Blue Note 78 rpm series (12 inch 78 rpm)
Meade "Lux" Lewis (piano)
probably WMGM Radio Station, NYC, January 6, 1939
| tk.11 (444-11) | Melancholy
|
| tk.12 (443-12) | Solitude
|
Albert Ammons (piano)
probably WMGM Radio Station, NYC, January 6, 1939
| tk.5 (441-5) | Boogie Woogie Stomp
|
| tk.8 (442-8) | Boogie Woogie Blues
|
Frank Newton (trumpet) J.C. Higginbotham (trombone) Albert Ammons (piano) Teddy Bunn (guitar) Johnny Williams (bass) Sidney Catlett (drums)
probably WMGM Radio Station, NYC, April 7, 1939
| GM516-2 | Mighty Blues
|
| GM517-1 | Rocking The Blues
|
Albert Ammons (piano)
probably WMGM Radio Station, NYC, January 6, 1939
| tk.6 (GM535-6) | Chicago In Mind
|
add Meade "Lux" Lewis (piano)
| tk.17 (GM537-17) | Two And Fews
|
Earl "Fatha" Hines (piano)
possibly WMGM Radio Station, NYC, July 29, 1939
| GM301x-3 | The Father's Getaway
|
| GM302x-2 | Reminiscing At Blue Note
|
Sidney Bechet (soprano saxophone) Meade "Lux" Lewis (piano) Teddy Bunn (guitar) Johnny Williams (bass) Sidney Catlett (drums)
probably WMGM Radio Station, NYC, June 8, 1939
Frank Newton (trumpet) J.C. Higginbotham (trombone) Sidney Bechet (clarinet) Meade "Lux" Lewis (piano) Teddy Bunn (guitar) Johnny Williams (bass) Sidney Catlett (drums)
| GM536-11 | Pounding Heart Blues
|
J.C. Higginbotham (trombone) Meade "Lux" Lewis (piano) Teddy Bunn (guitar) Johnny Williams (bass) Sidney Catlett (drums)
probably WMGM Radio Station, NYC, June 8, 1939
| GM532B-15 | Basin Street Blues
|
add Frank Newton (trumpet) Sidney Bechet (soprano saxophone)
| GM532x-12 | Blues For Tommy (Ladnier)
|
Meade "Lux" Lewis (piano)
probably WMGM Radio Station, NYC, January 6, 1939
| tk.1 (486A-1) | The Blues, Pt. 1
|
| tk.2 (486A-2) | The Blues, Pt. 2
|
** part of Blue Note 8/9.
Meade "Lux" Lewis (piano): same session
probably WMGM Radio Station, NYC, January 6, 1939
| tk.3 (486A-3) | The Blues, Pt. 3
|
| tk.4 (486A-4) | The Blues, Pt. 4
|
** part of Blue Note 8/9.
Pete Johnson (piano) Ulysses Livingston (guitar) Abe Bolar (bass)
Reeves Sound Studios, NYC, December 19, 1939
| RS659-7 | Barrelhouse Breakdown
|
| RS660-8 | Kansas City Farewell
|
Pete Johnson (piano) Ulysses Livingston (guitar) Abe Bolar (bass): same session
Reeves Sound Studios, NYC, December 19, 1939
| RS653-1 | Vine Street Bustle
|
| RS655-3 | Some Day Blues
|
Pete Johnson (piano)
Reeves Sound Studios, NYC, December 19, 1939
| RS658-6 | Holler Stomp
|
| RS662-10 | You Don't Know My Mind
|
Sidney Bechet (soprano saxophone) Teddy Bunn (guitar) Pops Foster (bass) Sidney Catlett (drums)
Reeves Sound Studios, NYC, March 27, 1940
| RS709 B | Lonesome Blues
|
| RS710 A | Dear Old Southland
|
Frank Newton (trumpet) J.C. Higginbotham (trombone) Albert Ammons (piano) Teddy Bunn (guitar) Johnny Williams (bass) Sidney Catlett (drums)
probably WMGM Radio Station, NYC, April 7, 1939
| GM515A-5 | Port Of Harlem Blues
|
Frank Newton (trumpet) Meade "Lux" Lewis (piano) Teddy Bunn (guitar) Johnny Williams (bass) Sidney Catlett (drums)
probably WMGM Radio Station, NYC, June 8, 1939
Meade "Lux" Lewis (piano)
Reeves Sound Studios, NYC, October 4, 1940
| RS791 B | Honky Tonk Train Blues
|
| RS794 A | Tell Your Story
|
Meade "Lux" Lewis (piano): same session
Reeves Sound Studios, NYC, October 4, 1940
| RS792 C | Bass On Top
|
| RS793 A | Six Wheel Chaser
|
Edmond Hall (clarinet) Meade "Lux" Lewis (celeste) Charlie Christian (acoustic guitar) Israel Crosby (bass)
Reeves Sound Studios, NYC, February 5, 1941
| R3461 | Profoundly Blue
|
| R3462A-2 | Celestial Express
|
Edmond Hall (clarinet) Meade "Lux" Lewis (celeste) Charlie Christian (acoustic guitar) Israel Crosby (bass): same session
Reeves Sound Studios, NYC, February 5, 1941
| R3459A | Jamming In Four
|
| R3460 | Edmond Hall Blues
|
Meade "Lux" Lewis (harpsichord)
Reeves Sound Studios, NYC, April 9, 1941
| RS934 B | Variations On A Theme, Pt. 1: 19 Ways Of Playing A Chorus
|
| RS937 A | Variations On A Theme, Pt. 2: Self Portrait
|
Meade "Lux" Lewis (harpsichord): same session
Reeves Sound Studios, NYC, April 9, 1941
| RS935 B | Variations On A Theme, Pt. 3: School Of Rhythm
|
| RS938 A | Variations On A Theme, Pt. 4: Feeling Tomorrow Like I Feel Today
|
Albert Ammons (piano)
probably WMGM Radio Station, NYC, January 6, 1939
| tk.7 (1007) | Suitcase Blues
|
same session
| tk.14 (1014) | Bass Goin' Crazy
|
Meade "Lux" Lewis (piano)
Reeves Sound Studios, NYC, October 4, 1940
| RS794 B | Tell Your Story, No. 2
|
same personnel
Reeves Sound Studios, NYC, April 9, 1941
Sidney Bechet (soprano saxophone) Josh White (guitar, vocals) Wilson Ernest Myers (bass)
Reeves Sound Studios, NYC, March 7, 1940
| RS671 A | Careless Love (Blues)
|
| RS672 | Milk Cow Blues
|
James P. Johnson (piano)
WOR Studios, NYC, November 17, 1943
| BN777 | J.P. Boogie
|
| BN780 | Gut Stomp
|
James P. Johnson (piano): same session
WOR Studios, NYC, November 17, 1943
| BN778 | Back Water Blues
|
| BN779 | Carolina Balmoral
|
James P. Johnson (piano): same personnel
WOR Studios, NYC, December 15, 1943
| BN783 | Caprice Rag
|
| BN784 | Improvisation On Pine Top's Boogie Woogie
|
James P. Johnson (piano): same session
WOR Studios, NYC, December 15, 1943
| BN781 | Mule Walk (Stomp)
|
| BN782 | Arkansas Blues
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Edmond Hall (clarinet) James P. Johnson (piano) Jimmy Shirley (guitar) Israel Crosby (bass) Sidney Catlett (drums)
WOR Studios, NYC, November 29, 1943
| BN901-3 | High Society
|
| BN903-2 | Blues At Blue Note
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Edmond Hall (clarinet) James P. Johnson (piano) Jimmy Shirley (guitar) Israel Crosby (bass) Sidney Catlett (drums): same session
WOR Studios, NYC, November 29, 1943
| BN905-2 | Night Shift Blues
|
| BN907-2 | Royal Garden Blues
|
Edmond Hall (clarinet) Red Norvo (vibraphone) Teddy Wilson (piano) Carl Kress (guitar) Johnny Williams (bass)
WOR Studios, NYC, January 25, 1944
| BN908-2 | Rompin' In '44
|
| BN910-2 | Smooth Sailing
|
Edmond Hall (clarinet) Red Norvo (vibraphone) Teddy Wilson (piano) Carl Kress (guitar) Johnny Williams (bass): same session
WOR Studios, NYC, January 25, 1944
| BN909 | Blue Interval
|
| BN911 | Seein' Red
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Ben Webster (tenor saxophone) James P. Johnson (piano) Jimmy Shirley (guitar) John Simmons (bass) Sidney Catlett (drums)
WOR Studios, NYC, March 4, 1944
| BN950-1 | Blue Mizz
|
| BN951-3 | Victory Stride
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Ben Webster (tenor saxophone) James P. Johnson (piano) Jimmy Shirley (guitar) John Simmons (bass) Sidney Catlett (drums): same session
WOR Studios, NYC, March 4, 1944
| BN952-2 | Joy Meetin'
|
| BN953-2 | After You've Gone
|
Max Kaminsky (trumpet) Vic Dickenson (trombone) Edmond Hall (clarinet) Art Hodes (piano) Jimmy Shirley (guitar) Sid Weiss (bass) Danny Alvin (drums)
WOR Studios, NYC, June 1, 1944
| BN977-0 | Sweet Georgia Brown
|
| BN979-1 | Sugar Foot Stomp
|
Max Kaminsky (trumpet) Vic Dickenson (trombone) Edmond Hall (clarinet) Art Hodes (piano) Jimmy Shirley (guitar) Sid Weiss (bass) Danny Alvin (drums): same session
WOR Studios, NYC, June 1, 1944
| BN978-0 | Squeeze Me
|
| BN980-1 | Bugle Call Rag
|
Benny Morton (trombone) Edmond Hall (clarinet) Harry Carney (baritone saxophone) Don Frye (piano) Everett Barksdale (guitar) Alvin Raglin (bass) Sidney Catlett (drums)
WOR Studios, NYC, May 5, 1944
| BN975-0 | Big City Blues
|
| BN976-1 | Steamin' And Beamin'
|
Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Milt Hinton (bass) J.C. Heard (drums)
WOR Studios, NYC, July 18, 1944
| BN985-1 | Tiny's Exercise
|
| BN988-1 | Blue Harlem
|
Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Milt Hinton (bass) J.C. Heard (drums): same session
WOR Studios, NYC, July 18, 1944
| BN986-0 | She's Funny That Way
|
| BN987-2 | Indiana
|
Meade "Lux" Lewis (piano, whistling)
WOR Studios, NYC, August 22, 1944
| BN1202 | Chicago Flyer
|
| BN1203 | Blues' Whistle (Whistlin' Blues)
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Edmond Hall (clarinet) James P. Johnson (piano) Jimmy Shirley (guitar) John Simmons (bass) Sidney Catlett (drums)
WOR Studios, NYC, June 21, 1944
| BN981-0 | Everybody Loves My Baby
|
| BN984-0 | The Call Of The Blues
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Edmond Hall (clarinet) James P. Johnson (piano) Jimmy Shirley (guitar) John Simmons (bass) Sidney Catlett (drums): same session
WOR Studios, NYC, June 21, 1944
| BN982-0 | Ballin' The Jack
|
| BN983-1 | Who's Sorry Now
|
Jonah Jones (trumpet) Tyree Glenn (trombone) Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Oscar Pettiford (bass) J.C. Heard (drums)
WOR Studios, NYC, September 25, 1944
| BN991-0 | Mad About You
|
| BN992-1 | Facin' The Face
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Manzie Johnson (drums)
WOR Studios, NYC, December 20, 1944
| BN208-0 | Blue Horizon
|
| BN209-0 | Muskrat Ramble
|
Sidney DeParis (trumpet) Vic Dickenson (trombone) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Manzie Johnson (drums): same session
WOR Studios, NYC, December 20, 1944
| BN206-1 | St. Louis Blues
|
| BN207-3 | Jazz Me Blues
|
Max Kaminsky (trumpet) Mezz Mezzrow (clarinet) Art Hodes (piano) Pops Foster (bass) Danny Alvin (drums)
WOR Studios, NYC, December 11, 1944
| BN201-1 | Apex Blues
|
| BN202-1 | Shake That Thing
|
Benny Morton (trombone) Barney Bigard (clarinet) Ben Webster (tenor saxophone) Sammy Benskin (piano) Israel Crosby (bass) Eddie Dougherty (drums)
WOR Studios, NYC, January 31, 1945
| BN220-0 | Conversing In Blue
|
| BN221-0 | The Sheik Of Araby
|
Benny Morton (trombone) Barney Bigard (clarinet) Ben Webster (tenor saxophone) Sammy Benskin (piano) Israel Crosby (bass) Eddie Dougherty (drums): same session
WOR Studios, NYC, January 31, 1945
| BN219-0 | My Old Flame
|
| BN222-0 | Limehouse Blues
|
Oliver "Rev." Mesheux (trumpet) Sandy Williams (trombone) Vivian Smith (piano) Jimmy Shirley (guitar) Israel Crosby (bass) Tommy Benford (drums) "Pigmeat" Alamo Markham (vocals)
WOR Studios, NYC, August 31, 1945
| BN254-2 | Blues Before Sunrise
|
| BN256-0 | How Long, How Long Blues
|
Max Kaminsky (trumpet) George Lugg (trombone) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Fred Moore (drums)
WOR Studios, NYC, January 29, 1945
| BN216-2 | Salty Dog
|
| BN217-1 | Weary Blues
|
Max Kaminsky (trumpet) George Lugg (trombone) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Fred Moore (drums): same session
WOR Studios, NYC, January 29, 1945
| BN215-1 | High Society
|
| BN218-2 | Jackass Blues
|
Max Kaminsky (trumpet) Art Hodes (piano) Fred Moore (drums, vocals)
WOR Studios, NYC, April 6, 1945
| BN230-0 | K.M.H. Drag (Draggin' The Blues) (KMH Blues)
|
| BN231-1 | Funny Feathers
|
Albert Nicholas (clarinet) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Danny Alvin (drums)
WOR Studios, NYC, February 12, 1946
| BN277-1 | Old Stack O'lee Blues
|
| BN278-3 | Bechet's Fantasy
|
Blue Note 500 series (10 inch 78 rpm)
Frank Newton (trumpet) Albert Ammons (piano) Teddy Bunn (guitar) Johnny Williams (bass) Sidney Catlett (drums)
probably WMGM Radio Station, NYC, April 7, 1939
J.C. Higginbotham (trombone) replaces Newton
Sidney Bechet (soprano saxophone) Teddy Bunn (guitar) Pops Foster (bass) Sidney Catlett (drums)
Reeves Sound Studios, NYC, March 27, 1940
| RS711 A | Bechet's Steady Rider
|
| RS712 A | Saturday Night Blues
|
Teddy Bunn (guitar, vocals)
Reeves Sound Studios, NYC, March 28, 1940
| RS713 A | King Porter Stomp
|
| RS714 A | Bachelor Blues
|
Teddy Bunn (guitar, vocals): same session
Reeves Sound Studios, NYC, March 28, 1940
| RS715 B | Blues Without Words
|
| RS716 A | Guitar In High
|
Max Kaminsky (trumpet) Ray Conniff (trombone) Rod Cless (clarinet) Art Hodes (piano) Bob Haggart (bass) Danny Alvin (drums)
NYC, March 18, 1944
| BN960-0 | Maple Leaf Rag
|
| BN962-0 | Yellow Dog Blues
|
Max Kaminsky (trumpet) Ray Conniff (trombone) Rod Cless (clarinet) Art Hodes (piano) Bob Haggart (bass) Danny Alvin (drums): same session
NYC, March 18, 1944
| BN961-1 | She's Crying For Me
|
| BN963-2 | Slow 'Em Down Blues
|
Max Kaminsky (trumpet) Ray Conniff (trombone) Rod Cless (clarinet) Art Hodes (piano) Sid Jacobs (bass) Danny Alvin (drums)
NYC, March 22, 1944
| BN964-2 | Doctor Jazz
|
| BN965-0 | Shoe Shiner's Drag
|
Max Kaminsky (trumpet) Ray Conniff (trombone) Rod Cless (clarinet) Art Hodes (piano) Sid Jacobs (bass) Danny Alvin (drums): same session
NYC, March 22, 1944
| BN966-4 | There'll Be Some Changes Made
|
| BN967-0 | Clark And Randolph
|
Oliver "Rev." Mesheux (trumpet) Sandy Williams (trombone) Vivian Smith (piano) Jimmy Shirley (guitar) Israel Crosby (bass) Tommy Benford (drums) "Pigmeat" Alamo Markham (vocals)
WOR Studios, NYC, August 31, 1945
| BN255-1 | You've Been A Good Ol' Wagon
|
| BN257-1 | See See Rider
|
Jonah Jones (trumpet) Tyree Glenn (trombone) Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Oscar Pettiford (bass) J.C. Heard (drums)
WOR Studios, NYC, September 25, 1944
| BN989-0 | Hard Tack
|
| BN990-1 | If I Had You
|
** part of Blue Note 102.
Benny Morton (trombone) Edmond Hall (clarinet) Harry Carney (baritone saxophone) Don Frye (piano) Everett Barksdale (guitar) Alvin Raglin (bass) Sidney Catlett (drums)
WOR Studios, NYC, May 5, 1944
| BN973-3 | It's Been So Long
|
| BN974-1 | I Can't Believe That You're In Love With Me
|
Max Kaminsky (trumpet) Art Hodes (piano) Fred Moore (drums, vocals)
WOR Studios, NYC, April 6, 1945
| BN232-0 | Blues 'N' Booze (Blues 'N' Blues)
|
| BN229-4 | That Eccentric Rag (Eccentric)
|
John Hardee (tenor saxophone) Sammy Benskin (piano) Tiny Grimes (guitar) John Simmons (bass) Sidney Catlett (drums)
WOR Studios, NYC, February 28, 1946
| BN280-0 | Tired
|
| BN281-0 | Blue Skies
|
John Hardee (tenor saxophone) Sammy Benskin (piano) Tiny Grimes (guitar) John Simmons (bass) Sidney Catlett (drums): same session
WOR Studios, NYC, February 28, 1946
| BN282-0 | Hardee's Party
|
| BN283-5 | Idaho
|
** part of Blue Note 101.
Buck Clayton (trumpet) Keg Johnson (trombone) Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Grachan Moncur (bass) J.C. Heard (drums)
WOR Studios, NYC, July 17, 1945
| BN248-1 | Topsy
|
| BN249-0 | Cup-Mute Clayton
|
** part of Blue Note 102.
Ike Quebec (tenor saxophone) Dave Rivera (piano) Napoleon Allen (guitar) Milt Hinton (bass) J.C. Heard (drums)
WOR Studios, NYC, April 10, 1945
| BN234-1 | Dolores
|
| BN236-3 | Sweethearts On Parade
|
** part of Blue Note 102.
Albert Nicholas (clarinet) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Danny Alvin (drums)
WOR Studios, NYC, February 12, 1946
| BN276-1 | Blame It On The Blues (Quincy Street Stomp)
|
| BN279-2 | Weary Way Blues
|
Albert Nicholas (clarinet) Art Hodes (piano) Wellman Beaud (bass) Baby Dodds (drums)
WOR Studios, NYC, December 26, 1945
| BN273-2 | Careless Love
|
| BN275-0 | Winin' Boy Blues
|
Albert Nicholas (clarinet) Art Hodes (piano) Wellman Beaud (bass) Baby Dodds (drums): same session
WOR Studios, NYC, December 26, 1945
| BN272-2 | Feelin' At Ease
|
| BN274-2 | High Society
|
John Hardee (tenor saxophone) Bill Bivens (vibraphone) Sammy Benskin (piano) Jimmy Shirley (guitar) Gene Ramey (bass) Sidney Catlett (drums)
WOR Studios, NYC, May 31, 1946
| BN284-1 | What Is This Thing Called Love
|
| BN285-1 | Nervous From The Service
|
** part of Blue Note 101.
John Hardee (tenor saxophone) Bill Bivens (vibraphone) Sammy Benskin (piano) Jimmy Shirley (guitar) Gene Ramey (bass) Sidney Catlett (drums): same session
WOR Studios, NYC, May 31, 1946
| BN286-4 | River Edge Rock
|
| BN287-0 | Sweet And Lovely
|
** part of Blue Note 101.
Sammy Benskin (piano) Billy Taylor (bass) Specs Powell (drums)
WOR Studios, NYC, July 27, 1945
| BN250-2 | Cherry
|
| BN252-0 | The World Is Waiting For The Sunrise
|
Trummy Young (trombone) John Hardee (tenor saxophone) Marlowe Morris (piano) Tiny Grimes (guitar) Jimmy Butts (bass) Eddie Nicholson (drums)
WOR Studios, NYC, August 14, 1946
| BN289-1 | Flying Home, Pt. 1
|
| BN290-1 | Flying Home, Pt. 2
|
Trummy Young (trombone) John Hardee (tenor saxophone) Marlowe Morris (piano) Tiny Grimes (guitar) Jimmy Butts (bass) Eddie Nicholson (drums): same session
WOR Studios, NYC, August 14, 1946
| BN288-3 | C Jam Blues
|
| BN291-2 | Tiny's Boogie Woogie
|
Sandy Williams (trombone -1) Art Hodes (piano) Jimmy Shirley (guitar) Israel Crosby (bass)
NYC, April 21, 1944
| 1. BN969-0 | Low Down Blues (Low Down Bama Blues)
|
| 2. BN972-0 | Back Room Blues
|
Max Kaminsky (trumpet) Sandy Williams (trombone -2) Art Hodes (piano) Jimmy Shirley (guitar) Israel Crosby (bass)
NYC, April 21, 1944
| 1. BN968-0 | M.K. Blues
|
| 2. BN970-1 | Jug Head Boogie
|
Max Kaminsky (trumpet) Mezz Mezzrow (clarinet) Art Hodes (piano) Pops Foster (bass) Danny Alvin (drums)
WOR Studios, NYC, December 11, 1944
| BN200-0 | Gut Bucket Blues
|
| BN204-0 | Nobody's Sweetheart
|
Paul Campbell, Forrest Powell, Walter Williams (trumpet) Allen Durham, Britt Woodman (trombone) Floyd Turnham (alto saxophone) Les Hite (alto saxophone, director) Roger Hurd, Quedellis "Que" Martyn (tenor saxophone) Sol Moore (baritone saxophone) Nat Walker (piano) Frank Pasley (guitar) Al Morgan (bass) Oscar Bradley (drums) T-Bone Walker (vocals) Dudley Brooks (arranger)
NYC, June, 1940
Jimmy Shirley (guitar) Oscar Smith (bass)
WOR Studios, NYC, January 23, 1945
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Fred Moore (drums, vocals)
WOR Studios, NYC, October 12, 1945
| BN262-1 | Save It, Pretty Mama
|
| BN267-0 | Darktown Strutters' Ball
|
** part of Blue Note 103.
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Fred Moore (drums, vocals): same session
WOR Studios, NYC, October 12, 1945
| BN264-1 | Memphis Blues
|
| BN265-0 | Shine
|
** part of Blue Note 103.
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Fred Moore (drums, vocals): same session
WOR Studios, NYC, October 12, 1945
| BN263-1 | 'Way Down Yonder In New Orleans
|
| BN266-1 | St. James Infirmary
|
** part of Blue Note 103.
Rudy Williams (alto saxophone) Tadd Dameron (piano, vocals) Pee Wee Tinney (guitar, vocals) Art Phipps (bass) Charles Simon (drums) Babs Gonzales (vocals)
WOR Studios, NYC, February 24, 1947
| BN297-1 | Oop-Pop-A-Da
|
| BN298-3 | Stomping At The Savoy
|
Rudy Williams (alto saxophone) Tadd Dameron (piano, vocals) Pee Wee Tinney (guitar, vocals) Art Phipps (bass) Charles Simon (drums) Babs Gonzales (vocals): same session
WOR Studios, NYC, February 24, 1947
| BN296-1 | Lop-Pow
|
| BN299-2 | Pay Dem Dues
|
Tadd Dameron (piano, vocals) Pee Wee Tinney (guitar, vocals) Art Phipps (bass) Babs Gonzales (vocals)
WOR Studios, NYC, May 7, 1947
| BN302-3 | Dob Bla Bli
|
| BN303-1 | Weird Lullaby
|
Tadd Dameron (piano, vocals) Pee Wee Tinney (guitar, vocals) Art Phipps (bass) Babs Gonzales (vocals): same session
WOR Studios, NYC, May 7, 1947
| BN300-3 | Running Around
|
| BN301-5 | Babs' Dream
|
Shad Collins (trumpet) Keg Johnson (trombone) Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) John Collins (guitar) Milt Hinton (bass) J.C. Heard (drums)
WOR Studios, NYC, September 23, 1946
| BN294-1 | Someone To Watch Over Me
|
| BN295-4 | Zig Billion
|
Shad Collins (trumpet) Keg Johnson (trombone) Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) John Collins (guitar) Milt Hinton (bass) J.C. Heard (drums): same session
WOR Studios, NYC, September 23, 1946
| BN292-4 | The Masquerade Is Over
|
| BN293-2 | Basically Blue
|
Fats Navarro (trumpet) Ernie Henry (alto saxophone) Charlie Rouse (tenor saxophone) Tadd Dameron (piano) Nelson Boyd (bass) Shadow Wilson (drums)
WOR Studios, NYC, September 26, 1947
| BN305-1 | The Squirrel
|
| BN306-5 | Our Delight
|
Fats Navarro (trumpet) Ernie Henry (alto saxophone) Charlie Rouse (tenor saxophone) Tadd Dameron (piano) Nelson Boyd (bass) Shadow Wilson (drums): same session
WOR Studios, NYC, September 26, 1947
| BN304-2 | The Chase
|
| BN307-2 | Dameronia
|
Idrees Sulieman (trumpet) Danny Quebec West (alto saxophone) Billy Smith (tenor saxophone) Thelonious Monk (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 15, 1947
| BN310-1 | Suburban Eyes
|
| BN311-0 | Thelonious
|
Thelonious Monk (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 24, 1947
George Taitt (trumpet) Sahib Shihab (alto saxophone) Thelonious Monk (piano) Bob Paige (bass) Art Blakey (drums)
WOR Studios, NYC, November 21, 1947
Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Milt Hinton (bass) J.C. Heard (drums)
WOR Studios, NYC, July 18, 1944
| BN988-0 | Blue Harlem (alt. take)
|
Kenny Dorham (trumpet) Howard Bowe (trombone) Sahib Shihab (alto saxophone) Orland Wright (tenor saxophone) Ernest Thompson (baritone saxophone) Walter Bishop Jr. (piano) LaVerne Barker (bass) Art Blakey (drums)
WOR Studios, NYC, December 22, 1947
| BN322-3 | The Thin Man
|
| BN325-1 | Musa's Vision
|
Kenny Dorham (trumpet) Howard Bowe (trombone) Sahib Shihab (alto saxophone) Orland Wright (tenor saxophone) Ernest Thompson (baritone saxophone) Walter Bishop Jr. (piano) LaVerne Barker (bass) Art Blakey (drums): same session
WOR Studios, NYC, December 22, 1947
| BN323-1 | The Bop Alley
|
| BN324-2 | Groove Street
|
Idrees Sulieman (trumpet) Danny Quebec West (alto saxophone) Billy Smith (tenor saxophone) Thelonious Monk (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 15, 1947
Thelonious Monk (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 24, 1947
George Taitt (trumpet) Sahib Shihab (alto saxophone) Thelonious Monk (piano) Bob Paige (bass) Art Blakey (drums)
WOR Studios, NYC, November 21, 1947
Milt Jackson (vibraphone) Thelonious Monk (piano) John Simmons (bass) Shadow Wilson (drums)
Apex Studios, NYC, July 2, 1948
Thelonious Monk (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 24, 1947
Milt Jackson (vibraphone) Thelonious Monk (piano) John Simmons (bass) Shadow Wilson (drums)
Apex Studios, NYC, July 2, 1948
Max Kaminsky (trumpet -1) George Lugg (trombone -1) Leonard "Bujie" Centobie (clarinet) Art Hodes (piano) Chick Robertson (guitar) Jack Lesberg (bass) Danny Alvin (drums)
WOR Studios, NYC, May 23, 1945
| 1. BN241-0 | Wolverine Blues
|
| 2. BN245-0 | Bujie
|
** part of Blue Note 104.
Max Kaminsky (trumpet) George Lugg (trombone) Leonard "Bujie" Centobie (clarinet) Art Hodes (piano) Chick Robertson (guitar) Jack Lesberg (bass) Danny Alvin (drums)
WOR Studios, NYC, May 17, 1945
| BN238-3 | I Never Knew What A Gal Could Do
|
| BN239-1 | Mr. Jelly Lord
|
** part of Blue Note 104.
Max Kaminsky (trumpet) George Lugg (trombone) Leonard "Bujie" Centobie (clarinet) Art Hodes (piano) Chick Robertson (guitar) Jack Lesberg (bass) Danny Alvin (drums): same session
WOR Studios, NYC, May 17, 1945
same personnel
WOR Studios, NYC, May 23, 1945
** part of Blue Note 104.
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Teddy Stewart (drums) Gil Fuller (arranger)
Apex Studios, NYC, October 19, 1948
| BN340-4 | The Fuller Bop Man
|
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Art Blakey (drums) Chino Pozo (bongos, vocals) Gil Fuller (arranger)
Apex Studios, NYC, October 25, 1948
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Teddy Stewart (drums) Gil Fuller (arranger)
Apex Studios, NYC, October 19, 1948
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Art Blakey (drums) Chino Pozo (bongos, vocals) Gil Fuller (arranger)
Apex Studios, NYC, October 25, 1948
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Teddy Stewart (drums) Gil Fuller (arranger)
Apex Studios, NYC, October 19, 1948
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Art Blakey (drums) Chino Pozo (bongos, vocals) Gil Fuller (arranger)
Apex Studios, NYC, October 25, 1948
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Teddy Stewart (drums) Gil Fuller (arranger)
Apex Studios, NYC, October 19, 1948
Dave Burnes, Elmon Wright (trumpet) Ernie Henry (alto saxophone) James Moody (tenor saxophone) Cecil Payne (baritone saxophone) James "Men Gates" Forman (piano) Nelson Boyd (bass) Art Blakey (drums) Chino Pozo (bongos, vocals) Gil Fuller (arranger)
Apex Studios, NYC, October 25, 1948
| BN346-0 | Moody's All Frantic
|
Fats Navarro (trumpet) Howard McGhee (trumpet, piano) Ernie Henry (alto saxophone) Milt Jackson (vibraphone, piano) Curly Russell (bass) Kenny Clarke (drums)
Apex Studios, NYC, October 11, 1948
Fats Navarro (trumpet) Howard McGhee (trumpet, piano) Ernie Henry (alto saxophone) Milt Jackson (vibraphone, piano) Curly Russell (bass) Kenny Clarke (drums): same session
Apex Studios, NYC, October 11, 1948
| BN337-1 | Boperation
|
| BN336-3 | The Skunk
|
Fats Navarro (trumpet) Allen Eager, Wardell Gray (tenor saxophone) Tadd Dameron (piano) Curly Russell (bass) Kenny Clarke (drums) Chino Pozo (bongos -1)
Apex Studios, NYC, September 13, 1948
| 1. BN332-1 | Jahbero
|
| 2. BN333-0 | Lady Bird
|
Idrees Sulieman (trumpet) Danny Quebec West (alto saxophone) Billy Smith (tenor saxophone) Thelonious Monk (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 15, 1947
Milt Jackson (vibraphone) Thelonious Monk (piano) John Simmons (bass) Shadow Wilson (drums)
Apex Studios, NYC, July 2, 1948
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Fred Moore (drums)
WOR Studios, NYC, January 21, 1949
Wild Bill Davison (cornet) Ray Diehl (trombone) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Slick Jones (drums)
WOR Studios, NYC, March 23, 1949
| BN357-2 | At The Jazz Band Ball
|
** part of Blue Note 105.
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Fred Moore (drums)
WOR Studios, NYC, January 21, 1949
Wild Bill Davison (cornet) Ray Diehl (trombone) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Slick Jones (drums)
WOR Studios, NYC, March 23, 1949
| BN355-1 | Cake Walking Babies From Home
|
** part of Blue Note 105.
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Fred Moore (drums)
WOR Studios, NYC, January 21, 1949
| BN353-1 | When The Saints Go Marching In
|
Wild Bill Davison (cornet) Ray Diehl (trombone) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Slick Jones (drums)
WOR Studios, NYC, March 23, 1949
| BN354-0 | Basin Street Blues
|
** part of Blue Note 105.
Bunk Johnson (trumpet) Sandy Williams (trombone) Sidney Bechet (clarinet) Cliff Jackson (piano) Pops Foster (bass) Manzie Johnson (drums)
WOR Studios, NYC, March 10, 1945
| BN223-1 | Milenberg Joys
|
| BN226-0 | Days Beyond Recall
|
Bunk Johnson (trumpet) Sandy Williams (trombone) Sidney Bechet (clarinet) Cliff Jackson (piano) Pops Foster (bass) Manzie Johnson (drums): same session
WOR Studios, NYC, March 10, 1945
| BN225-0 | Lord, Let Me In The Lifeboat
|
| BN228-1 | Up In Sidney's Flat
|
Pierre Dervaux (trumpet) Claude Phillippe (trumpet, banjo) Mowgli Jospin (trombone) Claude Luter (clarinet) Sidney Bechet (soprano saxophone, clarinet) Christian Azzi (piano) Roland Bianchini (bass) Francois "Moustache" Galepides (drums)
Paris, France, October 14, 1949
Pierre Dervaux (trumpet) Bernard Zacharias (trombone) Claude Luter (clarinet) Sidney Bechet (soprano saxophone) Christian Azzi (piano) Roland Bianchini (bass) Francois "Moustache" Galepides (drums)
Paris, France, November 15, 1949
| V3033-1 | Struttin' With Some Barbecue
|
Pierre Dervaux (trumpet) Bernard Zacharias (trombone) Claude Luter (clarinet) Sidney Bechet (soprano saxophone) Christian Azzi (piano) Roland Bianchini (bass) Francois "Moustache" Galepides (drums): same session
Paris, France, November 15, 1949
| V3029-2 | Temptation Rag
|
| V3031-2 | Sobbin' And Cryin'
|
Pierre Dervaux (trumpet) Bernard Zacharias (trombone) Claude Luter (clarinet) Sidney Bechet (soprano saxophone) Christian Azzi (piano) Roland Bianchini (bass) Francois "Moustache" Galepides (drums): same session
Paris, France, November 15, 1949
| V3030-1 | Riverboat Shuffle
|
| V3034-2 | Saw Mill Blues
|
Pierre Dervaux (trumpet) Claude Phillippe (trumpet, banjo) Mowgli Jospin (trombone) Claude Luter (clarinet) Sidney Bechet (soprano saxophone, clarinet) Christian Azzi (piano) Roland Bianchini (bass) Francois "Moustache" Galepides (drums)
Paris, France, October 14, 1949
| V3015-2 | Ce Mossieu Qui Parle
|
| V3017-1 | Bechet's Creole Blues
|
Pierre Dervaux (trumpet) Claude Phillippe (trumpet, banjo) Mowgli Jospin (trombone) Claude Luter (clarinet) Sidney Bechet (soprano saxophone, clarinet) Christian Azzi (piano) Roland Bianchini (bass) Francois "Moustache" Galepides (drums): same session
Paris, France, October 14, 1949
| V3016-2 | Buddy Bolden Story
|
| V3019-2 | The Onions
|
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Fred Moore (drums)
WOR Studios, NYC, January 21, 1949
| BN352-1 | Nobody Knows You When You're Down And Out
|
Wild Bill Davison (cornet) Ray Diehl (trombone) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Slick Jones (drums)
WOR Studios, NYC, March 23, 1949
Wild Bill Davison (cornet) Jimmy Archey (trombone) Sidney Bechet (soprano saxophone) Joe Sullivan (piano) Pops Foster (bass) Slick Jones (drums)
WOR Studios, NYC, April 19, 1950
| BN376-4 | Copenhagen
|
| BN381-2 | Shim-Me-Sha-Wabble
|
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Fred Moore (drums)
WOR Studios, NYC, January 21, 1949
Wild Bill Davison (cornet) Jimmy Archey (trombone) Sidney Bechet (soprano saxophone) Joe Sullivan (piano) Pops Foster (bass) Slick Jones (drums)
WOR Studios, NYC, April 19, 1950
Blue Note 78 rpm Album series (12 inch 78 rpm Album)
Meade "Lux" Lewis (piano)
probably WMGM Radio Station, NYC, January 6, 1939
| tk.1 (486A-1) | The Blues, Pt. 1
|
| tk.2 (486A-2) | The Blues, Pt. 2
|
| tk.3 (486A-3) | The Blues, Pt. 3
|
| tk.4 (486A-4) | The Blues, Pt. 4
|
** same contents as Blue Note 8 + 9.
Blue Note 78 rpm Album series (10 inch 78 rpm Album)
John Hardee (tenor saxophone) Sammy Benskin (piano) Tiny Grimes (guitar) John Simmons (bass) Sidney Catlett (drums)
WOR Studios, NYC, February 28, 1946
| BN282-0 | Hardee's Party
|
| BN283-5 | Idaho
|
John Hardee (tenor saxophone) Bill Bivens (vibraphone) Sammy Benskin (piano) Jimmy Shirley (guitar) Gene Ramey (bass) Sidney Catlett (drums)
WOR Studios, NYC, May 31, 1946
| BN284-1 | What Is This Thing Called Love
|
| BN285-1 | Nervous From The Service
|
| BN286-4 | River Edge Rock
|
| BN287-0 | Sweet And Lovely
|
** same contents as Blue Note 514 + 520 + 521.
Jonah Jones (trumpet) Tyree Glenn (trombone) Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Oscar Pettiford (bass) J.C. Heard (drums)
WOR Studios, NYC, September 25, 1944
| BN989-0 | Hard Tack
|
| BN990-1 | If I Had You
|
Ike Quebec (tenor saxophone) Dave Rivera (piano) Napoleon Allen (guitar) Milt Hinton (bass) J.C. Heard (drums)
WOR Studios, NYC, April 10, 1945
| BN234-1 | Dolores
|
| BN236-3 | Sweethearts On Parade
|
Buck Clayton (trumpet) Keg Johnson (trombone) Ike Quebec (tenor saxophone) Roger Ram Ramirez (piano) Tiny Grimes (guitar) Grachan Moncur (bass) J.C. Heard (drums)
WOR Studios, NYC, July 17, 1945
| BN248-1 | Topsy
|
| BN249-0 | Cup-Mute Clayton
|
** same contents as Blue Note 510 + 515 + 516.
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone, clarinet) Art Hodes (piano) Pops Foster (bass) Fred Moore (drums, vocals)
WOR Studios, NYC, October 12, 1945
| BN262-1 | Save It, Pretty Mama
|
| BN263-1 | 'Way Down Yonder In New Orleans
|
| BN264-1 | Memphis Blues
|
| BN265-0 | Shine
|
| BN266-1 | St. James Infirmary
|
| BN267-0 | Darktown Strutters' Ball
|
** same contents as Blue Note 531 + 532 + 533.
Max Kaminsky (trumpet) George Lugg (trombone) Leonard "Bujie" Centobie (clarinet) Art Hodes (piano) Chick Robertson (guitar) Jack Lesberg (bass) Danny Alvin (drums)
WOR Studios, NYC, May 17, 1945
| BN237-1 | Chicago Gal
|
| BN238-3 | I Never Knew What A Gal Could Do
|
| BN239-1 | Mr. Jelly Lord
|
Max Kaminsky (trumpet -1,2) George Lugg (trombone -1,2) Leonard "Bujie" Centobie (clarinet) Art Hodes (piano) Chick Robertson (guitar) Jack Lesberg (bass) Danny Alvin (drums)
WOR Studios, NYC, May 23, 1945
| 1. BN241-0 | Wolverine Blues
|
| 2. BN244-2 | Willie The Weeper
|
| 3. BN245-0 | Bujie
|
** same contents as Blue Note 550 + 551 + 552.
Wild Bill Davison (cornet) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Fred Moore (drums)
WOR Studios, NYC, January 21, 1949
| BN349-2 | Tiger Rag
|
| BN350-0 | Tin Roof Blues
|
| BN353-1 | When The Saints Go Marching In
|
Wild Bill Davison (cornet) Ray Diehl (trombone) Sidney Bechet (soprano saxophone) Art Hodes (piano) Walter Page (bass) Slick Jones (drums)
WOR Studios, NYC, March 23, 1949
| BN354-0 | Basin Street Blues
|
| BN355-1 | Cake Walking Babies From Home
|
| BN357-2 | At The Jazz Band Ball
|
** same contents as Blue Note 561 + 562 + 563.
Blue Note 1500 series (10 inch 78 rpm)
Milt Jackson (vibraphone) Thelonious Monk (piano) John Simmons (bass) Shadow Wilson (drums)
Apex Studios, NYC, July 2, 1948
Fats Navarro (trumpet) Allen Eager, Wardell Gray (tenor saxophone) Tadd Dameron (piano) Curly Russell (bass) Kenny Clarke (drums)
Apex Studios, NYC, September 13, 1948
George Taitt (trumpet) Sahib Shihab (alto saxophone) Thelonious Monk (piano) Bob Paige (bass) Art Blakey (drums)
WOR Studios, NYC, November 21, 1947
| BN319-0 | Monk's Mood
|
| BN320-0 | Who Knows
|
Bud Powell (piano) Tommy Potter (bass) Roy Haynes (drums)
WOR Studios, NYC, August 9, 1949
| BN364-0 | You Go To My Head
|
| BN365-0 | Ornithology
|
Fats Navarro (trumpet) Sonny Rollins (tenor saxophone) Bud Powell (piano) Tommy Potter (bass) Roy Haynes (drums)
WOR Studios, NYC, August 9, 1949
| BN360-2 | Bouncing With Bud
|
| BN361-3 | Wail
|
Fats Navarro (trumpet) Sonny Rollins (tenor saxophone) Bud Powell (piano) Tommy Potter (bass) Roy Haynes (drums): same session
WOR Studios, NYC, August 9, 1949
| BN362-1 | Dance Of The Infidels
|
| BN363-1 | 52nd Street Theme
|
Kenny Dorham (trumpet) James Moody (tenor saxophone) Al Haig (piano) Tommy Potter (bass) Max Roach (drums)
Studio Technisonor, Paris, France, May 15, 1949
** reissue of Vogue (F) V 5009.
James Moody (tenor saxophone) Art Simmons (piano) Alvin "Buddy" Banks (bass) Clarence Terry (drums) Al Edwards (vocals)
Lausanne, Switzerland, April 30, 1949
Kenny Dorham (trumpet) James Moody (tenor saxophone) Al Haig (piano) Tommy Potter (bass) Max Roach (drums)
Studio Technisonor, Paris, France, May 15, 1949
Kenny Dorham (trumpet) James Moody (tenor saxophone) Al Haig (piano) Tommy Potter (bass) Max Roach (drums): same session
Studio Technisonor, Paris, France, May 15, 1949
| ST3012 | Tomorrow (Yesterdays)
|
** reissue of Vogue (F) V 5011.
Howard McGhee (trumpet) J.J. Johnson (trombone) Brew Moore (tenor saxophone) Kenny Drew (piano) Curly Russell (bass) Max Roach (drums)
WOR Studios, NYC, January 23, 1950
| BN371-1 | Fuguetta
|
| BN375-1 | I'll Remember April
|
Howard McGhee (trumpet) J.J. Johnson (trombone) Brew Moore (tenor saxophone) Kenny Drew (piano) Curly Russell (bass) Max Roach (drums): same session
WOR Studios, NYC, January 23, 1950
| BN372-0 | Fluid Drive
|
| BN374-0 | Donellon Square
|
Howard McGhee (trumpet) J.J. Johnson (trombone) Brew Moore (tenor saxophone) Kenny Drew (piano) Curly Russell (bass) Max Roach (drums): same session
WOR Studios, NYC, January 23, 1950
| BN370-2 | Lo-Flame
|
| BN373-0 | Meciendo
|
Thelonious Monk (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 24, 1947
| BN312-1 | Nice Work If You Can Get It
|
| BN315-1 | April In Paris
|
Bud Powell (piano) Curly Russell (bass -2) Max Roach (drums -2)
WOR Studios, NYC, May 1, 1951
| 1. BN383-0 | Over The Rainbow
|
| 2. BN384-0 | A Night In Tunisia
|
Bud Powell (piano) Curly Russell (bass -1) Max Roach (drums -1)
WOR Studios, NYC, May 1, 1951
| 1. BN382-4 | Un Poco Loco
|
| 2. BN385-1 | It Could Happen To You
|
Wynton Kelly (piano) Oscar Pettiford (bass) Lee Abrams (drums)
WOR Studios, NYC, July 25, 1951
| BN403-1 | Born To Be Blue
|
| BN404-0 | Where Or When
|
Wynton Kelly (piano) Franklin Skeete (bass -1) Oscar Pettiford (bass -2) Lee Abrams (drums)
WOR Studios, NYC, July 25, 1951
| 1. BN402-1 | Cherokee
|
| 2. BN405-0 | Moonglow
|
Wynton Kelly (piano) Franklin Skeete (bass) Lee Abrams (drums, congas)
WOR Studios, NYC, August 1, 1951
| BN412-1 | Summertime
|
| BN414-1 | Crazy, He Calls Me
|
Wynton Kelly (piano) Oscar Pettiford (bass) Lee Abrams (drums)
WOR Studios, NYC, July 25, 1951
Wynton Kelly (piano) Franklin Skeete (bass) Lee Abrams (drums, congas)
WOR Studios, NYC, August 1, 1951
| BN408-0 | Goodbye (78 rpm version)
|
Rene Reumont (French horn) Max Porret (flute) Robert Jeannoutot (oboe) Henri Bellicourt (clarinet, bass clarinet) James Moody (tenor, alto saxophone) Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir (violin) Robert Jadoux, Guy Rogne (cello) Bernard Galais (harp) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums) Pepito Riebe (bongos) Andre Hodeir (arranger, conductor)
Paris, France, July 13, 1951
| V4057 | Autumn Leaves
|
| V4060 | Shades Of Blonde
|
** reissue of Vogue (F) V 3024.
Rene Reumont (French horn) Max Porret (flute) Robert Jeannoutot (oboe) Henri Bellicourt (clarinet, bass clarinet) James Moody (tenor, alto saxophone) Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir (violin) Robert Jadoux, Guy Rogne (cello) Bernard Galais (harp) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums) Pepito Riebe (bongos) Andre Hodeir (arranger, conductor): same session
Paris, France, July 13, 1951
| V4058 | So Very Pretty
|
| V4062 | September Serenade
|
** reissue of Vogue (F) V 3025.
Rene Reumont (French horn) Max Porret (flute) Robert Jeannoutot (oboe) Henri Bellicourt (clarinet, bass clarinet) James Moody (tenor, alto saxophone) Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir (violin) Robert Jadoux, Guy Rogne (cello) Bernard Galais (harp) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums) Pepito Riebe (bongos) Andre Hodeir (arranger, conductor): same session
Paris, France, July 13, 1951
| V4056 | Bedelia
|
| V4061 | Jackie My Little Cat
|
** reissue of Vogue (F) V 3022.
Rene Reumont (French horn) Max Porret (flute) Robert Jeannoutot (oboe) Henri Bellicourt (clarinet, bass clarinet) James Moody (tenor, alto saxophone) Marcel Beaujojan, Lionel Gali, Jean Gaunet, Charles Vaudevoir (violin) Robert Jadoux, Guy Rogne (cello) Bernard Galais (harp) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums) Pepito Riebe (bongos) Andre Hodeir (arranger, conductor): same session
Paris, France, July 13, 1951
| V4055 | Loving You The Way I Do
|
| V4059 | Singing For You
|
** reissue of Vogue (F) V 3023.
Sahib Shihab (alto saxophone) Milt Jackson (vibraphone) Thelonious Monk (piano) Al McKibbon (bass) Art Blakey (drums)
WOR Studios, NYC, July 23, 1951
| BN392-1 | Four In One
|
| BN395-0 | Straight, No Chaser
|
Sahib Shihab (alto saxophone) Milt Jackson (vibraphone) Thelonious Monk (piano) Al McKibbon (bass) Art Blakey (drums): same session
WOR Studios, NYC, July 23, 1951
| BN393-0 | Criss Cross
|
| BN394-0 | Eronel
|
Milt Jackson (vibraphone -2) Thelonious Monk (piano) Al McKibbon (bass) Art Blakey (drums)
WOR Studios, NYC, July 23, 1951
| 1. BN396-1 | Ask Me Now
|
| 2. BN397-0 | Willow Weep For Me
|
Lou Donaldson (alto saxophone -1) Milt Jackson (vibraphone) John Lewis (piano) Percy Heath (bass) Kenny Clarke (drums)
WOR Studios, NYC, April 7, 1952
| 1. BN422-0 tk.1 | Tahiti
|
| 2. BN425-3 tk.12 | What's New
|
Lou Donaldson (alto saxophone -2) Milt Jackson (vibraphone) John Lewis (piano) Percy Heath (bass) Kenny Clarke (drums)
WOR Studios, NYC, April 7, 1952
| 1. BN423-1 tk.4 | Lillie
|
| 2. BN424-2 tk.8 | Bags' Groove
|
Lou Donaldson (alto saxophone) Milt Jackson (vibraphone) John Lewis (piano) Percy Heath (bass) Kenny Clarke (drums)
WOR Studios, NYC, April 7, 1952
| BN426-0 tk.14 | Don't Get Around Much Anymore
|
| BN427-0 tk.16 | On The Scene
|
Miles Davis (trumpet) J.J. Johnson (trombone) Jackie McLean (alto saxophone) Gil Coggins (piano) Oscar Pettiford (bass) Kenny Clarke (drums)
WOR Studios, NYC, May 9, 1952
| BN428-1 tk.2 | Dear Old Stockholm
|
| BN431-3 tk.13 | Woody'n You
|
Miles Davis (trumpet) J.J. Johnson (trombone -1) Jackie McLean (alto saxophone -1) Gil Coggins (piano) Oscar Pettiford (bass) Kenny Clarke (drums)
WOR Studios, NYC, May 9, 1952
| 1. BN429-3 tk.6 | Chance It
|
| 2. BN432-0 tk.14 | Yesterdays
|
Fats Navarro (trumpet) Ernie Henry (alto saxophone) Charlie Rouse (tenor saxophone) Tadd Dameron (piano) Nelson Boyd (bass) Shadow Wilson (drums)
WOR Studios, NYC, September 26, 1947
Miles Davis (trumpet) J.J. Johnson (trombone) Jackie McLean (alto saxophone) Gil Coggins (piano) Oscar Pettiford (bass) Kenny Clarke (drums)
WOR Studios, NYC, May 9, 1952
Lou Donaldson (alto saxophone) Horace Silver (piano) Gene Ramey (bass) Art Taylor (drums)
WOR Studios, NYC, June 20, 1952
| BN440-1 tk.2 | Roccus
|
| BN442-4 tk.11 | Cheek To Cheek
|
Lou Donaldson (alto saxophone) Horace Silver (piano) Gene Ramey (bass) Art Taylor (drums): same session
WOR Studios, NYC, June 20, 1952
| BN443-1 tk.9 | Lou's Blues
|
| BN441-2 tk.12 | The Things We Did Last Summer
|
Vic Dickenson (trombone) Bill Doggett (organ) John Collins (guitar) Jo Jones (drums)
WOR Studios, NYC, June 24, 1952
| BN444-2 tk.3 | Tenderly
|
| BN446-3 tk.9 | Lion's Den
|
Blue Note 1600 series (10 inch 78 rpm)
Vic Dickenson (trombone) Bill Doggett (organ) John Collins (guitar) Jo Jones (drums)
WOR Studios, NYC, June 24, 1952
| BN445-1 tk.5 | (I'm) Gettin' Sentimental (Over You)
|
| BN447-2 tk.14 | In A Mellow Tone
|
Kenny Dorham (trumpet) Lou Donaldson (alto saxophone) Lucky Thompson (tenor saxophone) Thelonious Monk (piano) Nelson Boyd (bass) Max Roach (drums)
WOR Studios, NYC, May 30, 1952
| BN434-1 tk.2 | Skippy
|
| BN438-0 tk.11 | Let's Cool One
|
Kenny Dorham (trumpet) Lou Donaldson (alto saxophone) Lucky Thompson (tenor saxophone) Thelonious Monk (piano) Nelson Boyd (bass) Max Roach (drums): same session
WOR Studios, NYC, May 30, 1952
| BN435-3 tk.7 | Hornin' In
|
| BN437-0 tk.10 | Carolina Moon
|
Rolf Ericson (trumpet) Ake Persson (trombone) Putte Wickman (clarinet) Arne Domnerus (alto saxophone) Carl-Henrik Norin (tenor saxophone) Lars Gullin (baritone saxophone) Ulf Linde (vibraphone) Bengt Hallberg (piano) Sten Carlberg (guitar) Simon Brehm (bass) Jack Noren (drums)
Stockholm, Sweden, September 5, 1951
| 2186 | Cream Of The Crop, Pt. 1
|
| 2187 | Cream Of The Crop, Pt. 2
|
** reissue of Cupol (Swd) 9007 entitled "
Jazzkritikerorkestern 1951 - Cream Of The Crop, Pt. 1&2".
Rolf Ericson (trumpet) Ake Persson (trombone) Putte Wickman (clarinet) Arne Domnerus (alto saxophone) Carl-Henrik Norin (tenor saxophone) Lars Gullin (baritone saxophone) Ulf Linde (vibraphone) Bengt Hallberg (piano) Sten Carlberg (guitar) Simon Brehm (bass) Jack Noren (drums): same session
Stockholm, Sweden, September 5, 1951
| 2188 | Summertime
|
| 2189 | Pick Yourself Up
|
** reissue of Cupol (Swd) 9008 entitled "
Favoritsolisterna 1951 - Summertime b/w Pick Yourself Up".
Eddie Bert (trombone) Gil Melle (tenor saxophone) Joe Manning (vibraphone) George Wallington (piano) Red Mitchell (bass) Max Roach (drums) Monica Dell (vocals -2)
Rudy Van Gelder Studio, Hackensack, NJ, March 2, 1952
| 1. BN461-3 (tk.4) | Four Moons
|
| 2. BN462-3 (tk.8) | The Gears
|
Eddie Bert (trombone) Gil Melle (tenor saxophone) Joe Manning (vibraphone) George Wallington (piano) Red Mitchell (bass) Max Roach (drums) Monica Dell (vocals)
Rudy Van Gelder Studio, Hackensack, NJ, March 2, 1952
| BN463-0 (tk.9) | Mars
|
| BN464-0 (tk.10) | Sunset Concerto
|
Horace Silver (piano) Gene Ramey (bass) Art Blakey (drums)
WOR Studios, NYC, October 9, 1952
| BN449-1 tk.5 | Safari
|
| BN450-6 tk.15 | Thou Swell
|
Blue Mitchell (trumpet -2) Lou Donaldson (alto saxophone) Horace Silver (piano) Percy Heath (bass) Art Blakey (drums)
WOR Studios, NYC, November 19, 1952
| 1. BN457-0 tk.1 | Sweet Juice
|
| 2. BN460-1 tk.10 | The Best Things In Life Are Free
|
Blue Mitchell (trumpet) Lou Donaldson (alto saxophone) Horace Silver (piano) Percy Heath (bass) Art Blakey (drums)
WOR Studios, NYC, November 19, 1952
| BN459-1 tk.8 | Down Home
|
| BN458-5 tk.12 | If I Love Again
|
Kenny Baker (trumpet) Gordon Langhorn (trombone) Ronnie Chamberlain, Henry McKenzie (clarinet) Johnny Dankworth (alto saxophone) Ronnie Scott (tenor saxophone) Dave Shand (baritone saxophone -1) Victor Feldman (vibraphone) Ralph Sharon (piano) Ivor Mairants (guitar) Charlie Short (bass) Jack Parnell (drums)
London, England, February 3, 1951
| 1. SSS-7-126 | Brand's Essence (Birdland Bounce)
|
| 2. SSS-7-127 | Marshall's Plan (Leapin' In London)
|
** reissue of Esquire (E) 10-115 entitled "
Melody Maker All Stars - Brand's Essence b/w Marshall's Plan".
Jimmy Deuchar (trumpet) Eddie Harvey (trombone) Johnny Dankworth (alto saxophone) Don Rendell (tenor saxophone) Bill LeSage (piano) Eric Dawson (bass) Tony Kinsey (drums)
London, England, July 29, 1950
| M-7-116 | Seven Not Out (Tea For Me)
|
| M-7-117 | Cherokee
|
** reissue of Esquire (E) 10-093 entitled "
Johnny Dankworth - Seven Not Out b/w Cherokee".
Dizzy Gillespie (trumpet, vocals) Bill Tamper (trombone) Hubert Fol (alto saxophone) Don Byas (tenor saxophone) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums)
Schola Cantorum, Paris, France, April 11, 1952
| 52V4225 | BN2002 | Lady Bird (Dizzy Song)
|
| 52V4229 | BN2001 | Sweet Lorraine
|
Dizzy Gillespie (trumpet, vocals) Don Byas (tenor saxophone) Arnold Ross (piano) Joe Benjamin (bass) Bill Clark (drums) Umberto Canto (congas)
Studio Jouvenet, Paris, France, March 27, 1952
| 52V4210-1 | BN2003 | Hurry Home
|
| 52V4211-3 | BN2004 | Afro-Paris
|
Dizzy Gillespie (trumpet, vocals) Don Byas (tenor saxophone) Arnold Ross (piano) Joe Benjamin (bass) Bill Clark (drums) Umberto Canto (congas): same session
Studio Jouvenet, Paris, France, March 27, 1952
| 52V4212-1 | BN2008 | Say Eh!
|
Dizzy Gillespie (trumpet, vocals) Bill Tamper (trombone) Hubert Fol (alto saxophone) Don Byas (tenor saxophone) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums)
Schola Cantorum, Paris, France, April 11, 1952
| 52V4230 | BN2007 | Everything Happens To Me
|
Dizzy Gillespie (trumpet, vocals) Bill Tamper (trombone) Hubert Fol (alto saxophone) Don Byas (tenor saxophone) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums): same session
Schola Cantorum, Paris, France, April 11, 1952
| 52V4227-1 | BN2006 | She's Funny That Way
|
| 52V4228 | BN2005 | Wrap Your Troubles In Dreams
|
Dizzy Gillespie (trumpet, vocals) Bill Tamper (trombone) Hubert Fol (alto saxophone) Don Byas (tenor saxophone) Raymond Fol (piano) Pierre Michelot (bass) Pierre Lemarchand (drums): same session
Schola Cantorum, Paris, France, April 11, 1952
| 52V4224 | BN2010 | CCC Blues (Cripple Crapple Crutch)
|
| 52V4226 | BN2009 | Somebody Loves Me
|
Miles Davis (trumpet) J.J. Johnson (trombone) Jimmy Heath (tenor saxophone) Gil Coggins (piano) Percy Heath (bass) Art Blakey (drums)
WOR Studios, NYC, April 20, 1953
| BN478-2 tk.6 | Enigma
|
| BN480-0 tk.10 | Tempus Fugit
|
Miles Davis (trumpet) J.J. Johnson (trombone -1) Jimmy Heath (tenor saxophone -1) Gil Coggins (piano) Percy Heath (bass) Art Blakey (drums)
WOR Studios, NYC, April 20, 1953
| 1. BN479-2 tk.9 | Ray's Idea
|
| 2. BN482-0 tk.16 | I Waited For You
|
Miles Davis (trumpet) J.J. Johnson (trombone) Jimmy Heath (tenor saxophone) Gil Coggins (piano) Percy Heath (bass) Art Blakey (drums)
WOR Studios, NYC, April 20, 1953
| BN477-2 tk.3 | Kelo
|
| BN481-3 tk.15 | C.T.A.
|
Clifford Brown (trumpet) J.J. Johnson (trombone) Jimmy Heath (tenor, baritone saxophone) John Lewis (piano) Percy Heath (bass) Kenny Clarke (drums)
WOR Studios, NYC, June 22, 1953
| BN503-3 tk.4 | Capri
|
| BN505-0 tk.6 | Turnpike
|
Clifford Brown (trumpet) Lou Donaldson (alto saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums)
WOR Studios, NYC, June 9, 1953
| BN492-0 tk.9 | Brownie Speaks
|
| BN494-0 tk.11 | You Go To My Head
|
Clifford Brown (trumpet) Lou Donaldson (alto saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same session
WOR Studios, NYC, June 9, 1953
| BN489-1 tk.2 | Bellarosa
|
| BN491-1 tk.8 | Cookin'
|
Clifford Brown (trumpet) Lou Donaldson (alto saxophone) Elmo Hope (piano) Percy Heath (bass) Philly Joe Jones (drums): same session
WOR Studios, NYC, June 9, 1953
| BN490-3 tk.6 | Carvin' The Rock
|
| BN493-0 tk.10 | De-Dah
|
Horace Silver (piano) Percy Heath (bass) Art Blakey (drums)
WOR Studios, NYC, November 23, 1953
| BN534-2 tk.6 | Opus De Funk
|
| BN535-1 tk.9 | Day In, Day Out
|
Art Blakey (drums) "Sabu" Martinez (bongos, congas -1)
WOR Studios, NYC, November 23, 1953
| 1. BN533-0 tk.1 | Message From Kenya
|
| 2. BN536-0 tk.11 | Nothing But The Soul
|
** also issued on Blue Note 45-1626.
Doug Mettome (trumpet, baritone horn) Urbie Green (trombone) John Murtaugh (tenor saxophone) Sam Staff (baritone saxophone) Jimmy Lyon (piano) Danny Martucci (bass) Jimmy Campbell (drums)
Rudy Van Gelder Studio, Hackensack, NJ, December 27, 1953
| BN543-0 (tk.1) | Skylark
|
| BN545-2 (tk.3) | Dansero
|
Bud Powell (piano) George Duvivier (bass) Art Taylor (drums)
WOR Studios, NYC, August 14, 1953
| BN514-1 tk.23 | I Want To Be Happy
|
| BN516-0 tk.27 | The Glass Enclosure
|
Bud Powell (piano) George Duvivier (bass) Art Taylor (drums): same session
WOR Studios, NYC, August 14, 1953
| BN511-2 tk.17 | Sure Thing
|
| BN512-2 tk.20 | Collard Greens And Black-Eyed Peas
|
Blue Note 1200 series (10 inch 78 rpm)
Milt Jackson (vibraphone) Thelonious Monk (piano) John Simmons (bass) Shadow Wilson (drums) Kenny Pancho Hagood (vocals)
Apex Studios, NYC, July 2, 1948
| BN326-3 | All The Things You Are
|
| BN327-2 | I Should Care
|
Clyde Bernhardt (trombone, vocals) Sam Taylor (tenor saxophone) Dave Small (baritone saxophone) Earl Knight (piano) Rene Hall (guitar) Gene Ramey (bass) Gus Johnson (drums)
Carnegie Hall Studio, NYC, October 6, 1949
| BN366 (tk.4) | Crackin' Bread
|
| BN367 (tk.2) | Meet Me On The Corner
|
Clyde Bernhardt (trombone, vocals) Sam Taylor (tenor saxophone) Dave Small (baritone saxophone) Earl Knight (piano) Rene Hall (guitar) Gene Ramey (bass) Gus Johnson (drums): same session
Carnegie Hall Studio, NYC, October 6, 1949
| BN368 (tk.3) | Don't Tell It
|
| BN369 (tk.3) | Chattanooga
|
Climax 100 series (12 inch 78 rpm)
Avery "Kid" Howard (trumpet, vocals) Jim Robinson (trombone) George Lewis (clarinet) Lawrence Marrero (banjo) Chester Zardis (bass) Edgar Mosley (drums)
New Orleans, LA, May 16, 1943
| CD105 | Climax Rag
|
| CD123 | Deep Bayou Blues
|
Jim Robinson (trombone) Sidney "Little Jim" Brown (tuba) George Lewis (clarinet, flute) Lawrence Marrero (banjo) Edgar Mosley (drums)
New Orleans, LA, May 15, 1943
Avery "Kid" Howard (trumpet, vocals) Jim Robinson (trombone) George Lewis (clarinet) Lawrence Marrero (banjo) Chester Zardis (bass) Edgar Mosley (drums)
New Orleans, LA, May 16, 1943
Avery "Kid" Howard (trumpet, vocals) Jim Robinson (trombone) George Lewis (clarinet) Lawrence Marrero (banjo) Chester Zardis (bass) Edgar Mosley (drums): same session
New Orleans, LA, May 16, 1943
| CD107 | Just A Closer Walk With Thee
|
| CD114 | Just A Little While To Stay Here
|
Avery "Kid" Howard (trumpet, vocals) Jim Robinson (trombone) George Lewis (clarinet) Lawrence Marrero (banjo) Chester Zardis (bass) Edgar Mosley (drums): same session
New Orleans, LA, May 16, 1943
| CD113 | Dauphine Street Blues
|
| CD119 | Fidgety Feet
|
Avery "Kid" Howard (trumpet, vocals) Jim Robinson (trombone) George Lewis (clarinet) Lawrence Marrero (banjo) Chester Zardis (bass) Edgar Mosley (drums): same session
New Orleans, LA, May 16, 1943
| CD111 | Careless Love Blues (Careless Love)
|
| CD122 | Don't Go 'Way Nobody
|