. IM-3537 | Eastbound |
Serge Chaloff - Blue Serge (Capitol T 742)
Serge Chaloff (baritone saxophone) Sonny Clark (piano) Leroy Vinnegar (bass) Philly Joe Jones (drums)Capitol Studios, Hollywood, CA, March 14, 1956
| 15157-3 | A Handful Of Stars |
| The Goof And I | |
| Thanks For The Memory | |
| All The Things You Are | |
| I've Got The World On A String | |
| Susie's Blues | |
| Stairway To The Stars |
Serge Chaloff - Blue Serge (Capitol CDP 7 94505-2)
Serge Chaloff (baritone saxophone) Sonny Clark (piano) Leroy Vinnegar (bass) Philly Joe Jones (drums): same sessionCapitol Studios, Hollywood, CA, March 14, 1956
| How About You |
Bennie Green With Art Farmer (Prestige PRLP 7041)
Art Farmer (trumpet) Bennie Green (trombone) Cliff Smalls (piano) Addison Farmer (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, April 13, 1956
| 872 | My Blue Heaven |
| 873 | Sky Coach |
| 874 | Cliff Dweller |
| 875 | Let's Stretch |
| 876 | Gone With The Wind |
Paul Chambers/John Coltrane - High Step (Blue Note BN-LA 451-H2)
Curtis Fuller (trombone) John Coltrane (tenor saxophone) Pepper Adams (baritone saxophone) Paul Chambers (bass) Philly Joe Jones (drums)Boston, MA, April 20, 1956
| High Step | |
| Nixon, Dixon And Yates Blues |
Various Artists - Jazz In Transition (Transition TRLP 30)
Curtis Fuller (trombone) John Coltrane (tenor saxophone) Pepper Adams (baritone saxophone) Roland Alexander (piano) Paul Chambers (bass) Philly Joe Jones (drums)Boston, MA, April 20, 1956
| Trane's Strain |
Elmo Hope - Informal Jazz (Prestige PRLP 7043)
Donald Byrd (trumpet) John Coltrane, Hank Mobley (tenor saxophone) Elmo Hope (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, May 7, 1956
| 884 | Weejah |
| 885 | Polka Dots And Moonbeams |
| 886 | On It |
| 887 | Avalon |
** part of Milestone M 47037.
Workin' With The Miles Davis Quintet (Prestige PRLP 7166)
Miles Davis (trumpet -1,2,4/7) John Coltrane (tenor saxophone -1,2,5/7) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, May 11, 1956
| 1. 888 | In Your Own Sweet Way |
| 2. 890 | Trane's Blues |
| 3. 894 | Ahmad's Blues |
| 4. 896 | It Never Entered My Mind |
| 5. 899 | Four |
| 6. 900 | The Theme, I |
| 7. 901 | The Theme, II |
Rudy Van Gelder Studio, Hackensack, NJ, October 26, 1956
| 998 | Half Nelson |
** part of Prestige PR 24034, 4PRCD 4444-2.
Steamin' With The Miles Davis Quintet (Prestige PRLP 7200)
Miles Davis (trumpet) John Coltrane (tenor saxophone -1,3,5) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, May 11, 1956
| 1. 889 | Diane |
| 2. 891 | Something I Dreamed Last Night |
| 3. 895 | The Surrey With The Fringe On Top |
| 4. 897 | When I Fall In Love |
| 5. 898 | Salt Peanuts |
Rudy Van Gelder Studio, Hackensack, NJ, October 26, 1956
| 996 | Well, You Needn't |
** part of Prestige PR 24034, 4PRCD 4444-2.
Relaxin' With The Miles Davis Quintet (Prestige PRLP 7129)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums): same personnelRudy Van Gelder Studio, Hackensack, NJ, May 11, 1956
| 892 | It Could Happen To You |
| 893 | Woody'n You |
Rudy Van Gelder Studio, Hackensack, NJ, October 26, 1956
| 995 | If I Were A Bell |
| 999 | You're My Everything |
| 1000 | I Could Write A Book |
| 1001 | Oleo |
** part of Prestige PR 24001, 4PRCD 4444-2.
Sonny Rollins - Tenor Madness (Prestige PRLP 7047)
Sonny Rollins (tenor saxophone) John Coltrane (tenor saxophone -5) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, May 24, 1956
| 1. 902 | My Reverie |
| 2. 903 | The Most Beautiful Girl In The World |
| 3. 904 | Paul's Pal |
| 4. 905 | When Your Lover Has Gone |
| 5. 906 | Tenor Madness |
Phil Woods - Pairing Off (Prestige PRLP 7046)
Donald Byrd, Kenny Dorham (trumpet) Gene Quill, Phil Woods (alto saxophone) Tommy Flanagan (piano) Doug Watkins (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, June 15, 1956
| 914 | The Stanley Stomper |
| 915 | Cool Aid |
| 916 | Pairing Off |
| 917 | Suddenly It's Spring |
** part of Prestige P 24065.
Miles Davis Quintet At Peacock Alley (VGM/Soulard VGM-SOU 1997)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums) Spider Burks (announcer)"Peacock Alley", St. Louis, MO, July 14, 1956
| Intro | |
| Ah-Leu-Cha | |
| A Foggy Day | |
| All Of You | |
| Woody'n You | |
| Walkin' |
"Peacock Alley", St. Louis, MO, July 21, 1956
| Two Bass Hit | |
| Well, You Needn't | |
| Billy Boy | |
| All Of You | |
| Oleo (Airegin) | |
| Airegin (Newk, #2) / Bye Bye (theme) | |
| Sign Off / Bye Bye (theme) |
Jackie McLean Quintet Introducing Bill Hardman - Jackie's Pal (Prestige PRLP 7068)
Bill Hardman (trumpet) Jackie McLean (alto saxophone -1/3,5,6) Mal Waldron (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, August 31, 1956
| 1. 969 | Sweet Doll |
| 2. 970 | Just For Marty |
| 3. 971 | Dee's Dilemma |
| 4. 972 | It Could Happen To You |
| 5. 973 | Sublues |
| 6. 974 | Steeplechase |
Leonard Bernstein - What Is Jazz (Columbia CL 919)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums) Gil Evans, Teo Macero (arranger)Columbia 30th Street Studios, NYC, September 10, 1956
| CO56585-8 | Sweet Sue, Just You |
Kenny Drew Trio (Riverside RLP 12-224)
Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, September 20 & 26, 1956
| Caravan | |
| Come Rain Or Come Shine | |
| Ruby, My Dear | |
| Weird-O | |
| Taking A Chance On Love | |
| When You Wish Upon A Star | |
| Blues For Nica | |
| It's Only A Paper Moon |
Paul Chambers - Whims Of Chambers (Blue Note BLP 1534)
Donald Byrd (trumpet -1,2,5/7) John Coltrane (tenor saxophone -1,2,5,6) Horace Silver (piano) Kenny Burrell (guitar -1,2,4/7) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, September 21, 1956
| 1. tk.3 | We Six |
| 2. tk.5 | Omicron |
| 3. tk.6 | Tale Of The Fingers |
| 4. tk.8 | Whims Of Chambers |
| 5. tk.9 | Nita |
| 6. tk.11 | Just For The Love |
| 7. tk.13 | Dear Ann |
Phineas Newborn - Phineas' Rainbow (RCA Victor LPM 1421)
Phineas Newborn (piano) Calvin Newborn (guitar) George Joyner (bass) Philly Joe Jones (drums)NYC, October 16, 1956
| G2JB7825 | Angel Eyes |
| G2JB7821 | Stairway To The Stars |
| G2JB7820 | She (She Means Everything To Me) |
| G2JB7824 | Autumn In New York |
NYC, October 19, 1956
| G2JB7826 | Overtime |
| G2JB7827 | Clarisse |
| G2JB7828 | What Is This Thing Called Love |
NYC, October 22, 1956
| G2JB7897 | Come To Baby, Do! |
| G2JB7831 | Land's End |
| G2JB7830 | Tin Tin Deo |
J.R. Monterose (Blue Note BLP 1536)
Ira Sullivan (trumpet) J.R. Monterose (tenor saxophone) Horace Silver (piano) Wilbur Ware (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, October 21, 1956
| tk.3 | Wee-Jay |
| tk.7 | Mark V |
| tk.9 | The Third |
| tk.10 | Bobbie Pin |
| tk.12 | Ka-Link |
| tk.15 | Beauteous |
J.R. Monterose (Blue Note CDP 7243 8 29102-2)
Ira Sullivan (trumpet) J.R. Monterose (tenor saxophone) Horace Silver (piano) Wilbur Ware (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, October 21, 1956
| tk.2 | Wee-Jay (alt. take) |
Miles Davis And The Modern Jazz Giants (Prestige PRLP 7150)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, October 26, 1956
| 997 | 'Round Midnight |
** part of Prestige PRLP 16-3.
Cookin' With The Miles Davis Quintet (Prestige PRLP 7094)
Miles Davis (trumpet) John Coltrane (tenor saxophone -1/4) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, October 26, 1956
| 1. 1002 | Airegin |
| 2. 1003 | Tune Up |
| 3. 1004 | When Lights Are Low |
| 4. 1005 | Blues By Five |
| 5. 1006 | My Funny Valentine |
** part of Prestige PR 24001, 4PRCD 4444-2.
Lee Morgan Indeed! (Blue Note BLP 1538)
Lee Morgan (trumpet) Clarence Sharpe (alto saxophone) Horace Silver (piano) Wilbur Ware (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, November 4, 1956
| tk.3 | Gaza Strip |
| tk.4 | Reggie Of Chester |
| tk.6 | Little T |
| tk.9 | Stand By |
| tk.11 | Roccus |
| tk.14 | The Lady |
The Complete Blue Note Lee Morgan Fifties Sessions (Mosaic MR6-162)
Lee Morgan (trumpet) Clarence Sharpe (alto saxophone) Horace Silver (piano) Wilbur Ware (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, November 4, 1956
| tk.7 | Little T (alt. take) |
Rudy Van Gelder Studio, Hackensack, NJ, September 29, 1957
| tk.3 | Just One Of Those Things (alt. take) |
** same contents as Blue Note BLP 1538 + BLP 1541 + BLP 1557 + BLP 1575 + BLP 1578 + BLP 1590 + 4 bonus tracks.
Joe Castro - Mood Jazz (Atlantic LP 1264)
Joe Castro (piano) Ed Shonk (bass) Philly Joe Jones (drums)NYC, November 19, 1956
| 2215 | You Stepped Out Of A Dream |
Tadd Dameron/John Coltrane - Mating Call (Prestige PRLP 7070)
John Coltrane (tenor saxophone) Tadd Dameron (piano) John Simmons (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, November 30, 1956
| 1025 | Mating Call |
| 1026 | Soultrane |
| 1027 | Gnid |
| 1028 | Super-Jet |
| 1029 | On A Misty Night |
| 1030 | Romas |
Miles Davis/Bud Powell/Art Tatum - Unreleased Performances (Teppa 76)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)radio broadcast, "Bandstand USA", "Blue Note", Philadelphia, PA, December 8, 1956
| Tune Up | |
| Walkin' |
1957
Art Pepper Meets The Rhythm Section (Contemporary C 3532)
Art Pepper (alto saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Hollywood, CA, January 19, 1957
| You'd Be So Nice To Come Home To | |
| Red Pepper Blues | |
| Imagination | |
| Waltz Me Blues | |
| Straight Life | |
| Jazz Me Blues | |
| Tin Tin Deo | |
| Star Eyes | |
| Birks' Works |
Art Pepper - ...The Way It Was! (Contemporary S 7630)
Art Pepper (alto saxophone) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionHollywood, CA, January 19, 1957
| The Man I Love |
Hollywood, CA, February 29, 1960
| The Way You Look Tonight |
Hank Mobley - Hank (Blue Note BLP 1560)
Donald Byrd (trumpet) John Jenkins (alto saxophone) Hank Mobley (tenor saxophone) Bobby Timmons (piano) Wilbur Ware (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, April 21, 1957
| tk.2 | Easy To Love |
| tk.3 | Fit For A Hanker |
| tk.4 | Hi Groove, Low Feedback |
| tk.7 | Time After Time |
| tk.9 | Dance Of The Infidels |
Clark Terry - Serenade To A Bus Seat (Riverside RLP 12-237)
Clark Terry (trumpet) Johnny Griffin (tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, April 27, 1957
| Donna Lee | |
| Boardwalk | |
| Digits | |
| Boomerang | |
| Serenade To A Bus Seat | |
| Stardust | |
| Cruising | |
| That Old Black Magic |
Miles Davis - John Coltrane - Sonny Rollins (Ozone 18)
Miles Davis (trumpet) Sonny Rollins (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Art Taylor or Philly Joe Jones (drums)radio broadcast, "Cafe Bohemia", NYC, July 13, 1957
| Four (Roy's Romp) | |
| Bye Bye Blackbird |
Miles Davis - Makin' Wax (Chakra (It) TH 100 MD)
Miles Davis (trumpet) Sonny Rollins (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Art Taylor or Philly Joe Jones (drums): same sessionradio broadcast, "Cafe Bohemia", NYC, July 13, 1957
| It Never Entered My Mind |
radio broadcast, "Bandstand USA #41", "Cafe Bohemia", NYC, May 17, 1958
| Four (Four Plus One More) | |
| Bye Bye Blackbird | |
| Walkin' (No Blues) |
Ernie Henry - Last Chorus (Riverside RLP 12-266)
Lee Morgan (trumpet) Melba Liston (trombone -1,2,4) Ernie Henry (alto saxophone) Benny Golson (tenor saxophone) Cecil Paine (baritone saxophone -1,2,4) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, September 15, 1957
| 1. | Autumn Leaves |
| 2. | Beauty And The Blues |
| 3. | All The Things You Are |
| 4. | Melba's Tune |
Reeves Sound Studios, NYC, September 30, 1957
| Like Someone In Love (alt. take) |
John Coltrane - The Ultimate Blue Train (Blue Note CDP 7243 8 53428-2)
Lee Morgan (trumpet) Curtis Fuller (trombone) John Coltrane (tenor saxophone) Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, September 15, 1957
| tk.2 | Lazy Bird (alt. take) |
John Coltrane - Blue Train (Blue Note BLP 1577)
Lee Morgan (trumpet) Curtis Fuller (trombone) John Coltrane (tenor saxophone) Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, September 15, 1957
| tk.3 | Lazy Bird |
| tk.6 | Moment's Notice |
| tk.9/8 | Blue Train |
| tk.11 | Locomotion |
| tk.12 | I'm Old Fashioned |
Various Artists - Blue Trails: The Rare Tracks (Blue Note (J) TOCJ 1601)
Lee Morgan (trumpet) Curtis Fuller (trombone) John Coltrane (tenor saxophone) Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, September 15, 1957
| tk.8 | Blue Train (alt. take) |
Sonny Rollins - Newk's Time (Blue Note BLP 4001)
Sonny Rollins (tenor saxophone) Wynton Kelly (piano -1,2,4/6) Doug Watkins (bass -1,2,4/6) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, September 22, 1957
| 1. tk.5 | Tune Up |
| 2. tk.9 | Asiatic Race |
| 3. tk.13 | Surrey With The Fringe On Top |
| 4. tk.15 | Wonderful, Wonderful |
| 5. tk.17 | Namely You |
| 6. tk.19 | Blues For "Philly" Jones |
Lee Morgan - The Cooker (Blue Note BLP 1578)
Lee Morgan (trumpet) Pepper Adams (baritone saxophone) Bobby Timmons (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, September 29, 1957
| tk.4 | Just One Of Those Things |
| tk.6 | Heavy Dipper |
| tk.7 | A Night In Tunisia |
| tk.9 | Lover Man |
| tk.10 | New-Ma |
** part of Mosaic MR6-162, MD4-162.
Ernie Henry Quartet - Seven Standards And A Blues (Riverside RLP 12-248)
Ernie Henry (alto saxophone) Wynton Kelly (piano) Wilbur Ware (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, September 30, 1957
| I Get A Kick Out Of You | |
| My Ideal | |
| I've Got The World On A String | |
| Sweet Lorraine | |
| Soon | |
| Lover Man | |
| Specific Gravity | |
| Like Someone In Love |
Sonny Clark - The Art Of The Trio (Blue Note (J) GXF 3069)
Sonny Clark (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, October 13, 1957
| tk.2 | I Didn't Know What Time It Was (alt. take) |
| tk.5 | Two Bass Hit (alt. take) |
| tk.9 | Tadd's Delight (alt. take) |
Sonny Clark Trio (Blue Note BLP 1579)
Sonny Clark (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, October 13, 1957
| tk.3 | I Didn't Know What Time It Was |
| tk.7 | Two Bass Hit |
| tk.8 | Be-Bop |
| tk.10 | Tadd's Delight |
| tk.11 | Softly, As In A Morning Sunrise |
Kenny Drew - Pal Joey: Jazz Impressions Of The Rodgers And Hart (Riverside RLP 12-249)
Kenny Drew (piano) Wilbur Ware (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, October 15, 1957
| Do It The Hard Way | |
| Bewitched, Bothered And Bewildered | |
| I Didn't Know What Time It Was | |
| Happy Hunting Horn | |
| I Cold Write A Book | |
| What Is A Man | |
| The Lady Is A Tramp |
Miles Davis - Miscellaneous Davis 1955-1957 (Jazz Unlimited (Swd) JUCD 2050)
Miles Davis (trumpet) Bobby Jaspar (tenor saxophone) Tommy Flanagan (piano) Paul Chambers (bass) Philly Joe Jones (drums)"Birdland", NYC, October 17-30, 1957
| All Of You | |
| Four |
Hank Mobley - Poppin' (Blue Note (J) GXF 3066)
Art Farmer (trumpet) Hank Mobley (tenor saxophone) Pepper Adams (baritone saxophone) Sonny Clark (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, October 20, 1957
| tk.3 | Gettin' Into Something |
| tk.6 | Poppin' |
| tk.8 | East Of Brooklyn (Night Watch) |
| tk.9 | Tune Up |
| tk.12 | Darn That Dream |
** part of Mosaic MQ10-181, MD6-181.
Most Likely... Dick Johnson (Riverside RLP 12-253)
Dick Johnson (alto saxophone) Dave McKenna (piano) Wilbur Ware (bass) Philly Joe Jones (drums)NYC, October 30, 1957
| Lee-Antics | |
| It's So Peaceful In The Country | |
| Aw C'mon, Hoss | |
| Stella By Starlight | |
| Me 'N' Dave | |
| It's Bad For Me | |
| The End Of A Love Affair | |
| Folderol | |
| The Loop |
Various Artists - Winner's Circle (Bethlehem BCP 6024)
Donald Byrd (trumpet) Frank Rehak (trombone) Gene Quill (alto saxophone) John Coltrane (tenor saxophone) Al Cohn (baritone saxophone) Eddie Costa (piano) Freddie Green (guitar) Oscar Pettiford (bass) Philly Joe Jones (drums)NYC, October, 1957
| Not So Sleepy |
Red Rodney 1957 (Signal S 1206)
Red Rodney (trumpet) Ira Sullivan (tenor saxophone) Tommy Flanagan (piano) Oscar Pettiford (bass) Philly Joe Jones (drums)NYC, November 22, 1957
| Star Eyes | |
| You'd Better Go Now | |
| Stella By Starlight |
Warne Marsh (Atlantic LP 1291)
Warne Marsh (tenor saxophone) Ronnie Ball (piano) Paul Chambers (bass) Philly Joe Jones (drums)NYC, December 12, 1957
| 2871 | Too Close For Comfort |
| 2872 | It's All Right With Me |
1958 (age 35)
Sonny Clark - Cool Struttin' (Blue Note BLP 1588)
Art Farmer (trumpet) Jackie McLean (alto saxophone) Sonny Clark (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, January 5, 1958
| tk.1 | Blue Minor |
| tk.2 | Cool Struttin' |
| tk.5 | Sippin' At Bells |
| tk.6 | Deep Night |
Sonny Clark Quintet (Blue Note (J) LNJ 70093)
Art Farmer (trumpet) Jackie McLean (alto saxophone) Sonny Clark (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, January 5, 1958
| tk.4 | Royal Flush |
| tk.7 | Lover |
** also issued on Blue Note (J) K18P 9279 entitled "Cool Struttin', Vol. 2". Blue Note (J) BNJ 61016, (J) BRP 8049.
Guitar Slim - If I Had My Life To Live Over b/w When There's No Way Out (Atco 6120)
Joe Morris (trumpet) Matthew Gee (trombone) Johnny Griffin (tenor saxophone) Elmo Hope (piano) Guitar Slim (Eddie Jones) (guitar, vocals) Percy Heath (bass) Philly Joe Jones (drums)NYC, January 22, 1958
| 4109 | 57C346 | When There's No Way Out |
Various Artists - Rockin' Together (Atco LP 33-103)
Joe Morris (trumpet) Matthew Gee (trombone) Johnny Griffin (tenor saxophone) Elmo Hope (piano) Guitar Slim (Eddie Jones) (guitar, vocals) Percy Heath (bass) Philly Joe Jones (drums): same sessionNYC, January 22, 1958
| 4110 | 57C347 | If I Had My Life To Live Over |
Various Artists - Texas Guitar: From Dallas To L.A. (Atlantic SD 7226)
Joe Morris (trumpet) Matthew Gee (trombone) Johnny Griffin (tenor saxophone) Elmo Hope (piano) Guitar Slim (Eddie Jones) (guitar, vocals) Percy Heath (bass) Philly Joe Jones (drums): same sessionNYC, January 22, 1958
| 4111 | 57C348 | Along About Midnight |
Wynton Kelly Piano (Riverside RLP 12-254)
Wynton Kelly (piano) Kenny Burrell (guitar) Paul Chambers (bass) Philly Joe Jones (drums)NYC, January 31, 1958
| Whisper Not | |
| Dark Eyes | |
| Action |
** part of Milestone M 47026.
Wynton Kelly Piano (Original Jazz Classics OJCCD 401-2)
Wynton Kelly (piano) Kenny Burrell (guitar) Paul Chambers (bass) Philly Joe Jones (drums): same sessionNYC, January 31, 1958
| Dark Eyes (alt. take) |
Miles Davis - Milestones (Columbia CL 1193)
Miles Davis (trumpet -1,3,4) Cannonball Adderley (alto saxophone -1,3,4) John Coltrane (tenor saxophone -1,3,4) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums)Columbia 30th Street Studios, NYC, February 4, 1958
| 1. CO60199-2 | Two Bass Hit |
| 2. CO60200-1 | Billy Boy |
| 3. CO60201-2 | Straight, No Chaser |
| 4. CO60202-3 | Milestones (Miles) |
Columbia 30th Street Studios, NYC, March 4, 1958
| 1. CO60204-1 | Sid's Ahead |
| 2. CO60203-2 | Dr. Jackle (Dr. Jeckyll) |
Johnny Griffin Sextet (Riverside RLP 12-264)
Donald Byrd (trumpet -1/4) Johnny Griffin (tenor saxophone) Pepper Adams (baritone saxophone -1/4) Kenny Drew (piano) Wilbur Ware (bass) Philly Joe Jones (drums)NYC, February 25, 1958
| 1. | Stix' Trix |
| 2. | What's New |
| 3. | Johnny G.G. |
| 4. | Catharsis |
| 5. | Woody'n You |
Thelonious Monk - Blues Five Spot (Milestone M 9124)
Donald Byrd (trumpet) Johnny Griffin (tenor saxophone) Pepper Adams (baritone saxophone) Thelonious Monk (piano) Wilbur Ware (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, February 25, 1958
| Coming On The Hudson |
Johnny Griffin - Way Out! (Riverside RLP 12-274)
Johnny Griffin (tenor saxophone) Kenny Drew (piano) Wilbur Ware (bass) Philly Joe Jones (drums)NYC, February 26 & 27, 1958
| Where's Your Overcoat Boy | |
| Hot Sausage | |
| Sunny Monday | |
| Cherokee | |
| Terry's Tune | |
| Little John |
Jimmy Smith - Softly As A Summer Breeze (Blue Note BLP 4200)
Jimmy Smith (organ) Kenny Burrell (guitar) Philly Joe Jones (drums)Manhattan Towers, NYC, February 26, 1958
| tk.5 | It Could Happen To You |
| tk.6 | Hackensack |
| tk.7 | These Foolish Things |
| tk.8 | Sometimes I'm Happy |
Gil Evans - New Bottle, Old Wine (World Pacific WP 1246)
Johnny Coles, Louis Mucci, Ernie Royal (trumpet) Joe Bennett, Tom Mitchell, Frank Rehak (trombone) Julius Watkins (French horn) Bill Barber (tuba) Cannonball Adderley (alto saxophone) Phil Bodner (reeds) Gil Evans (piano, arranger, conductor) Chuck Wayne (guitar) Paul Chambers (bass) Philly Joe Jones (drums)Manhattan Towers, NYC, May 2, 1958
| Willow Tree |
** part of Blue Note BN-LA 461-H2.
Clark Terry/Thelonious Monk - In Orbit (Riverside RLP 12-271)
Clark Terry (flugelhorn) Thelonious Monk (piano) Sam Jones (bass) Philly Joe Jones (drums)NYC, May 7 & 12, 1958
| In Orbit | |
| One Foot In The Gutter | |
| Trust In Me | |
| Let's Cool One | |
| Pea-Eye | |
| Argentia | |
| Moonlight Fiesta | |
| Buck's Business | |
| Very Near Blue |
Various Artists - New Blue Horns (Riverside RLP 12-294)
Clark Terry (flugelhorn) Thelonious Monk (piano) Sam Jones (bass) Philly Joe Jones (drums): same sessionNYC, May 7 & 12, 1958
| Flugelin' The Blues |
NYC, September, 1958
| Soft Winds |
NYC, January 19, 1959
| Early Morning Mood (Early Morning Blues) |
Miles Davis All Stars Featuring John Coltrane And Bill Evans (Jazz Band (E) EB 418)
Miles Davis (trumpet) John Coltrane (tenor saxophone) Bill Evans (piano) Paul Chambers (bass) Philly Joe Jones (drums) Leonard Feather, Dan Morgenstern (announcer)radio broadcast, "Bandstand USA #41", "Cafe Bohemia", NYC, May 17, 1958
| Two Bass Hit (incomplete) (Closing Announcement/Wha' Happned) |
Various Artists - The Other Side Of Blue Note 1500 Series (Blue Note (J) BNJ 61008/10)
Bud Powell (piano) Sam Jones (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, May 24, 1958
| tk.4 | John's Abbey (alt. take) |
The Amazing Bud Powell, Vol. 4 - Time Waits (Blue Note BLP 1598)
Bud Powell (piano) Sam Jones (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Hackensack, NJ, May 24, 1958
| tk.5 | Sub City (alt. take) |
| tk.8 | Sub City |
| tk.9 | John's Abbey |
| tk.10 | Buster Rides Again |
| tk.11 | Dry Soul |
| tk.12 | Marmalade |
| tk.14 | Monopoly |
| tk.16 | Time Waits |
Look Out For Evans Bradshaw! (Riverside RLP 12-263)
Evans Bradshaw (piano) George Joyner (bass) Philly Joe Jones (drums)NYC, June 9, 1958
| Love For Sale | |
| Georgia On My Mind | |
| Old Devil Moon | |
| Coolin' The Blues | |
| Prophets | |
| Blueinet | |
| Hallelujah |
Cannonball Adderley - Portrait Of Cannonball (Riverside RLP 12-269)
Blue Mitchell (trumpet) Cannonball Adderley (alto saxophone) Bill Evans (piano) Sam Jones (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, July 1, 1958
| Minority (take 2+3) | |
| Straight Life | |
| Blue Funk | |
| A Little Taste | |
| People Will Say We're In Love | |
| Nardis |
Cannonball Adderley - Portrait Of Cannonball (Original Jazz Classics OJC 361)
Blue Mitchell (trumpet) Cannonball Adderley (alto saxophone) Bill Evans (piano) Sam Jones (bass) Philly Joe Jones (drums): same sessionReeves Sound Studios, NYC, July 1, 1958
| Nardis (take 4) |
Cannonball Adderley - Cannonball And Eight Giants (Milestone M 47001)
Blue Mitchell (trumpet) Cannonball Adderley (alto saxophone) Bill Evans (piano) Sam Jones (bass) Philly Joe Jones (drums): same sessionReeves Sound Studios, NYC, July 1, 1958
| Minority (take 2) | |
| Minority (take 3) |
Blue Mitchell Big 6 (Riverside RLP 12-273)
Blue Mitchell (trumpet) Curtis Fuller (trombone) Johnny Griffin (tenor saxophone) Wynton Kelly (piano) Wilbur Ware (bass) Philly Joe Jones (drums)NYC, July 2 & 3, 1958
| Blues March | |
| Big Six | |
| There Will Never Be Another You | |
| Brother 'Ball | |
| Jamph | |
| Sir John | |
| Promenade |
Miles Davis - Porgy And Bess (Columbia CL 1274)
Johnny Coles, Bernie Glow, Louis Mucci, Ernie Royal (trumpet) Miles Davis (flugelhorn, trumpet) Joe Bennett, Jimmy Cleveland, Frank Rehak (trombone) Dick Hixson (bass trombone) Willie Ruff, Gunther Schuller, Julius Watkins (French horn) Bill Barber (tuba) Phil Bodner, Romeo Penque (flute) Danny Bank (bass clarinet) Cannonball Adderley (alto saxophone) Paul Chambers (bass) Philly Joe Jones (drums) Gil Evans (arranger, conductor)Columbia 30th Street Studios, NYC, July 22, 1958
| CO61300 | My Man's Gone Now |
| CO61301 | Gone, Gone, Gone |
| CO61302 | Gone |
Abbey Lincoln - It's Magic (Riverside RLP 12-277)
Kenny Dorham (trumpet) Curtis Fuller (trombone -1/3) Benny Golson (tenor saxophone) Jerome Richardson (baritone saxophone, flute -1/3) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums) Abbey Lincoln (vocals)NYC, July 24, 1958
| 1. | Just For Me |
| 2. | An Occasional Man |
| 3. | Music, Maestro, Please |
| 4. | 'Tain't Nobody's Business If I Do |
| 5. | Exactly Like You |
NYC, August 15, 1958
| 1. | I'm In Love |
| 2. | Love |
| 3. | It's Magic |
| 4. | Out Of The Past |
| 5. | Little Niles |
Chet Baker Sings - It Could Happen To You (Riverside RLP 12-278)
Chet Baker (trumpet, vocals) Kenny Drew (piano) Sam Jones (bass) Philly Joe Jones (drums)NYC, August, 1958
| The More I See You | |
| Old Devil Moon |
| Do It The Hard Way | |
| I'm Old Fashioned | |
| My Heart Stood Still | |
| Everything Happens To Me | |
| Dancing On The Ceiling |
Chet Baker Sings - It Could Happen To You (Original Jazz Classics OJCCD 303-2)
Chet Baker (trumpet, vocals) Kenny Drew (piano) Sam Jones (bass) Philly Joe Jones (drums)NYC, August, 1958
| You Make Me Feel So Young (take 5) |
Philly Joe Jones - Blues For Dracula (Riverside RLP 12-282)
Nat Adderley (cornet) Julian Priester (trombone) Johnny Griffin (tenor saxophone) Tommy Flanagan (piano) Jimmy Garrison (bass) Philly Joe Jones (drums, narrator)Reeves Sound Studios, NYC, September 17, 1958
| Blues For Dracula | |
| Trick Street | |
| Fiesta | |
| Tune Up | |
| Ow! |
Chet Baker In New York (Riverside RLP 12-281)
Chet Baker (trumpet) Johnny Griffin (tenor saxophone -1,3,5) Al Haig (piano) Paul Chambers (bass) Philly Joe Jones (drums)NYC, September, 1958
| 1. | Fair Weather |
| 2. | Polka Dots And Moonbeams |
| 3. | Hotel 49 |
| 4. | Solar |
| 5. | Blue Thoughts |
| 6. | When Lights Are Low |
Art Blakey - Drums Around The Corner (Blue Note CDP 7243 5 21455-2)
Lee Morgan (trumpet) Bobby Timmons (piano) Jymie Merritt (bass) Roy Haynes (drums) Art Blakey, Philly Joe Jones (drums, timpani) Ray Barretto (congas)Manhattan Towers, NYC, November 2, 1958
| tk.4 | Let's Take 16 Bars |
| tk.6 | Moose The Mooche |
| tk.7 | Drums In The Rain |
| tk.11 | Lee's Tune |
| tk.13 | Blakey's Blues |
| tk.15 | Lover |
Art Blakey - Holiday For Skins, Vol. 1 (Blue Note BLP 4004)
Donald Byrd (trumpet -2,3) Ray Bryant (piano) Wendell Marshall (bass) Art Taylor (drums) Art Blakey (drums, chant) Philly Joe Jones (drums, chant, vocals) Ray Barretto, Victor Gonzales, Julio Martinez, "Sabu" Martinez, Chonguito Vincente (bongos, congas) Fred Pagani (timbales) Andy Delannoy (maracas) Austin Cromer, Hal Rasheed (chant)Manhattan Towers, NYC, November 9, 1958
| 1. tk.2 | Aghano |
| 2. tk.3 | The Feast |
| 3. tk.7 | Mirage |
| 4. tk.13 | Lamento Africano |
Art Blakey - Holiday For Skins, Vol. 2 (Blue Note BLP 4005)
Donald Byrd (trumpet -1,2) Ray Bryant (piano -1,2) Wendell Marshall (bass -1/3) Art Taylor (drums) Art Blakey (drums, chant) Philly Joe Jones (drums, chant, vocals) Ray Barretto, Victor Gonzales, Julio Martinez, "Sabu" Martinez, Chonguito Vincente (bongos, congas) Fred Pagani (timbales) Andy Delannoy (maracas) Austin Cromer, Hal Rasheed (chant)Manhattan Towers, NYC, November 9, 1958
| 1. tk.4 | Reflection |
| 2. tk.8 | Swingin' Kilts |
| 3. tk.9 | Dinga |
| 4. tk.12 | O' Tinde |
The Other Side Of Benny Golson (Riverside RLP 12-290)
Curtis Fuller (trombone) Benny Golson (tenor saxophone) Barry Harris (piano) Jymie Merritt (bass) Philly Joe Jones (drums)Nola's Penthouse Sound Studios, NYC, November 12, 1958
| Strut Time | |
| Jubilation | |
| Are You Real | |
| Cry A Blue Tear | |
| Symptoms | |
| This Night |
** part of Milestone M 47048.
Benny Golson And The Philadelphians (United Artists UAL 4020)
Lee Morgan (trumpet) Benny Golson (tenor saxophone) Ray Bryant (piano) Percy Heath (bass) Philly Joe Jones (drums)Nola's Penthouse Sound Studios, NYC, November 17, 1958
| You're Not The Kind | |
| Blues On My Mind | |
| Stablemates | |
| Thursday's Theme | |
| Afternoon In Paris | |
| Calgary |
Everybody Digs Bill Evans (Riverside RLP 12-291)
Bill Evans (piano) Sam Jones (bass) Philly Joe Jones (drums)NYC, December 15, 1958
| Minority | |
| Young And Foolish | |
| Night And Day | |
| Tenderly | |
| What Is There To Say | |
| Oleo |
** part of Milestone M 47024.
Chet Baker Introduces Johnny Pace (Riverside RLP 12-292)
Chet Baker (trumpet) Herbie Mann (flute) Joe Berle (piano) Vinnie Burke (bass) Philly Joe Jones (drums) Johnny Pace (vocals)NYC, December 23, 1958
| All Or Nothing At All | |
| Crazy, She Calls Me | |
| It Might As Well Be Spring |
1959
Jackie McLean - Jackie's Bag (Blue Note BLP 4051)
Donald Byrd (trumpet) Jackie McLean (alto saxophone) Sonny Clark (piano -2,3) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Hackensack, NJ, January 18, 1959
| 1. tk.3 | Quadrangle |
| 2. tk.8 | Blues Inn |
| 3. tk.10 | Fidel |
Bill Evans - Peace Piece And Other Pieces (Milestone M 47024)
Bill Evans (piano) Paul Chambers (bass) Philly Joe Jones (drums)NYC, January 19, 1959
| You And The Night And The Music | |
| How Am I To Know | |
| Woody'n You (take 1) | |
| Woody'n You (take 2) | |
| My Heart Stood Still | |
| On Green Dolphin Street |
NYC, August 21, 1962
| Loose Bloose (alt. take) (take 3) |
Chet Baker - Chet (Riverside RLP 12-299)
Chet Baker (trumpet) Herbie Mann (flute -1,3) Pepper Adams (baritone saxophone -1,3) Bill Evans (piano) Kenny Burrell (guitar -1,3) Paul Chambers (bass) Philly Joe Jones (drums)NYC, January 19, 1959
| 1. | 'Tis Autumn |
| 2. | Time On My Hands |
| 3. | You And The Night And The Music |
Kenny Dorham/Cannonball Adderley - Blue Spring (Riverside RLP 12-297)
Kenny Dorham (trumpet) Dave Amram (French horn) Cannonball Adderley (alto saxophone) Cecil Payne (baritone saxophone) Cedar Walton (piano) Paul Chambers (bass) Philly Joe Jones (drums)NYC, January 20, 1959
| Passion Spring | |
| Spring Cannon |
Paul Chambers - Go II (Vee-Jay (J) 22YB 2088)
Cannonball Adderley (alto saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Universal Recording Studios, Chicago, IL, February, 1959?
| tk.4 | Awful Mean (alt. take) |
** part of Vee-Jay (J) FHCY 1009/10.
Paul Chambers - Go (Vee-Jay VJLP 1014)
Cannonball Adderley (alto saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionUniversal Recording Studios, Chicago, IL, February, 1959?
| 59-1195 tk.6 | Awful Mean |
** part of Vee-Jay (J) FHCY 1009/10; Mosaic MD6-205.
Abbey Lincoln - Abbey Is Blue (Riverside RLP 12-308)
Kenny Dorham (trumpet) Phil Wright (piano) Les Spann (guitar) Sam Jones (bass) Philly Joe Jones (drums) Abbey Lincoln (vocals)NYC, March 25, 1959
| Come Sunday | |
| Softly, As In A Morning Sunrise | |
| Lost In The Stars |
NYC, March 26, 1959
| Lonely House | |
| Thursday's Child | |
| Brother, Where Are You |
Philly Joe Jones Big Band Sounds - Drums Around The World (Riverside RLP 12-302)
Lee Morgan (trumpet) Curtis Fuller (trombone) Herbie Mann (flute, piccolo flute) Cannonball Adderley (alto saxophone) Benny Golson (tenor saxophone) Sahib Shihab (baritone saxophone) Wynton Kelly (piano) Jimmy Garrison (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, May 4, 1959
| "El Tambores" (Carioca) | |
| Land Of The Blue Veils | |
| Philly J.J. |
Reeves Sound Studios, NYC, May 11, 1959
| Blue Gwynn | |
| Stablemates | |
| Cherokee |
Reeves Sound Studios, NYC, May 28, 1959
| The Tribal Message |
Philly Joe Jones Big Band Sounds - Drums Around The World (Original Jazz Classics OJCCD 1792-2)
Blue Mitchell, Lee Morgan (trumpet) Curtis Fuller (trombone) Cannonball Adderley (alto saxophone) Benny Golson (tenor saxophone) Sahib Shihab (baritone saxophone) Wynton Kelly (piano) Sam Jones (bass) Philly Joe Jones (drums)Reeves Sound Studios, NYC, May 11, 1959
| Stablemates (mono take) |
Art Farmer - Brass Shout (United Artists UAL 4047)
Art Farmer, Lee Morgan, Ernie Royal (trumpet) James Haughton (baritone horn) Jimmy Cleveland, Curtis Fuller (trombone) Julius Watkins (French horn) Don Butterfield (tuba) Bobby Timmons (piano) Percy Heath (bass) Philly Joe Jones (drums) Benny Golson (arranger)Nola's Penthouse Sound Studios, NYC, May 14, 1959
| Moanin' |
| April In Paris |
| Five Spot After Dark | |
| Minor Vamp |
Wynton Kelly - Kelly Great (Vee-Jay VJLP 1016)
Lee Morgan (trumpet) Wayne Shorter (tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Fine Sound Studios, NYC, August 12, 1959
| 59-1220 | Wrinkles |
| 59-1221 | June Night |
| 59-1222 | Mama "G" |
| 59-1223 | What Know |
| 59-1224 | Sydney |
** part of Mosaic MD6-205.
The Best Of Wynton Kelly (Vee-Jay VJLP 1086)
Lee Morgan (trumpet) Wayne Shorter (tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums) with string section directed by Bill Marx overdubbedFine Sound Studios, NYC, August 12, 1959
| 59-1220 (overdubbed) | Wrinkles |
| 59-1221 (overdubbed) | June Night |
Bell Sound Studios, NYC, April 27, 1960
| 60-1499 (overdubbed) | On Stage |
| 60-1500 (overdubbed) | Weird Lullaby |
Blue Mitchell - Blue Soul (Riverside RLP 12-309)
Blue Mitchell (trumpet) Curtis Fuller (trombone -1,2,5,6,8,9) Jimmy Heath (tenor saxophone -1,2,5,6,8,9) Wynton Kelly (piano) Sam Jones (bass) Philly Joe Jones (drums)NYC, September 28, 1959
| 1. | Minor Vamp |
| 2. | The Head |
| 3. | The Way You Look Tonight |
| 4. | Park Avenue Petite |
| 5. | Top Shelf |
| 6. | Waverley Street |
| 7. | Blue Soul |
| 8. | Polka Dots And Moonbeams |
| 9. | Nica's Dream |
Philly Joe Jones - Showcase (Riverside RLP 12-313)
Blue Mitchell (trumpet) Julian Priester (trombone) Bill Barron (tenor saxophone) Pepper Adams (baritone saxophone) Dolo Coker as Charles Coker (piano) Jimmy Garrison (bass) Philly Joe Jones (drums)NYC, November 17, 1959
| Battery Blues | |
| Joe's Debut | |
| Joe's Delight | |
| Julia | |
| I'll Never Be The Same |
NYC, November 18, 1959
| 1. | Minor Mode |
| 2. | Gwen |
| 3. | Gone |
| 4. | Interpretation |
1960
Art Pepper - Gettin' Together (Contemporary M 3573)
Conte Candoli (trumpet -1,2,5) Art Pepper (alto, tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Hollywood, CA, February 29, 1960
| 1. | Whims Of Chambers |
| 2. | Bijou The Poodle |
| 3. | Why Are We Afraid |
| 4. | Softly, As In A Morning Sunrise |
| 5. | Rhythm-A-Ning |
| 6. | Gettin' Together |
| 7. | Diane |
Art Pepper - Gettin' Together (Original Jazz Classics OJCCD 169-2)
Art Pepper (alto, tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Hollywood, CA, February 29, 1960
| Gettin' Together (alt. take) |
Curtis Fuller/Booker Little/Donald Byrd/'Philly' Joe Jones/Paul Chambers/Pepper Adams/Bill Evans/Mal Waldron/Ed Shaughnessy/Armando Peraza/Marcus Belgrave/Addison Farmer/Don Ellis/Willie Rodriguez/Earl Zindars - The Soul Of Jazz Percussion (Warwick W 5003)
Don Ellis, Booker Little (trumpet) Curtis Fuller (trombone) Mal Waldron (piano) Addison Farmer (bass) 'Philly' Joe Jones (drums) Willie Rodriguez (congas) Ed Shaughnessy (percussion, vibraphone)NYC, spring 1960
| November Afternoon | |
| Witchfire | |
| Construction Crew |
| Quiet Temple | |
| Ping Pong Beer | |
| Prophecy |
Donald Byrd/Booker Little - The Third World (TCB LP 1004)
Don Ellis, Booker Little (trumpet) Curtis Fuller (trombone) Mal Waldron (piano) Addison Farmer (bass) 'Philly' Joe Jones (drums) Willie Rodriguez (congas) Ed Shaughnessy (percussion, vibraphone)NYC, spring 1960
| Construction Crew (Construction) | |
| November Afternoon |
| Prophecy | |
| Ping Pong Beer (Ping Pong) | |
| Quiet Temple |
Booker Little And Booker Ervin - Sounds Of Inner City (TCB LP 1003)
Don Ellis, Booker Little (trumpet) Curtis Fuller (trombone) Mal Waldron (piano) Addison Farmer (bass) 'Philly' Joe Jones (drums) Willie Rodriguez (congas) Ed Shaughnessy (percussion, vibraphone)NYC, spring 1960
| Witch Fire (Witchfire) |
Art Blakey/Charlie Persip/Elvin Jones/"Philly" Joe Jones - Gretsch Drum Night At Birdland (Roulette R 52049)
Charles Greenlee (trombone) Sylvester "Red" Kyner (alto saxophone) Tommy Flanagan (piano) Ron Carter (bass) Art Blakey, Philly Joe Jones (drums)"The Jazz Corner Of The World", "Birdland", NYC, April 25, 1960
| Wee Dot | |
| Fours | |
| "Philly" Joe Jones' Solo | |
| Art Blakey's Solo / Finale | |
| Now's The Time | |
| "Philly" Joe Jones' Solo | |
| Art Blakey's Solo |
Art Blakey/Charlie Persip/Elvin Jones/"Philly" Joe Jones - Gretsch Drum Night At Birdland, Vol. 2 (Roulette R 52067)
Charles Greenlee (trombone) Sylvester "Red" Kyner (alto saxophone) Tommy Flanagan (piano) Ron Carter (bass) Elvin Jones, Philly Joe Jones, Charlie Persip (drums)"The Jazz Corner Of The World", "Birdland", NYC, April 25, 1960
| Tune Up: Drum Solo Exchange | |
| Tune Up: "Philly" Joe Jones' Solo | |
| Tune Up: Charlie Persip's Solo | |
| Tune Up: Elvin Jones' Solo | |
| Tune Up: "Philly" Joe Jones' Solo | |
| Tune Up: Charlie Persip's Solo | |
| Tune Up: Elvin Jones' Solo | |
| Tune Up: Finale |
Wynton Kelly - Kelly At Midnight (Vee-Jay VJLP 3011)
Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Bell Sound Studios, NYC, April 27, 1960
| 60-1497 | Pot Luck |
| 60-1498 | Skatin' |
| 60-1499 | On Stage |
| 60-1500 | Weird Lullaby |
| 60-1501 | Temperance |
** part of Mosaic MD6-205.
Philly Joe Jones - Philly Joe's Beat (Atlantic LP 1340)
Mike Downs (cornet) Bill Barron (tenor saxophone) Walter Davis Jr. (piano) Paul Chambers (bass) Philly Joe Jones (drums)NYC, May 20, 1960
| 4556 | Muse Rapture |
| 4558 | Two Bass Hit |
| 4559 | Got To Take Another Chance |
| 4560 | Lori |
| 4562 | Dear Old Stockholm |
| 4563 | Salt Peanuts |
| 4564 | That's Earl, Brother |
Freddie Hubbard - Goin' Up (Blue Note BLP 4056)
Freddie Hubbard (trumpet) Hank Mobley (tenor saxophone) McCoy Tyner (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, November 6, 1960
| tk.2 | Blues For Brenda |
| tk.9 | Karioka |
| tk.17 | Asiatic Race (Lotus Blossom) |
| tk.19 | A Peck A Sec (The Latest) |
| tk.21 | The Changing Scene |
| tk.24 | I Wished I Knew |
Grant Green - First Session (Blue Note CDP 7243 5 27548-2)
Wynton Kelly (piano) Grant Green (guitar) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, November 26, 1960
| tk.2 | Just Friends |
| tk.4 | Sonnymoon For Two |
| tk.7 | He's A Real Gone Guy |
| tk.11 | Seepin' |
| tk.12 | Grant's First Stand |
1961
Kenny Dorham - Whistle Stop (Blue Note BLP 4063)
Kenny Dorham (trumpet) Hank Mobley (tenor saxophone) Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, January 15, 1961
| tk.2 | "Philly" Twist |
| tk.11 | Whistle Stop |
| tk.19 | Windmill |
| tk.20 | Sunset |
| tk.25 | Sunrise In Mexico |
| tk.31 | Dorham's Epitaph |
| tk.34 | Buffalo |
Elvin Jones/Philly Joe Jones - Together! (Atlantic LP 1428)
Blue Mitchell (trumpet) Curtis Fuller (trombone) Hank Mobley (tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Elvin Jones, Philly Joe Jones (drums)NYC, February 2, 1961
| 5327 | Le Roi |
| 5328 | Brown Sugar |
| 5329 | Beau-Ty |
The Complete Blue Note Recordings Of The Tina Brooks Quintets (Mosaic MR4-106)
Johnny Coles (trumpet) Tina Brooks (tenor saxophone) Kenny Drew (piano) Wilbur Ware (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, March 2, 1961
| tk.1 | Dhyana |
| tk.6 | The Waiting Game |
| tk.7 | Talkin' About |
| tk.19 | David The King |
| tk.21 | One For Myrtle |
| tk.22 | Stranger In Paradise |
Hank Mobley - Workout (Blue Note BLP 4080)
Hank Mobley (tenor saxophone) Wynton Kelly (piano) Grant Green (guitar) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, March 26, 1961
| tk.3 | Smokin' |
| tk.4 | Uh Huh |
| tk.8 | The Best Things In Life Are Free |
| tk.11 | Workout |
| tk.15 | Greasin' Easy |
Hank Mobley - Another Workout (Blue Note BST 84431)
Hank Mobley (tenor saxophone) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, March 26, 1961
| tk.21 | Three Coins In A Fountain |
Rudy Van Gelder Studio, Englewood Cliffs, NJ, December 5, 1961
| tk.2 | Gettin' And Jettin' |
| tk.8 | Out Of Joe's Bag |
| tk.9 | Hank's Other Soul |
| tk.15 | I Should Care |
| tk.16 | Hello, Young Lovers |
Blue Mitchell - Smooth As The Wind (Riverside RLP 367)
Burt Collins, Bernie Glow, Blue Mitchell, Clark Terry (trumpet) Jimmy Cleveland, Urbie Green (trombone) Willie Ruff (French horn) Harry Lookofsky (concertmaster) Tommy Flanagan (piano) Tommy Williams (bass) Philly Joe Jones (drums) Tadd Dameron, Benny Golson (arranger) unidentified stringsNYC, March 29 & 30, 1961
| Smooth As The Wind | |
| But Beautiful | |
| The Best Things In Life Are Free | |
| A Blue Time | |
| For All We Know | |
| I'm A Fool To Want You |
Freddie Hubbard - Hub Cap (Blue Note BLP 4073)
Freddie Hubbard (trumpet) Julian Priester (trombone) Jimmy Heath (tenor saxophone) Cedar Walton (piano) Larry Ridley (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, April 9, 1961
| tk.3 | Earmon Jr. |
| tk.6 | Hub Cap |
| tk.11 | Cry Me Not |
| tk.15 | Plexus |
| tk.18 | Luana |
| tk.21 | Osie Mae |
** part of Blue Note BN-LA 496-H2.
Freddie Hubbard - Hub Cap (Blue Note CDP 7 84073-2)
Freddie Hubbard (trumpet) Julian Priester (trombone) Jimmy Heath (tenor saxophone) Cedar Walton (piano) Larry Ridley (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Englewood Cliffs, NJ, April 9, 1961
| tk.14 | Plexus (alt. take) |
Duke Ellington - Paris Blues (United Artists UAL 4092)
Cat Anderson, Willie Cook, Ed Mullens, Clark Terry (trumpet) Ray Nance (trumpet, violin, vocals) Lou Blackburn, Murray McEachern, Britt Woodman (trombone) Juan Tizol (valve trombone) Harry Smiles (oboe) Jimmy Hamilton (clarinet, tenor saxophone) Johnny Hodges, Oliver Nelson (alto saxophone) Russell Procope (alto saxophone, clarinet) Paul Gonsalves (tenor saxophone) Babe Clarke (tenor saxophone, clarinet) Harry Carney (baritone saxophone, clarinet, bass clarinet) Duke Ellington (piano) Les Spann (guitar, flute) Aaron Bell (bass) Sonny Greer, Dave Jackson, Jimmy Johnson, Philly Joe Jones, Max Roach (drums) Lawrence Brown (conductor)NYC, May 1, 2 & 3, 1961
| Nite | |
| Autumnal Suite | |
| Birdie Jungle | |
| Paris Stairs | |
| Paris Blues |
Donald Byrd - The Cat Walk (Blue Note BLP 4075)
Donald Byrd (trumpet) Pepper Adams (baritone saxophone) Duke Pearson (piano) Laymon Jackson (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, May 2, 1961
| tk.2 | Say You're Mine |
| tk.5 | Hello Bright Sunflower |
| tk.8 | Each Time I Think Of You |
| tk.10 | Duke's Mixture |
| tk.14 | The Cat Walk |
| tk.15 | Cute |
Dexter Gordon - Landslide (Blue Note LT 1051)
Dexter Gordon (tenor saxophone) Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, May 9, 1961
| tk.4 | Landslide |
Rudy Van Gelder Studio, Englewood Cliffs, NJ, June 25, 1962
| tk.6 | Blue Gardenia |
| tk.12 | Second Balcony Jump |
| tk.21 | Six Bits Jones |
Dexter Gordon - Dexter Calling... (Blue Note BLP 4083)
Dexter Gordon (tenor saxophone) Kenny Drew (piano) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, May 9, 1961
| tk.8 | Modal Mood |
| tk.13 | Clear The Dex |
| tk.20 | Soul Sister |
| tk.26 | Smile |
| tk.28 | Ernie's Tune |
| tk.32 | I Want More |
| tk.34 | The End Of A Love Affair |
Elmo Hope - Homecoming! (Riverside RLP 381)
Blue Mitchell (trumpet) Frank Foster, Jimmy Heath (tenor saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums)Bell Sound Studios, NYC, June 22, 1961
| Moe, Jr. (take 4) | |
| Eyes So Beautiful As Yours | |
| A Kiss For My Love (take 5) |
Bell Sound Studios, NYC, June 29, 1961
| La Berthe | |
| Homecoming | |
| One Mo' Blues | |
| Imagination |
Elmo Hope - Homecoming! (Original Jazz Classics OJCCD 1810-2)
Blue Mitchell (trumpet) Frank Foster, Jimmy Heath (tenor saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums)Bell Sound Studios, NYC, June 22, 1961
| A Kiss For My Love (take 4) |
Elmo Hope - The All-Star Sessions (Milestone M 47037)
Blue Mitchell (trumpet) Frank Foster, Jimmy Heath (tenor saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same sessionBell Sound Studios, NYC, June 22, 1961
| Moe, Jr. (take 2) |
Nat Adderley - Naturally! (Jazzland JLP 47)
Nat Adderley (trumpet) Wynton Kelly (piano) Paul Chambers (bass) Philly Joe Jones (drums)NYC, July 19, 1961
| Chloe | |
| Images | |
| Oleo | |
| Scotch And Water |
Phineas Newborn Jr. - A World Of Piano! (Contemporary M 3600)
Phineas Newborn Jr. (piano) Paul Chambers (bass) Philly Joe Jones (drums)Contemporary Records' Studio, Los Angeles, CA, October 16, 1961
| Cheryl | |
| Manteca | |
| Lush Life | |
| Dahoud |
Chris Anderson - Inverted Image (Jazzland JLP 57)
Chris Anderson (piano) Bill Lee (bass) Philly Joe Jones (drums)NYC, November 8, 1961
| See You Saturday | |
| I Hear A Rhapsody | |
| You'd Be So Nice To Come Home To |
Various Artists - The Lost Sessions (Blue Note CDP 7243 5 21484-2)
Donald Byrd (trumpet) Curtis Fuller (trombone) Julius Watkins (French horn) Sam Rivers (tenor saxophone) Cecil Payne (baritone saxophone) Tadd Dameron (piano, arranger) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, December 14, 1961
| tk.7 | The Elder Speaks |
| tk.19 | Bevan Beeps |
| tk.22 | Lament For The Living |
| tk.31 | Aloof Spoof |
Ike Quebec - Blue And Sentimental (Blue Note BLP 4098)
Ike Quebec (tenor saxophone, piano) Grant Green (guitar) Paul Chambers (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, December 16, 1961
| tk.3 | Like |
| tk.4 | Don't Take Your Love From Me |
| tk.15 | Minor Impulse |
| tk.17 | Blues For Charlie |
| tk.28 | Blue And Sentimental |
Ike Quebec - Blue And Sentimental (Blue Note CDP 7 84098-2)
Ike Quebec (tenor saxophone, piano) Grant Green (guitar) Paul Chambers (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Englewood Cliffs, NJ, December 16, 1961
| tk.22 | That Old Magic |
| tk.26 | It's All Right With Me |
Wes Montgomery - The Complete Riverside Recordings (Riverside 12RCD 4408-2)
Milt Jackson (vibraphone) Wynton Kelly (piano) Wes Montgomery (guitar) Sam Jones (bass) Philly Joe Jones (drums)Plaza Sound Studios, NYC, December 18, 1961
| Stablemates (take 2) |
Plaza Sound Studios, NYC, December 19, 1961
| S.K.J. (take 4) | |
| Sam Sack (take 2) |
Milt Jackson/Wes Montgomery - Bags Meets Wes! (Riverside RLP 407)
Milt Jackson (vibraphone) Wynton Kelly (piano) Wes Montgomery (guitar) Sam Jones (bass) Philly Joe Jones (drums): same personnelPlaza Sound Studios, NYC, December 18, 1961
| Stablemates (take 4) | |
| Stairway To The Stars (take 6) | |
| Blue Roz (take 4) | |
| Jingles (take 9) |
Plaza Sound Studios, NYC, December 19, 1961
| S.K.J. (take 7) | |
| Sam Sack (take 3) | |
| Delilah (take 4) |
** part of Milestone M 47013.
The Alternative Wes Montgomery (Milestone M 47065)
Milt Jackson (vibraphone) Wynton Kelly (piano) Wes Montgomery (guitar) Sam Jones (bass) Philly Joe Jones (drums): same personnelPlaza Sound Studios, NYC, December 18, 1961
| Stairway To The Stars (take 2) | |
| Jingles (take 8) |
Wes Montgomery/Milt Jackson/George Shearing - Wes And Friends (Milestone M 47013)
Milt Jackson (vibraphone) Wynton Kelly (piano) Wes Montgomery (guitar) Sam Jones (bass) Philly Joe Jones (drums): same sessionPlaza Sound Studios, NYC, December 18, 1961
| Blue Roz (take 3) |
Plaza Sound Studios, NYC, December 19, 1961
| Delilah (take 3) |
Elmo Hope - High Hope! (Beacon LP 401)
Elmo Hope (piano) Paul Chambers (bass) Philly Joe Jones (drums)NYC, 1961
| Chips | |
| Happy Hour |
Elmo Hope - Here's Hope! (Celebrity LP 209)
Elmo Hope (piano) Paul Chambers (bass) Philly Joe Jones (drums): same sessionNYC, 1961
| Hot Sauce | |
| When The Groove Is Low | |
| De-Dah | |
| Abdula | |
| Freffie | |
| Stars Over Marakesh |
1962
Tadd Dameron - The Magic Touch (Riverside RLP 419)
Blue Mitchell, Clark Terry, Joe Wilder (trumpet) Jimmy Cleveland, Britt Woodman (trombone) Julius Watkins (French horn) Jerry Dodgion, Leo Wright (alto saxophone, flute) Johnny Griffin (tenor saxophone) Jerome Richardson (tenor saxophone, flute) Tate Houston (baritone saxophone) Bill Evans (piano) George Duvivier (bass) Philly Joe Jones (drums) Tadd Dameron (arranger, conductor)NYC, February 27, 1962
| Our Delight | |
| Bevan's Birthday | |
| Dial "B" For Beauty |
NYC, March 9, 1962
| On A Misty Night | |
| Fontainebleau | |
| Swift As The Wind |
NYC, April 16, 1962
| 1. | Just Plain Talkin' |
| 2. | If You Could See Me Now |
| 3. | Look Stop And Liston |
| 4. | You're A Joy |
Tadd Dameron - The Magic Touch (Original Jazz Classics OJCCD 143-2)
Blue Mitchell, Clark Terry, Joe Wilder (trumpet) Jimmy Cleveland, Britt Woodman (trombone) Julius Watkins (French horn) Jerry Dodgion, Leo Wright (alto saxophone, flute) Johnny Griffin (tenor saxophone) Jerome Richardson (tenor saxophone, flute) Tate Houston (baritone saxophone) Bill Evans (piano) George Duvivier (bass) Philly Joe Jones (drums) Tadd Dameron (arranger, conductor)NYC, February 27, 1962
| Our Delight (alt. take) |
NYC, March 9, 1962
| On A Misty Night (alt. take) |
NYC, April 16, 1962
| Just Plain Talkin' (alt. take) |
Red Garland - Red's Good Groove (Jazzland JLP 87)
Blue Mitchell (trumpet) Pepper Adams (baritone saxophone) Red Garland (piano) Sam Jones (bass) Philly Joe Jones (drums)Plaza Sound Studios, NYC, March 22, 1962
| Red's Good Groove | |
| Love Is Here To Stay | |
| This Time The Dream's On Me | |
| Take Me In Your Arms | |
| Excerent! | |
| Falling In Love With Love |
Milt Jackson - Big Bags (Riverside RLP 429)
Nat Adderley, Bernie Glow, Ernie Royal, Clark Terry (trumpet) Jimmy Cleveland, Paul Faulise, Melba Liston (trombone) George Dorsey, Jerome Richardson (alto saxophone) James Moody (tenor saxophone) Arthur Clarke (baritone saxophone) Milt Jackson (vibraphone) Hank Jones (piano) Ron Carter (bass) Philly Joe Jones (drums) Ernie Wilkins (arranger, conductor)NYC, June-July, 1962
| Old Devil Moon | |
| You'd Be So Nice To Come Home To | |
| Later Than You Think |
** part of Milestone M 47006.
Bill Evans - Interplay (Riverside RLP 445)
Freddie Hubbard (trumpet) Bill Evans (piano) Jim Hall (guitar) Percy Heath (bass) Philly Joe Jones (drums)NYC, July 16, 1962
| When You Wish Upon A Star | |
| You Go To My Head | |
| Wrap Your Troubles In Dreams |
NYC, July 17, 1962
| You And The Night And The Music | |
| I'll Never Smile Again (take 7) | |
| Interplay |
Bill Evans - Interplay (Original Jazz Classics OJCCD 308-2)
Freddie Hubbard (trumpet) Bill Evans (piano) Jim Hall (guitar) Percy Heath (bass) Philly Joe Jones (drums): same sessionNYC, July 17, 1962
| I'll Never Smile Again (take 6) |
Sonny Stitt And The Top Brass (Atlantic LP 1395)
Reunald Jones, Blue Mitchell, Dick Vance (trumpet) Jimmy Cleveland, Matthew Gee (trombone) Willie Ruff (French horn) Sonny Stitt (alto saxophone) Perri Lee (organ) Joe Benjamin (bass) Philly Joe Jones (drums) Tadd Dameron, Jimmy Mundy (arranger)NYC, July 16, 1962
| 6347 | Boom Boom |
| 6348 | Souls Valley |
| 6349 | The Four Ninety |
| 6350 | On A Misty Night |
| 6351 | Stittsie (Stittside) |
Bill Evans - The Interplay Sessions (Milestone M 47066)
Zoot Sims (tenor saxophone) Bill Evans (piano) Jim Hall (guitar) Ron Carter (bass) Philly Joe Jones (drums)NYC, August 21, 1962
| Loose Bloose (take 2+4) | |
| Time Remembered | |
| Funkallero | |
| Fudgesickle Built For Four |
NYC, August 22, 1962
| My Bells | |
| There Came You | |
| Fun Ride |
Freddie Hubbard - Here To Stay (Blue Note BN-LA 496-H2)
Freddie Hubbard (trumpet) Wayne Shorter (tenor saxophone) Cedar Walton (piano) Reggie Workman (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, December 27, 1962
| tk.4 | Full Moon And Empty Arms |
| tk.9 | Assunta |
| tk.18 | Father And Son |
| tk.20 | Nostrand And Fulton |
| tk.23 | Body And Soul |
| tk.25 | Philly Mignon |
1963 (age 40)
Hank Mobley - No Room For Squares (Blue Note BLP 4149)
Donald Byrd (trumpet) Hank Mobley (tenor saxophone) Herbie Hancock (piano) Butch Warren (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, March 7, 1963
| tk.4 | Old World, New Imports |
| tk.7 | Up A Step |
Rudy Van Gelder Studio, Englewood Cliffs, NJ, October 2, 1963
| tk.2 | No Room For Squares |
| tk.8 | Three Way Split |
| tk.17 | Me 'N' You |
| tk.22 | Carolyn |
Hank Mobley - No Room For Squares (Blue Note CDP 7 84149-2)
Lee Morgan (trumpet) Hank Mobley (tenor saxophone) Andrew Hill (piano) John Ore (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Englewood Cliffs, NJ, October 2, 1963
| tk.3 | No Room For Squares (alt. take) |
| tk.13 | Untitled Mobley Tune (Comin' Back) |
| tk.19 | Carolyn (alt. take) |
| tk.29 | Syrup And Biscuits |
Hank Mobley - Straight No Filter (Blue Note BST 84435)
Donald Byrd (trumpet) Hank Mobley (tenor saxophone) Herbie Hancock (piano) Butch Warren (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, March 7, 1963
| tk.17 | The Feelin's Good |
Hank Mobley - Straight No Filter (Blue Note CDP 7 84435-2)
Donald Byrd (trumpet) Hank Mobley (tenor saxophone) Herbie Hancock (piano) Butch Warren (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Englewood Cliffs, NJ, March 7, 1963
| tk.26 | Yes Indeed |
Hank Mobley - The Turnaround! (Blue Note BLP 4186)
Donald Byrd (trumpet) Hank Mobley (tenor saxophone) Herbie Hancock (piano) Butch Warren (bass) Philly Joe Jones (drums): same sessionRudy Van Gelder Studio, Englewood Cliffs, NJ, March 7, 1963
| tk.21 | East Of The Village |
| tk.29 | The Good Life |
Freddie Hubbard - The Body And The Soul (Impulse! A 38)
Ed Armour, Freddie Hubbard, Richard Williams (trumpet) Curtis Fuller, Melba Liston (trombone) Bob Northern, Julius Watkins (French horn) Eric Dolphy (alto saxophone) Jerome Richardson (baritone saxophone) Harry Cykman, Arnold Eidus, Julius Held, Harry Katzman, Harry Lookofsky, Charles McCracken, Gene Orloff, Paul Poliakin, Sol Shapiro, Morris Stonzek (strings) Cedar Walton (piano) Reggie Workman (bass) Philly Joe Jones (drums) Wayne Shorter (arranger, conductor)Capitol Studios, NYC, March 8, 1963
| Chocolate Shake | |
| Skylark | |
| I Got It Bad (And That Ain't Good) |
Capitol Studios, NYC, March 11, 1963
| Carnival (Manha De Carnaval) | |
| Aries (Aires) | |
| Thermo |
Elmo Hope Ensemble - Sounds From Rikers Island (Audio Fidelity AFLP 2119)
Lawrence Jackson (trumpet -1,2,4/6,9) Freddie Douglas (alto, soprano saxophone -1,2,4/6,9) John Gilmore (tenor saxophone -1,2,4/6,8,9) Elmo Hope (piano) Ronnie Boykins (bass) Philly Joe Jones (drums) Earl Coleman (vocals -6) Marcelle Daniels (vocals -9)NYC, August 19, 1963
| 1. | One For Joe |
| 2. | Ecstasy |
| 3. | Three Silver Quarters |
| 4. | A Night In Tunisia |
| 5. | Trippin |
| 6. | It Shouldnt Happen To A Dream |
| 7. | Kevin |
| 8. | Monique |
| 9. | Groovin' High |
Ben Webster/Joe Zawinul - Soulmates (Riverside RLP 476)
Ben Webster (tenor saxophone) Joe Zawinul (piano) Richard Davis (bass) Philly Joe Jones (drums)NYC, September 20, 1963
| Too Late Now | |
| Come Sunday | |
| Trav'lin' Light | |
| Like Someone In Love |
NYC, October 14, 1963
| Soulmates | |
| The Governor | |
| Frog Legs | |
| Evol Deklaw Ni |
1964
The Two Sides Of Jack Wilson (Atlantic LP 1427)
Jack Wilson (piano) Leroy Vinnegar (bass) Philly Joe Jones (drums)Los Angeles, CA, May 13, 1964
| 7862 | Once Upon A Summertime |
| 7863 | Sometime Ago |
| 7865 | The Good Life |
| 7866 | The End Of A Love Affair |
| 7867 | The Scene Is Clean |
| 7868 | Glass Enclosure |
| 7869 | Good Time Joe |
| 7870 | Kinta (After You've Gone) |
Jack Wilson - The Jazz Organs (Vault LP 108)
Genghis Kyle, Jack Wilson (organ) John Gray (guitar) Leroy Vinnegar (bass) Philly Joe Jones (drums)Los Angeles, CA, September 4, 1964
| 8156 | Blue 'N' Boogie |
| 8158 | Street Scene |
| 8160 | My Favorite Things |
1966
Elmo Hope - The Final Sessions, Vol. 1 (Specialty SP 2178)
Elmo Hope (piano) John Ore (bass) Philly Joe Jones (drums)A-1 Sound Studios, NYC, March 8, 1966
| Roll On | |
| Low Tide (Bird's View) | |
| Toothsome Threesome | |
| Something For Kenny (If I Could, I Would) | |
| Grammy | |
| Vi-Ann | |
| Punch That |
Elmo Hope - The Final Sessions, Vol. 2 (Specialty SP 2179)
Elmo Hope (piano) John Ore (bass) Philly Joe Jones (drums): same sessionA-1 Sound Studios, NYC, March 8, 1966
| Somebody Loves Me | |
| A Kiss For My Love (Bertha, My Dear) |
Elmo Hope - The Final Sessions, Volume One (Original Jazz Classics OJCCD 1765-2)
Elmo Hope (piano) John Ore (bass) Philly Joe Jones (drums): same sessionA-1 Sound Studios, NYC, March 8, 1966
| Low Tide (alt. take) |
Elmo Hope - The Final Sessions, Volume Two (Original Jazz Classics OJCCD 1766-2)
Elmo Hope (piano) John Ore (bass) Philly Joe Jones (drums): same sessionA-1 Sound Studios, NYC, March 8, 1966
| Roll On (alt. take) | |
| Vi-Ann (alt. take) |
Lee Morgan - Delightfulee Morgan (Blue Note BLP 4243)
Lee Morgan, Ernie Royal (trumpet) Tom McIntosh (trombone) Jim Buffington (French horn) Don Butterfield (tuba) Phil Woods (alto saxophone, flute) Wayne Shorter (tenor saxophone) Danny Bank (baritone saxophone, bass clarinet, flute) McCoy Tyner (piano) Bob Cranshaw (bass) Philly Joe Jones (drums) Oliver Nelson (arranger)Rudy Van Gelder Studio, Englewood Cliffs, NJ, April 8, 1966
| 1719 tk.3 | Sunrise, Sunset |
| 1722 tk.35 | Yesterday |
Rudy Van Gelder Studio, Englewood Cliffs, NJ, May 27, 1966
| 1739 tk.4 | Nite-Flite |
| 1740 tk.5 | Zambia |
| 1741 tk.20 | The Delightful Deggie |
| 1742 tk.21 | Ca-Lee-So |
Lee Morgan - Delightfulee Morgan (Blue Note CDP 7 84243-2)
Lee Morgan, Ernie Royal (trumpet) Tom McIntosh (trombone) Jim Buffington (French horn) Don Butterfield (tuba) Phil Woods (alto saxophone, flute) Wayne Shorter (tenor saxophone) Danny Bank (baritone saxophone, bass clarinet, flute) McCoy Tyner (piano) Bob Cranshaw (bass) Philly Joe Jones (drums) Oliver Nelson (arranger)Rudy Van Gelder Studio, Englewood Cliffs, NJ, April 8, 1966
| 1720 tk.17 | The Delightful Deggie |
| 1721 tk.25 | Fille Of Soul (Hoppin' John) |
| 1723 tk.36 | Zambia |
| 1724 tk.43 | Need I |
1967
Bill Evans - The Secret Sessions (Milestone 8MCD 4421-2)
Bill Evans (piano) Eddie Gomez (bass) Philly Joe Jones (drums)"Village Vanguard", NYC, May 19, 1967
| Blue In Green | |
| Waltz For Debby | |
| Detour Ahead | |
| On Green Dolphin Street |
"Village Vanguard", NYC, May 21, 1967
| My Foolish Heart | |
| If You Could See Me Now | |
| Elsa |
"Village Vanguard", NYC, May 26, 1967
| How Deep Is The Ocean | |
| Polka Dots And Moonbeams | |
| I'm Getting Sentimental Over You | |
| I Should Care |
"Village Vanguard", NYC, May 28, 1967
| Star Eyes | |
| Peri's Scope | |
| Haunted Heart | |
| Airegin | |
| Little Lulu | |
| Five (theme) |
"Village Vanguard", NYC, June 1, 1967
| Turn Out The Stars | |
| Nardis | |
| California, Here I Come | |
| Very Early | |
| Easy Living | |
| Wonder Why |
"Village Vanguard", NYC, September 3, 1967
| Time Remembered | |
| You And The Night And The Music |
The Complete Bill Evans On Verve (Verve 314 527 953-2)
Bill Evans (piano) Eddie Gomez (bass) Philly Joe Jones (drums): same personnel"Village Vanguard", NYC, August 17 & 18, 1967
| Happiness Is A Thing Called Joe | |
| In A Sentimental Mood | |
| Re: Person I Knew | |
| Alfie | |
| Gone With The Wind | |
| You're Gonna Hear From Me | |
| Emily | |
| I'm Getting Sentimental Over You | |
| You're Gonna Hear From Me | |
| G Waltz | |
| California, Here I Come | |
| Emily | |
| Alfie | |
| Wrap Your Troubles In Dreams | |
| In A Sentimental Mood | |
| California, Here I Come | |
| You're Gonna Hear From Me | |
| Emily | |
| G Waltz | |
| Wrap Your Troubles In Dreams | |
| California, Here I Come | |
| Alfie | |
| Gone With The Wind | |
| G Waltz | |
| Wrap Your Troubles In Dreams | |
| On Green Dolphin Street | |
| G Waltz | |
| You're Gonna Hear From Me | |
| Wrap Your Troubles In Dreams | |
| Gone With The Wind | |
| Emily |
Bill Evans - California, Here I Come (Verve VE2 2545)
Bill Evans (piano) Eddie Gomez (bass) Philly Joe Jones (drums): same session"Village Vanguard", NYC, August 17 & 18, 1967
| California, Here I Come | |
| Turn Out The Stars | |
| Polka Dots And Moonbeams | |
| Stella By Starlight | |
| Very Early | |
| Wrap Your Troubles In Dreams | |
| 'Round Midnight | |
| On Green Dolphin Street | |
| If You Could See Me Now | |
| Alfie | |
| Gone With The Wind | |
| In A Sentimental Mood | |
| You're Gonna Hear From Me | |
| Emily | |
| G Waltz |
1968 (age 45)
Philly Joe Jones - Trailways Express (Black Lion (E) BL 142)
Les Condon (trumpet) Chris Pyne (trombone) Peter King (alto saxophone) Harold McNair (tenor saxophone, flute) Mick Pyne (piano) John Hart (bass) Philly Joe Jones (drums)Trident Studios, London, England, October 1, 1968
| Trailways Express |
Trident Studios, London, England, October 31, 1968
| Mo Jo | |
| Gone, Gone, Gone | |
| Baubles, Bangles And Beads | |
| Here's That Rainy Day | |
| Lady Bird |
Philly Jo Jones Quintet/Elvin Jones Trio (Top Jazz Sarpe (It) SJ 1017)
Tony Scott (clarinet, tenor saxophone) Rene Urtreger (piano) Jimmy Gourley (guitar) John Hart (bass) Philly Joe Jones (drums)Continental, 1968
| Body And Soul | |
| La Ronde | |
| Dear Old Stockholm | |
| Tune Up |
1969
Philly Joe Jones Avec Jef Gilson Et Son Ensemble (Vogue (F) CLVLX 357)
Luis Fuentes (trombone -1,3,6,7) Benny Vasseur (trombone -1,6,7) Jean-Louis Chautemps (tenor, soprano saxophone -4,7) Jef Gilson (piano, arranger) Jean-Charles Capon (cello) Guy Pedersen (bass -1,3,6,7) Jean-Francois Catoire (bass -2,4,5) Philly Joe Jones (drums)Paris, France, January 31, March 1, 1969
| 1. | Sursaults |
| 2. | Tabar Blues |
| 3. | Espagnolade |
| 4. | Fable Of Gutemberg |
| 5. | Invitation Au Voyage |
| 6. | Interlude |
| 7. | Activicite |
| 8. | Spontaneous Expression |
Hank Mobley - The Flip (Blue Note BST 84329)
Dizzy Reece (trumpet) Slide Hampton (trombone) Hank Mobley (tenor saxophone) Vince Benedetti (piano) Alby Cullaz (bass) Philly Joe Jones (drums)Barclay Studios, Paris, France, July 12, 1969
| 4804 tk.5 | Early Morning Stroll |
| 4805 tk.12 | 18th Hole |
| 4806 tk.18 | Feelin' Folksy |
| 4807 tk.24 | Snappin' Out |
| 4808 tk.26 | The Flip |
Philly Joe Jones - Round Midnight (Lotus (It) ORL 8295)
Dizzy Reece (trumpet) Bent Jaedig (tenor saxophone) Larry Vuckovich (piano) Isla Eckinger (bass) Philly Joe Jones (drums)"Pescara Jazz Festival", Pescara, Italy, July 18, 1969
| That's Earl Brother | |
| It Don't Mean A Thing | |
| 'Round Midnight | |
| Percy |
Archie Shepp - Yasmina, A Black Woman (BYG (F) 529.304)
Clifford Thornton (cornet) Lester Bowie (trumpet) Arthur Jones (alto saxophone) Archie Shepp (tenor saxophone, vocals) Roscoe Mitchell (bass saxophone, piccolo flute) Laurence Devereaux (balafon) Dave Burrell (piano) Malachi Favors, Earl Freeman (bass) Philly Joe Jones (drums) Sunny Murray (drums, percussion) Art Taylor (rhythm logs)Paris, France, August 12, 1969
| Yasmina, A Black Woman |
| 1. | Sonny's Back |
| 2. | Body And Soul |
** part of BYG (F) 529.203; Affinity (E) CDAFF 771.
Archie Shepp - Poem For Malcolm (BYG (F) 529.311)
Archie Shepp (soprano saxophone, voice) Burton Greene (piano) Alan Silva (bass) Claude Delcloo (drums) Philly Joe Jones (timpani)Paris, France, August 14, 1969
| Mama Rose | |
| Poem For Malcolm |
| 1. | Rain Forest |
| 2. | Oleo |
** part of BYG (F) 529.208; Affinity (E) CDAFF 771.
Archie Shepp - Blase (BYG (F) 529.318)
Archie Shepp (tenor saxophone) Chicago Beauchamps, Julio Finn (harmonica -1,2) Dave Burrell (piano -1/3) Malachi Favors (bass) Philly Joe Jones (drums) Jeanne Lee (vocals -1/3)Paris, France, August 16, 1969
| 1. | My Angel |
| 2. | Blase |
| 3. | Sophisticated Lady |
| 4. | Touareg |
** part of BYG (F) 529.208.
Mal Waldron - Set Me Free (Affinity (E) AFF 116)
Mal Waldron (piano) Barre Phillips (bass) Philly Joe Jones (drums)Paris, France, October, 1969
| Set Me Free | |
| Yeah / Attila The Hun | |
| Jamaica Libre | |
| Desillusion | |
| You Were Always There |
Archie Shepp/Philly Joe Jones (America (F) 30 AM 6102)
Anthony Braxton (soprano, alto saxophone) Chicago Beau (soprano saxophone, harmonica, vocals) Archie Shepp (tenor saxophone, piano) Julio Finn (harmonica, vocals) Leroy Jenkins (violin) Earl Freeman (bass, vocals) Philly Joe Jones (drums)Paris, France, November-December, 1969
| The Lowlands | |
| Howling In The Silence: Raynes Or Thunders / Julio's Song |
1970
Various Artists - The Charlie Parker Memorial Concert (Cadet 2CA 60002)
Arthur Hoyle (trumpet, flugelhorn) Lee Konitz (alto, tenor saxophone) John Young (piano) Rufus Reid (bass) Philly Joe Jones (drums)"The Charlie Parker Memorial Concert", Roosevelt College, Chicago, IL, August 2, 1970
| 18772 | Yardbird Suite |
| 18773 | Scrapple From The Apple |
| 18779 | Now's The Time |
| 18780 | Parker's Mood |
| 18781 | Disappointed / Lady Be Good |
1975 (age 52)
Kenny Burrell - Ellington Is Forever, Vol. 2 (Fantasy F 79008)
Nat Adderley (cornet) Quentin "Butter" Jackson (trombone) Gary Bartz (alto saxophone) Jerome Richardson (tenor saxophone) Roland Hanna (piano) Kenny Burrell (guitar) George Mraz (bass) Philly Joe Jones (drums)Fantasy Studios, Berkeley, CA, February, 1975
| In A Sentimental Mood | |
| I'm Beginning To See The Light | |
| Jeep Is Jumpin' | |
| I Let A Song Go Out Of My Heart |
| In A Mellow Tone | |
| Prelude To A Kiss |
| I Ain't Got Nothin' But The Blues |
1976
Bill Evans - Quintessence (Fantasy F 9529)
Harold Land (tenor saxophone -1,2,4,5) Bill Evans (piano) Kenny Burrell (guitar -1,2,4,5) Ray Brown (bass) Philly Joe Jones (drums)Fantasy Studios, Berkeley, CA, May 27-30, 1976
| 1. | Sweet Dulcinea |
| 2. | Martina |
| 3. | Second Time Around |
| 4. | A Child Is Born |
| 5. | Bass Face |
Bill Evans - Quintessence (Original Jazz Classics OJCCD 698-2)
Harold Land (tenor saxophone) Bill Evans (piano) Kenny Burrell (guitar) Ray Brown (bass) Philly Joe Jones (drums)Fantasy Studios, Berkeley, CA, May 27-30, 1976
| Nobody Else But Me |
1977
Philly Joe Jones - Mean What You Say (Sonet (Swd) SNTF 735)
Tommy Turrentine (trumpet -2/5) Charles Bowen (tenor, soprano saxophone) Mickey Tucker (piano) Mickey Bass (bass) Philly Joe Jones (drums)CI Recording Studios, NYC, April 6 & 7, 1977
| 1. | Mean What You Say |
| 2. | You Tell Me |
| 3. | D.C. Farewell |
| 4. | Jim's Jewel |
| 5. | Gretchen |
| 6. | Ugetsu |
Red Garland - Keystones! (Xanadu 5009)
Red Garland (piano) Leroy Vinnegar (bass) Philly Joe Jones (drums)"Keystone Korner", San Francisco, CA, May 12, 1977
| Autumn Leaves | |
| It's Impossible | |
| Daahoud / New York Theme | |
| It's All Right With Me | |
| Green Dolphin Street |
Red Garland - Groovin' Red (Key'stone (J) VACY 1012)
Red Garland (piano) Leroy Vinnegar (bass) Philly Joe Jones (drums): same personnel"Keystone Korner", San Francisco, CA, May, 1977
| Straight, No Chaser | |
| Only You | |
| Never Let Me Go | |
| Our Love Is Here To Stay | |
| The Best Things In Life Are Free | |
| Solar | |
| I Wish I Knew | |
| Dear Old Stockholm | |
| Billy Boy / New York Theme (theme) |
Archie Shepp - Day Dream (Denon (J) YX 7570)
Archie Shepp (tenor, soprano saxophone) Walter Davis Jr. (piano) Earl May (bass) Philly Joe Jones (drums)NYC, June 3, 1977
| Don't You Know I Care | |
| Caravan | |
| Day Dream | |
| Satin Doll | |
| I Got It Bad And That Ain't Good | |
| Prelude To A Kiss |
Philly Joe Jones Quintet Plus Two At Storyville - Drums Night (Mercury (J) FDX 330)
Allen Chapman (trombone) Charles Bowen (tenor, soprano saxophone) Billy Meek or Walter Davis Jr. (piano) Brian Smith (bass) Al Foster, Billy Hart, Philly Joe Jones (drums)"Storyville", NYC, June 27, 1977
| Killer Joe | |
| 'Round Midnight | |
| Strollin' | |
| Bolivia |
Philly Joe Jones - Philly Mignon (Galaxy GXY 5112)
Nat Adderley (cornet -1,3,5) Dexter Gordon (tenor saxophone -2,4) Ira Sullivan (tenor, soprano saxophone -1,3,5) George Cables (piano) Ron Carter (bass) Philly Joe Jones (drums)Fantasy Studios, Berkeley, CA, November 29 & 30, December 1, 1977
| 1. | Confirmation |
| 2. | Neptunis |
| 3. | Jim's Jewel |
| 4. | Polka Dots And Moonbeams |
| 5. | United Blues |
Red Garland + Ron Carter + Philly Joe Jones - Crossings (Galaxy GXY 5106)
Red Garland (piano) Ron Carter (bass) Philly Joe Jones (drums)Fantasy Studios, Berkeley, CA, December, 1977
| Solar | |
| Railroad Crossing | |
| Never Let Me Go | |
| Oleo | |
| But Not For Me | |
| Love For Sale |
1978 (age 55)
Bill Evans - Getting Sentimental (Milestone MCD 9336-2)
Bill Evans (piano) Michael Moore (bass) Philly Joe Jones (drums)"Village Vanguard", NYC, January 15, 1978
| I Should Care | |
| How My Heart Sings | |
| Gary's Theme | |
| I'm Getting Sentimental Over You | |
| Quiet Now | |
| Re: Person I Knew | |
| The Peacocks | |
| Emily | |
| Song From M*A*S*H (Suicide Is Painless) | |
| Turn Out The Stars | |
| When I Fall In Love | |
| In Your Own Sweet Way | |
| But Beautiful | |
| I Love You |
Duke Jordan - Duke's Artistry (SteepleChase (D) SCS 1103)
Art Farmer (flugelhorn) Duke Jordan (piano) David Friesen (bass) Philly Joe Jones (drums)NYC, June 30, 1978
| My Heart Skips A Beat | |
| Midnight Moonlight | |
| Lady Dingbat | |
| Midnite Bump | |
| Dodge City Roots |
Duke Jordan - Duke's Artistry (SteepleChase (D) SCCD 31103)
Art Farmer (flugelhorn) Duke Jordan (piano) David Friesen (bass) Philly Joe Jones (drums): same sessionNYC, June 30, 1978
| My Heart Skips A Beat | |
| - | |
| Midnite Bump |
Duke Jordan - The Great Session (SteepleChase (D) SCS 1150)
Duke Jordan (piano) David Friesen (bass) Philly Joe Jones (drums) Paul Jeffrey (bells -2)NYC, June 30, 1978
| 1. | All The Things You Are |
| 2. | Moonglow |
| 3. | Satin Doll |
| 4. | A Night In Tunisia |
| 5. | Ladybird |
| 6. | Blues In The Closet |
Duke Jordan - The Great Session (SteepleChase (D) SCCD 31150)
Duke Jordan (piano) David Friesen (bass) Philly Joe Jones (drums)NYC, June 30, 1978
| Thinking Of You |
Philly Joe Jones - Advance! (Galaxy GXY 5122)
Blue Mitchell (trumpet, flugelhorn) Slide Hampton (trombone) Charles Bowen (soprano, tenor saxophone) Harold Land (tenor saxophone) Cedar Walton (piano) Marc Johnson (bass) Philly Joe Jones (drums)Fantasy Studios, Berkeley, CA, October 10-12, 1978
| Trailways | |
| Invitation | |
| Helena | |
| Midnight Waltz | |
| Smoke Gets In Your Eyes |
Philly Joe Jones - Drum Song (Galaxy GXY 5153)
Blue Mitchell (trumpet, flugelhorn) Slide Hampton (trombone) Charles Bowen (soprano, tenor saxophone) Harold Land (tenor saxophone) Cedar Walton (piano) Marc Johnson (bass) Philly Joe Jones (drums): same sessionFantasy Studios, Berkeley, CA, October 10-12, 1978
| Our Delight | |
| I Waited For You | |
| Bird | |
| Two Bass Hit | |
| Hi-Fly | |
| Drum Song |
1981
Philly Joe Jones Octet - Filet De Sole/Philly Of Soul (Marge (F) 18)
Roger Guerin (trumpet -1/4,6) Glenn Ferris (trombone -1/4,6) Hirshel McGinnis (alto saxophone -1/4,6) Charles Davis (tenor saxophone) Hal Singer (tenor saxophone -1/4,6) Gene Adler (piano) Wilbur Little (bass) Philly Joe Jones (drums)Studio Jazz Unite, Paris, France, June 19, 1981
| 1. | Two Bass Hit |
| 2. | Our Delight |
| 3. | Dedicated To Tadd |
| 4. | Trailways Express |
| 5. | Hi-Fly |
| 6. | Killer Joe |
1982
Philly Joe Jones Dameronia - To Tadd With Love (Uptown UP 27.11)
Johnny Coles (trumpet) Donald Sickler (trumpet -1,2,4) Britt Woodman (trombone) Frank Wess (alto saxophone) Charles Davis (tenor saxophone) Cecil Payne (baritone saxophone) Walter Davis Jr. (piano) Larry Ridley (bass) Philly Joe Jones (drums)Nola's Penthouse Sound Studios, NYC, June 28, 1982
| 1. | Philly J.J. |
| 2. | Soultrane |
| 3. | Sid's Delight |
| 4. | On A Misty Night |
| 5. | Fontainebleau |
| 6. | The Scene Is Clean |
1983 (age 60)
Philly Joe Jones Dameronia - Look, Stop And Listen (Uptown UP 27.15)
Virgil Jones (trumpet) Don Sickler (trumpet -2) Benny Powell (trombone) Frank Wess (alto saxophone, flute) Johnny Griffin (tenor saxophone -1,2,5,8) Charles Davis (tenor saxophone, flute) Cecil Payne (baritone saxophone) Walter Davis Jr. (piano) Larry Ridley (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, July 11, 1983
| 1. | Look, Stop And Listen |
| 2. | If You Could See Me Now |
| 3. | Choose Now |
| 4. | Focus |
| 5. | Killer Joe |
| 6. | Dial B For Beauty |
| 7. | Our Delight |
| 8. | Theme Of No Repeat |
Philly Joe Jones Dameronia - Look, Stop And Listen (Uptown UPCD 27.59)
Virgil Jones (trumpet) Don Sickler (trumpet -1) Benny Powell (trombone) Frank Wess (alto saxophone, flute) Johnny Griffin (tenor saxophone) Charles Davis (tenor saxophone, flute) Cecil Payne (baritone saxophone) Walter Davis Jr. (piano) Larry Ridley (bass) Philly Joe Jones (drums)Rudy Van Gelder Studio, Englewood Cliffs, NJ, July 11, 1983
| 1. | If You Could See Me Now (1st take) |
| 2. | Look, Stop And Listen (1st take) |
Sun Ra - Hiroshima (Saturn 10-11-85)
Don Cherry (pocket trumpet) Lester Bowie (trumpet) Eloe Omoe (contralto clarinet) Archie Shepp (soprano saxophone) Marshall Allen (alto saxophone, EVI) John Gilmore (tenor saxophone) Sun Ra (piano, synthesizer, vocals) Richard Davis (bass) Clifford Jarvis, Philly Joe Jones (drums) Famoudou Don Moye (drums, Sun percussion)Montreux, Switzerland, between November 2 & 5, 1983
| SunRa 11-83A | Stars That Shine Darkly..., Pt. 1 |
Sun Ra - Outer Reach Intensity-Engery (Saturn Gemini 9-1213-85)
Don Cherry (pocket trumpet) Lester Bowie (trumpet) Eloe Omoe (contralto clarinet) Archie Shepp (soprano saxophone) Marshall Allen (alto saxophone, EVI) John Gilmore (tenor saxophone) Sun Ra (piano, synthesizer, vocals) Richard Davis (bass) Clifford Jarvis, Philly Joe Jones (drums) Famoudou Don Moye (drums, Sun percussion): same sessionMontreux, Switzerland, between November 2 & 5, 1983
| Stars That Shine Darkly..., Pt. 2 |
1985 (aged 62)
Philly Joe Jones/James Long/Clifford Jordan - The Rotterdam Session (Audio Daddio (Du) RS 1013)
Clifford Jordan (tenor saxophone) James Long (bass) Philly Joe Jones (drums)Rotterdam, Holland, April 18, 1985
| D.B. Blues | |
| Presidential Suite: 1st Movement | |
| Presidential Suite: 2nd Movement | |
| Miss Brown Calling | |
| Whispering Grass | |
| Soul Fountain |
The Manhattan Transfer - Vocalese (Atlantic (Eu) ATL 50103)
Tommy Flanagan (piano) Richard Davis (bass) Philly Joe Jones (drums) Four Freshmen: Bob Flanagan, Autie Goodman, Mike Beisner, Rod Henley, The Manhattan Transfer: Cheryl Bentyne, Tim Hauser, Janis Siegel, Alan Paul (vocal quartet)fall 1985
| To You |